Official Author Website
Read Fantasy Book Critic’s review of The Price Of Power
Read Fantasy Book Critic interview with Michael Michel
Read Fantasy Book Critic’s review of The Price Of Power
Read Fantasy Book Critic interview with Michael Michel
AUTHOR INFORMATION: Michael Michel lives in Oregon with his wife and their “mini-me” children. When he isn’t obsessively writing, he can be found exercising, exploring nature, enjoying comedy, or playing Warhammer. His favorite shows are Dark, The Wire, and Scavenger’s Reign—clearly, he loves his heart to be abused.
OFFICIAL BOOK BLURB: Treachery looms across the land.
The Scarborn have deposed the once-great Ironlight family. With scores to settle, the lowborn shake rust from their knives and trade allegiances for a promise of blood while the highborn rally their armies.
Namarr’s future rests on a blade’s edge, and the heroes who might save it can no longer hide. Meanwhile, across the sea, Scothea has already succumbed to revolution.
Fanatics led by the Arrow of Light wrest the throne from an ancient line of kings. Now, their sights are set on a Third Crusade against Namarr. For most, it will be their last.
The pieces are set. The gameboard is chosen. For those unwilling to play, there’s only one peaceful place left…
The inside of a grave.
OVERVIEW/ANALYSIS: There’s a standout scene early in this story when a character attends a funeral and sings a haunting lament over the deceased. Although we never met the departed, the scene brought me near to tears. Powerful, gut-wrenching emotions were laid bare, breathing depth and weight into this grim saga of an empire teetering on the edge of collapse.
This is but one of many examples throughout Michael Michel’s A Graveyard for Heroes that evokes empathy and compassion with characters of varying moral quality. One of the new POVs is a military general from the invading Scothean empire, and while he has committed atrocities under the rule of his king, Michel crafts him in a way where we can fully grasp his conflicts and motivations. Michel shapes his characters with a subtle, deft touch, building lifelike characters and conversations through realistic dialogue, emotion-fueled actions, and questionable decisions.
A Graveyard for Heroes further elevates the series in every way. Similar to book one, The Price of Power, the story uses rich detail, strong character and plot development, and shocking scenes of violence and darkness to tell a slow-burn tale of revolution, responsibility, and vengeance. I found the tale to be increasingly unpredictable, which was an exciting and welcome feeling.
While there is magic to the world, it is limited in its usage, and this helped create a sense of awe when unleashed. This decision pairs well with the methodical nature of the storytelling, but I must stress that at no point did I ever feel the book’s pacing had slowed. Every chapter pushed the plot further, and the characters into more interesting and tighter predicaments.
I must note two additional elements that caught me off-guard: first, the usage of music led to some of the story’s most powerful scenes, as Michel’s descriptive prose made me feel like I was attending and listening to these performances live. Second, there were some thoughtful philosophical ideas introduced that helped convince people of a stubborn mindset to quickly change their worldviews. Well-written speeches argued for new approaches to thinking and doing, and I was nodding my head along with the characters in the audience. It speaks volumes to Michel’s ability to approach different mediums and evoke strong responses through his storytelling.
A Graveyard for Heroes succeeds in delivering a compelling, entertaining, and satisfying sequel to The Price of Power. It further raises the stakes while getting the reader to care deeply about the fates of its characters and the direction of where this is all headed.
CONCLUSION: This is a promising and exciting series from a talented and careful author, and I can easily recommend it to fans of dark, thoughtfully crafted, character-driven sagas. I look forward to re-reading both entries before book three arrives in January 2026. Highly recommended.
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For world-building, I tend to start with a bit of real history, and then bounce it off a character to see what works. From there, both evolve and influence each other until they become something unique.
Q] Perspective plays an important role in this story, though in book one the focus was mostly on POVs from the Namarr empire. Will readers get a chance to engage with POV’s from the opposing Scothean empire later in the series? What led to your decision to only focus on one side early on?
MM: Short answer: Yes. Readers will be introduced to Ikarai Valka, a Scothean general in book two.
And book two and three will take us to a number of new locations.
As to my decision to stay grounded in book one, that came down to a matter of strategy. I had to look at what would be best for readers. Originally, I had all nine characters’ POVs in book one. That…didn’t work.
Dreams of Dust and Steel is an intricate story set in a vast world. I didn’t want to overwhelm people, so I had three questions at the top of each chapter as I wrote book one. Something like this:
1 ) What’s the emotional arc?
2 ) What’s the action in this section?
3 ) What is the world-building/plot introduced?
Every chapter had to have some semblance of all three, or it needed to be cut. This allowed me to make sure there’s always a sense of progress for readers, even when the story slowed down. It also allowed me to ensure characters had continuity in their development, some manner of action occurring regularly–be it dialogue, fighting, etc–and it allowed me to “drip” the world-building to readers in a digestible way.
I want to stay focused on character journeys in this series, while slowly peeling back the world as we go. Novelty is one thing folk love when they read, so this is my way of manufacturing a sense of “newness/freshness” throughout the series.
That keeps the pages turning.
Q] You’re writing two series simultaneously: Dreams of Dust and Steel, as well as a series of novellas set years before the events in DoDaS. Was this always the plan, or had you considered integrating both stories into one series?
MM: This wasn’t a plan until I wrote War Song as a reward to backers in my first Kickstarter. Then, I caught the bug for something dark but slightly more heroic than TPoP.
I’d just read Red Rising as well, and enjoyed Darrow’s story. The way he constantly strategized the next best step, or accomplished incredible feats, alone or with allies, inspired me to write a whole prequel for this legendary character, Danath Ironlight. I realized he shares quite a few qualities with the Reaper and had a similar backstory. In a way, the novella series is an homage to both Red Rising and George Washington.
Q] Comparisons to George RR Martin’s “A Song of Ice and Fire” seem to get tossed around frequently these days, but in this case it feels an apt comparison, with a list of POVs and supporting characters thats ever growing. Is there concern that the story might get away from you, or do you have the full saga planned out in advance?
MM: The full saga is planned out. I know how it ends for all the characters and have book 4 and 5 roughly outlined. Book 3 is done and in revisions.
The advantage GoT has over my series is that all the characters start together. It’s easier to ground into the world, see how characters relate, etc., early on. Easier to lead them into danger and cool scenarios, too, because there’s no worry about bringing them immediately back together.
BUT, all those characters who fan outward from the localized starting point, THEN have to meander back. From a strategic perspective, this can make it hard to wrangle in and may cause a lot of “bloat” through the middle of a story as we have to invent new shit to lead characters toward a conclusion that seems pointless.
Now, the advantage I have over GoT is that all my characters have been moving toward one another from the start. So while I might lose readers early on who dislike the lack of intersection between characters, my way of always narrowing toward something has made each successive book move faster in the writing process, and readers get to be excited as they see their favorite POVS cross paths, or mysteries click into place.
My “bloat” is more toward the front end, but I’d call it necessary character building. At least, no meandering middle bit. Readers who like the series from book one should be in for a treat.
Q] If you have any free time, how do you spend it? Can you recommend any books, games, shows, that have recently caught your interest?
MM: You’re right to ask it the way you did, haha. Not a ton of free time since I have two kids and hustle constantly atm. Fingers are crossed there’s more respite on the horizon, though.
If I had more free time, I’d play a ton of tabletop and board games and have a regular exercise schedule (yoga, martial arts, weightlifting). I’d also do a lot more hiking and paddleboarding. I truly enjoy nature, comedy, TV/movies. Video games are cool, but not my main thing. I love to dance, too.
The top three shows I strongly recommend: Dark, The Wire, Scavenger’s Reign.
Favorite games in recent memory: Ghost of Tsushima and Hogwarts Legacy.
Read Fantasy
Book Critic’s review of The Price Of Power
Q] Tell
us about your early experience in reading and writing fantasy! What were some
of your favorite authors and series that influenced the Dreams of Dust and
Steel? Did you always write fantasy or have you explored different genres?
MM: Well you see, I started out writing porn scripts in my twenties--err--I mean, TOLKIEN!
Okay, serious answer. When I was seven, my older brother and I bought a white dwarf magazine and thought it was the coolest thing we’d ever seen, so I got heavily into Warhammer, which was a massive influence. Also, my dad used to read fantasy, and on long car rides, we listened to audiobooks, the coolest one being a David Eddings book–that’s what kicked off my reading journey.
My peak reader experiences have been A Song of Ice and Fire and the Riftwar Saga. The latter made me want to dream up worlds, and the former inspired me to be an author. Special shout-out to the X-Men cartoon as well. Growing up in the 90s, I recorded every episode on VHS. The psychosocial relationship between characters and their powers is brilliant.
I wrote a lot of Sci-Fi when I was a more active member of the Wordos critique group. I had some publications and a few honorable mentions in Writers of the Future druing that stretch, but fantasy has always been my passion.
I’ve also done some non-fiction spirituality writing. You might catch that vibe in book two and beyond when the Arrow of Light shows up.
Q] Your books tell the tale of two empires struggling for dominance and control, with both sides committing horrid atrocities over the span of decades. Most of the POVs we engage with in book one are on the side of Namarr, the current ruling class, though I found it difficult to cheer their victory due to their war crimes. Are there any real-world wars or invasions that you had in mind while developing these empires?
MM: I pull a ton from history. I love it. The events leading up to the current timeline of The Price of Power were heavily influenced by the American Revolutionary War. Danath is a Washington-esque character, though instead of being part of the upper-crust, he starts as a slave. Kurgs are a mix of samurai and Mesoamerican cultures–I was obsessed with the Mayans for a while. Scothea is a blend of elements taken from Russia and Japan.
MM: Well you see, I started out writing porn scripts in my twenties--err--I mean, TOLKIEN!
Okay, serious answer. When I was seven, my older brother and I bought a white dwarf magazine and thought it was the coolest thing we’d ever seen, so I got heavily into Warhammer, which was a massive influence. Also, my dad used to read fantasy, and on long car rides, we listened to audiobooks, the coolest one being a David Eddings book–that’s what kicked off my reading journey.
My peak reader experiences have been A Song of Ice and Fire and the Riftwar Saga. The latter made me want to dream up worlds, and the former inspired me to be an author. Special shout-out to the X-Men cartoon as well. Growing up in the 90s, I recorded every episode on VHS. The psychosocial relationship between characters and their powers is brilliant.
I wrote a lot of Sci-Fi when I was a more active member of the Wordos critique group. I had some publications and a few honorable mentions in Writers of the Future druing that stretch, but fantasy has always been my passion.
I’ve also done some non-fiction spirituality writing. You might catch that vibe in book two and beyond when the Arrow of Light shows up.
Q] Your books tell the tale of two empires struggling for dominance and control, with both sides committing horrid atrocities over the span of decades. Most of the POVs we engage with in book one are on the side of Namarr, the current ruling class, though I found it difficult to cheer their victory due to their war crimes. Are there any real-world wars or invasions that you had in mind while developing these empires?
MM: I pull a ton from history. I love it. The events leading up to the current timeline of The Price of Power were heavily influenced by the American Revolutionary War. Danath is a Washington-esque character, though instead of being part of the upper-crust, he starts as a slave. Kurgs are a mix of samurai and Mesoamerican cultures–I was obsessed with the Mayans for a while. Scothea is a blend of elements taken from Russia and Japan.
For world-building, I tend to start with a bit of real history, and then bounce it off a character to see what works. From there, both evolve and influence each other until they become something unique.
Q] Perspective plays an important role in this story, though in book one the focus was mostly on POVs from the Namarr empire. Will readers get a chance to engage with POV’s from the opposing Scothean empire later in the series? What led to your decision to only focus on one side early on?
MM: Short answer: Yes. Readers will be introduced to Ikarai Valka, a Scothean general in book two.
And book two and three will take us to a number of new locations.
As to my decision to stay grounded in book one, that came down to a matter of strategy. I had to look at what would be best for readers. Originally, I had all nine characters’ POVs in book one. That…didn’t work.
Dreams of Dust and Steel is an intricate story set in a vast world. I didn’t want to overwhelm people, so I had three questions at the top of each chapter as I wrote book one. Something like this:
1 ) What’s the emotional arc?
2 ) What’s the action in this section?
3 ) What is the world-building/plot introduced?
Every chapter had to have some semblance of all three, or it needed to be cut. This allowed me to make sure there’s always a sense of progress for readers, even when the story slowed down. It also allowed me to ensure characters had continuity in their development, some manner of action occurring regularly–be it dialogue, fighting, etc–and it allowed me to “drip” the world-building to readers in a digestible way.
I want to stay focused on character journeys in this series, while slowly peeling back the world as we go. Novelty is one thing folk love when they read, so this is my way of manufacturing a sense of “newness/freshness” throughout the series.
That keeps the pages turning.
Q] You’re writing two series simultaneously: Dreams of Dust and Steel, as well as a series of novellas set years before the events in DoDaS. Was this always the plan, or had you considered integrating both stories into one series?
MM: This wasn’t a plan until I wrote War Song as a reward to backers in my first Kickstarter. Then, I caught the bug for something dark but slightly more heroic than TPoP.
I’d just read Red Rising as well, and enjoyed Darrow’s story. The way he constantly strategized the next best step, or accomplished incredible feats, alone or with allies, inspired me to write a whole prequel for this legendary character, Danath Ironlight. I realized he shares quite a few qualities with the Reaper and had a similar backstory. In a way, the novella series is an homage to both Red Rising and George Washington.
Q] Comparisons to George RR Martin’s “A Song of Ice and Fire” seem to get tossed around frequently these days, but in this case it feels an apt comparison, with a list of POVs and supporting characters thats ever growing. Is there concern that the story might get away from you, or do you have the full saga planned out in advance?
MM: The full saga is planned out. I know how it ends for all the characters and have book 4 and 5 roughly outlined. Book 3 is done and in revisions.
The advantage GoT has over my series is that all the characters start together. It’s easier to ground into the world, see how characters relate, etc., early on. Easier to lead them into danger and cool scenarios, too, because there’s no worry about bringing them immediately back together.
BUT, all those characters who fan outward from the localized starting point, THEN have to meander back. From a strategic perspective, this can make it hard to wrangle in and may cause a lot of “bloat” through the middle of a story as we have to invent new shit to lead characters toward a conclusion that seems pointless.
Now, the advantage I have over GoT is that all my characters have been moving toward one another from the start. So while I might lose readers early on who dislike the lack of intersection between characters, my way of always narrowing toward something has made each successive book move faster in the writing process, and readers get to be excited as they see their favorite POVS cross paths, or mysteries click into place.
My “bloat” is more toward the front end, but I’d call it necessary character building. At least, no meandering middle bit. Readers who like the series from book one should be in for a treat.
Q] If you have any free time, how do you spend it? Can you recommend any books, games, shows, that have recently caught your interest?
MM: You’re right to ask it the way you did, haha. Not a ton of free time since I have two kids and hustle constantly atm. Fingers are crossed there’s more respite on the horizon, though.
If I had more free time, I’d play a ton of tabletop and board games and have a regular exercise schedule (yoga, martial arts, weightlifting). I’d also do a lot more hiking and paddleboarding. I truly enjoy nature, comedy, TV/movies. Video games are cool, but not my main thing. I love to dance, too.
The top three shows I strongly recommend: Dark, The Wire, Scavenger’s Reign.
Favorite games in recent memory: Ghost of Tsushima and Hogwarts Legacy.
I like the idea of aging heroes forced to save the world one more time. They’ve already done their time in the spotlight, but the world clearly refuses to stay saved for good. Slayers of Old offers a fun take on this trope; it’s cozy, character-driven, and reads well.
Jenny (a hunter once devoted to Artemis), Annette (a half-succubus grandma with sass and scars), and Temple Finn (a nearly century-old wizard bound to his half-sentient ancestral home) have settled into their golden years trying to run a bookstore in Salem. They want peace and to enjoy Temple’s excellent meals. Alas, eldritch horrors don’t have a shred of decency - they don’t care that the former Chosen Ones have arthritis and can barely remember to get dressed.
The house they live in is far more than a backdrop. Thanks to its magical bond with Temple, it creaks and groans with his aches, but it also bends reality. It rearranges its rooms on a whim, creates new ones when needed (say, for unexpected guests), and generally ignores the laws of physics. Between that and the sentient mice who assault neighborhood cats, the setting feels alive in the best way.
The magic here isn’t overly explained, which, honestly, I appreciated. It seeps and lingers and remains unpredictable. The banter between the trio is warm, sharp, and believable. Their friendship comes from decades of shared pain, triumph, and breakfast routines. They’ve all made their mistakes, and lived long enough to understand what matters now.
That said, the coziness comes at a small cost. You know going in that this isn’t the kind of story where the world will end in darkness. There’s comfort in that, sure-but it also meant the stakes never quite reached the heights I like. Evil won’t win, not really. The tone reassures you of that from the start.
And that’s okay. Sometimes I prefer the assurance that the found family will win, that the bookstore won’t burn, and that a haunted van with a ghost mom can be part of the solution. Slayers of Old delivers exactly what it sets out to: heart, humor, action, and magical mischief. Also, the ending isn’t exactly what some may expect, and it’s better for it.
I’d give it 4 stars. Cozy fantasy done right-with some battle scars, strong tea, physics-defying architecture, and maybe a cursed trinket or two.
Preorder Liminal Monster over HERE
Add Liminal Monster on Goodreads
Add Liminal Monster on Goodreads
Luke Tarzian has graced us with the cover for this newest story titled LIMINAL MONSTER. Firstly here's the blurb for it
Plus here's the snazzy cover for it which has been created by the author himself
For those reviewers who might be interested to review it, the author has set up an e-ARC request form over here.
Book review: The Price of Power by Michael Michel
Book links: Amazon | Goodreads
About the book: Prince Barodane could not hold back the darkness. Not even in himself. He laid an innocent city in its grave and then died a hero.
In his absence, war whispers across the land.
Power-hungry highborn dispatch spies and assassins to the shadows as they maneuver for the throne, while an even greater threat rises in the South. Monsters and cultists flock to the banners of a mad prophet determined to control reality…and then shatter it.
Destiny stalks three to the brink of oblivion.
A dead prince who isn’t dead. Barodane buried his shameful past in a stupor of drugs, drink, and crime. Now, he’d rather watch the world fall apart than wear the crown again.
An orphan with hero’s blood who's forced to make a harrowing betray her country or sacrifice her first love.
And a powerful seer who has no choice at all–her grandson must die.
If any of them fails to pay the price…
The cost will be the world’s complete annihilation.
Formats: Audiobook, ebook, paperback
Two empires have been struggling for decades. One side invaded and enslaved the other, but the slaves broke free and overcame their oppressors while unifying disparate territories into a sovereign nation. But as time passed, the oppressed became the oppressors; they enacted a horrifying tradition of permanently scarring the newborns of their old enemies. There are legitimate arguments on both sides for generational hatred, and the current balance of peace vs. rebellion is teetering on the precipice of disaster.
We follow several POVs across the continent: a powerful Grandmother tasked with training a doomed young boy; an isolated princess forced to prove her worth to save the kingdom from shattering into chaos; a disgraced war veteran-turned-drug dealer haunted by madness and regret; an ally of the veteran who traded honor for loyalty; a defeated and abused pig farmer who embarks on a suicide march up a cursed mountain haunted by demons and untold power.
The vast majority of the story has very little crossover between the characters, but the threads start to weave together near the conclusion. While there was some predictably with some of the later reveals, Michel’s strong character development and emotional growth elevated the reading experience.
The pacing was also strong, as I longed to return to each POV to see what would happen next — but was never upset about switching over to the next chapter POV. There was a good balance between action, plot development, and the emotional struggles each character was facing.
This is not a short book, but it still felt like it was all about setup — characters were introduced, stakes were raised, and pieces put in place for a long, complex, and exciting journey ahead.
I wouldn’t classify this as grimdark although it’s easy to see how others might. Just be warned that this is not an uplifting book — many terrible things happen to good people, and justice is fleeting. But for those who like grit and grime and no easy solutions, this is an easy recommendation to make. I already started the prequel novella and eagerly await book two’s release.
Buy The Incandescent
FORMAT/INFO: The Incandescent was published by Tor Books on May 13th, 2025. It is 432 pages long and is available in hardcover, ebook, and audiobook formats.
OVERVIEW/ANALYSIS: As the Director of Magic at Chetwood Academy, one of the most prestigious boarding schools in England, Dr. Walden's day is full of everything from faculty meetings to demons trying to break through the school's wards. She is constantly torn between keeping up on mundane admin while trying to stop idiot teenagers from messing with magic beyond their capabilities. But what is Dr. Walden to do when the greatest threat to the school might be herself?
The Incandescent is a fresh spin on the magical academia genre, where the overworked, underpaid faculty at an elite boarding school get to shine front and center. Nearly, if not all, magical academia books I have read have been from the POV of the students. I've seen plenty of books where a group of scrappy teenagers discovers a dark conspiracy afoot at their school. They sneak behind teachers' backs, dabble in a bit of forbidden magic or research, and generally defy authority, all in the name of saving the day.
But let's face it, many teenagers aren't noble heroes on a quest - they're idiots. Enter the exasperated staff of Chetwood Academy, trying to help shape students on their quest to discover their path in life, while also making sure they don't fall prey to demonic possession because they cut corners while drawing a summoning diagram. Dr. Walden and her staff are just as often trying to save the students from themselves as much as from outside threats, all while grading papers, offering career counseling, and managing the school's budget.
The Incandescent also takes a moment to examine and critique the whole structure of elitist boarding school culture. It examines the notion that what parents aren't paying for isn't really a top tier education; they're paying for their child to join the network of alumni scattered across the country and use that network for the rest of their lives. It's the social connections that truly matter to most parents, the security of knowing their child will have plenty of contacts who will open doors for them in the future. This in turn perpetuates systemic class disparities, as most often only those who can pay for the connections, get the connections.
I want to take a moment to note that while the marketing for this book makes a point of mentioning this is a sapphic story, you shouldn't expect a sweeping romance. Relationships are just one part of Dr. Walden's life, and certainly not the focus - which is good, because I found those romance dynamics one of the weaker parts of the story. On the one hand, I liked that Dr. Walden is grappling with the complications of juggling potential romance with the demands of her career. But there was just no chemistry between Dr. Walden and her love interest, leaving not particularly interested in what happened on that front.
CONCLUSION: The Incandescent is a worthy addition to the shelves of magical academia, and any fan of the genre should give it a read. It examines school culture from the rare perspective of the teacher, but it doesn't put forth that the teachers have all the answers; one of the best scenes is a student who challenges Dr. Walden's notion of how well their life situation and an elite boarding school education track go together. It gives you food for thought while also being an entertaining blend of school exams and demonic invasions, making The Incandescent a definite recommend.
OVERVIEW/ANALYSIS: As the Director of Magic at Chetwood Academy, one of the most prestigious boarding schools in England, Dr. Walden's day is full of everything from faculty meetings to demons trying to break through the school's wards. She is constantly torn between keeping up on mundane admin while trying to stop idiot teenagers from messing with magic beyond their capabilities. But what is Dr. Walden to do when the greatest threat to the school might be herself?
The Incandescent is a fresh spin on the magical academia genre, where the overworked, underpaid faculty at an elite boarding school get to shine front and center. Nearly, if not all, magical academia books I have read have been from the POV of the students. I've seen plenty of books where a group of scrappy teenagers discovers a dark conspiracy afoot at their school. They sneak behind teachers' backs, dabble in a bit of forbidden magic or research, and generally defy authority, all in the name of saving the day.
But let's face it, many teenagers aren't noble heroes on a quest - they're idiots. Enter the exasperated staff of Chetwood Academy, trying to help shape students on their quest to discover their path in life, while also making sure they don't fall prey to demonic possession because they cut corners while drawing a summoning diagram. Dr. Walden and her staff are just as often trying to save the students from themselves as much as from outside threats, all while grading papers, offering career counseling, and managing the school's budget.
The Incandescent also takes a moment to examine and critique the whole structure of elitist boarding school culture. It examines the notion that what parents aren't paying for isn't really a top tier education; they're paying for their child to join the network of alumni scattered across the country and use that network for the rest of their lives. It's the social connections that truly matter to most parents, the security of knowing their child will have plenty of contacts who will open doors for them in the future. This in turn perpetuates systemic class disparities, as most often only those who can pay for the connections, get the connections.
I want to take a moment to note that while the marketing for this book makes a point of mentioning this is a sapphic story, you shouldn't expect a sweeping romance. Relationships are just one part of Dr. Walden's life, and certainly not the focus - which is good, because I found those romance dynamics one of the weaker parts of the story. On the one hand, I liked that Dr. Walden is grappling with the complications of juggling potential romance with the demands of her career. But there was just no chemistry between Dr. Walden and her love interest, leaving not particularly interested in what happened on that front.
CONCLUSION: The Incandescent is a worthy addition to the shelves of magical academia, and any fan of the genre should give it a read. It examines school culture from the rare perspective of the teacher, but it doesn't put forth that the teachers have all the answers; one of the best scenes is a student who challenges Dr. Walden's notion of how well their life situation and an elite boarding school education track go together. It gives you food for thought while also being an entertaining blend of school exams and demonic invasions, making The Incandescent a definite recommend.
Book Review: The Everlasting by Alix E. Harrow
Book links: Tor Publishing Group | Goodreads
ABOUT THE AUTHOR: Alix E. Harrow is the Hugo Award winning author of The Ten Thousand Doors of January, The Once and Future Witches, and various short fiction. Her Fractured Fables series, beginning with the novella A Spindle Splintered, has been praised for its refreshing twist on familiar fairy tales. A former academic and adjunct, Harrow lives in Virginia with her husband and their two semi-feral kids.
Publisher: Tor Books (Expected October 2025)
Formats: Audiobook, ebook, paperback
Told from an alternating second-person narrative (!) that echoes through time (!!), the story brings to mind Ken Grimwood’s classic Replay in all the best ways. Stories of this particular genre seem like they’d be especially difficult to execute, but Harrow does a remarkable job at harvesting all the seeds planted throughout the story.
I’m not going to divulge any further plot details as that would spoil some of the fun. Trust that the book is full of surprises and runs the full gamut of emotions, so prepare yourself for an immersive reading experience.
Sorry for cutting this short, but I have to go. If you need me, I’ll be waiting beneath the yew tree…
Official Author Website
Pre-order God’s Junk Drawer over HERE
Read Fantasy Book Critic’s review of Ex-Heroes
Read Fantasy Book Critic's review of Ex-Patriots
Read Fantasy Book Critic’s review of Ex-Communication
Read Fantasy Book Critic's review of Ex-Purgatory
Read Fantasy Book Critic's review of Ex-Isle
Read Fantasy Book Critic's review of The Junkie Quatrain
Read Fantasy Book Critic's review of 14
Read Fantasy Book Critic's review of The Fold
Pre-order God’s Junk Drawer over HERE
Read Fantasy Book Critic’s review of Ex-Heroes
Read Fantasy Book Critic's review of Ex-Patriots
Read Fantasy Book Critic’s review of Ex-Communication
Read Fantasy Book Critic's review of Ex-Purgatory
Read Fantasy Book Critic's review of Ex-Isle
Read Fantasy Book Critic's review of The Junkie Quatrain
Read Fantasy Book Critic's review of 14
Read Fantasy Book Critic's review of The Fold
Read Fantasy Book Critic’s review of The Broken Room
Read Fantasy Book Critic Interview with Peter Clines
Read Fantasy Book Critic’s second interview with Peter Clines
Read I See Dead People by Peter Clines (Guest Post)
Read Fantasy Book Critic Interview with Peter Clines
Read Fantasy Book Critic’s second interview with Peter Clines
Read I See Dead People by Peter Clines (Guest Post)
We are big fans of Peter Clines at Fantasy Book Critic and it's been a while since we have gotten to read some of Pete's fabulously twisted tales. So it is with great pleasure that we got news of the cover for God's Junk Drawer.
Peter's newest standalone book is being released by Blackstone Publishing on Nov. 11th 2025 and here's the snazzy cover for it featuring the talents of James T. Egan (Bookfly design).
Forty years ago, the Gather family—James, his daughter Beau, and his son Billy—vanished during a whitewater rafting trip and were presumed dead.
Five years later, Billy reappeared on the far side of the world, telling an impossible tale of a primordial valley populated by dinosaurs, aliens, Neanderthals, and androids. Little Billy became the punchline of so very many jokes, until he finally faded from the public eye.
Now, a group of graduate astronomy students follow their professor, Noah Barnes, up a mountain for what they believe is a simple stargazing trip. But they’re about to travel a lot farther than they planned …
Noah—the now grown Billy Gather—has finally figured out how to get back to the Valley. Accidentally bringing his students along with him, he’s confident he can get everyone back home, safe and sound.
But the Valley is a puzzle—one it turns out Noah hasn''t figured out—and they’ll need to solve it together if there’s any chance of making it out alive.
Pulling from Earth’s past, future, and beyond, Peter Clines has created a complex, dangerous world, navigated by a dynamic ensemble cast, and a story that is thrilling as it is funny and heartfelt.
Book links: Amazon, Goodreads
ABOUT THE AUTHOR: Adam Oyebanji was born in Coatbridge, in the West of Scotland, and is now in Edinburgh, by way of Birmingham, London, Lagos, Nigeria, Chicago, Pittsburgh and New York. After graduating from Birmingham University and Harvard Law School, he worked as a barrister, before moving to New York to work in counter-terrorist financing in Wall Street, helping to choke off the money supply that builds weapons of mass destruction, narcotics empires and human trafficking networks. His first novel, Braking Day, was a finalist for the Canopus Award.
Publisher: DAW (May 20, 2025) Length: 432 pages (Kindle edition) Formats: Audiobook, ebook, paperback
Buy Level: Ascension
Read our review of Book 1, Level: Unknown
FORMAT/INFO: Level: Ascension was published by Orbit Books on May 13th, 2025. It is 400 pages long and available in ebook, audiobook, and paperback formats.
OVERVIEW/ANALYSIS: In order to save his world, Nick will have to end another. With a large black disc traveling closer and closer to his research station, Nick spends nearly all his time in the fantasy world of Yensere, a digital simulation created by a mysterious alien artifact. In Yensere, the god-king Vaan has frozen a similar looking black sun in the sky; this has prevented an apocalypse in Yensere but disrupted the patterns of time and nature in a way that seems to be destroying the world anyway, if more slowly. If Nick is to understand the doom that approaches his people, he will have to kill the god-king Vaan and unleash disaster on Yensere so that he can gain whatever knowledge he can. But before then, he'll have to defeat the god-king's chosen champions - a task that will come with a devastating cost.
Level:Ascension continues to expand its world in interesting ways, but the plot was overwhelmed by the sheer number of fight sequences. On the plus side we get to learn more about Frost, her origin, and how her sister went missing. It added some much needed personal stakes to the story beyond the also important "save the world." I also appreciated the teases we get indicating that Yensere isn't the only digital world contained within the alien artifact.
But these small nuggets of clues and character insight were overwhelmed by fight after fight after fight. On the one hand, I understand that a LitRPG is going to have a lot of battles in it, especially when it's inspired by a game like Dark Souls. Going from one epic fight to another is literally what that game genre is all about. But the more fights you have with everyone wielding awe-inspiring powers, the less exciting each encounter feels.
Don't get me wrong, in a vacuum the individual fights are impressive. As always, this author delivers a powerhouse finale that is a great set piece with personal stakes. But I could have used one or two fewer fights and a little more time expanding on some of the other characters. Sir Gareth, for instance, was a strong part of book one, but gets a bit left by the wayside in this sequel, a hazard of several new characters entering the playing field.
OVERVIEW/ANALYSIS: In order to save his world, Nick will have to end another. With a large black disc traveling closer and closer to his research station, Nick spends nearly all his time in the fantasy world of Yensere, a digital simulation created by a mysterious alien artifact. In Yensere, the god-king Vaan has frozen a similar looking black sun in the sky; this has prevented an apocalypse in Yensere but disrupted the patterns of time and nature in a way that seems to be destroying the world anyway, if more slowly. If Nick is to understand the doom that approaches his people, he will have to kill the god-king Vaan and unleash disaster on Yensere so that he can gain whatever knowledge he can. But before then, he'll have to defeat the god-king's chosen champions - a task that will come with a devastating cost.
Level:Ascension continues to expand its world in interesting ways, but the plot was overwhelmed by the sheer number of fight sequences. On the plus side we get to learn more about Frost, her origin, and how her sister went missing. It added some much needed personal stakes to the story beyond the also important "save the world." I also appreciated the teases we get indicating that Yensere isn't the only digital world contained within the alien artifact.
But these small nuggets of clues and character insight were overwhelmed by fight after fight after fight. On the one hand, I understand that a LitRPG is going to have a lot of battles in it, especially when it's inspired by a game like Dark Souls. Going from one epic fight to another is literally what that game genre is all about. But the more fights you have with everyone wielding awe-inspiring powers, the less exciting each encounter feels.
Don't get me wrong, in a vacuum the individual fights are impressive. As always, this author delivers a powerhouse finale that is a great set piece with personal stakes. But I could have used one or two fewer fights and a little more time expanding on some of the other characters. Sir Gareth, for instance, was a strong part of book one, but gets a bit left by the wayside in this sequel, a hazard of several new characters entering the playing field.
CONCLUSION: For some of you, hearing that Level: Ascension is chock full of impressive fight scenes is going to be fantastic news, and I encourage you to go give this series a try! For me, while I enjoy the overall concept of this simulated world, I had a bit of trouble finding the momentum in this particular outing. Perhaps with everything coming to a head in upcoming Level: Apocalypse, I'll find that momentum once more.
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