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Read Building The Perfect Revolver by Seth Skorkowsky (Guest Post) 

AUTHOR INFORMATION: Seth Skorkowsky was born in east Texas in 1978 and always dreamed of being a writer. His short story "The Mist of Lichthafen" was nominated for a British Fantasy Award (long list) in 2009. Dämoren is Seth's debut novel. He recently signed a two-book deal with Rogue Blades Entertainment for his "Black Raven" sword-and-sorcery collection. When not writing, Seth enjoys travel, shooting, and tabletop gaming. He currently lives in Denton, Texas, with his wife.

OFFICIAL BOOK BLURB: A secret society of monster hunters. A holy revolver forged to eradicate demons. A possessed man with a tragic past. A rising evil bent on destroying them all.

Matt Hollis is the current wielder of the holy weapon, Dämoren. With it, he stalks and destroys demons. A secret society called the VALDUCANS has taken an interest in Matt’s activities. They see him as a reckless rogue—little more than a ‘cowboy’ corrupted by a monster—and a potential threat to their ancient order.

As knights and their sentient weapons begin dying, Matt teams up with other hunters of his kind such as Luiza, a woman with a conquistador blade; Allan, an Englishman with an Egyptian khopesh; Malcolm, a voodoo priest with a sanctified machete; and Takaira, a naginata-swinging Samurai.

As the hunters become the hunted, they must learn to trust one another before a powerful demonic entity thrusts the world into a terrible and ageless darkness.

CLASSIFICATION: The Valducan series is an action-packed urban fantasy series with a rather strong streak of horror running through it. Think Jim Butcher meets James Rollins with a dash of Lovecraft. 

FORMAT/INFO: Dämoren is 320 pages long divided over twenty-one numbered chapters. Narration is in the third person solely via Matt Hollis. This is book one of the Valducan series.

April 14th, 2014 marked the e-book publication of Dämoren via Ragnarok Publications. Cover design is by J.M. Martin.

ANALYSIS: With urban fantasies nowadays, there’s only so much being done. Faced with the usual bandwagon of vampires, werewolves, faeries, elves and other tropes, it can get a tad disappointing for an urban fantasy fan like me. Of course we have authors like Ilona Andrews, Liz Williams, Myke Cole, Tim Marquitz, and Rachel Aaron who dare to stretch the limits and pave new ground.

Seth Skorkowsky’s Dämoren was a book, which after reading the blurb, I was hoping that would also be different. The blurb details a world wherein there’s a series of holy weapons that have been wielded by men and women to defeat all sorts of unnatural and nasty creatures. Matt Hollis is our protagonist who is also the current wielder of Dämoren and he’s been doing his job (of sorts) since he learnt what the world truly is. In his teenage years when he went by Spencer Mallory, he came to know what a wendigo is and what savagery a group of them can inflict. Saved by a stranger who wielded Dämoren, Matt/Spencer is drawn to the gun with a mind of its own. Fastforward fourteen years to the attack, we encounter Matt investigating a strange phenomenon in Canada.

That’s where he meets the Valducans, a strange group of people who wield similar weapons and who request him for his help. There’s much more to the weapons than Matt knows but the only way he can get information is if he decides to join this motley bunch. The spanner in the works is that Matt has a secret of his own and it might endanger everyone.

You have to admit Seth Skorkowsky has gotten a nice hook with this story. There’s a magical weapon, a freaking revolver with a blade. It’s sentient as are other weapons and a mystery organization is holding them to battle with all sorts of nasty creatures. The author does really go out of his way to make this tale an international one by having the story move around from locale to locale and doesn’t conform to any one specific mythology either. Utilizing a whole gamut of creatures from European, Native American and Hindu mythos, he keeps the story and the readers on an even keel. There’s also a strong undercurrent of horror that the author utilizes effectively within the action sequences and with certain plot points.

The story also moves at a very fast pace and has some terrific action sequences interspersed. Additionally the author also has some neat twists reserved for the end, which go on to explain some exciting hints about the mythology of the holy weapons. The author also gives some important information about the world between chapters as book excerpts and other such, which really helps the reader without going into unnecessary exposition. The story is nicely streamlined as the Valducans are constantly hammered on all fronts and Matt has to figure it out before the suspicions against him turn violent. The story also ends on a big climax that should satisfy most of the readers and points excitingly towards a sequel.

Now to the points that didn’t make this it a five star read, in regards to the characterization of the protagonist. We are given enough of a clue about him and his past however the circumstances with which he grew up would have been exciting to explore. A boy who has been savaged by wendigos is saved by something beyond his control and yet looked on with hostility by his savior. That’s a terrific origin story right there! Of course with regards to the story he wanted to tell, I can imagine why the author directly jumped to the present. Also in regards to the other characters, we don’t get much background on them but they aren’t cardboard cutouts either.

Another thing I would have enjoyed is that if the author had explored as to how all the world religions and mythologies tie in together, there are a few things mentioned here and there. But nothing concrete is offered, this is what usually ruffles the read for me. I would have liked to see how the world religions have been affected or atleast some hypothesis in regards to it. But with this being book one in a series, it can be understood if the author didn't want to reveal all his cards. Lastly one more interesting thing the author manages is that he very effectively sidesteps the question of which brand of belief is the correct one. I thought that was a very smooth move.

CONCLUSION: Dämoren is an exciting debut, as it offers the best of both urban fantasy and thrillers have to offer. Seth Skorkowsky writes a story that is an excellent combination of horror, action and mythology, furthermore his writing flows smoothly and makes for a damned good read as well. Check out Dämoren if you like Jim Butcher's works mixed in with a strong dash of James Rollins' thrillers.

When writing DÄMOREN, the pistol's physical description was critical. I wanted a gun that was unique, yet historically accurate for the time period she was made. It went through several changes before I finally knew what she would look like. I had already decided that Dämoren was originally a holy sword that was broken in the 19th Century. The owner then took the pieces to a gunsmith and had them made into revolver (which at the time was the pinnacle of weapon technology). A friend suggested the idea that she should be single-action and the bullets should be loaded one at a time, making it even slower than modern revolvers.

(Old-style revolvers used a little latch called a Loading Gate to load and unload the pistol.)

MAGIC

The original concept was to have a gun that could kill a demon. Magical swords have always existed in folklore, and the blade of a magic sword hitting and killing its opponent is easy to understand. A magical gun, however, is a different matter. A gun never touches the target, so in order for it to work, the power must somehow transfer to the bullet. My original solution was to have a prayer etched along the inside of the barrel. As the bullet travels down the barrel, it gains this blessing. To finalize the consecration, the word "Amen" would be molded into the bullet itself, thus charging it with demon-killing magic.

Since the bullets had to be molded to have the word "Amen”, that meant my hero would need to cast and load each bullet. I decided that even the brass shells should be engraved and special, and that the hero would only have a limited number of them. Therefore he'd have to save and reuse the shells over and over, while casting new bullets. This also added a few more hindrances on my protagonist, which I liked. I didn't want having a demon-killing handgun to be too easy.

At the time I was coming up with these ideas, I wasn't a very experienced shooter. I was talking to a friend (who was very experienced) about the concept when he mentioned that brass shells don't last forever and eventually do wear out. He said that it shouldn't be a problem since the magic of the gun could also cause the shells to be more durable or heal themselves. I agreed (can't argue with science), but wanted to further explain why holy weapons might heal minor damage, rather than just saying "magic" and ignoring it. Without giving too much away, the solution changed the course of the world mythology. As a tribute to my good friend, who also taught me how to shoot properly, I named my hero's mentor after him. Clay.

CARTRIDGES

Because I wanted Dämoren's shells to be reloads, it meant that the gun had to have been made after 1866. That was the year that modern primer cartridges were first patented. Prior to that, bullets were either cap and ball or pinfire, neither of which I wanted. In order to qualify as an antique firearm, for a scene where the hero gets Dämoren past customs, it would need to be made prior to 1898 and not fire any normal-sized caliber.

(Pinfire (or Lefaucheux) shells had a firing pin that jutted from the side, unlike a primer in the back, as we have today.  They were terribly unsafe.  Bumping them could set them off.  I also admit I was very tempted to use them for Dämoren.)

THE BLADE

Surprisingly, Dämoren's most noticeable feature, the rather intimidating blade beneath her barrel, was one of the last additions I came up with. Early on, I had decided that Dämoren's power to kill demons wouldn't just be reserved to her bullets. As a holy weapon, she should be able to pistol-whip a demon to death. I imagined a scene where Matt, out of ammo and facing an oncoming monster, flips the gun around grabbing by the barrel and clubs the demon down. Then I learned how to shoot and found out how insanely hot a gun barrel is after firing (Who would have thought that TV and movies lied?). In searching for an alternative, I found this:

(Affixing a blade beneath the barrel transformed Dämoren from a spiffy magic gun into a badass demon killer.)

Since Dämoren was to have been made from a broken sword, having a blade in addition the the barrel became an obvious choice. I also decided that the bronze from the sword's crossguard would be the same metal used to make her special shells.

THE GUNSMITH

With magical or masterwork swords, there's always the scene where the owner proudly gives its lineage. Whether it was forged by God (Excalibur), Hattori Hanzō (Kill Bill), or Masamune (Highlander), you want to know that the iconic weapon was made by the best. My original plan was to have Beretta make Dämoren. Beretta has been crafting firearms since the 16th Century and arming my favorite action heroes since the 1980's. Unfortunately, Beretta was never known for their revolvers. Next, I chose Harris Holland of London who is known making firearms for royalty and the wealthy.

Then when researching more information on cutlass revolvers, I stumbled on the work of Celestin Dumonthier. 

Dumonthier was a French gunsmith known for making some of the most beautiful cutlass revolvers. He was also active during the time window I needed (1866-1898). While the beautiful lines and almost melted way the blade comes off the barrel isn't as all how Dämoren appears, I knew I had my gunsmith. Researching Dumonthier was a fun, albeit difficult, task. Not much is out there about him. The most helpful resource I found was "BLADES and BARRELS" by H. Gordon Frost, which has been out of print for 40 years now.

In the end, Dämoren's evolution was a gradual process from an ornate gun into what she eventually became. She is as much a character as any other in my novel, and building her (at least in my imagination) was a lot of fun. I hope my readers enjoy her and much as I do.

Official Author Website
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AUTHOR INFORMATION: Seth Skorkowsky was born in Texas in 1978. He currently lives in Denton, Texas, with his wife, and works for the University of North Texas. His short story "The Mist of Lichthafen" was nominated for a British Fantasy Award (long list) in 2009. Dämoren is Seth's debut novel. He recently signed a two-book deal with Rogue Blades Entertainment for his "Black Raven" sword-and-sorcery collection. When not writing, Seth enjoys travel, shooting, and tabletop gaming.

Official Author Website
Order the book HERE (US) and HERE (UK)
Read Fantasy Book Critic's review of The Heresy Within
Read Fantasy Book Critic's review of The Colour Of Vengeance
Read Fantasy Book Critic interview with Rob J. Hayes

AUTHOR INFORMATION: Rob J. Hayes was born and brought up in Basingstoke, UK. As a child he was fascinated with Lego, Star Wars and Transformers that fueled his imagination and he spent quite a bit of his growing up years playing around with such. He began writing at the age of fourteen however soon discovered the fallacies of his work. After four years at University studying Zoology and three years working for a string of high street banks as a desk jockey/keyboard monkey. Rob lived on a desert island in Fiji for three months. It was there he re-discovered his love of writing and, more specifically, of writing fantasy. 

OFFICIAL BLURB: The Northern Sunrise is a standalone book by the author of The Ties that Bind trilogy. Set in a new world of corruption, deceit and thievery; mixing magical fantasy and alchemy-punk with a healthy smattering of airshippery.

"There comes a point in every thief's life where one has to take stock of all that they have achieved. We have stolen almost everything there is worth stealing: Prince Henri's Jadefire ring, the Marquisse d'Bola's collection of prized toy soldiers, Elize Gion's Living Autumn, the very first airship schematic, and who could forget we definitely made off with Baron Rivette's pride."

"The trick, I find, is not to break in. No. The trick is to convince the mark to invite you in." 

FORMAT/INFO: The Northern Sunrise is divided into twenty-five chapters and an epilogue. The narration is in third person via Isabel de Rosier, Jacques Revou, Shadow concieller Renard Daron, and Amaury Roche. This is a standalone story.

March 19, 2014 marked the US and UK e-book publication of The Northern Sunrise and was self-published by the author.

ANALYSIS: After reading Rob J. Hayes’ debut effort, I was suitably impressed. With this tale being a standalone and specifically not related to his previous trilogy, I was wondering how this effort would turn out be.

Isabel de Rosier and Jacques Revou are two consummate thieves who have accomplished several different sorts of heists and larceny. Their most recent efforts have them squarely in the sights of Renard Daron, the shadow conceiller to the king of Sassaille. Isabel and Jacques are forced into a final job for Renard Daron and fiercely watched by Daron's two deadly shadows Franseza Goy & Amaury Roche. Going into a job blind, has never been their sort of thing but with all their bank accounts frozen and with not a single penny to their name. Isabel and Jacques must learn to dance to the shadow conceiller's tune however they are not without their own tricks.

This was a very different offering from the author’s debut, and I’m glad for that very reason. So often authors tend to repeat what they have done before and they run the risk of being labeled as one-trick ponies. Rob J. Hayes certainly bucks that trend with this standalone tale about thieves coerced into working with a spymaster for his own nefarious ends. Also this story is a far cry from his previous work which made most grimdark stories look like YA ones.

As with the previous books, the characters are what make this story so enjoyable, beginning with our main characters, who are quite an adorable duo. They keep the story from getting too dreary and also keep the reader entertained. Another plus point is that the author makes their voices distinct so as to not confuse them. Also with the other POV characters, they are quite individualistic and also make the story that much more intriguing. Ultimately this story is about wills and the deception that people engage in. With Isabel and Jacques, it’s all about their skills in fooling people into believing whatever they want them to. With Daron, it’s basically about the kingdom and its needs, however what Daron thinks what’s best for the kingdom might not be entirely correct.

Amaury and Franseza aren’t given that much space but their motivations and instincts are quite clear to discern. The story is quite fast paced and has a reasonable amount of twists that will keep the readers wanting to know how it will all end. A trick the author utilizes is the use of flashbacks before the start of the chapters, which further help in fleshing out the story and the characters. Another plus point is that the world setting which includes air ships, guns and a remarkable type of creature that the readers will have to find out more on their own. The world technology level is set about a pre-industrial level and the characters and world seems to be based on French culture which is a slightly refreshing change from the usual British one.

I thought this book was a fun read that offered some remarkable twists and ended the tale on a strong note. The ending however also lends to a sequel should the author ever want to revisit the world but the ending I must say is a proper one and the story can be considered complete. In the age of numerous series, it’s very refreshing to see a proper standalone story and in this case, it was good to see a different story from an author whom I have very high expectations for.

CONCLUSION: The Northern Sunrise by Rob J. Hayes is a surprisingly fun thriller even though it deals with deception, spy craft and other dastardly activities. Rob J. Hayes certainly is his own writer and know how to buck reader expectations and give a story which while different is no less a pageturner.

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OVERVIEW/ANALYSIS: Close your eyes and imagine the basso sound of voiceover icon Don LaFontaine intoning, “In a world gone mad…” and that is pretty much where Bird Box begins. Open your eyes and go mad. Kill others, yourself. Can you keep from peeking? For how long? In Josh Malerman’s post-apocalyptic, eye-opening scare-scape, something happened. An invasion? Some natural phenomenon? No one is really certain. But what has become clear is that anyone who steps outside with their eyes open goes insane, not just gibbering or confused, but violently and destructively, homicidally mad.

In the near-future today of the story, Malorie is a young mother, with two small children in her charge. She has been training them for over four years, to hear, with a sensitivity and acuity more usually associated with flying mammals. They embark on a river journey to what she hopes is a safe haven, twenty miles away, blindfolded. Any noise could be someone, or something following them. She must rely on the skill she has rigorously drilled into the boy and girl every day to help guide them, and alert them to danger. And we must wonder if the destination she aims for will offer relief or some version of Mistah Kurtz.

Chapters alternate, mostly, between the river journey and Malorie’s back story. We follow her from when The Problem began, seeing death and destruction in first a few isolated locations, then spreading everywhere, seeing loved ones succumb, then finding a place to live, a refuge, with others, and watch as they cope, or fail.

In horror stories, it helps to have an appealing hero. I am sure most of us have seen our share of splatter films in which the demise of each obnoxious teen is met with cheers rather than with dismay. The other sort is of the Wait until Dark variety, in which our heart goes out to the Audrey Hepburn character beset by dark forces. Bird Box is the latter type. Malorie is a very sympathetic character, an everywoman trying her best under ridiculous circumstances, more the Nancy Thompson (Heather Langenkamp) of Nightmare On Elm Street or the Laurie Strode (Jamie Lee Curtis) of Halloween, than the Ripley (Sigourney Weaver) of Alien, but Malorie does what she must to survive and to prepare with patience and diligence to sally forth against the unknown.

Malerman was bitten by the horror bug as an early teen:

"My big introduction was Twilight Zone: the Movie, the first horror movie I ever saw. After that came Saturday Shockers and sneaking in whatever I could at a friend’s house (Faces of Death, Psycho… Blacula…Prom Night.) I was also reading a lot. There’s a great period of horror fiction history, before the novel-boom of the 70’s spearheaded by Rosemary’s Baby, The Other, and The Exorcist, in which the short story ruled the genre. That period is golden and completely bursting with ideas. I read M.R. James, H.P. Lovecraft, Poe, Blackwood, Bierce, et al. When you first approach it, the genre, it feels infinite, but it’s not. So, come high school, I was trying to write my own scary stories, weird poems, strange tales." (from Detroit CBS Local news interview)

He likes to write with horror movie soundtracks on. And he is a musical sort as well, singing and playing in the band The High Strung. In fact, fans of Shameless, on Showtime, have already been exposed to Malerman’s work, as the writer and performer of that show’s theme song.

The dynamics of the house-full of refugees in the back story will feel familiar. Who to let in, or not, concerns over sharing limited resources, discussions over what adventuresome risks might or might not be worth taking re looking toward the future, or in trying to learn more about the cause of their situation. One might be forgiven for seeing here a societal microcosm, but I do not really think this was what Malerman was on about. He does offer a bit of a larger, thematic view though, tied to the central image of the book, which definitely adds to the heft of the story. A wondering at more existential questions:

 "She thinks of the house as one big box. She wants out of this box. Tom and Jules, outside, are still in this box. The entire globe is shut in. The world is confined to the same cardboard box that houses the birds outside. Malorie understands that Tom is looking for a way to open the lid. He’s looking for a way out. But she wonders if there’s not a second lid above this one, then a third above that. Boxed in, she thinks. Forever."

You really want Malorie to reach safety with the children, but there is a gauntlet to be run, and there is no certainty that any of them will make it. The dangers are human, natural and eldritch, and I mean that in a very Lovecraftian way. You will definitely not want to put Bird Box down once you pick it up.

This is a very scary, and gripping novel. If you are reading on the train, you may miss your stop. If you are reading at bedtime, you will definitely miss a few winks, and might want to sleep with the lights on after you finish.

A generic problem I have with the book is that the dark elements here sometimes tend to step back when they have decided advantages, failing to make the most (or worst as the case may be) of their positions. It was not obvious to me that there was some point being made by these unexpected choices. Nevertheless, Malerman takes the notion of the unseen and pushes readers to create the scariest thing of all, that which lurks in the imagination.

CONCLUSION: It is not at all dangerous to see how much fun this book is. Usually it is considered a good thing to think outside the box, but in this case it is clearly a far, far better thing that Malerman has done his thinking inside one.

NOTE: This review was originally posted on Will's blog. Josh Malerman picture courtesy of  Sara Castillo and Fearnet.

Official Author Website
Read Fantasy Book Critic's review of Harry Potter and The Philosopher's Stone
Read Fantasy Book Critic's review of Harry Potter and The Chamber Of Secrets
Read Fantasy Book Critic's review of Harry Potter and The Prisoner Of Azkaban

OVERVIEW/ANALYSIS: Every hero reaches a watershed moment in his development. Whether it was Achilles losing Patroclus in Homer’s Iliad, Frodo deciding to carry the Ring to Mordor or Arthur drawing out the Sword in the Stone, something happens that sets them on a journey that will result, ultimately, in their being celebrated and placed among their fellows in the halls of legend. For Harry Potter, that moment comes in his fourth year at Hogwarts.

Harry Potter and the Goblet of Fire is, thus far into the series, the most widespread of the books. It moves out of Hogwarts far more than its predecessors, with nearly one fifth of the book’s action taking place before Harry even reaches school. What looks like Harry’s dream summer rapidly devolves into a nightmarish adventure; a trip to the Quidditch World Cup final sees not just terrorist activity in the form of Muggle torture, but Voldemort’s mark appears for the first time in thirteen years. Once back at Hogwarts, the excitement shows no signs of abating. The Triwizard Tournament, a competition held between three wizarding schools, is set to take place here, and someone has entered Harry’s name as Champion for Hogwarts. The dangerous nature of the Tournament’s three tasks would seem to indicate that whoever did put him down did not do so entirely out of a desire to see him shine.

Meanwhile, dark things continue to take place outside the school walls. Harry’s dreams have also taken a curious turn, showing him glimpses of a large, sprawling house in a little village in the countryside, a house where a certain Dark Lord may just be residing, planning his (in inimitable Dark Lord style) return.

In Goblet of Fire, Rowling really works the concept of a ‘wizarding world’. We meet wizards from across the continent: students of France’s Beauxbatons, Slavic-appearing Durmstrang and are also treated to a brief cameo by the Bulgarian Minister for Magic. Granted, Rowling doesn’t step beyond Europe even in these jaunts (something I really wish she’d done, if only because it might have been interesting to see how other, predominantly ‘non-white’ cultures used magic and whether Latin is the universal language of spellcraft), but this is better than nothing.

However, it must be noted that the foreign wizards, to a great extent, remain stereotypically ‘French’ or Eastern European. The Beauxbatons students are represented by Fleur Delacour who is not only part-Veela (a sort of alluring, siren-like creature), but amazingly attractive as well as rather emotionally intense. Viktor Krum, the Durmstrang champion, is a silent, brooding presence, characterized by a slouching gait and surly expression. The movie version of the book capitalized on this sort of cultural stereotyping, turning the Beauxbatons and Durmstrang into single sex schools: for girls and boys respectively, thus hyping the ‘femininity’ of French culture and the aggressive masculinity that simplistic popular culture representations accord, more often than not, to the Baltic and Slavic states.

My quibbles with Rowling’s cultural representations aside, what is perhaps most compelling about Goblet as a story is the manner in which it weaves together the almost mythic nature of the contest being staged in Hogwarts and the political and social changes taking place outside of it. The outside world has never been more intrinsically involved in the school, its greatest representative being Rita Skeeter, a reporter for the wizarding newspaper, The Daily Prophet. Rita is a particularly repellent character, and functions as Rowling’s brilliant spoof of the tabloid journalist. Constantly poking around Hogwarts for scandalous scoops on Harry and his friends, Rita depicts the very real manner in which the media can and is used to shape political and personal opinion. She also succeeds in highlighting another aspect of the racial tensions that riddle the wizarding world. Not only are people discriminated against on the basis of their wizarding genealogy or lack thereof, but also whether and to what degree they harbour ‘non-human’ blood. Harry’s world certainly does have a lot of issues that are not visible at first glance.

Finally, Goblet marks a transition moment not only for Harry, but also for his best friends, particularly Ron. For the first time, we see serious fissures in the trio. Certainly Ron and Hermione have had fights and fall-outs earlier in the series, and even Harry has had occasion to be more than a little upset with her, but now we see him have a very serious disagreement with Ron. Until this point, Ron has functioned as a source of unquestioning support for Harry, ever faithful and strong at his side (Hermione has shown much more tendency to disapprove and think independently). Finally tired of being ‘second best’, Ron’s insecurity boils over, resulting in a break between the two. The intensity of their friendship is well evidenced in the complete bafflement and anger that Harry manifests at this point; Rowling even describes him as ‘hating’ Ron – a strong emotion that has never reared its head until this point, and certainly never during his spats with Hermione.

Of course, being teenagers, the two make up soon enough, but this break sets an important precedent in Ron’s character arc. Readers can no longer dismiss him as ‘Man Friday’, as naught more than a faithful sidekick. Honestly, which fourteen-year-old boy wouldn’t be jealous of his famous best friend? Rowling thus adds more than a dash of realism to her fantastic world, making her characters extremely relatable and explaining, perhaps, the books’ enduring popularity.

CONCLUSION: If Goblet marks the start of something new for Harry, it is also the beginning to something new for his creator. With this book, Rowling steps firmly into the epic fantasy terrain, no longer content to play in the kiddie pool of boarding school/mystery narrative. Her hero is more insecure, his friends less than fully supportive and the outside world no longer content to remain on the ‘outside’. It’s time for Harry to let go of childhood and take on more than his fair share. Dark Lords, after all, do not remain out of action for long.

*----------*----------*----------*

George C. Cotronis is an author, illustrator and the chief editor of KRAKEN PRESS. As an illustrator, he has done cover work for publishers such as Permuted Press, Ragnarok Publications, Evil Hat Games, Pelgrane Press, Cubicle 7 and Nightscape Press.

Currently he is running a kickstarter for his newest creation AGHAST: A Journal Of The Darkly Fantastic. Here’s what it’s about:

"AGHAST is an illustrated bi-annual journal of horror and dark fantasy short fiction. It will be available online, as well as in print and digital formats (eBook $5, print $10). This Kickstarter will help us launch the journal and publish the first few issues."

"AGHAST will feature original short fiction. Each issue will be between 30k and 50k words. It is a paying market. Each short story will be accompanied by an illustration by artist George Cotronis. Interior illustrations will be in black and white."

AGHAST will be edited by George, and assisted by slush reader Jeff Barr. The following authors have linked themselves to this project:
 - Gemma Files
 - Jonathan Mayberry
 - Jeff Strand
 - Tim Waggoner
 - Megan Arkenberg
 - And many more to come

So check out this truly fantastic project and please pitch in if you like the darker side of fiction.

It’s always heartening to see fellow bloggers take a step towards the writing side and even more so when they are one of the kind folk such as Dave de Burgh, who is the mind behind the excellent DaveBrendon's Fantasy & SciFi Weblog. I was introduced to Dave and his blog when he raved about The Painted Man by Peter V. Brett. After reading the debut, I couldn't agree more.

Dave has since then taken leaps and bounds as that was his first review and gone on to write an epic fantasy series of his own. The first book and a novelette (prequel) recently got a cover reveal and I wanted to share it with all our readers

Betrayal’s Shadow is his first novel, and is book one in The Mahaelian Chronicles. A Song Of Sacrifice is the prequel novelette, which will be released later this month. Both the books and the remainder of the series (consisting of two more planned books and a couple more prequel stories) will be published by Fox & Raven and here’s the blurb of Betrayal’s Shadow:

"Betrayal casts long shadows – none know this better than Brice Serholm. As a decorated general in the kingdom’s elite Blade Knights, Brice had to overcome the tain of treason and betrayal to attain his rank."

Also the fantastic cover to A Song Of Sacrifice was done by Lucas Gill, of Gill Designs and will be released in the later part of April so keep an eye out for that. Lastly the epic looking cover to Betrayal’s Shadow was by Rashieq Sasman, and Hannes Strydom did the cover design.

So what do you think, beautiful aren’t they? Also keep an eye out in the future for reviews of both titles as well as an interview with the man of the hour Dave de Burgh.