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Friday, February 22, 2019

SPFBO FINALIST: Aching God by Mike Shel (reviewed by David Stewart & Lukazs Przywoski)


AUTHOR INFORMATION: Mike Shel was born in Detroit, Michigan and grew up in the suburb of Dearborn. He has practiced as a psychotherapist for over 20 years and is a freelance adventure designer for Paizo Publishing and the Pathfinder Roleplaying Game. Aching God is his first novel. He lives in Indianapolis, Indiana with his wife Tracy and has three children, Haylee, Trinity, and Leo. And two dogs, Neko and Elsie. Let’s not forget the dogs.

OFFICIAL BOOK BLURB: The days of adventure are passed for Auric Manteo. Retired to the countryside with his scars and riches, he no longer delves into forbidden ruins seeking dark wisdom and treasure. That is, until old nightmares begin plaguing his sleep, heralding an urgent summons back to that old life.

To save his only daughter, Auric must return to the place of his greatest trauma: the haunted Barrowlands. With only a few inexperienced companions and an old soldier, he must confront the dangers of the ancient and wicked Djao civilization. Auric has survived fell beasts, insidious traps, and deadly hazards before. But can he contend with the malice of a bloodthirsty living god?

First book in the Iconoclasts trilogy, Aching Godis the debut novel of RPG adventure designer Mike Shel. He is working on book 2, Sin Eater. The first two chapters of Sin Eater are included at the end of Aching God.

OVERVIEW/ANALYSIS (DAVID): The tendency to pigeonhole Aching God as a simple Dungeons and Dragons adventure is tempting (not that such efforts should be cast aside because many a good story has come from the table-top). Shel’s debut has all the trappings of a role-playing game: there is a band of adventurers, each with a different skill set; there are monsters to slay and dungeons to explore; there are strange religions of differing morality; and it takes its characters from one side of a map to another. This formula screams D&D. I would not be at all surprised to hear that Shel took his story from a well-run campaign - a very likely possibility given his Pathfinder work.

However, Aching God, by virtue of Shel's ability with the written word and his talent for diving deep into a character’s psyche, is so much more than a game set to the page. This is a horror novel, a story about post-traumatic stress, a character study, and a world-building opener that screams at more secrets and things to come. Aching God does what some of the best fantasy in the history of the genre does in its ability to flesh out a map and trickle in enough information to keep a reader wondering with every flip of the page. Aching God is really, really good.

The story finds an aging Auric Manteo, retired from the Syraeic League where he drew his fame and fortune, once more thrust into the life of an adventurer when his daughter and her fellow compatriots in the League, are stricken with a mysterious plague. The source of this plague is an idol taken from an ancient tomb, the kind of thing Auric himself might have plundered in his younger days, and the scholars within the League (those yet alive) predict that the only thing to stop this plague is to restore the idol to its place of origin. Auric must, with a cadre of capable companions, journey to the Barrowlands, spelunk back into the horrifying crypt, and place the idol back into the statue from whence it was wrested.

Sound familiar? The concept here is nothing new, but we don’t always need something new in our fantasy - Nicholas Eames proved that with his genre-shaking debut Kings Of The Wyld. Sometimes the oldest stories, if told with a twist and told well, can be fantastic.

What is Shel’s twist? He has a few. First, and most memorable, is the way in which he narrates Auric’s adventurous past. Auric did not retire because he had a nice long life and wanted to reap the rewards. Auric retired because his last foray into one of the Barrowlands’ dungeons saw his entire party slain and devoured before his very eyes. Shel does a masterful job of relaying Auric’s last journey, mostly through flashbacks or dreams, and the more we learn about that last fated adventure, the more we understand Auric’s motivations and his fears. Shel borrows notes from Lovecraft in his depictions of the Djao gods, deities once worshipped by an ancient race but that were cast down by the realm’s current pantheon. These are grotesque beings of indeterminable size or form. They toy with their victims in an eldritch manner, worming into the mind in order to use madness as a weapon. Shel shrouds all of this in that signature mystery often reserved for ruined ancient races.

Shel also does a lovely job in his characterizations of the party. Of particular note is Auric’s companion Belech, an ex-soldier who accompanies the retired adventurer at the behest of the noble lady in whose realm Auric has retired. Belech is a complex mixture of simple man and unassuming scholar. He has faith, but is not preachy about it and seems to truly believe in the benevolence of his god. He’s also handy with a mace. Auric’s other companions are ones furnished him by the League, but they leave nearly as much of an impact. Sira is a priest whom Auric and Belech meet even before coming to the Syraeic League’s headquarters, and she becomes one of the most sympathetic and authentic characters in the novel. It is a testament to Shel’s character work that he is able to write characters with a spectrum of cynicism and optimism. Gnaeus, a young swordsman, is the consummate cynic and polar opposite of Sira, in much the same way that Auric and Belech lean towards opposite ends. Del Ogara, a happy sorceress, and Lumari, a cold alchemist, round out the balanced pairs in a way that is only noticeable upon later scrutiny. There are times when the characterization does not completely hold up, and a scene near the end in particular that tries to impart an emotional bombshell that is unearned, but for the most part I cared about these characters and wanted to see them succeed.

The only part where Aching God falters is in its ending. Shel spends so much time working towards this confrontation with the unknown Aching God, and then when things finally reach that head, it turns out to be a disappointment. I both understand and lament this. This is the first novel in a series. Robert Jordan couldn’t end The Eye of the World with Rand confronting and defeating Shai’tan. Neither can Shel simply have his characters meet the world’s biggest bad and stick a sword in him. But where Jordan succeeds and Shel fails, to use the prior analogy, is that Jordan casts a wider net with his villains. Shel makes mention of something more out there, but not until the very end, and the entire novel is spent working solely towards this one unfathomable creature. The way in which this is told, it feels like Rand is making his way to the Dark One, to further push that comparison, and when he gets there he finds that the Dark One isn’t very dark at all. I feel that this will be fleshed out in the sequel, certainly, but it makes for a mostly unsatisfying conclusion to what is an incredible journey.

I don’t know if Mike Shel will win the SPFBO. This is my favorite book so far in the competition, but I suspect others might find less depth than I have and see it as more of a simple role-playing game-style adventure. I hope people take the time to read more into the story than what’s on the surface because I do think this is an excellent book, and I expect to stay with Mike Shel for a long while.

OVERVIEW/ANALYSIS (LUKASZ): Shel’s Aching God receives great reviews and did well in SPFBO contest. I had to see for myself what’s the hype about.

The plot is fairly simple, but not simplistic. Clever twists and turns keep the reader guessing and turning the pages. A mysterious plague devastates the Syraeic League, and no one knows how to fight it. Perhaps returning the Besh relic to the temple will help? Because of the plague, the League “employs” story’s protagonist Auric and his companions to make it work.

Auric Manteo, a retired Agent of the Syraeic League, is a traumatised but otherwise skilled and resourceful adventurer. In the past, during and after his missions for the League, he’s lost most of the people he had cared about. He still deals with PTSD. I think his intriguing and dark back-story makes Auric compelling and relatable. His faults make him more tridimensional, more layered and human. He reacts to events in believable ways. I think Auric’s character and POV make this novel interesting to read.

Other characters get much less time and, as readers, we don’t get a chance to get in their heads. The cast of supporting characters includes a trustworthy mace-wielding fighter Belech, an alchemist, a sorceress, a showy swordsman and an inexperienced priestess of Belu (god of healing).

Because of the choice of narration, all of them (except Belech) remain underdeveloped and two-dimensional.

I liked the simple and straightforward writing style that focuses on telling the story and not on crafting beautiful sentences. I was impressed with the editing - expect no typos or grammar mistakes. Someone put an admirable effort to clean the book.

My main gripe with the novel concerns occasional but dense info-dumps and expositions (for example the Queen’s back-story). Fans of rich and detailed world-building will probably dig it. For me, it was tiring.

The other thing is the ending. It doesn’t answer many questions, but I get it. I’m supposed to buy the sequel. That’s how this business works. Unfortunately, a good Lovecraftian horror that made Aching God exciting, transforms along the way into dealing with more conventional evil. The build-up was great, the resolution rather disappointing (but it’s just me).

Shel crafts a good escapist sojourn. He delivers a thrilling story full of action, wonder, and characters you can grab onto. Aching God is unpretentious (except for its significant length) and fun. The author does his best to immerse you in his world with admirable conviction and he mostly succeeds. For me, there was too much info-dumping to feel fully engaged and, at times, I felt tempted to DNF it. But I can see RPG fans love it, especially the parts of the book that take place in the Dungeon.

SPFBO Final Score - 7/10

Thursday, February 21, 2019

Seraphina's Lament by Sarah Chorn (reviewed by Lukasz Przywoski & Mihir Wanchoo)



Official Author Website
Order Seraphina's Lament over HERE
Read Stalin, Communism, & Fantasy by Sarah Chorn (guest post)

OFFICIAL AUTHOR INFORMATION: Sarah has been a compulsive reader her whole life. At a young age, she found her reading niche in the fantastic genre of Speculative Fiction. She blames her active imagination for the hobbies that threaten to consume her life. She is a writer and editor, a semi-pro nature photographer, world traveler, three-time cancer survivor, and mom. In her ideal world, she'd do nothing but drink lots of tea and read from a never-ending pile of speculative fiction books.

OFFICIAL BOOK BLURB: The world is dying.

The Sunset Lands are broken, torn apart by a war of ideology paid for with the lives of the peasants. Drought holds the east as famine ravages the farmlands. In the west, borders slam shut in the face of waves of refugees, dooming all of those trying to flee to slow starvation, or a future in forced labor camps. There is no salvation.

In the city of Lord’s Reach, Seraphina, a slave with unique talents, sets in motion a series of events that will change everything. In a fight for the soul of the nation, everyone is a player. But something ominous is calling people to Lord’s Reach and the very nature of magic itself is changing. Paths will converge, the battle for the Sunset Lands has shifted, and now humanity itself is at stake. First, you must break before you can become.

CLASSIFICATION: Seraphina's Lament is a gritty and dark dark fantasy.

FORMAT/INFO: Seraphina's Lament is 398 pages long divided over 44 chapters. The narration is in the third person and focuses on eight POV characters: Seraphina, Premier Eyad, Mouse, Vadden, Amifi, Taub, Neryan, The Ascended. This is the first volume of the Reborn Empire series.

This book is available in e-book and paperback format. It was self-published by the author. Cover art is by Pen Astridge,

OVERVIEW/ANALYSIS (LUKASZ): Seraphina’s Lament breaks genres, conventions and taboos. Set in a secondary world based on the Russian Revolution and the Holodomor, it gives a detailed look at a dying world.

A collectivist government controlled by an ex-revolutionary, Premier Eyad, used to have noble objectives. Things and people changed. Rulers inflict starvation, forced labour, and death on their subjects. Rampant famine forces people to commit acts of unspeakable cruelty and despair, including cannibalism. Magic leaks from the world.

Seraphina, a slave with a unique fire affinity, escapes her tormentors and joins revolutionaries. She wants Eyad dead. Her anger consumes her humanity. The same happens to other protagonists. As they head to Lord‘s Reach city to fight a corrupted government, they undergo significant changes. Some of them start to Become.

Seraphina’s Lament is a dark and unsettling book. Using elements of fantasy, horror, symbolism, magical realism and allegory, it dives into metaphysics and creation of gods.

Food, eating, and starvation represent life, death, guilt, and withheld love. Early in the book readers get to know Taub who undergoes a shocking metamorphosis. Chorn describes radical changes (mutations?) in such hallucinatory detail that I had to stop and reread chosen passages to picture them accurately. We can see protagonists’ bodily torment and share their disgust and terror when they first witness and experience it.

You’ll know early in the novel if her writing style works for you. It switches from poetic and allegorical to no-nonsense. I loved parts of it, but had to slowly reread others to see things. Some similes didn’t work for me. Others felt creative and imaginative. Chorn’s writing is dense and her story is so different from mainstream fantasy that I expect it to divide the audience. Some will “get it”, while others will feel lost and helpless. I like allegories and Seraphina’s Lament may appeal to readers who enjoyed themes of unbecoming pictured in Dyachenko’s brilliant Vita Nostra.

CONCLUSION: Seraphina‘s Lament is a strong debut. It evokes feelings of futility, confusion, and helplessness, but I wouldn‘t call it nihilistic. It ends with a glimmer of hope. It impressed me and I can't wait to see where it goes from here.

OVERVIEW/ANALYSIS (MIHIR): Seraphina’ Lament is Sarah Chorn’s debut book and knowing Sarah’s penchant for the darker side of literature. This title was high on my list once she announced it. The story is set in a secondary world and one wherein magic is present but not in a high fantasy sense. Focusing on different characters such as the titular character, Premier Eyad, the rebel leader Vadden, Seraphina’s brother Neryan and a few others. We are shown a world in crisis and one wherein there’s no straight end in sight. Sarah Chorn deftly gives us a landscape wherein famine and magic co-exist. There have been calamities on all fronts and Premier Eyad is forced to take certain hard steps or is he

The story is dark and right off the bat, I can see this is going to be one of those wherein readers will be divided into camps about it. There’s no two ways about this book because of the darkness and the misery it showcases. The author brandishes a deft hand in handling a sensitive subject such as the Holodomor as well showing a thing or two about communism. Not that she names them as such.

Characterization is a forte of Sarah’s writing as she handles each person’s needs and ambition crucially while never making them caricatures. Even the villains as well those manipulated by the higher beings. The characters never take missteps within the story’s needs but act as simply with their own feelings and intellect. I loved this aspect and I couldn’t wait to see how they would react within certain points within the story and especially in the end. The author also has highlighted characters with disability and I found that to be another unique feather in her cap.

The prose is perhaps the best part of this debut. The author manages to show the depth of suffering and yet elegantly describes feelings, emotions and such. There are such gems strewn throughout:

 "Belief was a terrifying thing, he realized. Give a man a blade forged of purpose and another of belief, and he has all the justification he needs to do anything he wanted.”

CONCLUSION: The book is littered with such lyrical prose that brings you joy and will have you doubting the depths of human depravity. It’s highly unusual to find such accomplished writing in a debut and the fact that Sarah has written this is of no surprise. Sarah Chorn is an author who impressed me mightily and if his debut is any indication. Then we can wonder what further brilliance there is to come. Dive into Seraphina’s Lament and discover why Sarah Chorn is dark fantasy’s next superstar.

Tuesday, February 19, 2019

GUEST POST: Stalin, Communism & Fantasy by Sarah Chorn


Order Seraphina's Lament over HERE

My first draft of Seraphina’s Lament did not have a communist government system. It wasn’t until I was getting ready to do my rewrite, and doing a ton of research in preparation for that, that I realized that the Sunset Lands really needed to be communist. How could I possibly tell a story even remotely related to the Holodomor without communism?

Furthermore, how could I do it without a Stalin.

It was impossible.

So, in my second rewrite I realized I had to almost completely rebuild the world I’d created. I also needed to create a Stalin, and then a magic system that fit into all of this.

I knew that communist government systems weren’t that common with fantasy books, but I don’t think I realized just how unique having a Stalinist communist system would actually be until people started commenting on it.

This required an incredible amount of research. I’ve got a few books totaling around 6,000 pages on Stalin sitting on my bookshelf at home, and that’s not taking into consideration all the books I’ve read at the library, or the ones I bought through Audible. The thing is, it’s pretty easy to create a world where communism is the government once you know enough about communism to be able to do that. After I’d done all my research, the whole story fell into place and I realized that communism was exactly what had been missing from that first draft that it had desperately needed. I also realized that my own character, Premier Eyad, who is patterned after Stalin in so many ways, really needed to be part of this book.

Stalin was a horrible person. There are no mincing words about that. He killed millions upon millions of people, passed policies that had dire impacts on just about everyone, and left a red-stained legacy behind him. Yet despite all of that, he still thought he was doing the right thing. I really hated doing it, but trying to capture that element of Stalin’s character was really important to me. Villains rarely think they are villains.

Once I stopped looking at Stalin as a hulking historical figure, but started to see the man that made him who he was, creating a character influenced by him was pretty easy.

Communism was really interesting to learn about, and even more interesting to write. Communism is pretty foreign to people located out here in the United States, and while we learn about it, a lot of the details are either glossed over in history class in high school, or just not touched on at all. Basically, from high school, I was left with the understanding that communism is bad, and not much else.

In order to build a realistic communist system in my world, I had to not just understand the policies, but the impacts of these policies and how they were implemented. I had to take the main points of Stalinist communism, and change it enough to fit into the Sunset Lands.

Communism itself has a lot of territory for an author to tinker with. Setting down the policies of this government system and figuring out the impact on society as a whole was really the groundwork for building my world. Once I had that figured out, everything else fell into place.

Going into this, I knew I wanted to create a magic system based on the elements. However, due to communism, and state ownership of both goods and labor, it had to be a magic system that could be utilized like any other skill. It needed to be something that could be worked, and create, or help create, goods and services. Therefore, I ended up deciding that the elemental magic system needed to be something that could be bartered and traded.

Due to the dying world, and the changing nature of magic, the magic in Seraphina’s Lament, is understated, but there are a few situations that show what I’m talking about here. One, early on in the book, where a woman who has a talent, is forcefully separated from her son and sent to a village, ordered to use her elemental talent to help people in that village work their land. Seraphina and her twin brother Neryan are slaves because their fire and water talents are incredibly rare and valuable. Every person in the Sunset Lands is tested at a certain age, and a mark is branded into their cheek that shows if they are null talents (no talent) or what talents they have, and then, depending on the results, are either sent into specialized schools, labor camps, or assigned to villages for labor.

While I chose to write this book with a government system based on Stalinism, I ended up being really surprised that there weren’t more fantasy books with communist government systems. It’s a form of government that has plenty for authors to draw on, and use in the books they write.

The world is a big place, and part of reading is discovering it, and exploring different ways of living. Part of doing that is straying away from the tried and true forms of rulers and leadership in fantasy, kings, queens, emperors and the like. There will always be a place for that in our books, but there are so many other governmental systems out there, and so many other ways that people have lived, and are living. For me, choosing to create a communist governmental system was natural to the story I was telling. I can’t imagine Seraphina’s Lament being told any other way.

*---------------*---------------*---------------*


Official Author Website

ABOUT THE AUTHOR: Sarah has been a compulsive reader her whole life. At a young age, she found her reading niche in the fantastic genre of Speculative Fiction. She blames her active imagination for the hobbies that threaten to consume her life. She is a writer and editor, a semi-pro nature photographer, world traveler, three-time cancer survivor, and mom. In her ideal world, she’d do nothing but drink lots of tea and read from a never-ending pile of speculative fiction books.

Thursday, February 14, 2019

Empire Of Sand by Tasha Suri (Reviewed by Will Byrnes)


Official Author Website
Order Empire Of Sand over HERE

OVERVIEW/ANALYSIS:
When you dance with the Rite of Dreaming, you dance with the gods.
Mehr’s got it made, I guess,
There were perks to being the Governor of Irinah’s daughter—even an illegitimate one. People obeyed you. Servants rushed to your bidding. Even the ones who loathed you—and there were many—were forced to veil their contempt and keep their loathing eyes lowered. All people faced hatred. All people suffered. Few had the cushion of wealth and privilege to protect them as Mehr did. nice wardrobe, plenty to eat, time on her hands, but it comes with downsides. Her father’s grounds constitutes a golden cage. And mom’s side presents a whole other problem.
While dad is a member in good standing of the Ambahn clan, the ruling caste in the empire, Mehr’s mother was a member of the oppressed Amrithi clan. Not your usual ethnic minority. The Amrithi began ages ago when a magical being called a daiva (djinn-like, with both a physical and a more ethereal nature) got jiggy with a human, making the Amrithi not entirely our sort. The magical side DNA comes with some benefits, though, for some Amrithi anyway. An ability to communicate with the daiva who still roam the world. And how do they communicate, you may ask?

Here is the genius of the book. Amrithi communicate with the daiva via physical movement, specifically through dance and sigils,something between magic spells and prayer. (If you have ever seen the TV show, The Magicians, they do a lot of hand sigils there, and not all are of the middle finger variety) They also have dance rites that are the equivalent of the prayer rituals common to many religions. Mehr keeps up the rituals she learned from her mother and from a mentor her mother asked to look after her when she left. The rituals give her a sense of connection not only to her heritage, and her mother, but in a very real sense to the magical events in this world.

Suri took some inspiration from her own upbringing. Kids in Indian classical dance training make abundant use of hand symbols. She also wanted to incorporate that signaling with an element of martial arts. Her characters’ hand sigils are no mere form of artistry. They have real world impact. They kick ass.


More family enters into it. Mehr has a little sister she loves and wants to protect, (and whose safety can be used as leverage against her) and then there is the evil-stepmother, Maryam, (a true bloom of Ambhan womanhood) who does her best to hiss and sneer her way across the page whenever she shows up. She is particularly eager to keep Mehr from continuing the practices of her Amrithi heritage.

There’s more. In this fantasy world, which is inspired by a Bollywood version of what the Mughal Empire might have been, reality is not the relatively consistent universe we have come to know. It is a product of the dreams of the gods. Only sometimes those dreams get disturbed, generating hurricane-like storms that dump a whole new type of precip, a thing called dreamfire. Way beyond oobleck.
The dreamfire was everywhere now. It was in the air she breathed, in the sweat at the nape of her neck. She could feel the strength of it churning the city into a storm. The buildings were drenched in light, debris flying through the air as if the world had tipped on its side and sent everything sprawling. Even the earth felt like it was moving beneath her feet. It was dizzying, terrifying. Exhilirating. 
Dad, who clearly loves Mehr, and evil-step-mom, who clearly doesn’t, may have Mehr’s best interests at heart in keeping her confined to the grounds. Seems the talent she has for things magical is in high demand by dark sorts. So, when Mehr slips out and puts her skill to the test, word gets around and she is in a whole mess of trouble. Way worse than being grounded.

The religious leader of the empire (midway between Thanos and the High Sparrow), has sent a delegation of mystics and a not-so-subtle demand offer for Mehr to marry one of them, a dodgy-seeming character called Amun.
Like so many other of the other mystics Mehr had seen in Lotus Hall, his face was swathed by cloth. Only his eyes and bridge of his nose were revealed but his head was lowered, hiding his gaze. The little of his skin she could see was dark She couldn’t tell if he was young or old, ugly or handsome. He was simply male, broad-shouldered and intimidating with footsteps that were soft, too soft. He had a predator’s tread.
It is an offer she cannot refuse. No more mani pedis for you, dear. Mehr hits the road with her new associates and the game is afoot. No, really. No saddles or palanquins. They walk across the desert to the evil leader’s oasis-centered temple. His name is Maha, and the similarity to mwahahaha cannot possibly be accidental.

Ok, entire-world-fantasies can really get you bogged down in describing everything, (like the above) and then you lose track of the thread. Ok? We got all our words straight, Daiva? Sigil? Amrithi? Ambahn? Jeez, can we move on with it already?

The change of scene also signals a change in approach. What ensues is not just learning what dark plans Maha, who is entirely cruel and not entirely human, has in store for Mehr, and taking on that challenge, but getting to know Amun. Is this bad boy really so bad? Why does everyone think he’s a monster? What’s the deal with all the blue tats? And what else will be forced on Mehr? A challenge for sure.

The book heads in two directions here. First is getting the lay of the land and finding out who you can trust, and where you can get the best figs. Part of this is dealing with being invited to hang by one group, when you really want to be doing something else, figuring out who can be trusted, deciphering the palace politics in her new town. Very relatable, particularly for the younger set. The other major element is the reveal of what the Maha has in mind, and how Mehr will cope. But the major bit for what seems the largest chunk of the book is Mehr getting to know Amun. They have to come up with modus vivendi in order to accomplish the tasks with which they are charged, and not get, you know, murdered.

It was not the fastest read. I enjoyed the first 100 pps of intro to the world and Mehr’s situation, and I enjoyed watching her face diverse challenges and overcome, or not, yet still grow in the process. But I did not enjoy the pace or duration after that. It was reasonably-paced and engaging at first, but settled into a slower, drawn-out tempo that was a bit frustrating. The book might have lost about fifty pages, maybe more, without suffering too much. There are a few interludes when we see events away from Mehr from the perspective of other characters. These offered a break from the central pillar of the tale, and added in a few details Mehr could not deliver to us. There was an element of romantic interaction that was appropriate and engaging, but which took up way too much of the book, detracting from the much more interesting magical, and palace intrigue elements.

You know I like a good romance. Well, I read a lot of romance…That’s something that romance series do really, really well. they create books that draw on each other but they’re also kind of discrete stories in themselves. You’ve got a beginning, a middle and end. You’ve got a satisfying conclusion. You know if you pick up the next one you’re going to get the same thing. So, that’s what I’m trying to do with the series. - from the Reddit session

Not the romance thing, per se, but the beginning-middle-end thing.

It was a bit unclear to me whether this was intended for YA readers or adults. Certain tropes made me think YA. Things like a sheltered girl being forced to face life’s realities and find out if she will face-plant or be the stuff that dreams are made of. We have certainly seen plenty of examples of kids or teens with hidden powers that emerge as they grow and confront danger of one sort or another. Evil stepmothers are a dime a dozen in YA tales. And Mehr has a little sister she is eager to protect, like that Everdeen kid.

But then, the challenges that Mehr confronts extend well beyond showing the world her stuff. She has to contend with complex moral questions. Suri is also looking at larger issues relating to women. She is interested in how women could exercise power in a heavily patriarchal society, and not settle for invisibility. She shows them choosing paths for themselves, despite the external limitations on their freedom, and sometimes having to hide their true feelings.
She managed to catch herself on her hands before her skull met the floor. Then she bowed to the floor, her forehead to the cool marble. She allowed herself to tremble; feigned being a thing bent and broken by his cruelty. She did not have her jewels or her fine clothes, but she had this power, at least: she could give him a simulacrum of what he desired from her. And hold her crumbling strength tight. Let him think he had broken her. As long as he believed he already had, as long as she fooled him, he would not succeed in truly doing so.
CONCLUSION: I very much enjoyed the extreme creativity that went into the literary construction of this world. The magical concepts were impressive, exciting, and fit well with the story. Mehr is an engaging character you will find it easy to root for, particularly when she is faced with wrenching decisions. The writing is beautiful and evocative. I enjoyed much less what seemed a shift from the magical elements and court machinations to an excessive focus on the romantic. But was brought back by the action, twists, and resolutions at the end. I expect there are many castles to be made of Suri’s sands. She has a second book in the series planned, The Realm of Ash, set many years later, looking at the consequences of the actions in book 1. Some dreams can be made real.

NOTE: This review was originally posted by Will on Goodreads.

Tuesday, February 12, 2019

Interview with M. D. Presley (Interviewed by Lukasz Przywoski)


Official Author Website
Order The Glass Dagger over HERE
Read Fantasy Book Critic's review of The Woven Ring
Read Fantasy Book Critic's review of The Imbued Lockblade
Read Fantasy Book Critic's review of The Glass Dagger

Q] Thank you for agreeing to this interview. Before we start, tell us a little bit about yourself. Who is MD Presley? And why should everyone be reading your novels?


MDP: I’m an introvert, so this is my most dreaded question of all times. I swear, I’ve lost more jobs than I can count when I hit the “tell me about yourself” question and I would stutter something like how I’m not a serial killer. Which we all know only makes you sound more like a serial killer. Because who needs to assure you that they’re not serial killers other than serial killers?

Now that the creepiness is (mostly) out of the way, I guess you should know I’m a former screenwriter who still works in the industry and got tired of no producer ever greenlighting the bizarre and budget-busting ideas I had. So I decided to self-publish, which might just be the best retirement plan for all screenwriters who don’t quite “make it.” But I like to think I learned a lot about plotting and characters from my time in the trenches, which hopefully shows in my novels, which is why you should read them.

Plus floating trains. And psychic exoskeletons. Who doesn’t want to read about those?

Q] When and why did you decide to become an author?

MDP: Ugh… I am the writer cliché that always wanted to be an author. Ever since I was a kid playing with my GI Joes/ Star Wars action figures, which I acted out really, REALLY intricate stories with. Then I would run the scenario again, but changing one event to see how it played out. Not borderline-type behavior at all…

Shortly after college I learned about screenwriting, which embodied everything I loved: Stories that no one ever read. I don’t particularly care for my prose, and screenwriting is a medium where no one but the film crew actually reads your work. So it seemed perfect.

Smash Cut To: 15 years later as I write novels and expose my prose to everyone who will deign to look.

Q] What draws you to writing in the genre of fantasy?

MDP: My mother checked out a single chapter of The Sword of Shannara on tape when I was in fourth grade and I listened to the battle between Panamon Creel and Keltset versus the skull bearer and I was pretty much hooked. Which sort of put me at a disadvantage since I encountered post-Tolkien authors (ala Dragonlance) before actually reading any Tolkien. So it was always a bit of a letdown when I read the source from which all inspiration sprung.

Neil Gaiman’s Sandman was the next real eye-opening moment for me when I realized authors could do anything, be it blending comics with sacred myths, all the while adding our own idiosyncratic mythos in a modern setting. It really was pivotal for me, and probably why I focused on epic urban fantasy during my screenwriting career.

Q] Tell us a little bit about your writing process. What do you start from? Do you start with a character, an image, or an idea? Talk a little bit about how a novel “grows” for you.

MDP: I’m a creative cannibal in that pretty much all my worlds, plots, and characters were begun in a completely different story idea that never panned out. But there were always some kernels of awesome seeded there, so I would keep them in my notes and wait until they found fertile soil. Usually by mixing them with another aborted idea. Sol’s Harvest, for instance, is a variation on a character I came up with in college mixed with a plot for one of my earliest screenplays, painted on a world I came up with as a thought experiment.

But that’s just planting the idea garden with a bit of compost from other ideas. After everything takes root, I’m really disciplined in my outlining phase, bible writing, world building, plotting, and the like. I would talk your ear off about it, but I realize there is nothing more mentally grating than hearing an author go on and on about their process. So I’ll just say visit my blog, where I go into excruciating detail as to the process weekly.

Q] What’s the hardest thing for you during the whole “writing experience”?

MDP: The process is pretty streamlined for me at this point, so I’ll say the waiting and myopia. Even with the great community of fellow self-published authors I get to hang out with online, writing is a very lonely endeavor: I literally sit alone in a darkened room after the rest of the household goes to bed. So you develop an intimate relationship with the material that isn’t always healthy. You (meaning me) get too close to the story, to the point you lose perspective and can’t tell if it’s good or bad anymore. I try to schedule time between the rough drafts and the editing phase so I can approach it with fresh eyes, but you (meaning me) honestly can’t tell what it’s worth until you start getting some sort of feedback, usually in terms of beta readers. Unfortunately, this is several months into the process, while all the while you’re left wondering if you’d just squandered your time and sanity on something no one will ever possibly love.

Which is why, I guess, there’s always such a cliched comparison between writing and raising children.

Q] What made you decide to self-publish as opposed to traditional publishing?

MDP: Like I joked earlier, I see a lot of screenwriters turn to self-publishing as a means to get their ideas out when no one in Hollywood will listen. We come from a world where the screenwriter makes (maybe) 2% of the budget of the film and then has to do rewrites (which are invariably TERRIBLE) based on the director/ producer/ actors’ notes multiple times throughout the process. Now don’t get me wrong, I obviously value others’ opinions (see above answer), but it gets very soul-crushing to be the one whose specialty is the story, yet having the least amount of control over it in the room. So writing novels was my escape from this, the ability to tell the stories I wanted to tell the way I wanted to tell them.

Which is why I avoid the traditional process like the plague: It’s the same thing I was trying to escape from the film world. Now this is my personal path, and I do not begrudge anyone who wants to go the traditional route. I just didn’t have the time/ inclination to start the same process over again at this point in my life. And, as advances drop and publishers try to wring diminishing profits out of their authors and new mediums like e-books and audio books, I feel I’ve made the right decision.

Q] One of the big challenges with self-publishing is finding readers. Was that your experience?

MDP: Oh dear God, yes. As wonderfully democratic as it is that anyone can now publish a book and get around those mythical gatekeepers of quality in the traditional publishing approach, the double-edged sword takes effect in that anyone can publish a book… usually of dubious quality. And as much as I am a proponent of self-publishing, I do realize there’s a lot, LOT of crap out there flooding the market. So the real problem in being a new self-published author is convincing a potential reader that you’re not like the rest of those terrible writers.

Which, just like a serial killer, is exactly what a terrible writer/ serial killer would say.

I did make some good early connections with fellow authors early on, but Mark Lawrence’s Self-Published Fantasy Blog Off was really a turning point for me in finding an audience. I ended up here at Fantasy Book Critic, and while I lost the opportunity to bear your banner to the championship round to eventual second-place winner Alec Hutson, the reviews I received here gave me that seal of approval I could tout to others as to why they should give my books a chance.

Q] What advice would you give someone who wants to self-publish?

MDP: Learn the lay of the land. Writing is a great personal experience, but you need an audience. And chances are you’re probably writing for/ in a subgenre. So go find that subgenre and where they hang out ahead of time. Become one of them so your book will have a better chance of reaching a receptive audience when it comes out.

Then make sure to put out a professional product. The reason self-publishing gets a bad rap is because much of it is crap. So rise above and take the extra effort to look like the real deal. That means professional proofreading, editing, and a great cover… all things I made mistakes on in my first fledgling steps.

But there are resources out there for authors now, covering everything from how much you should spend on editing to creating your author newsletter. Learn it and practice it.


Q] As you know, I'm a huge fan of your series. The novels can be read simply for fun and engaging plot, but they also deal with issues of politics, sacrifice and religious zealotry. Why were these themes important for you to write about?

MDP: I joke that the true pitch of my series is The Last Airbender put through the True Detective blender, which is to say I want to take everything that is bright and enjoyable of a fantasy world, then cover it in grit. And as much as I’m riding the current grimdark wave as it crests, I think it’s important that we don’t gloss over these big issues as we write our escapist genre. I’m a firm believer in the anti-hero, which also means that no one thinks they’re the villain in their own story. Which is why it matters so much to me that there’s shades of grey from all perspectives in this series.

Q] What was your initial inspiration for the Sol's Harvest series?

MDP: Oops, I answered that above. It really was The Last Airbender in that I wanted to test myself to see if I could create a world equally as lavish and interesting as that series, and True Detective in that I wanted to do a multiple timeline tale where you get to watch the protagonist(s) arc twice in the telling of each book, so that when you finish one timeline the events that preceded it now offer a different perspective than when you were reading it at the time.

Q] The thing I really enjoyed about the story was how you’ve orchestrated different, but converging time lines and how each book of the series focuses on a different character. Why have you decided to write them this way?

MDP: That’s the True Detective influence again (I should probably read the upcoming questions ahead of time so I will stop answering them in the previous questions). But each perspective adds new insight to previous events, so that knowing what you do about Luca in book two, you would read book one differently. Ditto with Graff from book three. And don’t even get me started on how book four will shift the understanding of the whole series…

Q] One of the things I’m torn about is my favorite character in this series, and that’s a good thing. I am definitely partial to Marta, though I probably find Luca most charming and Graff interesting in a creepy way. Do you have a favorite to write yourself?

MDP: I shouldn’t admit this, but Carmichael and Oleander were probably my favorites. I do like Marta and Luca (and Isabelle) as characters, but I don’t think I’d like to actually hang out with them as people. Not now that I’ve dealt with them for years on end. Oleander gets the benefit of the doubt because she’s remembered as a perfect and loving foil by Marta, which Carmichael is the exact opposite embodiment of. Which makes him so much fun to write.

Is it bad that I always identify with villains?

Q] The characters do develop and change as you read the novels. Did you find your own views of the characters changed as you were writing or was it always your intention for things to be “as they are”?

MDP: All their arcs are mapped out way ahead of time, although the path they take to get to those beats that I’ve planned out sometimes surprise me in the execution. And yes, my opinion of Graff changed significantly before/ after writing book three.

Q] The setting of the books is excellent. Though we’re not told everything, there feels like a rich backstory of history, myth and legend. What challenges did you face not just in making it accessible, but in incorporating all the information that needed to be conveyed to make the story work?

MDP: This is a tough question in that I’m currently doing research on a book on fantasy worldbuilding and will talk your ear off on the subject. But I do think it’s something we should discuss as fantasy fans/ authors because I think, along with plot and characters (and maybe prose), worldbuilding is one of the table legs that support our genre.

Personally speaking, I wrote something like 100 pages of worldbuilding spanning from their creation myth to the different factions currently vying for control before I even began outlining the books. But worldbuilding is a lot like backstory for characters in that, while the author needs to know it all, the audience doesn’t. It’s all about context and what you think is necessary for the story to make sense. I tried to show-not-tell the bits I could, but didn’t fear the infodump when I couldn’t. How well I accomplished creating audience context is entirely up to the readers to decide though.

Q] What sort of research did you do for Sol’s Harvest?

MDP: I hate to admit, but most of my research was Wikipedia. I mean, I read some books on the Civil War as well as a lot of myths, but mostly relied upon my memory of high school history and used my imagination (it is fantasy after all). Wikipedia was for moments where I needed specific details like how many troops are actually in a brigade.

Q] What was the most difficult part of writing this series? What was the most enjoyable part?

MDP: The most difficult part was the starting out as a self-published author and not knowing a damn thing. It was like being a newly blinded person let loose in a mob and told to go purchase a train ticket from a machine a half-mile away (I don’t know where that simile came from). Needless to say, there was a lot of fumbling and some skinned knees.

The best part, I hope, is yet to come when book four comes out and people see this unholy monstrosity I’ve wrought over the last several years.

Q] If you would be given the chance to rewrite any of the scenes in The Woven Ring before publication, would you do it? If yes, what and why?

MDP: I would rewrite it from page one on until the final punctuation mark. Not the story beats, mind you, but the prose. As I’ve said, I hate my own. But I hate what I’ve recently written less than I hate what I wrote long ago. Which is why I only read what I’ve already published to find specific details I need for the current story. Otherwise, reading it pains me since I want to correct it to fit my current style.

Q] Would you say that Sol’s Harvest series follows tropes or kicks them?

MDP: Well, it kicks the farmboy with a sword trope in the balls right out the gate with an aristocratic female with all the gifts who has already failed at life as the protagonist. Although I guess she does have a sword. There’s also no immediately obvious prophesy or dark one, and I do sort of end the initial quest in book two of four.

Which might be why this series isn’t that popular: People like tropes and I don’t think I included nearly enough.

Q] Which question about Sol’s Harvest series do you wish someone would ask? Ask it and answer it!

MDP: Will character X be the final POV for book four? I love that question because it shows that people are engaged enough to care. And I can’t really answer because that would give it away.

But that was sort of a cheat. So I’ll leave you with this creepy question I got once: Will Marta and Carmichael ever make out?

Short answer: No.

Long answer: Noooooooooo!

Q] Do you have a plan for your career as an author? At the moment you are wrapping up Sol's Harvest tetralogy. Do you have any other authorial goals that you are striving towards that you want to talk about?

MDP: As I said, I’m going to try my hand at a non-fiction book on fantasy worldbuilding when this is through. Then I’ll kick off an urban fantasy series that’s been living in my head rent-free for almost two decades. And I’m also considering returning to the world of Ayr with a series of novellas exploring the other continents and their particular magics with one of the surviving characters from this series. But we’ll see how much energy I actually have.


Q] Can you name three books you adore as a reader, but that make you feel inadequate as a writer?

MDP: Neil Gaiman’s The Wake: I had so many feels for this one that I don’t think I’ll ever produce in anyone ever, even if I live to be 100. 100 Years of Solitude: Just plain lush. And I’ve always wanted to make a movie out of Peter Hoeg’s Borderliners because of the way he captures alienation in a way I’ve never been able to. Although I’ve certainly tried.

Q] Thank you so much for agreeing to this conversation, MD! We greatly appreciate your time and thoughts.

MDP: You’re kidding, right? You appreciate my time?! How often does an author, especially a self-published one, get to go on about themselves on a stage like this without having to pay money (or perhaps an organ) for? Seriously, much of the success that I do have comes from Fantasy Book Critic and the support you’ve shown me, an unknown author with no connections. You opened the doors for me and I will never forget that.

So if you ever need a body buried west of the Mississippi, you got my number.

East? Well, I know a guy…

Saturday, February 9, 2019

The Glass Dagger by M. D. Presley (reviewed by Lukasz Przywoski)


Official Author Website
Order The Glass Dagger over HERE
Read Fantasy Book Critic's review of The Woven Ring
Read Fantasy Book Critic's review of The Imbued Lockblade

OFFICIAL AUTHOR INFORMATION: Born and raised in Texas, Matthew D. Presley spent several years on the East Coast and now lives in California with his wife. His favorite words include defenestrate, callipygian, and Algonquin. The fact that monosyllabic is such a long word keeps him up at night. He’s also worked as a professional Hollywood screenwriter who has written for Chinese TV serials as well. When not writing, he also makes jewelry for fun. The Woven Ring was his debut book. 



OFFICIAL BOOK BLURB: Some Monsters Secure Our Safety.

Everyone fears a Render, those chosen by Sol to sever the bonds of life with their glass blades. And no Render is more feared than Graff, who single-handedly held the line at Stone Cleaver. Hundreds died by his hand during the Grand War, and hundreds more in the intervening years, despite Graff not spilling a single drop of blood. A relentless monster, Graff has set his sights on the child Caddie, and not even Marta can stop him.

And now Luca doubts if she even should.

Their band shattered and original mission scattered to the winds, Marta must ally with old enemies as new friends betray her. Worse still, Marta now suspects something dark dwells deep in the child she now considers her own.

FORMAT/INFO: The Glass Dagger is 461 pages long divided over twenty-nine chapters. Narration is in the third person via Marta Childress, Luca Dolphus and Solace Graff. This is the third volume of the Sol’s Harvest series.



The book was self-published by the author on February 6th, 2019  as an e-book. Cover art and design is provided by  Michael Shinde.

OVERVIEW/ANALYSIS: Solace Graff, Render extraordinaire, is a creep. A huge, clumsy bloke with a glass eye, insane powers and total lack of interest in personal hygiene or well being. His lifelong obsession to become the greatest living Render living on Ayr made him stark raving mad. Obviously, there’s much more to it than we suspected and Graff’s dark past hides many surprises.



In The Glass Dagger, MD Presley brings important plot and character arcs to a satisfying and surprising conclusion, while simultaneously opening new ones.We learn who Caddie is and why the future of Ayr may depend on whether she lives or dies. We learn who and why made the civil war start and how key characters’ pasts intertwined and converged off-page. New reveals blew my mind and attest to MD Presley’s impeccable plotting skills. I love the way he orchestrates timelines and characters arcs while moving between them.



The real joy of the book is how well the magic integrates with the rich Ayr’s mythology. The result feels compelling and immersive and every chapter draws the reader deeper into the dark and disturbing story. The plot, while mostly journey- and hunt-based (Graff and Luca follow Marta and Caddy) has enough twists to remain compelling even after the characters and world are established. Add to this cinematic fight sequences and enjoy the ride.



The Glass Dagger stumbled only with characterisation. An autistic, overpowered and single-minded Graff, while intriguing lacks complexity. Marta, Luca and Isabel lost a sense of direction (a deliberate choice of the author before the final book, I think) and turned into feral animals that fight, bite and destroy things.



Especially Marta. A pity as I always loved her as a character. Killing is her second nature. Caddie awakened her maternal instincts. When someone threatens Caddie, their life ends in seconds. Speaking bluntly, for the most of the story characters feel flatter than in previous instalments. Although their relationships still have much growing left to do, many of the later scenes in the book between them (and in various configurations) felt emotionally rushed. That said, Marta and Carmichael’s confrontation was excellent and showed a genuine development of Marta as a character. It also hit her where she’s always been most vulnerable.



CONCLUSION: While this book won’t make you sit back and feel good about the world, it’ll make you reflect and wonder (on politics, religion, beliefs and ambitions) and that’s the power of a good novel. MD Presley doesn’t provide a salivating cliffhanger, but he sets the stage for final reveals I can’t wait to discover. After this ending, I have little doubt that the ultimate book will be anything less than breathtaking. I can’t wait to see how it wraps up.

Thursday, February 7, 2019

The Imbued Lockblade by M. D. Presley (reviewed by Lukasz Przywoski)


Official Author Website
Order The Imbued Lockblade over HERE
Read Fantasy Book Critic's review of The Woven Ring

OFFICIAL AUTHOR INFORMATION: Born and raised in Texas, Matthew D. Presley spent several years on the East Coast and now lives in California with his family. His favorite words include defenestrate, callipygian, and Algonquin. The fact that monosyllabic is such a long word keeps him up at night. He’s also worked as a professional Hollywood screenwriter who has written for Chinese TV serials as well. When not writing, he also makes jewelry for fun. The Woven Ring was his debut book.

OFFICIAL BOOK BLURB: Over the Mueller Line and stalking across the Eastern homeland she betrayed during the Grand War, Marta Childress now cares for the catatonic Caddie Hendrix, whom she has been tasked to deliver to the child’s father. Too bad Marta secretly intends on killing the man to save the nation of Newfield a second civil war.

Executed on the spot if anyone uncovers her identity, Marta also flees the relentless Render Graff and an unstoppable glassman, only to learn too late that worse horrors await her in the East. Fortunately, she can depend on her new freebooter friends Isabelle and Luca.

Yet Luca harbors secrets of his own, a grubber boy born with nothing but whose ambition earned him an imbued lockblade enchanted to ensure his victory so long as he holds it in hand.

FORMAT/INFO: The Imbued Lockblade is 321 pages long divided over thirty-seven chapters. Narration is in the third person via Marta Childress and Luca Dolphus mostly. This is the second volume of the Sol’s Harvest series.

November 20, 2017 marked the e-book & paperback publication of The Imbued Lockblade and it was self-published by the author. Cover art and design is provided by Amit Dutta.

OVERVIEW/ANALYSIS: After finishing The Woven Ring, I was thrilled to learn that the sequel was ready. The world of Ayr is worth discovering. Besides, I also have a small crush on Marta and there’s still plenty to learn about Carmichael’s schemes along with Luca and Isabelle’s pasts. There are multiple reasons to read this series. That’s why I applied to read ARC of the book through author’s website. Sadly, I wasn’t bribed to write this review. I received ARC. No check. Shame :/

If you haven’t read The Woven RingSol’s Harvest series can be described as a fantasy re-imagining of the American Civil War. It is important to note, though, that author uses history as inspiration for his story that happens in a world full of its own unique fantasy elements.

A major magical conceit is Breath, an essence left over from Sol's (deity/god) sacrifice of his life essence. Said essence flowed over the world and created life, each living thing containing a fragment of their creator (the Breath):
- Plants, as the simplest, have only one, making up the Body.
- Animals have two; the Body and Mind.
- Humans, as Sol's chosen, have three: Body, Mind, and Soul.

But some humans, known as Blessed, are born with four Breaths and gain additional abilities based on where the additional Breath resides. If it's in the Body, they can create psychic exoskeletons. If the Mind, they can either hear or influence the thoughts of others. And if it's in the Soul, they are able to control the Breath around them.

The Imbued Lockblade starts where we were left in The Woven Ring ending. Marta Childress accompanied by a pair of freebooters Luca and Isabelle plans to deliver catatonic (not fully) Caddie Hendrix to the child’s father. Too bad Marta secretly intends on killing the man to save the nation of Newfield from a second civil war.

She starts to trust her companions but she may be proven wrong as it seems Luca has plenty of secrets. In a similar way to The Woven Ring, The Imbued Lockblade merges (coherently) two storylines. One happening in the present, the other, showing Luca’s past and a path to becoming who he is, in the present.

Both plotlines move forward building up to a dual climax. I think the pacing was good, although, even before starting the book I was invested in the story and characters. For me, it was like a meeting with exciting people I want to know more about. I can imagine that readers focused on non-stop action may find pacing a bit slow in places. If you like Luca and want to know more about him, you’ll be thrilled by plenty of insights. If you don’t care about him, well, there’s a risk you’ll feel overwhelmed by a number of information on his backstory. All packed into action sequences, mind you.

The Imbued Lockblade is definitely a character-driven story. Both protagonists and antagonists are rather complex and morally ambiguous characters. They’re caught in a conflict that brings both worst and best from them. Each of them has dreams, plans, and aspirations, however, the civil war and personal dreams and conflicts influence their choices. And their choices influence others.

Marta is my favorite character, hands down. She’s not always likable and she was described as an antihero. To be honest, I don’t really see her as an antihero. After what she went through, I wouldn’t expect her to be sunny and cheerful. She’s definitely morally ambiguous but it’s precisely this that makes her so interesting to me. If you hoped that she would go to the pub with Graf and Carmichael to have beer, get things straight and tell some jokes, it won’t happen. Neither does she happily fall in love. Instead, she faces dangerous foes. Also, she’s painfully proven wrong. Even when she believed she had cut all of Carmichael’s strings, she still found herself playing her part in his performance without ever having seen the script. Both, irrepressible Render Graf and powerful Glassman Berenice Mauch are interested in destroying Marta as well. It’s too much and there’s a scene where Marta finally unleashes her fury and believe me it’s a slaughterhouse. Marta’s new Armor (sort of Exoskeleton) makes her dangerous in a fight. Wood and stone crumble before it like porcelain. I like her even more now.

It is, however, Luca Dolphus who gets the most attention in this book. We learn about him, his past and his relationship with Isabelle. We see how he’s manipulated by those close to his heart and what kind of human he is. Charming and charismatic, undefeated in a battle as long as he holds his Imbued Blade, Luca is an interesting character. Ambitious and passionate but also ready to sacrifice everything for his loved ones. And the sacrifice he does is great indeed. The story of Luca obtaining the Imbued Lockblade is a bit heart-wrenching and done well. It’s worth noting that part of his storyline describes Luca’s stay in Hottenkof School of Tshi. The concept is great (imagine a lockblade school inspired by flying insects and some cool trials allowing to move further in school hierarchy). I would gladly read a short story focusing on Luca’s misadventures during his stay there. After finishing the book I’m torn between liking and relating to Luca and considering him an asshole. On the other hand, his fate remains a mystery so I want to discover more.

While Isabelle isn’t a POV character, we learn much more about her and her relationship with Luca. Ingio blood runs in her veins and she really is wild at times. But also loyal to the end. A character trait worthy of  the reader's attention and appreciation.

Finally, Caddie’s secret is revealed (although not fully explained). In order not to spoil things, let’s just say that she straddles a unique position in the epistemological understanding of the will of Sol.

World-building continues to impress even more. Its scale and depth are praiseworthy. In book two author explores the culture of the Dobra (his mashup of the Roma/ Jewish traditions in our world). We learn a lot about their traditions and lifestyle. As well as their secret rituals, like imbuing things, a process that requires death. The clan structure is quite detailed and complicated.

Writing and prose are precise and to the point. There’s little of what you might call purple prose. The author seems to enjoy including archaisms and informal American terms, so checking some of the words in the dictionary was a fun (happily Kindle built-in dictionary is quite handy and helpful).

CONCLUSION: If you enjoyed The Woven Ring, chances are you’ll love The Imbued Lockblade. Especially if, like me, you were curious about Luca and Isabelle’s pasts. Luca is a true hero of this story – we learn a lot about him and Dobra culture. The book ends with a sort of cliffhanger or, shall we say, a game changer that will make things even more interesting. I can’t wait to see where the story goes. Also, I’m quite curious if the author will continue the tradition of telling the story in two parallel timelines presented in alternated chapters. I won’t lie. Carmichael’s perspective on the events could be compelling, given how finely he pulls all the strings. I wouldn’t mind learning more about Isabelle either.

Wednesday, February 6, 2019

Exclusive Cover Reveal: We Lie With Death by Devin Madson (by Devin Madson)


Official Author Site
Pre-order We Lie With Death over HERE
Read Fantasy Book Critic's review of We Ride The Storm
Read The Fantasy Hive's Cover Reveal for We Ride The Storm

Right from the beginning, I knew I wanted to have the point of view characters on the covers of this series, but that was immediately a problem because I don’t have a visual imagination. I don’t know what my characters look like. To me they are a collection of words and traits and motivations and feelings all wrapped up in… fuzziness, and it hurts my brain to try to focus that into a proper image. It was easy for Rah on the cover of We Ride The Storm because as a people the Levanti are well described. But Cassandra? I couldn’t have even said with any certainty what colour her hair was,

Fortunately, John Anthony Di Giovanni is a delight to work with and is more than capable of visualizing for me, so I was more excited than nervous to see the finished product. Finally I might get an idea of what she looks like. (She would still be a fuzzy collection of words and traits and motivations and feelings in my mind, but at least I could point to the cover if anyone asked.) As with its predecessor, Shawn T. King, would be doing the cover design for We Lie With Death.

Unlike with the cover of We Ride The Storm, we went through hardly any sketches for this. There really seemed only one way to capture the essence of Cassandra in a single image - doing what she does best:


So without further ado, John, Shawn and I would like to present the full cover of Book Two of The Reborn Empire, We Lie With Death.

(Typography & Design by Shawn T.  King)

Pre-order We Lie With Death from here

Official Book Blurb: Into Kisia’s conquered north, a Levanti empire is born.

Loyal to the new emperor, Dishiva e’Jaroven must tread the line between building a new life and clinging to the old. Only Gideon can lead them, but when he allies himself with a man returned from the dead it will challenge all she thinks she knows and everything she wants to believe.

Now empress of nothing, Miko is more determined than ever to fight for her people, yet with her hunt for allies increasingly desperate, she may learn too late that power lies not in names but in people.

Rah refused to bow to the Levanti emperor, but now abandoned by the Second Swords he must choose whether to fight for his people, or his soul. Will honour be his salvation, or lead to his destruction?

Sold to the Witchdoctor, Cassandra’s only chance of freedom is in his hands, but when her fate becomes inextricably linked to Empress Hana, her true nature could condemn them both.

There is no calm after the storm.


*---------------*---------------*---------------*

NOTE: Devin Madson's books picture courtesy of Petrik of Novel Notions blog.

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