KJ Parker at WikipediaRead KJ Parker' story Amor Vincit Omnia HERE
Order The Hammer HERE
Read FBC Rv of Blue and Gold
Read FBC Rv of The Folding Knife
Read FBC Rv of Purple & Black
Read FBC Rv of A Rich Full Week
Read FBC Rv of The Scavenger Trilogy
INTRODUCTION:Pseudonymous author KJ Parker has made a name in fantasy with 12 novels, 2 long novellas/short novels and 2 short stories of which you can read Amor Vincit Omnia free online at the Subterranean site and get a flavor of the author's work.
I have talked about The Scavenger trilogy, while the standalone The Folding Knife is one of my top five novels of 2010. The author's books share some characteristics: setting in a generic pre-industrial society with Roman/Byzantine overtones and naming conventions, dark humor, detached narration, love of details especially about metal working, sword fighting and pre-industrial engineering, themes of betrayal, civilization versus "barbarians", group of extraordinary friends and family feuds that spill into the larger picture.
The Hammer expresses some of these themes to perfection, using a far-off colony island of an unnamed aristocratic republic whose population is rigidly divided into three: an isolated exiled noble family, the met'Ocs and their patriarch whose shadow looms over the novel, though we mostly see his three sons in action, the subsistence-level farmer colonists who regard the met'Ocs with a mixture of fear, resentment and jealousy and the enigmatic and remote natives who seem to be incomprehensible to the mainlanders and with whom the colonists thinks they have an unspoken truce. Crossing the implied and sometimes formal boundaries, Gignomai, the youngest met'Oc tries to fulfill what he perceives to be his destiny...
OVERVIEW/ANALYSIS: For readers familiar with KJ Parker's work, The Hammer can be summarized as the family drama of The Fencer series, the driven hero of The Folding Knife and the setup of The Company.
On a big island, there is a small subsistence 70 year old colony of farmers and shopkeepers mostly indentured, taxed and generally kept at that level by Home on the mainland through a charter to The Company which brings them the needed goods in return for large amounts of beef and animal skins/pelts; the colonists are allowed no weapons and no ships.
But on a nearby plateau - The Tabletop - impregnable from 3 parts and walled on the 4th - an exiled noble family from Home, the met'Ocs made their - illegal as far as Home is concerned but nobody bothers since they still have friends in power - estate/fortress and they are armed and pretend to keep Home's traditions, though they are poorer than the colonists in many respects, except in books, some more advanced stuff from Home and weapons; of course most of them are dreaming of being recalled and reinstated if their allies manage to gain control Home. The current generation, third since their exile, consists of 3 brothers and a sister, while their father is the patriarch with absolute powers - including life or death - and their mother imported from Home is negligible.
Stheno(mai) the elder and a huge man is the "farmer" in charge with feeding and clothing them and is continually harried by this or that. Luso(mai) the second son is the hunter/warrior who keeps the peace and leads a "gang" recruited from the no-gooders of the colony with occasional cattle raids - the colonists do not mind that since all cattle is Company's - but sometimes for other stuff like pigs or chickens about which the colonists care but can do little not having guns...
Gignomai the youngest is more or less surplus so he has no definite role which allows him to "break out" often to the colony where his best friend Furio Opello is the son and nephew of the most important men there by some accounts since they run the monopoly store that sells Company's goods.
We see Gig at age 7, mysteriously called "Seven Years Before" when he solves a problem with an animal eating the chickens, at 14 in the "Year When", in charge of some pigs, his "first command" and finally from age 21 on - "Seven Years After" - when he decides to leave Tabletop and make a living for himself away from his weird family; or maybe he has different and more momentous plans...
Then there are the "savages", the original nomadic inhabitants of the island who had so far left the colony in peace. And of course things will never be the same...
The Hammer is more personal and intimate than the author's earlier books and in some sense it is the "cheeriest" of all, though of course the term is relative. The novel also asks some of the questions that the author has been exploring in his fiction: how far does one go for "justice", how far does one go for a "noble cause", can a "bad" person do considerably more "general good" than a "good" person, what is civilization?
The Folding Knife treated the same themes at a more impersonal, state politics level, but here everything is close and personal with no quarter given. The dark humor and superb style of the author are on display continually through the novel, while the twists, turns, jaw dropping moments characteristic of a KJ Parker novel materialize often, sometimes in ways familiar from other novels though with enough of a change to read anew, sometimes in ways that confounded my expectations as a "veteran" KJ Parker reader.
We also have the occasion to meet a remarkable set of characters including a mainland aristo cousin of the met'Ocs who is on a "temporary" trip to avoid trial for "sort-of murdering" her husband as she charmingly puts it to Gig, all for his or at least his family's own good by the way, though understandably said family does not quite see it that way, a shopkeeper who finds himself in charge of more than his store and tries to "do good", an elderly native who is quite weird to say the least and a girl shipped from Home to her uncles on the Island and who dreams to become a doctor in a staunch patriarchal society, though the always enigmatic Gignomai, the good natured Furio and the other two met'Oc brothers are center stage throughout.
While in The Folding Knife, "the knife" was clear from page one though of course its true significance had to wait a little to be uncovered, here "the hammer" is more ambiguous since there are a bunch of them, literal in several incarnations - usual hammer for nails, huge hammer in a forge, hammer of a gun - and figurative that play important roles...
As a big fan of the author's work, I had the highest expectations for The Hammer (A++ and provisional top novel of 2011) and they were surpassed because in addition to the usual great stuff I expected and got - characters, memorable moments, prose style, twists and turns - the novel has great balance and offers a truly complete and satisfying experience you want to revisit often.
2:01 AM | 
Posted by
Liviu |
After the previous list of Top 25 + 30 more excellent 2010 Novels, as well as some older titles read in 2010 that impressed me a lot, here comes the list of the 10 most disappointing novels from this year.There were a lot of books I read or fast-read and I did not care that much for, but in many instances they were books that came with little expectations (middling debut fantasies like Spellwright, Conqueror's Shadow and the like), were sequels to series debuts that I was surprised I enjoyed a lot, so the expectations reversed to the mean so to speak (Prospero in Hell, All That Lives Must Die, Thirteen Years Later, Freedom) or were books where the series weight or lack of caught up with them (Echo, Deceiver, The Hypnotist) as I expected to sooner or later, so I was not that surprised.
The above on the other hand were almost all potential candidates for top-ten novels of mine based on previous experience with the author's work, content, vibe or hype ("the best debut" since, well you know the spiel) and they all did not work that well for me though in degrees, since despite all I still enjoyed Michael Flynn's Up Jim River but far from the superb The January Dancer since the combination of archaic language and Vancian travelogue on strange worlds degenerated into farce quite a few times, Alastair Reynolds' Terminal World is still better than most sf out there despite being essentially a combination of two books without almost any relation between them - each could have been magnificent on its own but together they are a jumble - and Adam Roberts is still mostly entertaining despite committing the sin he railed against Greg Egan in his (in)famous review of Incandescence, but with lit-grad musings that would be quite appropriate in a discussion after a drink or two and which otherwise take down New Model Army badly, rather than with the "too much science" of Incandescence...
Both Absorption and The Orphaned Worlds suffer from too much ambition in too little pages, trying to be epics with tons of threads in 3-400 pages and both fail as incoherent, though I plan to read the sequel to Absorption hoping that there will be a better balance.
Engineman wears its age badly and is annoyingly parochial to boot (the 2010 edition is a revised and expanded version of the 1990's original), while The Dervish House's world building is a tourist postcard one showing the author's lack of understanding of Turkish culture.
The Horns of Ruin is a comic book novelization with a ridiculous straight-faced earnestness and lacking the humor that make such palatable even in small doses for me, while C is the epitome of pretentious drivel that made me eschew a lot of what passes for "literary" for so long - though once in a while it's good to be reminded why sff is still the most interesting and relevant literature of our age and C is a good such reminder.
The Quantum Thief is a reasonably entertaining debut, though it's only slightly more interesting and "serious" than the usual Scalzi/Sawyer B-grade of sf and it lacks the panache of some such like Old Man's War being a far cry from the hype pumped relentlessly on the web about it. Without said hype I actually may have enjoyed it more and I definitely plan to read the next book in the series since there is potential there. On the other hand 20 years of heavy sf reading accustomed me with the discarded remains of "debut/series of the age" hype (anyone remembers the Plenty books of the 90's or more recently the Will McCarthy novels of the 00's, both series having the same vibes for me as this one) so only the future will tell where this series will go.
The Dream of Perpetual Motion is a book I *really* wanted to like - its subject seemed tailor made for my taste; sadly the author' style just did not work out for me and the novel read flat and lifeless, while Tome of the Undergates was almost so bad as to be funny at the level of the North Korean movies of my childhood that were unintentionally quite hilarious; not there though, the all-caps words and philosophical discussions about potty habits do not reach the epic level of the farmer who shook hands with Kim Il-sung some decades in the past and the hand in question became an object of worship in the village, not ever to be washed so not to dispel the Great Leader's touch, so the author has a way to go until he reaches those heights...
Sunday, December 26, 2010
My Top 25 Novels of 2010 in Covers; 30 More 2010 Highly Recommended Novels in Covers (by Liviu Suciu)
(click through for a larger image)I recently did a cover post with the books read in 2010 up to early December. Now I will present my personal list of top 25 novels published in 2010 in ranked order as a collated cover post. For the titles on the list, you can go HERE, while all but one have FBC reviews indexed HERE. I have read some of them in 2009 as advance review copies, so not all will appear in the 'read in 2010' cover collage.
Actually this list has 28 titles since I consider two pairs of series books (both #4 and #5 for that matter) published in 2010 as two combos for ranking purposes and I wanted to include the much controversial The Left Hand of God after all...
With 17 more-or-less fantasy titles, 6 sf titles, 4 historical fiction titles, though three of them have also literary overtones, only one being closer to genre and a contemporary literary one, the books above are the ones that most reflect what I appreciate and enjoy in fiction - first and foremost "interesting-ness" in content, second flowing prose without narrative walls and finally "literary-ness" in aspects different from the narrative flow. While the list itself is of course a personal choice one with no claim to anything beyond, some of the choices are even more personal so to speak...
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Actually this list has 28 titles since I consider two pairs of series books (both #4 and #5 for that matter) published in 2010 as two combos for ranking purposes and I wanted to include the much controversial The Left Hand of God after all...
With 17 more-or-less fantasy titles, 6 sf titles, 4 historical fiction titles, though three of them have also literary overtones, only one being closer to genre and a contemporary literary one, the books above are the ones that most reflect what I appreciate and enjoy in fiction - first and foremost "interesting-ness" in content, second flowing prose without narrative walls and finally "literary-ness" in aspects different from the narrative flow. While the list itself is of course a personal choice one with no claim to anything beyond, some of the choices are even more personal so to speak...
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Here is the cover collage of 30 more highly recommended books of 2010 with the title list HERE. The order is though random since I do not see any point in making finer distinctions. We have reviews of 27 of them again indexed HERE. This list was a bit more surprising for me since I started with some extra 50 2010 titles I enjoyed and would recommend but I wanted to pare down to the ones that stayed the best in my memory, so I left out some titles I was more enthusiastic on reading them but which faded somewhat as time passed.
There are 19 more-or-less fantasy titles, 6 sf titles, 4 historical fiction titles, though here 3 are pure genre and one with literary overtones and a contemporary literary one, so the distribution of the first 28 titles continues. This is no surprise since after all my first criterion is "interesting-ness" in content and that one scales as in "like with like".
There are 19 more-or-less fantasy titles, 6 sf titles, 4 historical fiction titles, though here 3 are pure genre and one with literary overtones and a contemporary literary one, so the distribution of the first 28 titles continues. This is no surprise since after all my first criterion is "interesting-ness" in content and that one scales as in "like with like".
Last year I prepared a long post about expected 2010 novels, originally split into three and then later collated and updated. This year I discussed some anticipated books in six posts so far (I HERE, II HERE, III HERE, IV HERE, V HERE, VI HERE). I have read the following five all off which would have been candidates for the list in this post. Reviews will come in due course, starting soon with the two early January novels by Carol Berg and by KJ Parker, while a dual review with Robert for The Fallen Blade is scheduled for mid-January.
1.The Hammer by KJ Parker (A++ and starting as #1 2011 novel)
2.The Book of Transformations by Mark Newton (A++ and starting as #2-3 2011 novel)
3.The Soul Mirror by Carol Berg (A++ and starting as #2-3 2011 novel)
4.The Heroes by Joe Abercrombie (A++)
5.The Fallen Blade by Jon Courtenay Grimwood (B)
The first three are just awesome novels guaranteed a spot in my best of 2011, the Abercrombie is excellent too but as military fantasy - subgenre I like less than others - it has a ceiling in my preferences, so while it may make my Top 25 of 2011, it will depend on how much I like other books - a battle is still a battle, so to speak - while The Fallen Blade was a minor disappointment for surprising reasons (no, not for vampires, but for narrative walls and contrived plotting), though I am still in the series and hope future installments will be better.
I decided to do only a Top 5 Expected SFF Novels for now, though I will start soon a continually updated post with 2011 novels read. I thought a lot about what to include here and I had to make some hard choices, but overall I would say that right now these are the novels I would take over anything else known to come out in 2011 and of course excepting the ones above already read. They also tend to reflect well my preferences - "different" epic, strange sff, sense-of-wonder sf and finally "new school epic" fantasy.
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1. The Sea Watch by Adrian Tchaikovsky
The Shadows of the Apt is my ongoing #1 fantasy series and it almost got at the level of my top 2 ongoing series in terms of expectations. (As anyone who follows my posts knows, those are Honor Harrington and Safehold by D. Weber, sadly none having a story advancing book in 2011 - HH has an anthology and a YA back-story novel, and while I read one and will read the other, neither are that important for me).
For more about why and all, check my review of The Scarab Path (beware of spoilers though) and go from there.
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2. The Last Four Things by Paul Hoffman
After 4 reads of the book and perusing quite a few reviews that trash it, I still believe that The Left Hand of God is a very entertaining novel with a lot of narrative energy, but one that is such a mix of stuff that resists any classification beyond being sff. I am still undecided if it's more sf-nal than fantasy-nal, or if it's just a big (bad) joke played on the readers as some reviewers more or less argue. I still love it though I chickened out of putting it in my top 25 2010 novels so I am giving it a "huge personal favorite" label for now.
The Last Four Things should give me a better understanding and if I find it as refreshing as TLoG, that one may give even The Hammer a run for the #1 spot in 2011 in sff. Will see, but the above make this one my #2 expected sff novel of 2011.
And if you wonder, these expectations are double-edged since for example The Horns of Ruin was my top expected book of the last half of 2010, only to badly disappoint me, so much so that even the author's Dead of Veridon - follow-up to a top novel of mine in 2009 - moved lower on my expected 2011 list.
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3. Embassytown by China Mieville
I was so-so on City/City and I am still stuck at page 200 in Kraken but in both cases that's because I find hard to suspend disbelief in a modern world with magic. For a book that's in the same narrative space as City/City and that truly blew me away and became my top novel read in 2010, check the 1951 Goncourt prize winner The Opposing Shore by Julien Gracq which has none of the credibility issues I had with the Mieville novel.
In Embassytown it seems we will be in pure speculative fiction world-building so I expect no issues with that and the novel is another contender for #1 in 2011.
4. The Clockwork Rocket by Greg Egan
Nobody writes better mind-blowing sf than Greg Egan and while I had occasional issues with the literary aspects of his work, The Clockwork Rocket is another potential #1 2011 novel and the only other "core-sf" must for me.
While there is a chance the book will be published in 2012, the author has a great introduction to its universe HERE and I strongly believe that with Alastair Reynolds turning to mundane sf (I dislike that but will see how the master of hard sf handles it), The Clockwork Rocket is the one "universe as sense of wonder" novel we will hopefully have in 2011.
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5. The River of Shadows by Robert Redick
The Chartrand Series is a big time favorite, but the almost 18 months lag between The Rats (still not present in the USA) and the Ruling Sea and this one, makes The River of Shadows lack somewhat the immediacy of say the Kinden novels. I am also curious to see if the magic of the first two books is still there for me since recently there were a bunch of series that faded for me or at best still remained on my "series reading" list but with less urgency.
With the new Brent Weeks expected for 2012 - that one will have otherwise been here in the "epic" spot - the Chartrand is the one more-or-less traditional fantasy series I want first, just beating the Rothfuss, Lynch, Bakker, Morgan or for that matter Martin if 2011 offerings.
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Edit 12/23 Despite my mild skepticism it seems that there are good chances that How Firm a Foundation (Safehold #5) by David Weber stands a chance of being published in Fall 2011.
The author has started writing it at the end of November 2010 so things will have to happen fast as publishing timetables go, but I guess that an A list author gets priority, so it's clearly possible. How Firm a Foundation would be of course my number one expected book of 2011 since I know for sure the new main Honor novel A Rising Thunder written and delivered is scheduled for 2012 since as mentioned 2011 has 2 Honorverse books already and the other two sf authors I would include there PF Hamilton and IM Banks do not have new novels for 2011 as far as I know (PFH has a collection and Iain Banks may have a non-M book).
Incidentally despite being technically sf, Safehold is the most traditional fantasy series I am reading today with an embodied AI-wizard called Merlin for good measure, good and bad kings, evil or corrupt religious hierarchy with miracles on show, a huge evil in the distant past that almost destroyed humanity and led to today's world and so on...
And the way I see it there is a destined child - dynasty in this case since the series is sf so things will take a while to get solved - with the first book essentially starting when the wizard (Merlin) comes and saves the destined one, young Prince Cayleb from certain death in the nick of time and starts instructing him in his (line's) destiny...
You love traditional epics, try this one despite its sf trappings...
1.The Hammer by KJ Parker (A++ and starting as #1 2011 novel)
2.The Book of Transformations by Mark Newton (A++ and starting as #2-3 2011 novel)
3.The Soul Mirror by Carol Berg (A++ and starting as #2-3 2011 novel)
4.The Heroes by Joe Abercrombie (A++)
5.The Fallen Blade by Jon Courtenay Grimwood (B)
The first three are just awesome novels guaranteed a spot in my best of 2011, the Abercrombie is excellent too but as military fantasy - subgenre I like less than others - it has a ceiling in my preferences, so while it may make my Top 25 of 2011, it will depend on how much I like other books - a battle is still a battle, so to speak - while The Fallen Blade was a minor disappointment for surprising reasons (no, not for vampires, but for narrative walls and contrived plotting), though I am still in the series and hope future installments will be better.
I decided to do only a Top 5 Expected SFF Novels for now, though I will start soon a continually updated post with 2011 novels read. I thought a lot about what to include here and I had to make some hard choices, but overall I would say that right now these are the novels I would take over anything else known to come out in 2011 and of course excepting the ones above already read. They also tend to reflect well my preferences - "different" epic, strange sff, sense-of-wonder sf and finally "new school epic" fantasy.
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1. The Sea Watch by Adrian Tchaikovsky
The Shadows of the Apt is my ongoing #1 fantasy series and it almost got at the level of my top 2 ongoing series in terms of expectations. (As anyone who follows my posts knows, those are Honor Harrington and Safehold by D. Weber, sadly none having a story advancing book in 2011 - HH has an anthology and a YA back-story novel, and while I read one and will read the other, neither are that important for me).
For more about why and all, check my review of The Scarab Path (beware of spoilers though) and go from there.
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2. The Last Four Things by Paul Hoffman
After 4 reads of the book and perusing quite a few reviews that trash it, I still believe that The Left Hand of God is a very entertaining novel with a lot of narrative energy, but one that is such a mix of stuff that resists any classification beyond being sff. I am still undecided if it's more sf-nal than fantasy-nal, or if it's just a big (bad) joke played on the readers as some reviewers more or less argue. I still love it though I chickened out of putting it in my top 25 2010 novels so I am giving it a "huge personal favorite" label for now.
The Last Four Things should give me a better understanding and if I find it as refreshing as TLoG, that one may give even The Hammer a run for the #1 spot in 2011 in sff. Will see, but the above make this one my #2 expected sff novel of 2011.
And if you wonder, these expectations are double-edged since for example The Horns of Ruin was my top expected book of the last half of 2010, only to badly disappoint me, so much so that even the author's Dead of Veridon - follow-up to a top novel of mine in 2009 - moved lower on my expected 2011 list.
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3. Embassytown by China Mieville
I was so-so on City/City and I am still stuck at page 200 in Kraken but in both cases that's because I find hard to suspend disbelief in a modern world with magic. For a book that's in the same narrative space as City/City and that truly blew me away and became my top novel read in 2010, check the 1951 Goncourt prize winner The Opposing Shore by Julien Gracq which has none of the credibility issues I had with the Mieville novel.
In Embassytown it seems we will be in pure speculative fiction world-building so I expect no issues with that and the novel is another contender for #1 in 2011.
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(not a cover obviously!)
(not a cover obviously!)4. The Clockwork Rocket by Greg Egan
Nobody writes better mind-blowing sf than Greg Egan and while I had occasional issues with the literary aspects of his work, The Clockwork Rocket is another potential #1 2011 novel and the only other "core-sf" must for me.
While there is a chance the book will be published in 2012, the author has a great introduction to its universe HERE and I strongly believe that with Alastair Reynolds turning to mundane sf (I dislike that but will see how the master of hard sf handles it), The Clockwork Rocket is the one "universe as sense of wonder" novel we will hopefully have in 2011.
**********************************************
5. The River of Shadows by Robert Redick
The Chartrand Series is a big time favorite, but the almost 18 months lag between The Rats (still not present in the USA) and the Ruling Sea and this one, makes The River of Shadows lack somewhat the immediacy of say the Kinden novels. I am also curious to see if the magic of the first two books is still there for me since recently there were a bunch of series that faded for me or at best still remained on my "series reading" list but with less urgency.
With the new Brent Weeks expected for 2012 - that one will have otherwise been here in the "epic" spot - the Chartrand is the one more-or-less traditional fantasy series I want first, just beating the Rothfuss, Lynch, Bakker, Morgan or for that matter Martin if 2011 offerings.
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Edit 12/23 Despite my mild skepticism it seems that there are good chances that How Firm a Foundation (Safehold #5) by David Weber stands a chance of being published in Fall 2011.
The author has started writing it at the end of November 2010 so things will have to happen fast as publishing timetables go, but I guess that an A list author gets priority, so it's clearly possible. How Firm a Foundation would be of course my number one expected book of 2011 since I know for sure the new main Honor novel A Rising Thunder written and delivered is scheduled for 2012 since as mentioned 2011 has 2 Honorverse books already and the other two sf authors I would include there PF Hamilton and IM Banks do not have new novels for 2011 as far as I know (PFH has a collection and Iain Banks may have a non-M book).
Incidentally despite being technically sf, Safehold is the most traditional fantasy series I am reading today with an embodied AI-wizard called Merlin for good measure, good and bad kings, evil or corrupt religious hierarchy with miracles on show, a huge evil in the distant past that almost destroyed humanity and led to today's world and so on...
And the way I see it there is a destined child - dynasty in this case since the series is sf so things will take a while to get solved - with the first book essentially starting when the wizard (Merlin) comes and saves the destined one, young Prince Cayleb from certain death in the nick of time and starts instructing him in his (line's) destiny...
You love traditional epics, try this one despite its sf trappings...
- Read our reviews of Plague of Spells and City of Torment
- Buy Key of Stars from Amazon
- Visit Bruce R. Cordell's Blog
--- Buy Key of Stars from Amazon
- Visit Bruce R. Cordell's Blog
City of Torment, the second book in Bruce R. Cordell's excellent Abolethic Sovereignty trilogy, ended as all penultimate installments tend to: with the bad guys poised to obliterate life, and the good guys reeling from near-total defeat. In Key of Stars, the final book, readers travel the final stretch on a road that leads to either ruin or salvation, and they do so in the company of characters that Cordell has once again brought to vivid life.
As in Plague of Spells and City of Torment, the characters in Key of Stars are nuanced and realistic. Raidon, Japheth, and the rest of the gang are all present and accounted for, as are a few new faces along with old ones that haven't gotten as much screen time as the main roster. Cordell keeps things interesting by pairing up characters who have not spent much time in each others' company, which allows light to be shed on previously unexplored facets of a character's composition.
It is because the story and characters are so excellent that the change of pace near the middle of the book, which inches forward like gridlocked traffic after speeding along in the beginning, felt so abrupt. Upon closer examination of why the pace so drastically changed, I've determined the source to be Cordell's increased focus on some characters with whom we haven't spent much time in the past. Multiple perspectives are to be expected in fantasy series, which tend to features casts of dozens or even hundreds. But in the third book of a trilogy, readers have spent the bulk of their time following the exploits of certain characters, good and bad, to whom they've become attached.
It's not that the characters in question aren't interesting; it's that I find others to be more interesting because I've spent two books getting to know them. Therefore, this should be considered more of a subjective dislike rather than an objective one that affects the book negatively.
Despite my personal qualm, Key of Stars--the first and third segments in particular--is a cornucopia of battle, intrigue, romance, and character advancement; all the ingredients that make a good fantasy novel. The middle might seem slower than the rest depending on your reception to new and infrequently visited perspectives, but if you're reading Key of Stars, you've likely experienced the first two books and will not be disappointed with the time you've invested in the story.
As in Plague of Spells and City of Torment, the characters in Key of Stars are nuanced and realistic. Raidon, Japheth, and the rest of the gang are all present and accounted for, as are a few new faces along with old ones that haven't gotten as much screen time as the main roster. Cordell keeps things interesting by pairing up characters who have not spent much time in each others' company, which allows light to be shed on previously unexplored facets of a character's composition.
It is because the story and characters are so excellent that the change of pace near the middle of the book, which inches forward like gridlocked traffic after speeding along in the beginning, felt so abrupt. Upon closer examination of why the pace so drastically changed, I've determined the source to be Cordell's increased focus on some characters with whom we haven't spent much time in the past. Multiple perspectives are to be expected in fantasy series, which tend to features casts of dozens or even hundreds. But in the third book of a trilogy, readers have spent the bulk of their time following the exploits of certain characters, good and bad, to whom they've become attached.
It's not that the characters in question aren't interesting; it's that I find others to be more interesting because I've spent two books getting to know them. Therefore, this should be considered more of a subjective dislike rather than an objective one that affects the book negatively.
Despite my personal qualm, Key of Stars--the first and third segments in particular--is a cornucopia of battle, intrigue, romance, and character advancement; all the ingredients that make a good fantasy novel. The middle might seem slower than the rest depending on your reception to new and infrequently visited perspectives, but if you're reading Key of Stars, you've likely experienced the first two books and will not be disappointed with the time you've invested in the story.
Official Orson Scott Card Website
Order “The Lost Gate” HERE
Read An Excerpt HERE
Watch the Book Trailer HERE
AUTHOR INFORMATION: Orson Scott Card is an international bestselling author of science fiction and fantasy best known for the beloved classic, Ender’s Game. Card is the only author ever to win back-to-back Hugo and Nebula Awards with Ender’s Game and Speaker for the Dead. He’s also won four Locus Awards and a Nebula for the short story “Eye for an Eye”, and was recently awarded the 2008 YALSA Margaret A. Edwards Award for Lifetime Contribution to Young Adult Literature. Card has also written numerous other books including the acclaimed Tales of Alvin Maker fantasy series, as well as assorted plays, comic books, essays and newspaper columns.
PLOT SUMMARY: Danny North grew up in a family of gods—or at least the poor remnants of the mages who once went by names like Odin, Thor, and Freya. When the gates that led to their home world of Westil were closed by Loki in 632 a.d., the Families lost much of their power. Despite this loss of power, the Families still consider themselves far superior to drowthers, the name they use for humans.
Drekka—mages that possess no magical talent—are considered little better than drowthers, and Danny North fears he is one. But when Danny finally does manifest his ability, it is unfortunately not a cause for celebration. For Danny is a gatemage, which is considered even worse than drekka, and if any of the Families were to learn of him, then he would be immediately killed. So Danny flees the family compound to make his own way in the world, at least until he learns to control his rare gift and hopefully reopen a gate between Mittlegard (Earth) and Westil.
It won’t be easy though. Not only does he face the ordinary dangers of a teenager trying to survive on his own in America, while hiding from mages who would kill him on sight, but there is also the mysterious Gate Thief, who seems determined to keep all gates to Westil closed by stripping gatemages of all their power...
FORMAT/INFO: The Lost Gate is 384 pages long divided over twenty-three titled/numbered chapters and an Afterword. For two-thirds of the novel, narration is in the third-person via the teenage gatemage, Danny North. For the rest of the novel, narration is in the third-person omniscient, mostly following the adventures of the mysterious Wad. The Lost Gate comes to a satisfying stopping point, but is the first volume in the Mither Mages series. January 4, 2011 marks the North American Hardcover publication of The Lost Gate via Tor.
ANALYSIS: The last—and only—time I read an Orson Scott Card novel, was Ender’s Game over ten years ago. Since then, I haven’t been interested in reading any more of the author’s work, until I heard about “Stonefather”—a short story that first appeared in the Wizards anthology edited by Jack Dann & Gardner Dozois, and then published in limited edition format by Subterranean Press—which acted as a preview to Orson Scott Card’s upcoming Mither Mages fantasy saga. Intrigued by the brief, yet enticing taste that “Stonefather” had to offer, I’ve been looking forward to starting the Mither Mages series for a couple of years now, which finally begins with The Lost Gate...
The Lost Gate introduces readers to a magic system that is over thirty years in the making and, in the author’s own words, would explain everything:
“Elves and fairies, ancient mythical gods of every Indo-European culture, ghosts and poltergeists, werewolves and trolls and golems, seven-league boots and mountains that move, talking trees and invisible people—all would be contained within it.”
The concept behind the magic system is fairly simple. There is Earth, or Mittlegard as it is called by the mages, and then there is the planet Westil, home of the mages, which includes mages of every kind: beastmages, plantmages, stonemages, seamages, firemages, et cetera. Connecting the two worlds are what are known as Great Gates. By passing through a Great Gate, a mage’s power was “magnified a hundred times” turning the mages of Westil into gods when they came to Mittlegard. Unfortunately, Loki sealed off all of the Great Gates in 632 a.d., and because of his actions, gate magic became forbidden. And without gate magic, no more Great Gates could be created. So now, over thirteen and a half centuries later, the ‘gods’ of Mittlegard have become a faint shadow of their former selves.
From this setup, readers are treated to two storylines in The Lost Gate. The first concerns Danny North, a thirteen-year-old boy who believes he is a drekka—a mage with no magical talent—only to discover that he is actually a powerful, but forbidden gatemage. From here, the novel follows Danny as he attempts to make it on his own in the drowther—human—world, which includes begging and stealing, all the while trying to avoid the Families who would either kill him or use him, learning to live among the drowthers without arousing suspicion, and figuring out how to control his gate making abilities. Along the way, Danny meets his supporting cast—Eric, Stone, Marion & Leslie Silverman, Victoria Von Roth (Veevee), Hermia—including a Keyfriend and Lockfriend who help him with his powers...
For the most part, the Danny North portion of The Lost Gate—which reminded me of a Charles de Lint urban fantasy novel crossed with Harry Potter, Neil Gaiman’s American Gods, and Stephen Gould’s Jumper—was a lot of fun to read. Granted, the author utilizes a number of familiar YA/coming-of-age elements in the book, and there were times I felt too much talking was going on, but Orson Scott Card has a real knack for writing a young protagonist, which is evident by Danny’s likable personality and the way that he talks, acts and thinks like a real teenager. Plus, the chapters move along at a fast pace, the dialogue, despite my feelings, was entertaining, and I just loved the whole gate magic concept and had a blast learning about gate magic as Danny does, including its rules, its benefits (healing, power magnification, etc.), and its dangers like the mysterious Gate Thief.
The second storyline takes place in the kingdom of Iceway, and focuses on another gatemage, a strange boy who can’t remember his past and is named Wad by the castle’s night cook. This portion of the novel has a fairy tale meets medieval fantasy vibe going on, complete with a king, queen, competing heirs, a concubine, royal bastards, assassinations and assassination attempts, betrayals, court intrigue, and wondrous magic. The themes and subject matter contained in this storyline are a bit darker and weightier than those found in the Danny North one, but as a whole, The Lost Gate is the kind of book that I wouldn’t hesitate in recommending to both teens and older readers alike.
Of these two storylines, I actually enjoyed reading about Wad more than I did Danny North and wish the author had spent more time on the strange gatemage—the majority of The Lost Gate focuses on Danny North—but I really liked the way the two storylines overlap at the end of the book, resulting in some interesting revelations, while setting the stage for exciting developments to be explored in the next Mither Mages novel.
CONCLUSION: Because of familiar ideas and themes, not to mention shallow supporting characters and world-building, I’m not sure Orson Scott Card’s The Lost Gate has what it takes to become another classic like Ender’s Game. That said, The Lost Gate is without question a fun and entertaining journey that readers will definitely want to continue. I for one, can’t wait to read more about Danny, Wad, gate magic, and the Mither Mages...
Order “The Lost Gate” HERE
Read An Excerpt HERE
Watch the Book Trailer HERE
AUTHOR INFORMATION: Orson Scott Card is an international bestselling author of science fiction and fantasy best known for the beloved classic, Ender’s Game. Card is the only author ever to win back-to-back Hugo and Nebula Awards with Ender’s Game and Speaker for the Dead. He’s also won four Locus Awards and a Nebula for the short story “Eye for an Eye”, and was recently awarded the 2008 YALSA Margaret A. Edwards Award for Lifetime Contribution to Young Adult Literature. Card has also written numerous other books including the acclaimed Tales of Alvin Maker fantasy series, as well as assorted plays, comic books, essays and newspaper columns.
PLOT SUMMARY: Danny North grew up in a family of gods—or at least the poor remnants of the mages who once went by names like Odin, Thor, and Freya. When the gates that led to their home world of Westil were closed by Loki in 632 a.d., the Families lost much of their power. Despite this loss of power, the Families still consider themselves far superior to drowthers, the name they use for humans.
Drekka—mages that possess no magical talent—are considered little better than drowthers, and Danny North fears he is one. But when Danny finally does manifest his ability, it is unfortunately not a cause for celebration. For Danny is a gatemage, which is considered even worse than drekka, and if any of the Families were to learn of him, then he would be immediately killed. So Danny flees the family compound to make his own way in the world, at least until he learns to control his rare gift and hopefully reopen a gate between Mittlegard (Earth) and Westil.
It won’t be easy though. Not only does he face the ordinary dangers of a teenager trying to survive on his own in America, while hiding from mages who would kill him on sight, but there is also the mysterious Gate Thief, who seems determined to keep all gates to Westil closed by stripping gatemages of all their power...
FORMAT/INFO: The Lost Gate is 384 pages long divided over twenty-three titled/numbered chapters and an Afterword. For two-thirds of the novel, narration is in the third-person via the teenage gatemage, Danny North. For the rest of the novel, narration is in the third-person omniscient, mostly following the adventures of the mysterious Wad. The Lost Gate comes to a satisfying stopping point, but is the first volume in the Mither Mages series. January 4, 2011 marks the North American Hardcover publication of The Lost Gate via Tor.
ANALYSIS: The last—and only—time I read an Orson Scott Card novel, was Ender’s Game over ten years ago. Since then, I haven’t been interested in reading any more of the author’s work, until I heard about “Stonefather”—a short story that first appeared in the Wizards anthology edited by Jack Dann & Gardner Dozois, and then published in limited edition format by Subterranean Press—which acted as a preview to Orson Scott Card’s upcoming Mither Mages fantasy saga. Intrigued by the brief, yet enticing taste that “Stonefather” had to offer, I’ve been looking forward to starting the Mither Mages series for a couple of years now, which finally begins with The Lost Gate...
The Lost Gate introduces readers to a magic system that is over thirty years in the making and, in the author’s own words, would explain everything:
“Elves and fairies, ancient mythical gods of every Indo-European culture, ghosts and poltergeists, werewolves and trolls and golems, seven-league boots and mountains that move, talking trees and invisible people—all would be contained within it.”
The concept behind the magic system is fairly simple. There is Earth, or Mittlegard as it is called by the mages, and then there is the planet Westil, home of the mages, which includes mages of every kind: beastmages, plantmages, stonemages, seamages, firemages, et cetera. Connecting the two worlds are what are known as Great Gates. By passing through a Great Gate, a mage’s power was “magnified a hundred times” turning the mages of Westil into gods when they came to Mittlegard. Unfortunately, Loki sealed off all of the Great Gates in 632 a.d., and because of his actions, gate magic became forbidden. And without gate magic, no more Great Gates could be created. So now, over thirteen and a half centuries later, the ‘gods’ of Mittlegard have become a faint shadow of their former selves.
From this setup, readers are treated to two storylines in The Lost Gate. The first concerns Danny North, a thirteen-year-old boy who believes he is a drekka—a mage with no magical talent—only to discover that he is actually a powerful, but forbidden gatemage. From here, the novel follows Danny as he attempts to make it on his own in the drowther—human—world, which includes begging and stealing, all the while trying to avoid the Families who would either kill him or use him, learning to live among the drowthers without arousing suspicion, and figuring out how to control his gate making abilities. Along the way, Danny meets his supporting cast—Eric, Stone, Marion & Leslie Silverman, Victoria Von Roth (Veevee), Hermia—including a Keyfriend and Lockfriend who help him with his powers...
For the most part, the Danny North portion of The Lost Gate—which reminded me of a Charles de Lint urban fantasy novel crossed with Harry Potter, Neil Gaiman’s American Gods, and Stephen Gould’s Jumper—was a lot of fun to read. Granted, the author utilizes a number of familiar YA/coming-of-age elements in the book, and there were times I felt too much talking was going on, but Orson Scott Card has a real knack for writing a young protagonist, which is evident by Danny’s likable personality and the way that he talks, acts and thinks like a real teenager. Plus, the chapters move along at a fast pace, the dialogue, despite my feelings, was entertaining, and I just loved the whole gate magic concept and had a blast learning about gate magic as Danny does, including its rules, its benefits (healing, power magnification, etc.), and its dangers like the mysterious Gate Thief.
The second storyline takes place in the kingdom of Iceway, and focuses on another gatemage, a strange boy who can’t remember his past and is named Wad by the castle’s night cook. This portion of the novel has a fairy tale meets medieval fantasy vibe going on, complete with a king, queen, competing heirs, a concubine, royal bastards, assassinations and assassination attempts, betrayals, court intrigue, and wondrous magic. The themes and subject matter contained in this storyline are a bit darker and weightier than those found in the Danny North one, but as a whole, The Lost Gate is the kind of book that I wouldn’t hesitate in recommending to both teens and older readers alike.
Of these two storylines, I actually enjoyed reading about Wad more than I did Danny North and wish the author had spent more time on the strange gatemage—the majority of The Lost Gate focuses on Danny North—but I really liked the way the two storylines overlap at the end of the book, resulting in some interesting revelations, while setting the stage for exciting developments to be explored in the next Mither Mages novel.
CONCLUSION: Because of familiar ideas and themes, not to mention shallow supporting characters and world-building, I’m not sure Orson Scott Card’s The Lost Gate has what it takes to become another classic like Ender’s Game. That said, The Lost Gate is without question a fun and entertaining journey that readers will definitely want to continue. I for one, can’t wait to read more about Danny, Wad, gate magic, and the Mither Mages...
KJ Parker at Wikipedia
Read KJ Parker' story Amor Vincit Omnia HERE
Order Blue and Gold HERE
Read FBC Rv of The Folding Knife
Read FBC Rv of Purple & Black
Read FBC Rv of A Rich Full Week
Read FBC Rv of The Scavenger Trilogy
INTRODUCTION:Pseudonymous author KJ Parker has made a name in fantasy with 12 novels, 2 long novellas/short novels and 2 short stories of which you can read Amor Vincit Omnia free online at the Subterranean site and get a flavor of the author's work.
I have talked about The Scavenger trilogy, while the standalone The Folding Knife is one of my top novels of 2010 and the upcoming The Hammer will be very hard to top in 2011.
The author's books share some characteristics: military setting in a generic pre-industrial society with Roman/Byzantine overtones and naming conventions, dark humor, detached narration, love of details especially about metal working, sword fighting and pre-industrial engineering, themes of betrayal, civilization versus "barbarians", group of extraordinary friends and family feuds that spill into the larger picture.
OVERVIEW/ANALYSIS:"...In the morning I discovered the secret of changing base metal into gold. In the afternoon I murdered my wife"
The first lines of "Blue and Gold" should be enough to hook you upon it since they are pitch perfect and anticipate what comes in the roughly 100 pages that follow. Of course Saloninus is a self-confessed unreliable narrator, so you may take the above with a little pinch of salt so to speak.
Like Purple and Black, "Blue and Gold" has a feeling of completeness, while for example the excellent A Rich Full Week from the Swords/Dark Magic anthology has the episodic feeling of the shorter prose form.
"Blue and Gold" is packed with stuff whose true meaning becomes apparent only gradually, so I actually read it several times to get all its nuances. In a departure for the author whose novels prefer the detachment of 3rd person, "Blue and Gold" is narrated by self-confessed liar, philosopher, writer, criminal and genius alchemist Saloninus aka Nino, former college chum and current court alchemist and brother-in-law to prince Phocas who rules the country where the action is set.
The prince wants to find the secret of transmutation - base metals in gold -, while his ambitious, beautiful and vain sister Eudoxia wants the elixir of immortality Saloninus hinted at in one of his famous works. Of course Saloninus wants only to get away, preferably with some money but at least with his life, or so we are led to believe...
Things are much more complicated and there are layers of meaning and past happenings that are only slowly and exquisitely unraveled; the significance of the title for example is partly obvious, but partly revealed slowly with little hints thrown in here and there.
Combining action from the present with back story and ending on a superb note, "Blue and Gold" is one of the most "personal" works of the author, where everything is immediate and as seen through the eyes of Saloninus, though of course there are quite a few implications as the larger picture goes. Just awesome!!
And to end with one more quote to remember from the narrator:
'I've never lied to you so,' I said. So, don't ask me that, or I'll have to spoil a perfect score."
Order The Athena Project from Amazon HereRead a Recent Interview with Brad Thor on the Athena Project Here
AUTHOR INFORMATION: Brad Thor is the author of nine previous novels featuring a series character. He is a graduate of the University of Southern California wherein he did his degree in creative writing, film and television production. He was also the producer and host of the “Traveling Lite” TV series. He was also invited to be a member as a member of the Department of Homeland Security's Analytic Red Cell Program which is a think tank initiative which tries to divine all future methods of attack on the United States, His previous books have featured on the New York Times bestsellers list. He has also appeared as an analyst/pundit for various TV channels.
CLASSIFICATION/FORMAT/INFO: The Athena Project is 322 pages long divided over sixty numbered chapters, with a Prologue. Narration is set in the third person perspective and features many characters namely Gretchen Casey, Megan Rhodes, Vicki Suffolk, Ben Matthews, Alex Cooper and many others. The Athena Project is the first volume in a new series which will feature the Athena team members. This book can be read as a standalone novel, but The Athena Team was first introduced in this year’s Scot Harvath book called “Foreign Influence” and the plot in this book has some vital connection to that book as well.
November 23, 2010 marked the North American Hardcover and trade paperback publication of The Athena Project via Atria Books.
The Athena Project is set in various locations in Europe and across the American continents.
ANALYSIS: I have encountered Brad Thor's books in the past. My experiences with his works was a bit of a mixed bag. Some I thought were good, some average and some not-so-good ones. Throughout his works Thor has established a series character by the name of Scot Haryath who is an ex-navy seal. The various books cataloged his adventures, pitfalls and overall geo-political world scenario. The Athena Project was what I believed to be a nice departure from Thor's previous signature style plots, however I was to be proven wrong on that count.
Please note that I will be doing a bit of an overview of this year's release Foreign Influence as well because of its close link the The Athena Project.
Foreign Influence starts with Scot’s fre-nemy “The Troll” being attacked and then framed for a terrorist attack. This leads Scot to meet with the Troll and then have to figure out why he was being framed and also make sense of certain other things which have happened previously. On a parallel storyline John Vaughn a cop moonlighting as a detective takes on a case which involves tracking down a hit-and –run driver. Both plots race along as the reader will try to figure out their point of convergence which comes at a predictable point. Along the former plot thread, Scot Harvath is assisted by the Athena Team members at a crucial point in his mission but not without some losses to themselves as well. Foreign Influence was a good thriller which began a very enticing plot arc and the book ends on a nice cliffhanger as well which begets the question as to how much of the story would be carried forward in the The Athena Project which is a spin-off series of the main Scot Harvath books.
The Athena Project begins with a prologue set in WWII and gives us a small precursor to the idea which is behind the team’s formation. The first chapter shows us the starting point of the plot of this book and from the second chapter we are re-introduced to the four heroic gals who are a part of a covert group of female athletes who have been selected for some serious black-ops work. Megan Rhodes, Alex Cooper, Gretchen Casey and Julie Ericsson are the members of this group who come from differing backgrounds however they share a common trait of being specialized athletes and who have successfully negotiated the course of becoming a part of the ATHENA group. Their mission is to nab Nino Bianchi who helped cause some of the events in Foreign Influence. Their mission is to take him and find the next link which will aid Scot Harvath in his mission as well [Scot also makes a cameo in this book]. Once their mission is over the Athena members are instantaneously ordered to partake in another mission whose roots lie in Nazi experiments and are therefore have to go to the Czech Republic to secure a few objects. This however turns out to be a trap and the girls have to think as they run and regroup.
On a yet different plotline is the clandestine love story of Ben Matthews and Vicki Suffolk though both seem highly motivated in each other; their reasons for doing so are veiled partly from the reader. This plotline is set in Denver, Colorado and has to do with a certain query regarding the Denver International airport.
Brad Thor has set enough action, political and historical intrigue in this tale to make the reader feel as if they are really reading a page turner. Along with all the political and historical intrigue there is enough technological applications which the plot hinges upon and which has to be found and countered otherwise it could have catastrophic complications. This book is very much within the range demonstrated by Brad Thor in his previous books and is an exciting direction taken by the author whose primary series might have gotten a bit stagnant.
With this year’s Foreign Influence and Athena Project, Thor has written some real winners and his fans will do very well to read both books back to back as this adds on to the reading experience envisioned by Thor.
Now onto the drawbacks of this book, primarily The Athena Project is very action-heavy and there is very little focus upon the character development aspect of the novel. Each character is very black or white and not overly three dimensional. Readers are presenting with their reasons for doing whatever they are doing and occasionally the heroes flirt with the gray nature of their jobs by having to debate about doing activities that might cross the line from good to bad. However, there isn't much development beyond that.
A second drawback is that there isn't much to differentiate the four characters from each other despite the fact that they were given different backgrounds. They often seem to be clones of each other and not much is given to separate them from each other This might be a bit unfair on my part as this is the first book in a series and there might be more surprises planned in the future books but in this book the plot and characters are a bit cliché ridden and little else is done to dispel that from the reader’s minds.
CONCLUSION: In the end I would say I enjoyed the premise and this action packed novel, however it didn’t entice me as much as I thought it would. I will be checking out next year’s dual offering of Scot Harvath and the Athena gals as Brad seems to have a grand climax planned and based on this indications it does seem to be a great thriller read.
One of the first books that I reviewed for Fantasy Book Critic included a book out of Henry Neff's Tapestry series. Because of my level of nostalgia, this book holds a very special place in my fantasy reading. So when Fantasy Book Critic was asked to host a blog tour spot with Henry Neff I couldn't resist.
Henry Neff recently published the third book in the Tapestry series, The Fiend and the Forge and is currently working on the fourth book.
Without further ado, here is Henry Neff discussing what he writes best about, fantasy.
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Photo Caption: Max McDaniels arrives in Blys, one of the four demonic kingdoms that have come to replace human cities. What differentiates fantasy and science fiction from other genres is that its authors choose to create entire worlds. For many, I suspect that’s the core attraction - the opportunity to concoct a reality whose rules, institutions, or denizens diverge from our own. But while both create worlds, fantasy and science fiction writers often choose different tools for the job.
A number of fantasy authors such as J.R.R. Tolkien, Ursula Le Guin, and Robert E. Howard construct worlds that are rooted in a forgotten period prior to recorded history or take place in some alternate reality. Whether it’s Middle Earth, Earthsea, or Hyboria, we recognize elements of the landscape and can often connect the dots from these mythic pasts to our own time and place. Others – J.K. Rowling, C.S. Lewis, and Susan Cooper among them – splice their fantasy worlds into contemporary life. When one boards the Hogwarts Express or steals though the wardrobe, one enters a world where magic and fantasy predominate.
While many fantasy writers choose to operate in the past or present, science fiction writers often prefer to operate in the future. Authors such as Frank Herbert, Gene Roddenberry, and Orson Scott Card construct vast universes in which our world and Earthly antecedents are distant memories.
But what if Middle Earth existed not in our past, but in our future? That’s a fun dynamic to ponder and one I’ve chosen to explore in my own work. When creating The Tapestry, I’ve tried to combine the techniques employed by fantasy and science fiction writers and construct a fantasy future that’s rooted firmly in our own past and present.
The Tapestry’s very first book, The Hound of Rowan, begins on a Chicago train. The names, surroundings, and conventions are familiar to us as Max McDaniels is invited to attend a school of magic that’s been engaged in an ancient, secret war. While some readers initially thought I was simply creating an American version of Harry Potter, those with a bit of patience have seen the story venture into new and unexpected places. Throughout The Second Siege, the world we know is in turmoil – its major cities overrun by creatures while entire governments topple to enemies from without and within. During Max’s adventures in The Fiend and the Forge – few people even remember that those very cities and governments ever existed. Their environment has become one where myth and magic predominate…and humans no longer rule the roost.
As I embark upon The Tapestry’s fourth and final volume, I’ll continue to use techniques found in both fantasy and science fiction to reshape a world in which a fantasy future is built on our past and present. Doing so gives me the flexibility to introduce new countries, economies, and creatures while linking them to a world with which my reader is familiar. It’s a fun landscape in which to operate and all a writer can ask for.
For more information about Henry H. Neff and The Tapestry, please visit www.henryhneff.com
John Berger at Wikipedia
Order G HERE or read an excerpt
INTRODUCTION: Sometime ago I stumbled by chance upon a remark that "G" by John Berger is the strangest book to have won the Man Booker prize (in 1972), not to speak of the author's acceptance speech that became notorious. I was curious and after I checked and liked the excerpt from "Amazon read inside" above, I finally got the book.
"Winner of Britain's prestigious Booker Prize, John Berger's "G". relates the story of a young man forging an energetic sexual career in Europe during the early years of this century. Berger sets his novel against the turbulent backdrop of Garibaldi and the failed revolution of Milanese workers in 1898, the Boer War, and the first flight across the Alps, making "G". a brilliant novel about the search for intimacy in history's private moments."
ANALYSIS: As storyline goes, G is a modern interpretation of the classical Don Juan story but from the perspective of several of the women involved. G. himself - the illegitimate son of a rich but strange English girl and a conventional Italian businessman - is seen through the eyes of the women, the narrator who inserts his comments here and there and only sometimes directly, this last especially in the midst of violent events at which he is essentially a bystander until they engulf him.
Hypnotic and quite un-intelligible either by the men in his circle who mostly dislike and even hate him, or by the women who are mostly fascinated despite themselves, G remains a mystery to the end with his actions confounding everyone expectations. The book is worth reading for this unexpected moments, though of course it has more strengths. The prose is just beautiful and on many occasions mesmerizing and the introspective descriptions of people in a romantic and erotic context are among the best I've ever read.
"G" focuses on several key moments: Garibaldi's Italian saga and the early years of the modern Italian state are interlinked with G's conception and childhood, The Boer War coincides with G's sexual awakening, a 1910 aviation first with some of G's conquests as a young man and the Great War with G's apotheosis so to speak... G himself looks for the strange, in women and events, so for example one of his "conquests" is interesting for him only as long as her husband is threatening to shoot him...
The novel has an unusual structure with paragraphs linked in a whole as well as authorial insertions about this or that; overall the structure works well despite the seeming scattering in places, though it requires constant attention to detail. The combination of personal and historical, story and authorial musings give the novel its "interesting-ness" flavor that I appreciate a lot and I am highly recommending it for a very rewarding and entertaining reading experience.
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