OVERVIEW/ANALYSIS: This is a reality bending world with a mom who thought she would get one evening away from her baby being thrust into a time loopy adventure. It’s not very long, and it’s pretty much the setting that kept me hooked. To describe terribly, there are layers of realities that get more and more unhinged as you step from Prime layer to deeper and deeper echoes, and there aren’t many people who survive, or even want to consider stepping away from the layer that serves at ground truth. A new year party goes haywire and our protagonist Kembral is stuck trying to prevent murders, understanding why things are happening and what the stakes are for her and her baby, and just trying to get back home safe.

Kembral is shown to be an extremely competent Hound on maternity leave. There are people who want her back at work to do some challenging things, and she’s just trying to get them to understand that she’s not back at work yet. What a Hound (or a Cat, as you shall see if you read the book) does I think I’ve understood, but I couldn’t explain satisfactorily with a gun to my head, or worse. She’s like a magical investigator. You’ll just have to read the book and see for yourself.

You know those movies, where there’s a party or social gathering, and that’s used to introduce the viewer to different characters who may or may not matter to the story? The first two chapters are that, and it’s a bit dizzying in how much information is given to the reader at the get go. Quite a lot of it is useful, but I just couldn’t hold it in my head as the story progressed, and I just relied on the author’s competence to remind me of something important if it mattered. It did work out, and I really enjoyed watching the main character put things together and make her alliances. Now, it’s not necessarily a bad thing, but I am not sure if this makes the book friendly to newbies of the genre.

As for the magic, I really enjoyed how the different layers of echoes added awe but also stakes to the adventure, and loved watching things go more and more insane as Kembral got deeper in. The setting is what got me to pay attention to this book, and while it can be a wholly of information initially, I don’t think there was a way to smoothen it out, and get the impression that the author did the best she could. Beyond that point though, there’s a steady drip of the setting given throughout the book, and that was done very impressively.

A prominent theme of in book that gives it a niche target audience would be motherhood. Like I said, new mom away from baby for a night, and while we have seen it before in TV shows or movies or even books (I haven’t so if you know any that do this, feel free to drop a recommendation in the comments), but I liked how every other action taken by the main character was colored by her new responsibility or concern for the world that her baby Emmi would inherit, as well as her conflicting emotions in taking time away for herself, or trying to decide how she would balance what she wanted in her career/job and with her daughter. I do wish the resolution wasn’t abrupt here. When I mean abrupt, there’s a drastic change in like three paragraphs, and this needed to be done better, and more convincingly. As for repetition, you know how much I loathe it in books. There were a lot of the same phrases or words used (we could’ve done with one or more less mentions of her insides being rearranged during pregnancy etc), and I think the concentration on some aspects of motherhood was overly done in pockets, and there had to be stronger editing to spread it across the book in a less making-a-point-in-your-face way. I realize I’m not in a position to critique the content, but it’s the delivery here that I’ve an issue with. Just copyedit better next time?

Extending on my feelings about the motherhood theme, I enjoyed how the romance and pining (if you like a book with pining) worked its way into it and her need to be able to ask for help when needed. Now, the miscommunication, it wasn’t bad here. There is some. But you get to watch it being worked out by the end. So just keep that in mind.

CONCLUSION: I said a lot and have trouble pinning down my feelings for this book, but just know, I do recommend it. If you review, it’s definitely worth a request, and if you don’t, worth a purchase. Or talk to your library. I think a lot of you will enjoy this one.

OFFICIAL AUTHOR BIO: SUNG-IL KIM was born in Seoul in 1974. Despite his lifelong dream of writing fiction, he only got around to it in his forties. He writes science fiction, fantasy, horror, or some blend of those. In South Korea, he is known for Blood of the Old Kings, I Will Go to Earth to See You, and “The Knight of La Mancha,” the last of which earned him an Excellence Award at the Korean SF Awards in 2018. He spends most of his time in his downtown Seoul apartment with his wife and two cats.

OFFICIAL AUTHOR BIO: Bethany Jacobs is a former college instructor of writing and science fiction, who made the leap to education technology and now teaches tech heads how to write. She lives in Buffalo, New York with her wife and her dog and her books. These Burning Stars is her debut novel.

OFFICIAL AUTHOR BIO: Nicole Evans (she/hers) is a queer, disabled SFF writer. With an MFA in Fiction, more trunked novels than she can count and too many ideas to keep track of, she made her authorial debut with Blood Price. She currently lives in the Midwest with her partner and their pets, though she yearns to escape to the forest one day. You can find her online via her LinkTree.

OFFICIAL AUTHOR BIO: Kit Rocha is the pseudonym for co-writing team Donna Herren and Bree Bridges. After penning dozens of paranormal novels, novellas, and stories as Moira Rogers, they reinvented themselves by writing the nine-book, multiple award-winning—and extremely steamy—Beyond series, which became an instant cult favorite. They followed it up with two spin-off series, including the popular Mercenary Librarians trilogy published by Tor.

Their favorite stories are about messy worlds, strong women, and falling in love with the people who love you just the way you are. When they’re not writing, you can find them making handmade jewelry, caring too much about video games, or freaking out about their favorite books, all of which are chronicled on their various social media accounts.

OFFICIAL AUTHOR BIO: Saara El-Arifi is the internationally bestselling author of The Ending Fire Trilogy and the Faebound Trilogy inspired by her Ghanaian and Sudanese heritage. She has lived in many countries, had many jobs, and owned many more cats. 

After a decade of working in marketing and communications, she returned to academia to complete a master’s degree in African studies alongside her writing career. El-Arifi knew she was a storyteller from the moment she told her first lie. Over the years, she has perfected her tall tales into epic ones. She currently resides in London as a full-time procrastinator.

FORMAT/INFO: The Ending Fire was published by Del Rey on September 10th, 2024. It is 512 pages long and told in third person from multiple POVs, including Hassa, Sylah, and Anoor. It is available in hardcover, ebook, and audiobook formats.

OVERVIEW/ANALYSIS:  After weeks and months of simmering tension, war is breaking out across the land. The Wardens face a rebellion within their capital city, but what neither side realizes is that a much deadlier force is preparing to march on them. The Zalaam have found their Child of Fire, and with their arrival, are ready to launch an assault to wipe their enemies from the map. It will take an alliance of nations to stand against the Zalaam and their god-forged creations - but even that might not be enough.

The Ending Fire takes a while to rev up, but when the final battle arrives, it's a heart pounding conclusion. This is one of those books where I'm going to recommend you have a fairly solid grasp of the factions and characters going into the finale, because I certainly struggled to lift the fog from my memory during the early pages of the book. There are a plethora of factions and types of magic at this stage of the game, and they are all crashing together in this finale. The first third of the book is an absolute whirlwind tour around the map, checking in at various locations; my struggles to remember who was who definitely hampered my ability to connect with characters, making the early parts of the book a bit slower for me.

I found Anoor's storyline the most compelling, as she struggles to find meaning and purpose in her new situation (to say more would be more spoilers than I care to share). Suffice to say, I empathized with her situation, as she is thrown into an unfamiliar land and wants to believe that those who surround her truly want the best for her and for the world. It's not easy to watch, but given the specific circumstances Anoor is in, I can buy the justification machine that she turns on in her head to give a pass to things that make her uneasy.

Hassa also has a good arc, finally hitting the point where she is no longer content to pretend to be a meek servant, but ready to stand up in open defiance of the world. She is the true heart of the story, trying to lift her people out of oppression without losing sight of the fact that they have to have a moral code at the center, or they risk becoming just as bad as their oppressors.

What really made me struggle with The Ending Fire, however, were the various romantic relationships. There was a lot of eleventh hour drama that felt manufactured and drawn out; when characters did finally get together, there were incredibly rushed scenes of spice that were over in a page. It made the culmination of the relationship feel perfunctory, a check box marked instead of a beautiful union. I don't mind spice in the slightest, but I honestly think in this case that a fade-to-black would have been the better move here. It ironically would have made the beat feel longer and more heartfelt by leaving it to the reader to fill in what happened, rather than throwing a few paragraphs on the page and calling it a day.

On the bright side, however, I do think the final battle itself is well done. After limiting the POV to our three main characters (Sylah, Hassa, and Anoor), the story opens up and jumps around to multiple side characters, letting us see pivotal moments across the battlefield, full of both heartbreak and joyous success. It's hard to put those final chapters down as multiple factions wage war for the fate of the world.

CONCLUSION: The Ending Fire had a lot to wrangle in this final book, and it definitely shows. There's a lot of rush to get pieces into place, an effort that can make the story feel both rushed and meandering at the same time. That perhaps isn't surprising given the expansiveness of the world-building, but it does make this last installment feel a bit uneven. There are definitely moments when the book shines, but it's not as well-executed a landing as I hoped.

 J. D. L. Rosell has given us a cool preview of what's upcoming next. His next Kickstarter will be the second deluxe edition of the Legend Of Tal.  Take a look at its cover and some of the cooler things within.

OFFICIAL AUTHOR BIO: K. M. Enright is a Filipino-American writer of romantic fantasy for teens and adults. When not writing, he can be found playing too many video games, cooking, or listening to Broadway musicals. He currently lives in New Jersey with his spouse and their black cat, Zuko.

OFFICIAL AUTHOR BIO: S. A. MacLean is a fantasy romance author from sunny Southern California. Infatuated with magical worlds since her days of brewing mud potions in her childhood garden, she fell in love with the romantasy genre after realizing all her favorite fantasy novels had kisses in them. Her stories invariably feature quirky humor, sassy animal companions, and queer casts who represent her voice as a chaotic bisexual woman. Sarah received her BS in Natural Resources from Cornell University and a PhD in Environmental Science from UC Berkeley. She left the research track to teach environmental science at her local community college, inspiring the next generation of students to save the planet.

OFFICIAL AUTHOR BIO: Beth Revis grew up in the Appalachian Mountains with a cemetery in her backyard, which is probably why she prefers her stories to be dark and full of twists. She’s the New York Times bestselling author of the Across the Universe trilogy, which has been translated into more than 20 languages. Beth lives in a house full of boys—her husband, son, and two massive dogs—and she forces them all to watch reruns of Firefly and Doctor Who. Visit her at bethrevis.com.

OFFICIAL AUTHOR BIO: James S.A. Corey is the pen name of fantasy author Daniel Abraham and Ty Franck. They both live in Albuquerque, New Mexico. Find out more about this series and other works at www.danielabraham.com.

FORMAT/INFO: The Mercy of Gods will be published by Orbit Books on August 6th, 2024. It is 432 pages and is told in third person through multiple POVs. It is available in hardcover and ebook formats.

OFFICIAL AUTHOR BIO: Carissa Broadbent has been concerning teachers and parents with mercilessly grim tales since she was roughly nine years old. Since then, her stories have gotten (slightly) less depressing and (hopefully a lot?) more readable. Today, she writes novels that blend epic fantasy plots with a heaping dose of romance. She lives with her husband, her son, and one perpetually skeptical cat in Rhode Island.

OFFICIAL AUTHOR BIO: Shawn Carpenter is a new author in an old skin. His colorful work history includes cowboy, airman, chicken guard, game designer, and corporate cog. Ships and the sea have enamored Shawn since his childhood in tragically landlocked Oklahoma, where, after peregrinations to all corners of the US, he now lives with his amazing wife, two sons, three dogs, and a cat. His three adult daughters keep tabs on his antics from a safe distance.

FORMAT/INFO: The Price of Redemption was published by Saga Press on July 9th, 2024. It is 368 pages long and told in third person from multiple POVs including Enid. It is available in paperback, ebook, and audiobook formats.

OVERVIEW/ANALYSIS: Fleeing a homeland gripped by revolution, sorceress Marquese Enid d'Tancreville fears all is lost when her ship is captured by another bearing the flag of a Theocratic Confessor. But a third ship under the command of the Albion navy saves her, giving Enid a surprising opportunity: she can join their crew and fight back against the revolutionary forces that have killed everyone she cares about. Enid's never sailed before, but she'll have to learn quickly if she's to use her magic to aid the ship on a dangerous mission in enemy waters.

The Price of Redemption is a fantasy book in the vein of Master and Commander that fails to do anything interesting with its fantasy elements. I'm perplexed why the author didn't simply make this a historical fantasy novel; as it is, he instead simply took the map of Europe and slapped new names on all the countries. But in doing so, the author didn't create anything new out of these countries. I can't tell you anything about their history or culture that distinguishes them from their English or French counterparts. Even the Theocratic Revolution is just the French Revolution by a different name.

By going to the effort of creating fictitious countries, the author has set the expectation that this world operates differently than our own, and that magic is integral to how it functions. Instead, were I to remove every element of magic from the book, 90% of the story would carry on as if nothing were missing. If this had been a historical fantasy set in Europe during the 1800s, my expectation for world-building would have been considerably lower, and the low magic setting would have fit right in. Instead, the author spends more time talking ABOUT magic than in actually USING the magic.

Much of this could be forgiven if the nautical side of things had held my attention. I came to this story ready to love an old-fashioned adventure; I was raised on Horatio Hornblower TV movies and have read my fair share of 18th and 19th century authors. Unfortunately, I found the overall story itself to be incredibly slow, more interested in explaining how ships work and the hierarchy of naval ranks than in actually moving the story forward. There are a few naval actions which are engaging in and of themselves, and I did like the overall atmosphere of the story. This is a rare occasion where I can say that if this novel had been trimmed down to a novella, I may have ended up liking it considerably more.

I do want to applaud the author for making this a gender equal society, where women serve on ships alongside men without any comment at all. But again, the author strangely undercuts himself with how his male characters react to the female lead character. For the first half of the book, not a single man can have an interaction with the female lead without ogling her or making a remark about her elegant neck or having internal thoughts about her scent. This constant objectification was off-putting to say the least.

CONCLUSION: Those who have a strong love for 18th and 19th century naval traditions may find themselves liking The Price of Redemption considerably more than me. While I did appreciate the atmosphere and tone it was trying to recreate, it ultimately muddied the waters by adding fantasy elements to the world that just didn't aid in the story the author was trying to tell. The result is that The Price of Redemption is an unfortunate miss for me in every way, making it a hard book to recommend.