OFFICIAL AUTHOR BIO: Carissa Broadbent has been concerning teachers and parents with mercilessly grim tales since she was roughly nine years old. Since then, her stories have gotten (slightly) less depressing and (hopefully a lot?) more readable. Today, she writes novels that blend epic fantasy plots with a heaping dose of romance. She lives with her husband, her son, and one perpetually skeptical cat in Rhode Island.

OFFICIAL AUTHOR BIO: Shawn Carpenter is a new author in an old skin. His colorful work history includes cowboy, airman, chicken guard, game designer, and corporate cog. Ships and the sea have enamored Shawn since his childhood in tragically landlocked Oklahoma, where, after peregrinations to all corners of the US, he now lives with his amazing wife, two sons, three dogs, and a cat. His three adult daughters keep tabs on his antics from a safe distance.

FORMAT/INFO: The Price of Redemption was published by Saga Press on July 9th, 2024. It is 368 pages long and told in third person from multiple POVs including Enid. It is available in paperback, ebook, and audiobook formats.

OVERVIEW/ANALYSIS: Fleeing a homeland gripped by revolution, sorceress Marquese Enid d'Tancreville fears all is lost when her ship is captured by another bearing the flag of a Theocratic Confessor. But a third ship under the command of the Albion navy saves her, giving Enid a surprising opportunity: she can join their crew and fight back against the revolutionary forces that have killed everyone she cares about. Enid's never sailed before, but she'll have to learn quickly if she's to use her magic to aid the ship on a dangerous mission in enemy waters.

The Price of Redemption is a fantasy book in the vein of Master and Commander that fails to do anything interesting with its fantasy elements. I'm perplexed why the author didn't simply make this a historical fantasy novel; as it is, he instead simply took the map of Europe and slapped new names on all the countries. But in doing so, the author didn't create anything new out of these countries. I can't tell you anything about their history or culture that distinguishes them from their English or French counterparts. Even the Theocratic Revolution is just the French Revolution by a different name.

By going to the effort of creating fictitious countries, the author has set the expectation that this world operates differently than our own, and that magic is integral to how it functions. Instead, were I to remove every element of magic from the book, 90% of the story would carry on as if nothing were missing. If this had been a historical fantasy set in Europe during the 1800s, my expectation for world-building would have been considerably lower, and the low magic setting would have fit right in. Instead, the author spends more time talking ABOUT magic than in actually USING the magic.

Much of this could be forgiven if the nautical side of things had held my attention. I came to this story ready to love an old-fashioned adventure; I was raised on Horatio Hornblower TV movies and have read my fair share of 18th and 19th century authors. Unfortunately, I found the overall story itself to be incredibly slow, more interested in explaining how ships work and the hierarchy of naval ranks than in actually moving the story forward. There are a few naval actions which are engaging in and of themselves, and I did like the overall atmosphere of the story. This is a rare occasion where I can say that if this novel had been trimmed down to a novella, I may have ended up liking it considerably more.

I do want to applaud the author for making this a gender equal society, where women serve on ships alongside men without any comment at all. But again, the author strangely undercuts himself with how his male characters react to the female lead character. For the first half of the book, not a single man can have an interaction with the female lead without ogling her or making a remark about her elegant neck or having internal thoughts about her scent. This constant objectification was off-putting to say the least.

CONCLUSION: Those who have a strong love for 18th and 19th century naval traditions may find themselves liking The Price of Redemption considerably more than me. While I did appreciate the atmosphere and tone it was trying to recreate, it ultimately muddied the waters by adding fantasy elements to the world that just didn't aid in the story the author was trying to tell. The result is that The Price of Redemption is an unfortunate miss for me in every way, making it a hard book to recommend.