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Blog Archive
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2022
(94)
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May
(20)
- Interview with James Rollins (interviewed by Mihir...
- The Hunger of the Gods by John Gwynne - Review
- Book review: Any Minor World (The Midnight Jury #1...
- Kaikeyi by Vaishnavi Patel (reviewed by Sharvani R...
- Book review: Mind of My Mind (Patternmaster #2) by...
- SPFBO 8 Introduction Post - meet the Fantasy Book ...
- Book review: Glitterati by Oliver K. Langmead
- The Umbral Storm (The Sharded Few #1) by Alec Huts...
- Ruin by John Gwynne (reviewed by Matthew Higgins)
- Book review: An End to Sorrow by Michael R. Fletch...
- Anna by Sammy H.K. Smith (Reviewed by Daniel P. Ha...
- Introducing Fantasy Book Critic’s Newest Reviewers...
- Book review: Equinox by David Towsey
- The Stardust Thief by Chelsea Abdullah - Review
- Book review: Kagen The Damned by Jonathan Maberry
- Sins Of The Mother Release Interview with Rob J. H...
- Book review: Sea of Tranquility by Emily St. John ...
- Mini-Reviews: No Gods, Only Monsters by Steve McHu...
- Blog Tour: NO GODS ONLY MONSTERS Q&A with Steve Mc...
- EXCLUSIVE COVER REVEAL + Q&A: The Umbral Storm by ...
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▼
May
(20)
Official Author Website
Order The Starless Crown over HERE
Read Fantasy Book Critic’s review of The Starless Crown
Read A Paean To Myrillia (The Godslayer Chronicles World And Series Analysis
Read Fantasy
Book Critic’s review of Subterranean
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Book Critic’s review of The Judas Strain
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Book Critic’s review of The Doomsday Key
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Book Critic’s review of The Last Oracle
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Book Critic’s review of The Devil Colony
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Book Critic’s review of The Blood Gospel
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Book Critic's Q&A with James Rollins (James Clemens)
Today I'm thrilled to be chatting with James Rollins, he's been one of my favourites since I first read Excavation. I was especially excited to see him return to the epic fantasy genre after more than 15-plus years. We chat about how James decided to write The Moonfall saga. How much research went into its inception and why this world is such a unique one. Read on and find out more about James and his highly anticipated return....
JR: It’s definitely an interesting time. So many new voices, so many new ways of telling stories, and so many new avenues to getting stories in front of an audience. While it might’ve been 115,039 days since my last fantasy was published, I’ve still continued to read avidly. It was seeing such a new renaissance in what was being done in the genre that stoked my interest in returning to my fantasy roots (and a fat file folder of maps, charts, drawings, plot elements, and character bios that had been stewing for nearly a decade in my “idea box”). Still, stories are stories no matter how they’re told or how they’re read.
JR: Likely foremost, my agent loves the science fiction/fantasy genre, representing such luminaries as Philip K. Dick and such powerhouses as Terry Goodkind. He also has a keen interest in the natural world. So building/evolving an ecosystem and biosphere on such a dynamic and harsh environment as a tidally locked planet, where life struggles to carve out a niche between the extremes of blistering heat and eternally dark ice, was as appealing to him as it was to me. In the end, it was a no-brainer to pursue a fantasy route in opening this unique world versus a modern-day thriller.
JR: I knew I needed both a synthetic monitor of this world, tracing back to a time before this world stopped spinning. But the more I considered those scientists in the ancient past, I thought they wouldn’t place all their eggs in one basket and that they might want a back-up. In this case, a biological monitor, something genetically engineered to survive the passing millennia. And they’d want it not only to be a stubborn, hardy species, one capable of surviving, but something that could harbor a great intelligence of its own. So I considered various “colony species” out there and decided a bat—a nocturnal species already attuned to the moon—might be the perfect creature to adapt
JR: I’m always collecting two sort of “ideas” in my story-creating box: historical mysteries and bits of science that make go “what if?”. In this case, I came across a Scientific American article discussing the discovery of tidally locked planets circling distant stars, some even orbiting within the ideal “Goldilock Zone” of their respective suns. So that got me wondering if life could exist on such planets.
JR: We’ve barely scratched the surface about their relationship: genetically, physically, and emotionally. The second book in the series delves more deeply into this pair, while revealing shocking secrets that bear light on them as Nyx and her allies venture into the frozen hemisphere of their world.
JR: I enjoy writing stories that have an ensemble cast, to reveal a world through many different eyes, both human and otherwise. But also through the viewpoint of characters at different ages and temperaments. In the various series, you have the grizzled, embittered warrior—Er’ril, Tylar, or Graylin—who serve as mentors as much as protectors. But I find revealing a new world through fresh eyes—those young characters who are still finding their footing in their world—to be a great way to guide readers who are also struggling to find their footing in a new landscape.
JR: The Vargr are my interpretation of an evolved and cold-adapted hyena hybrid. They’re savage, hard-hearted, feral at the edges, yet with a pack level of loyalty to those they bond to. I love to showcase animals in my books—and not a Disney version of a fantasy animal that breaks into song halfway through the story, but a true depiction, warts and all, of creatures and animals, how they might bond to us. I researched theories on how humankind first domesticated wolves and incorporated that into how the vargr are bound to Graylin, barely tamed yet loyal in their own way.
JR: For sure, with an already large ensemble of characters, each elbowing for attention, for their viewpoints to be shown, I had to limit who served that role in the first book. But even Pratik has a couple scenes written from his viewpoint, like when he’s alone in a ship’s cabin trying to understand the mystery of the flowing bronze statue that is Shiya. And in the second book (I don’t want to spoil anyone who hasn’t read the first book), there is no way I could not expand Pratik’s viewpoint.
JR: It’s far from a coincidence. For those eagle-eyed readers, the first book is chocked full of Easter eggs. If you study the map, look at the language, there are secrets buried there. Even the mystery hidden in the Shrouds near the end of the first book has a real-life counterpart. One clue: It’s not called the Northern Henge for no reason. For those who put in the effort, you can actually discover photographs of what I describe in that final battle space. The place actually exists.
JR: The title is The Cradle of Ice and, as mentioned above, it sees the story expand into the frozen hemisphere of the world, seeking something hidden far out into the ice—while at the same time, war breaks out across the Crown, confounding efforts to discover another mystery buried deep in the lands of the Southern Klashe.
JR: Worldbuilding is both challenging and exhilarating. As a writer, you get to take on a mantle of godhood in crafting and creating your world. Yet, as they say, “with great power comes great responsibility.” You have to make sure each piece of that global puzzle makes sense, that it has a coherent history, that the peoples, creatures, religions of each corner of world are rooted in that landscape. It’s daunting but ultimately satisfying if done well.
JR: There’s nothing generous about it. Each word of praise is well deserved. Soraya is a wonderful cartographer (thanks, Mihir, for revealing her talents to me years ago). The maps for Cradle of Ice are already finished. They reveal the landscape on the frozen half of the world and delve farther south along the Crown, illustrating the lands of the Southern Klashe. Soraya even produced colored versions of those maps that are STUNNING.
JR: Indeed, you will. Each successive book will reveal more of this tidally locked planet in all its glory.
JR: Alas, not much progress on Book 4 of Godslayer. At the moment, I’m focusing my efforts on the Moonfall Saga, so it shines as brightly as possible. I’m hoping, by doing so, that it’ll reestablish my bona fides as a fantasy writer, engendering renewed interest in return of Tylar, Dart, Brant, and the rest of the characters from the Godslayer Chronicles.
JR: The Cradle of Ice (Book 2) is currently slated for release in February, 2023. With the world and characters established in the first book and the stakes understood, this second book is a wild ride. It starts with an explosion, a crashing airship, and only ratchets up the tension, action, and shocks from there. As to final words: I’d like to thank everyone who has ventured with me into this new world, and I look forward to the journey ahead.
Publisher: Demimonde Books (April 26, 2022) Length: 356 pages Formats: ebook, paperback
Pre-order The Umbral Storm over HERE
Read Fantasy Book Critic's review of The Crimson Queen
Read Fantasy Book Critic's interview with Alec Hutson
Official Author Info: John Gwynne studied and lectured at Brighton University. He's been in a rock 'n' roll band, playing the double bass, travelled the USA and lived in Canada for a time. He is married with four children and lives in Eastbourne running a small family business rejuvenating vintage furniture. He is the author of the epic fantasy series The Faithful and the Fallen including Malice, Valour, Ruin and Wrath.
Book review: An End to Sorrow by Michael R. Fletcher (reviewed by Lukasz Przywoski & Mihir Wanchoo)