Blogroll
- @Number71
- A Dribble Of Ink
- A Fantasy Reader
- Adventures In Reading
- Bastard Books
- Bibliophile Stalker
- Big Dumb Object
- Bitten By Books
- Boing Boing
- Book Country
- Bookgeeks
- Bookworm Blues
- Caleigh's Blog
- Charlotte's Library
- Cheryl's Mewsings
- Civilian Reader
- Critical Mass
- Dark Wolf's Fantasy Reviews
- Dreams & Speculation
- Drying Ink
- Edi's Book Lighthouse
- Everything is Nice
- Falcata Times
- Fantasy & SciFi Lovin' News & Reviews
- Fantasy Book News
- Fantasy Literature
- Far Beyond Reality
- Feminist SF
- Floor To Ceiling Books
- Free SF Reader
- GalleyCat
- Gav Reads
- Genre Reader
- Graeme's Fantasy Book Review
- Grasping For The Wind
- Greg Hamerton
- Guy With Book
- Hellnotes
- Hero Complex
- Horror Reanimated
- HorrorScope
- io9
- Jeff VanderMeer
- King of the Nerds
- Layers of Thought
- Mentajack
- Mithril Wisdom
- My Favourite Books
- Myrmidon Books
- Mysterious Outposts
- Neth Space
- Omnivoracious
- Only The Best Science Fiction & Fantasy
- Pat's Fantasy Hotlist
- Pyr-O-Mania
- Reading The Leaves
- Realms of Speculative Fiction
- Rob's Blog O' Stuff
- Sandstorm Reviews
- Sci Fi Songs
- SciFiChick.com
- SciFiGuy
- Speculative Book Review
- Speculative Fiction Junkie
- Stainless Steel Droppings
- Stomping On Yeti
- Suvudu
- Tez Says
- The Agony Column
- The Antick Musings of G.B.H. Hornswoggler, Gent.
- The Book Smugglers
- The Broken Bullhorn
- The Fantasy Bookshelf
- The Green Man Review
- The Mad Hatter's Bookshelf & Book Review
- The Night Bazaar
- The OF Blog
- The Overlook Press
- The Ranting Dragon
- The Speculative Scotsman
- The Stamp (of Approval)
- The Wertzone
- The World in the Satin Blog
- Tor.com
- Upcoming4.me
- Val's Random Comments
- Variety SF
- Vast and Cool and Unsympathetic
- Voyager Books
- Walker of Worlds
- Whatever
- When Gravity Fails
- Zeno Agency
Blog Archive
-
►
2012
(99)
-
►
May
(18)
- "Metropolitan" and "City on Fire" by Walter Jon Wi...
- Blood Of The Underworld by David Dalglish (Reviewe...
- "More Detail on Three Upcoming Novels of the Highe...
- "No Going Back" by Mark Van Name (Reviewed by Livi...
- WORLDWIDE GIVEAWAY: Win an Omnibus Edition of Davi...
- The King's Blood by Daniel Abraham (Reviewed by Li...
- Dragon Poems for Smiletrain: An Anthology For Char...
- GUEST POST: Sequels And Satisfying Endings by Davi...
- "Child of all Nations" by Irmgard Keun (Reviewed b...
- Masterpiece of SF: "Brain Child" by George Turner ...
- "Lehrter Station (John Russell #5)" by David Downi...
- GIVEAWAY: Bitterblue by Kristin Cashore
- "Last Will" by Bryn Greenwood (Reviewed by Liviu S...
- The Written by Ben Galley (Reviewed by Mihir Wanch...
- "The Black Opera" by Mary Gentle (Reviewed by Livi...
- Shadow On The Wall by Pavarti K. Tyler (Reviewed b...
- Demon Squad: Echoes Of The Past by Tim Marquitz (R...
- The Junkie Quatrain by Peter Clines (Reviewed by M...
-
►
April
(10)
- A Chat/Interview between Bradley P. Beaulieu & Rob...
- Walter Jon Williams Releasing his Backlist as eBoo...
- The Other Gemmell (by Mihir Wanchoo)
- Tricked by Kevin Hearne (Reviewed by Mihir Wanchoo...
- Three Shorter Reviews, Dan Vyleta, Lavie Tidhar an...
- "Women in Science Fiction & Fantasy Month" at Fant...
- "Kino" by Jurgen Fauth (Reviewed by Liviu Suciu)
- Irenicon by Aidan Harte (Reviewed by Mihir Wanchoo...
- Upcoming Book Cover Art (By Mihir Wanchoo)
- GUEST POST: On Monsters and Miracles by Aidan Hart...
-
►
March
(20)
- Corrupts Absolutely? Dark Metahuman Fiction edited...
- The 2012 Arthur Clarke Shortlist and the Critical ...
- Blood Skies by Steven Montano (Reviewed by Mihir W...
- "Twilight Forever Rising" by Lena Meydan (Reviewed...
- A Few Announcements and Lists (by Liviu Suciu)
- The Pillars of Hercules by David Constantine with ...
- Winners of the Legend Of Eli Monpress Giveaway and...
- Steampunk Novella Thoughts: Omar The Immortal and ...
- More Details about "No Going Back" by Mark Van Nam...
- "Across the Universe" by Beth Revis (Reviewed by C...
- GUEST POST: Corrupted Absolutely: Thoughts by Linc...
- More Details about "Worldsoul" by Liz Williams an...
- "The Ruined City" by Paula Brandon (reviewed by Li...
- Fated by Benedict Jacka (Reviewed by Mihir Wanchoo...
- "The Thief" by Fuminori Nakamura (Reviewed by Livi...
- GUEST POST: Ernst Dabel on his Upcoming Novel ALBI...
- The Limits of Fantasy Inspired by History: "The Ki...
- Three Fall Titles of Huge Interest, I.M. Banks, J....
- Scarecrow Returns by Matthew Reilly (Reviewed by M...
- Spotlight on March Books
-
►
May
(18)
Official Orson Scott Card Website
Order “The Lost Gate” HERE
Read An Excerpt HERE
Watch the Book Trailer HERE
AUTHOR INFORMATION: Orson Scott Card is an international bestselling author of science fiction and fantasy best known for the beloved classic, Ender’s Game. Card is the only author ever to win back-to-back Hugo and Nebula Awards with Ender’s Game and Speaker for the Dead. He’s also won four Locus Awards and a Nebula for the short story “Eye for an Eye”, and was recently awarded the 2008 YALSA Margaret A. Edwards Award for Lifetime Contribution to Young Adult Literature. Card has also written numerous other books including the acclaimed Tales of Alvin Maker fantasy series, as well as assorted plays, comic books, essays and newspaper columns.
PLOT SUMMARY: Danny North grew up in a family of gods—or at least the poor remnants of the mages who once went by names like Odin, Thor, and Freya. When the gates that led to their home world of Westil were closed by Loki in 632 a.d., the Families lost much of their power. Despite this loss of power, the Families still consider themselves far superior to drowthers, the name they use for humans.
Drekka—mages that possess no magical talent—are considered little better than drowthers, and Danny North fears he is one. But when Danny finally does manifest his ability, it is unfortunately not a cause for celebration. For Danny is a gatemage, which is considered even worse than drekka, and if any of the Families were to learn of him, then he would be immediately killed. So Danny flees the family compound to make his own way in the world, at least until he learns to control his rare gift and hopefully reopen a gate between Mittlegard (Earth) and Westil.
It won’t be easy though. Not only does he face the ordinary dangers of a teenager trying to survive on his own in America, while hiding from mages who would kill him on sight, but there is also the mysterious Gate Thief, who seems determined to keep all gates to Westil closed by stripping gatemages of all their power...
FORMAT/INFO: The Lost Gate is 384 pages long divided over twenty-three titled/numbered chapters and an Afterword. For two-thirds of the novel, narration is in the third-person via the teenage gatemage, Danny North. For the rest of the novel, narration is in the third-person omniscient, mostly following the adventures of the mysterious Wad. The Lost Gate comes to a satisfying stopping point, but is the first volume in the Mither Mages series. January 4, 2011 marks the North American Hardcover publication of The Lost Gate via Tor.
ANALYSIS: The last—and only—time I read an Orson Scott Card novel, was Ender’s Game over ten years ago. Since then, I haven’t been interested in reading any more of the author’s work, until I heard about “Stonefather”—a short story that first appeared in the Wizards anthology edited by Jack Dann & Gardner Dozois, and then published in limited edition format by Subterranean Press—which acted as a preview to Orson Scott Card’s upcoming Mither Mages fantasy saga. Intrigued by the brief, yet enticing taste that “Stonefather” had to offer, I’ve been looking forward to starting the Mither Mages series for a couple of years now, which finally begins with The Lost Gate...
The Lost Gate introduces readers to a magic system that is over thirty years in the making and, in the author’s own words, would explain everything:
“Elves and fairies, ancient mythical gods of every Indo-European culture, ghosts and poltergeists, werewolves and trolls and golems, seven-league boots and mountains that move, talking trees and invisible people—all would be contained within it.”
The concept behind the magic system is fairly simple. There is Earth, or Mittlegard as it is called by the mages, and then there is the planet Westil, home of the mages, which includes mages of every kind: beastmages, plantmages, stonemages, seamages, firemages, et cetera. Connecting the two worlds are what are known as Great Gates. By passing through a Great Gate, a mage’s power was “magnified a hundred times” turning the mages of Westil into gods when they came to Mittlegard. Unfortunately, Loki sealed off all of the Great Gates in 632 a.d., and because of his actions, gate magic became forbidden. And without gate magic, no more Great Gates could be created. So now, over thirteen and a half centuries later, the ‘gods’ of Mittlegard have become a faint shadow of their former selves.
From this setup, readers are treated to two storylines in The Lost Gate. The first concerns Danny North, a thirteen-year-old boy who believes he is a drekka—a mage with no magical talent—only to discover that he is actually a powerful, but forbidden gatemage. From here, the novel follows Danny as he attempts to make it on his own in the drowther—human—world, which includes begging and stealing, all the while trying to avoid the Families who would either kill him or use him, learning to live among the drowthers without arousing suspicion, and figuring out how to control his gate making abilities. Along the way, Danny meets his supporting cast—Eric, Stone, Marion & Leslie Silverman, Victoria Von Roth (Veevee), Hermia—including a Keyfriend and Lockfriend who help him with his powers...
For the most part, the Danny North portion of The Lost Gate—which reminded me of a Charles de Lint urban fantasy novel crossed with Harry Potter, Neil Gaiman’s American Gods, and Stephen Gould’s Jumper—was a lot of fun to read. Granted, the author utilizes a number of familiar YA/coming-of-age elements in the book, and there were times I felt too much talking was going on, but Orson Scott Card has a real knack for writing a young protagonist, which is evident by Danny’s likable personality and the way that he talks, acts and thinks like a real teenager. Plus, the chapters move along at a fast pace, the dialogue, despite my feelings, was entertaining, and I just loved the whole gate magic concept and had a blast learning about gate magic as Danny does, including its rules, its benefits (healing, power magnification, etc.), and its dangers like the mysterious Gate Thief.
The second storyline takes place in the kingdom of Iceway, and focuses on another gatemage, a strange boy who can’t remember his past and is named Wad by the castle’s night cook. This portion of the novel has a fairy tale meets medieval fantasy vibe going on, complete with a king, queen, competing heirs, a concubine, royal bastards, assassinations and assassination attempts, betrayals, court intrigue, and wondrous magic. The themes and subject matter contained in this storyline are a bit darker and weightier than those found in the Danny North one, but as a whole, The Lost Gate is the kind of book that I wouldn’t hesitate in recommending to both teens and older readers alike.
Of these two storylines, I actually enjoyed reading about Wad more than I did Danny North and wish the author had spent more time on the strange gatemage—the majority of The Lost Gate focuses on Danny North—but I really liked the way the two storylines overlap at the end of the book, resulting in some interesting revelations, while setting the stage for exciting developments to be explored in the next Mither Mages novel.
CONCLUSION: Because of familiar ideas and themes, not to mention shallow supporting characters and world-building, I’m not sure Orson Scott Card’s The Lost Gate has what it takes to become another classic like Ender’s Game. That said, The Lost Gate is without question a fun and entertaining journey that readers will definitely want to continue. I for one, can’t wait to read more about Danny, Wad, gate magic, and the Mither Mages...
Order “The Lost Gate” HERE
Read An Excerpt HERE
Watch the Book Trailer HERE
AUTHOR INFORMATION: Orson Scott Card is an international bestselling author of science fiction and fantasy best known for the beloved classic, Ender’s Game. Card is the only author ever to win back-to-back Hugo and Nebula Awards with Ender’s Game and Speaker for the Dead. He’s also won four Locus Awards and a Nebula for the short story “Eye for an Eye”, and was recently awarded the 2008 YALSA Margaret A. Edwards Award for Lifetime Contribution to Young Adult Literature. Card has also written numerous other books including the acclaimed Tales of Alvin Maker fantasy series, as well as assorted plays, comic books, essays and newspaper columns.
PLOT SUMMARY: Danny North grew up in a family of gods—or at least the poor remnants of the mages who once went by names like Odin, Thor, and Freya. When the gates that led to their home world of Westil were closed by Loki in 632 a.d., the Families lost much of their power. Despite this loss of power, the Families still consider themselves far superior to drowthers, the name they use for humans.
Drekka—mages that possess no magical talent—are considered little better than drowthers, and Danny North fears he is one. But when Danny finally does manifest his ability, it is unfortunately not a cause for celebration. For Danny is a gatemage, which is considered even worse than drekka, and if any of the Families were to learn of him, then he would be immediately killed. So Danny flees the family compound to make his own way in the world, at least until he learns to control his rare gift and hopefully reopen a gate between Mittlegard (Earth) and Westil.
It won’t be easy though. Not only does he face the ordinary dangers of a teenager trying to survive on his own in America, while hiding from mages who would kill him on sight, but there is also the mysterious Gate Thief, who seems determined to keep all gates to Westil closed by stripping gatemages of all their power...
FORMAT/INFO: The Lost Gate is 384 pages long divided over twenty-three titled/numbered chapters and an Afterword. For two-thirds of the novel, narration is in the third-person via the teenage gatemage, Danny North. For the rest of the novel, narration is in the third-person omniscient, mostly following the adventures of the mysterious Wad. The Lost Gate comes to a satisfying stopping point, but is the first volume in the Mither Mages series. January 4, 2011 marks the North American Hardcover publication of The Lost Gate via Tor.
ANALYSIS: The last—and only—time I read an Orson Scott Card novel, was Ender’s Game over ten years ago. Since then, I haven’t been interested in reading any more of the author’s work, until I heard about “Stonefather”—a short story that first appeared in the Wizards anthology edited by Jack Dann & Gardner Dozois, and then published in limited edition format by Subterranean Press—which acted as a preview to Orson Scott Card’s upcoming Mither Mages fantasy saga. Intrigued by the brief, yet enticing taste that “Stonefather” had to offer, I’ve been looking forward to starting the Mither Mages series for a couple of years now, which finally begins with The Lost Gate...
The Lost Gate introduces readers to a magic system that is over thirty years in the making and, in the author’s own words, would explain everything:
“Elves and fairies, ancient mythical gods of every Indo-European culture, ghosts and poltergeists, werewolves and trolls and golems, seven-league boots and mountains that move, talking trees and invisible people—all would be contained within it.”
The concept behind the magic system is fairly simple. There is Earth, or Mittlegard as it is called by the mages, and then there is the planet Westil, home of the mages, which includes mages of every kind: beastmages, plantmages, stonemages, seamages, firemages, et cetera. Connecting the two worlds are what are known as Great Gates. By passing through a Great Gate, a mage’s power was “magnified a hundred times” turning the mages of Westil into gods when they came to Mittlegard. Unfortunately, Loki sealed off all of the Great Gates in 632 a.d., and because of his actions, gate magic became forbidden. And without gate magic, no more Great Gates could be created. So now, over thirteen and a half centuries later, the ‘gods’ of Mittlegard have become a faint shadow of their former selves.
From this setup, readers are treated to two storylines in The Lost Gate. The first concerns Danny North, a thirteen-year-old boy who believes he is a drekka—a mage with no magical talent—only to discover that he is actually a powerful, but forbidden gatemage. From here, the novel follows Danny as he attempts to make it on his own in the drowther—human—world, which includes begging and stealing, all the while trying to avoid the Families who would either kill him or use him, learning to live among the drowthers without arousing suspicion, and figuring out how to control his gate making abilities. Along the way, Danny meets his supporting cast—Eric, Stone, Marion & Leslie Silverman, Victoria Von Roth (Veevee), Hermia—including a Keyfriend and Lockfriend who help him with his powers...
For the most part, the Danny North portion of The Lost Gate—which reminded me of a Charles de Lint urban fantasy novel crossed with Harry Potter, Neil Gaiman’s American Gods, and Stephen Gould’s Jumper—was a lot of fun to read. Granted, the author utilizes a number of familiar YA/coming-of-age elements in the book, and there were times I felt too much talking was going on, but Orson Scott Card has a real knack for writing a young protagonist, which is evident by Danny’s likable personality and the way that he talks, acts and thinks like a real teenager. Plus, the chapters move along at a fast pace, the dialogue, despite my feelings, was entertaining, and I just loved the whole gate magic concept and had a blast learning about gate magic as Danny does, including its rules, its benefits (healing, power magnification, etc.), and its dangers like the mysterious Gate Thief.
The second storyline takes place in the kingdom of Iceway, and focuses on another gatemage, a strange boy who can’t remember his past and is named Wad by the castle’s night cook. This portion of the novel has a fairy tale meets medieval fantasy vibe going on, complete with a king, queen, competing heirs, a concubine, royal bastards, assassinations and assassination attempts, betrayals, court intrigue, and wondrous magic. The themes and subject matter contained in this storyline are a bit darker and weightier than those found in the Danny North one, but as a whole, The Lost Gate is the kind of book that I wouldn’t hesitate in recommending to both teens and older readers alike.
Of these two storylines, I actually enjoyed reading about Wad more than I did Danny North and wish the author had spent more time on the strange gatemage—the majority of The Lost Gate focuses on Danny North—but I really liked the way the two storylines overlap at the end of the book, resulting in some interesting revelations, while setting the stage for exciting developments to be explored in the next Mither Mages novel.
CONCLUSION: Because of familiar ideas and themes, not to mention shallow supporting characters and world-building, I’m not sure Orson Scott Card’s The Lost Gate has what it takes to become another classic like Ender’s Game. That said, The Lost Gate is without question a fun and entertaining journey that readers will definitely want to continue. I for one, can’t wait to read more about Danny, Wad, gate magic, and the Mither Mages...
12:01 AM | 
Posted by
Robert |
Subscribe to:
Post Comments (Atom)
FBC Info
NOTEWORTHY RELEASES
Review May
NOTEWORTHY RELEASES
Review June
NOTEWORTHY RELEASES
Review May/June
NOTEWORTHY RELEASES
Review tbd
8 comments:
I've linked to your review in my New Release Tuesday blog post (which will go up shortly.)
Thanks!
Becky (The Book Frog)
As a fan of Card's work, I would recommend you look into the Alvin the Maker series as group of Americana fantasy. Fantasy is usually heavily "European" or urban, but Alvin the Maker is truly an American fantasy.
Thanks for the linkage Rebecca and Anonymous for the Alvin Maker recommendation...
I just finished all six of the Alvin Maker series and I would definitely recommend it to any fantasy or alternative history fan. Looking forward to the final book in the series.
With regards to the Ender series, the direct sequels may not be as exciting as Ender's Game, in fact, it is highly philosophical and more contemplative than any of his books. But I would recommend the Bean Quartet which begins with Ender's Shadow. The series focuses more on the battle school kids who finally return to Earth after the events of Ender's Game.
Just finished The Lost Gate. Excellent book.
I enjoyed the main character Danny more than many books that I have read. He's a mess but he's kind hearted and genuine.
Great read and as always, an excellent review.
I have been listening to this book on Sirius/XM Book Radio. I have missed some parts but am without a doubt going to purchase the book as soon as I can get to the bookstore.
I found this book disappointing. Not only was the character development shallow and steriotypical, the plot is missing great chuncks of relevant information. The ending felt as if the author just wanted to make more money by creating a sequel to anwer the million and a half questions readers are bound to have after reading this sloppily put together story.
I love the Ender and Shadow books. I have benn disappointed with much of the crude subject matter in any other books I have read since then. He is such a great author and story teller. I wish he would leave out some of the crap so I would be comfortable recommending his books to my children.