- A Dribble Of Ink
- A Fantasy Reader
- Adventures In Reading
- Bastard Books
- Beauty In Ruins
- Best Fantasy Books HQ
- Bitten By Books
- Bookworm Blues
- Charlotte's Library
- Cheryl's Mewsings
- Civilian Reader
- Critical Mass
- Curated Fantasy Books
- Dark Wolf's Fantasy Reviews
- Dragons, Heroes and Wizards
- Edi's Book Lighthouse
- Everything is Nice
- Falcata Times
- Fantasy & SciFi Lovin' News & Reviews
- Fantasy Cafe
- Fantasy Literature
- Far Beyond Reality
- Gav Reads
- Genre Reader
- Grasping For The Wind
- Hero Complex
- Jeff VanderMeer
- King of the Nerds
- Layers of Thought
- Neth Space
- Old Bat's Belfry
- Only The Best Science Fiction & Fantasy
- Pat's Fantasy Hotlist
- Realms of Speculative Fiction
- Rob's Blog O' Stuff
- Smorgasbord Fantasia
- Speculative Book Review
- Stainless Steel Droppings
- Tez Says
- The Agony Column
- The Antick Musings of G.B.H. Hornswoggler, Gent.
- The Bibliosanctum
- The Book Smugglers
- The Green Man Review
- The Nocturnal Library
- The OF Blog
- The Speculative Scotsman
- The Vinciolo Journal
- The Wertzone
- The World in the Satin Blog
- Tip the Wink
- Val's Random Comments
- Voyager Books
- Walker of Worlds
- ► 2015 (134)
- ► 2014 (155)
- ► 2013 (260)
- ► 2012 (287)
- ► 2011 (317)
- ► 2010 (346)
- Winners of the Catching Fire and Clockwork Phoenix...
- Getting to Know the Characters of "Fire" Blog Tour...
- "The Year of the Flood" by Margaret Atwood (Review...
- “Servant of a Dark God” by John Brown (Reviewed by...
- "Her Fearful Symmetry" by Audrey Niffenegger (Revi...
- "Dreaming Anastasia: A Novel of Love, Magic, and t...
- "Nocturnes" by Kazuo Ishiguro (Reviewed by Liviu S...
- "Transition" by Iain M. Banks (Reviewed by Liviu S...
- “Kell’s Legend” by Andy Remic (Reviewed by Mihir W...
- “Canticle” by Ken Scholes (Reviewed by Robert Thom...
- “Boneshaker” by Cherie Priest (Reviewed by Robert ...
- Three Capsule Reviews 4 - "Gladiatrix, Prophets an...
- FBC Index of Capsule Reviews and Un-Reviews
- "Filaria" by Brent Hayward (Reviewed by Liviu Suci...
- 2009 Man Booker Nominee "How to Paint a Dead Man" ...
- “The Other Lands” by David Anthony Durham (Reviewe...
- The Man Booker 2009 Shortlist
- Author Guest Blog Post: Mortimus Clay on Fantasy W...
- "The Purloined Boy" Book One in the Weirdling Cycl...
- "Elfland" by Freda Warrington (Reviewed by Liviu S...
- "Dawnthief: Chronicles of the Raven" by James Barc...
- “Audrey’s Door” by Sarah Langan (Reviewed by Rober...
- Special!! Online Story from the Clockwork Phoenix ...
- “Dead Men’s Boots”, “Thicker Than Water” and “The ...
- Mark Newton Reveals Title and Tentative Cover for ...
- “The Golden City” by John Twelve Hawks (Reviewed b...
- "Sea Glass" by Maria Snyder (Reviewed by Liviu Suc...
- “Darkborn” by Alison Sinclair (Reviewed by Mihir W...
- Young Reader Capsule Review 1 (Reviewed by Cindy H...
- Sold! Solaris Books is acquired by Rebellion
- The Dakota Merrick Series: "Stealing Light and Nov...
- "Daughters of the Sea: Hannah" by Kathryn Lasky (R...
- "The Stone Child" by Dan Poblocki with Bonus Q/A w...
- ▼ September (33)
- ► 2008 (376)
Official Iain Banks Website
Order "Transition" HERE
INTRODUCTION: Iain M. Banks' early Culture books, "Use of Weapons", "Consider Phlebas" and "The Player of Games" as well as the standalone "Against a Dark Background" are among my top sff books of all time, with "Use of Weapons" still at #1 after 17 years since first read and many re-reads in the meantime.
While his mainstream non-M books have been less of a hit with me since they combine horror and "Englishness" and both are very hit-or-miss for me as opposed to space opera, I got all M book as soon as possible and read them on arrival for 17 years now.
So I was a bit in a conundrum with "Transition" which is billed as a non-M book in the UK, but an M book in the US and while very excited by it from its description, I was not sure what I will get. On first read I still kept being puzzled, since the book combined both mainstream elements (superb style, psychological depth) with core sff ones (larger than life characters, Multiverse and travel in between alt-Earths) in a multilayered tale of extraordinary sophistication, but one I was not sure till the end how it will mesh.
However once I finished the novel and I started understanding its nuances, I immediately got back into it and read it twice again and it was worth, Transition becoming indeed my top sff novel of the year and one of top two overall 2009 releases so far. I will explain why in the following and argue that you definitely need at least one re-read to fully appreciate the subtlety and depth of the novel.
OVERVIEW/ANALYSIS: I started on the re-read - I re-read already many passages several times trying to fully understand the book, but a full end-to-end re-read is needed -
For now I do not really know how to rate the book - from brilliant to very good but not coherent, or as a review put it a bit of a mess...
Marketed as an M book in the US and a non-M (mainstream) in the UK, Transition can be read in a dual way - as core/adventure sf with the Multiverse, assassins, conspiracies, The Concern a...more The main conceit of "Transition" is that our and many other Earths are part of the Multiverse in which special people, "Transitioners"- usually of the assured, selfish type - can travel in between by temporarily occupying the bodies of unsuspecting persons with the help of a drug called "septus" which is native to Calbefraques, the one special, "Platonically perfect", totally open Earth where everyone knows about the possibility of transition and the "Speditionary Faculty of the University of Practical Talents" delves into the mysteries of the Multiverse as does the associated "L'Expedience" aka "The Concern" which tries to influence - to the good as it claims - other "Earths".
"Calbefraques was the ultimate Open world, the mirror image of one of the numberless perfectly Closed Earths where nobody knew about the many worlds; a place where possibly every single adult soul who walked its surface knew that it was merely one world within an infinitude of worlds, and a nexus at that, a stepping-off point for as much of that infinitude as it was possible to imagine.
And a world, an Earth that was close to unique. Logically there had to be other versions of this Earth that were close to the Calbefraques that we knew, but we seemed to be unable to access them. It was as though by being the place that could act as a gateway to any other version of Earth, Calbefraques had somehow outpaced all the other versions of itself that would otherwise have existed. It seemed that in the same way that the true consciousness of a transitioner could only be in one world at a time, there could only be one world that was perfectly Open, and that world, that unique Earth was this one, called Calbefraques."The above quote from the book clarifies the key core-sf element of the novel, while the intricate interlinked tales of the various characters both explore it and connect it to "our" Earth on which a good chunk of action happens.
Ostensibly there are five threads in the novel, following one Transitioner agent, one unreliable narrator who is a mental patient on an obscure "closed" Earth but believes himself to be a former agent of the Concern on the run, a philosophical torturer from an alt-Earth with some twists, the current CEO of L'Expedience and the one up-to-no good character from the first pages, Madame D'Ortolan, and finally on our Earth, social climber, former drug runner and current hot shot financier Adrian Cubbish of "The Market is God. There is no God but the Market" refrain...
Hovering over everyone is the mysterious Ms. Mulverhill who claims to have proof of dark deeds and intentions at the heart of The Concern and is on the run from its agents while recruiting allies to her cause. At least this is how the novel starts and what we are led to believe at the beginning...
Transition can be read in a dual way - as core/adventure sf with the Multiverse, assassins, conspiracies, The Concern and its research and purposes - and as mainstream novel about the abuse of power, the nature of morality, drugs, torture, greed and money, subjects which are always omnipresent in the IM novels but here they are directly related to our world and analogs with some twists. As mainstream it probably tackles more than in such ten novels, and in a very energetic, take no prisoner ways familiar from his sf novels, so it will administer a jolt to unwary readers...
As core sf, its subtlety will be appreciated only on the reread when much more will make sense, though the novel raises more questions than brings answers and offers a great opportunity for a Culture-like cycle of novels in this extraordinary milieu.
For veteran IM Banks readers there are a lot of allusions to his Culture novels and their themes, and you will re-encounter Diziet Sma's arguments with Zakalwe about the "morality of intervention vs non-intervention" from Use of Weapons, or GCU's Grey Area' sense of justice and its implacable execution from Excession as well as quite a few other similar tidbits.
The one major negative of the novel are the "let me show how clever I am" moments that jar in their (multiple) Earth context, including the references to momentous events in our history like the Fall of the Berlin Wall or 9/11 which have no particular significance in the novel and could have been skipped without missing a beat.
I loved the ending, though in the usual Banks' style, you better re-read at least the prologue at the end since like in "Use of Weapons", the prologue will not make real sense at the beginning since it's actually the first part of the epilogue....
Superb, deep, and a great absorbing read I strongly recommend "Transition" both for veteran IM Banks readers and as an introduction to his work.