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Monday, April 11, 2016
GUESTPOST: Recurring Themes In Fiction: Master and Apprentice by Melanie R. Meadors
It’s been said that many authors have a lifelong theme they explore with their work. It’s an unconscious thing, not done intentionally, and really, unless someone is looking they might not even notice. It can be something like “best friends,” or “father-daughter relationships,” “setting as character” or “humans as monsters.” They are subtle, but can be telling as far as reading into the writer’s subconscious.
Once I learned about this, I looked at my own work to see if I could find anything like that. Sure enough, it didn’t take me long to find a pattern in my many seemingly unrelated works. Most of my stories have some sort of master/apprentice relationship in them, even if that relationship is not what is being explored in the book. Perhaps my main character was an apprentice to a person in her past, who made her who she is today. Other stories begin with a character starting an apprenticeship, while still others have characters who discover their masters are not who they thought they were.
In my latest short story, “A Whole-Hearted Halfling,” part of the Champions of Aetaltis anthology, my main character is the unlikely apprentice to a wizard. While writing this story, I realized the complicated dynamics that were possible with the master-apprentice relationship. Not only is the master a teacher of skills, but they set an example for someone less learned than they are as far as morals and values. They have the ability to shape and change a person. They can take a troubled person and teach them to be good—or they can take a good person and warp them to serve evil.
Sometimes, apprentices learn that their masters are not the people they thought they were. They are faced with making a choice. Do they follow their master and his teachings? Do they take a path unknown to them, but that their heart tells them is true? Other times, apprentices might discover they have outgrown their masters. Do they stay with their masters out of loyalty? Or do they continue trying to better themselves?
Here are some of my favorite masters and apprentices in genre fiction, movies, and comics:
Once I learned about this, I looked at my own work to see if I could find anything like that. Sure enough, it didn’t take me long to find a pattern in my many seemingly unrelated works. Most of my stories have some sort of master/apprentice relationship in them, even if that relationship is not what is being explored in the book. Perhaps my main character was an apprentice to a person in her past, who made her who she is today. Other stories begin with a character starting an apprenticeship, while still others have characters who discover their masters are not who they thought they were.
In my latest short story, “A Whole-Hearted Halfling,” part of the Champions of Aetaltis anthology, my main character is the unlikely apprentice to a wizard. While writing this story, I realized the complicated dynamics that were possible with the master-apprentice relationship. Not only is the master a teacher of skills, but they set an example for someone less learned than they are as far as morals and values. They have the ability to shape and change a person. They can take a troubled person and teach them to be good—or they can take a good person and warp them to serve evil.
Sometimes, apprentices learn that their masters are not the people they thought they were. They are faced with making a choice. Do they follow their master and his teachings? Do they take a path unknown to them, but that their heart tells them is true? Other times, apprentices might discover they have outgrown their masters. Do they stay with their masters out of loyalty? Or do they continue trying to better themselves?
Here are some of my favorite masters and apprentices in genre fiction, movies, and comics:
1) Anakin Skywalker and Obi Wan Kenobi - Yes, Anakin chose the path of the Dark Side, but before this, the Jedi thought he was the Chosen One (yet another theme, one of many which are explored in the Star Wars series), and he was trained by Obi Wan Kenobi at the request of Kenobi’s master, Qui-Gon Jinn. Anakin didn’t always agree with his master, and was notoriously headstrong and a bit rebellious, but he and his master made a great team, as fans can see in the Clone Wars series.
However, a time came when Anakin’s heart was telling him one thing and his head another. He had to make a choice, and for better or worse, chose to follow his passion rather than that of detached justice. He forsook his master and chose another.
However, a time came when Anakin’s heart was telling him one thing and his head another. He had to make a choice, and for better or worse, chose to follow his passion rather than that of detached justice. He forsook his master and chose another.
2) Jen Yu and Jade Fox (Crouching Tiger, Hidden Dragon) - This is an example of an apprentice outgrowing her master, and also forsaking her. Jen Yu trained to be a warrior under Jade Fox, who had stolen a combat manual from the famed Wudang Mountain temple. Jade Fox couldn’t read the manual, so Jen told her what it said. Yet Jen cleverly kept some of the information to herself, and soon her skill surpassed that of her master. At an impressionable point in her life, Jen met warriors Li Mu Bai and Yu Shu Lien, who are both on the opposite side of the law as Jade Fox. Betrayals are met with more betrayals, and eventually Jen leaves her master to serve others.
3) Batman and Tim Drake as Robin - Batman has had a few Robins over the years, and I definitely have my favorites (and least favorites, *cough* Jason Todd *cough*). I like Tim Drake’s introduction, however, because it came at a time when Batman was having a crisis. He had just lost another Robin (in the series Death in the Family, readers were allowed to vote whether or not Jason Todd should live or die…and while I had no great love for Jason Todd, I couldn’t help but look at the result and say, “This is why we can’t have nice things!”), and was grieving for him while the world was in danger.
Things looked dire. Yet Batman vowed he would never have another Robin. He’d never take that responsibility again, he’d never be responsible for a kid’s death like that. Tim Drake, however, came along with answers Batman needed. He persisted, even when Batman tried his best to send him away, and eventually the apprentice taught the master a lesson in accepting help when one needs it.
Things looked dire. Yet Batman vowed he would never have another Robin. He’d never take that responsibility again, he’d never be responsible for a kid’s death like that. Tim Drake, however, came along with answers Batman needed. He persisted, even when Batman tried his best to send him away, and eventually the apprentice taught the master a lesson in accepting help when one needs it.
4) Sandor Clegane and Arya Stark - A Song of Ice and Fire is full of relationships of all sorts, and while it’s not a formal master/apprentice relationship, the match-up between the Hound and Arya is definitely one of my favorites, first in the book and then as it is portrayed in the HBO series. Sandor takes Arya as a prisoner, a hostage he hopes to exchange for gold after he has disgraced himself in King’s Landing. He needs to protect her so he gets a good price, but she certainly doesn’t make things easy for him. In spite of himself, he takes on the role of her master, teaching her to survive the cruel, harsh ways of the world of Westeros. She understands, also in spite of herself, that she needs the lessons the Hound teaches her to prepare her for when winter comes. Arya vows to kill the Hound every night, but by day, they struggle for survival together.
5) Merlin and Arthur - What would a list of masters and apprentices be without the the pair that practically founded the fantasy genre? Whether you are more familiar with them from The Once and Future King, or from Excaliber, The Sword in the Stone, or the Crystal Caves series, they are the quintessential master and apprentice. Merlin taught Arthur to be king, and depending on the telling of the tale, they had their various ups and downs during the teaching.
What are your favorite examples of masters and apprentices in fiction?
What are your favorite examples of masters and apprentices in fiction?
*---------------*---------------*---------------*
Official Author Website
Order Champions Of Aetaltis HERE
GUEST AUTHOR INFORMATION: Melanie R. Meadors is the author of fantasy and science fiction stories where heroes don't always carry swords and knights in shining armor often lose to nerds who study their weaknesses. She’s been known to befriend wandering garden gnomes, do battle with metal-eating squirrels, and has been called a superhero on more than one occasion.
Her work has been published in Circle Magazine, The Wheel, and Prick of the Spindle, and she was a finalist in the 2014 Jim Baen Memorial Science Fiction Contest. Melanie is also a freelance author publicist and publicity/marketing coordinator for both Ragnarok Publications and Mechanical Muse. She blogs regularly for GeekMom and The Once and Future Podcast. Her short story “A Whole-Hearted Halfling” is in the anthology Champions of Aetaltis, available April 12, 2016.
Champions Of Aetaltis Official Blurb: More than three hundred years have passed since the fall of the Atlan Alliance, and the people of Aetaltis have finally brought order to their fractured world. Fledgling nations have grown into powerful kingdoms, thriving merchant states have re-established old trade routes, and the priests of the Enaros have rebuilt their great temples.
But in this time of hope, the shadow of an ancient evil has emerged from the darkness to threaten the world once again.
Discover a new world of adventure in this collection of pulse-pounding stories written by some of the greatest fantasy authors alive. From the vine enshrouded ruins of a lost jungle temple to the seedy back alleys of the villainous city of Port Vale, experience the thrill of heroic fantasy with these gripping tales of action and adventure.
NOTE: Merlin and Arthur artwork courtesy of Alan Lathwell.
Order Champions Of Aetaltis HERE
GUEST AUTHOR INFORMATION: Melanie R. Meadors is the author of fantasy and science fiction stories where heroes don't always carry swords and knights in shining armor often lose to nerds who study their weaknesses. She’s been known to befriend wandering garden gnomes, do battle with metal-eating squirrels, and has been called a superhero on more than one occasion.
Her work has been published in Circle Magazine, The Wheel, and Prick of the Spindle, and she was a finalist in the 2014 Jim Baen Memorial Science Fiction Contest. Melanie is also a freelance author publicist and publicity/marketing coordinator for both Ragnarok Publications and Mechanical Muse. She blogs regularly for GeekMom and The Once and Future Podcast. Her short story “A Whole-Hearted Halfling” is in the anthology Champions of Aetaltis, available April 12, 2016.
Champions Of Aetaltis Official Blurb: More than three hundred years have passed since the fall of the Atlan Alliance, and the people of Aetaltis have finally brought order to their fractured world. Fledgling nations have grown into powerful kingdoms, thriving merchant states have re-established old trade routes, and the priests of the Enaros have rebuilt their great temples.
But in this time of hope, the shadow of an ancient evil has emerged from the darkness to threaten the world once again.
Discover a new world of adventure in this collection of pulse-pounding stories written by some of the greatest fantasy authors alive. From the vine enshrouded ruins of a lost jungle temple to the seedy back alleys of the villainous city of Port Vale, experience the thrill of heroic fantasy with these gripping tales of action and adventure.
NOTE: Merlin and Arthur artwork courtesy of Alan Lathwell.
Friday, April 8, 2016
"The Shadow Queen: Ravenspire Novel 1" by C.J. Redwine (Reviewed Cindy Hannikman)
Visit C.J. Redwine's Website Here
OVERVIEW: Lorelai Diederich, crown princess and
fugitive at large, has one mission: kill the wicked queen who took both the
Ravenspire throne and the life of her father. To do that, Lorelai needs to use
the one weapon she and Queen Irina have in common—magic. She’ll have to be
stronger, faster, and more powerful than Irina, the most dangerous sorceress
Ravenspire has ever seen.
In the neighboring kingdom of Eldr, when Prince Kol’s father and older brother are killed by an invading army of magic-wielding ogres, the second-born prince is suddenly given the responsibility of saving his kingdom. To do that, Kol needs magic—and the only way to get it is to make a deal with the queen of Ravenspire, promise to become her personal huntsman…and bring her Lorelai’s heart.
But Lorelai is nothing like Kol expected—beautiful, fierce, and unstoppable—and despite dark magic, Lorelai is drawn in by the passionate and troubled king. Fighting to stay one step ahead of the dragon huntsman—who she likes far more than she should—Lorelai does everything in her power to ruin the wicked queen. But Irina isn’t going down without a fight, and her final move may cost the princess the one thing she still has left to lose.
In the neighboring kingdom of Eldr, when Prince Kol’s father and older brother are killed by an invading army of magic-wielding ogres, the second-born prince is suddenly given the responsibility of saving his kingdom. To do that, Kol needs magic—and the only way to get it is to make a deal with the queen of Ravenspire, promise to become her personal huntsman…and bring her Lorelai’s heart.
But Lorelai is nothing like Kol expected—beautiful, fierce, and unstoppable—and despite dark magic, Lorelai is drawn in by the passionate and troubled king. Fighting to stay one step ahead of the dragon huntsman—who she likes far more than she should—Lorelai does everything in her power to ruin the wicked queen. But Irina isn’t going down without a fight, and her final move may cost the princess the one thing she still has left to lose.
FORMAT: The
Shadow Queen is a YA fairytale retelling of the Snow White story. It is
more like Once Upon a Time and Snow White and the Huntsman than the Disney
version.
The Shadow Queen is the first novel in a series of fairytale
retellings. The series is titled Ravenspire. Each novel, while occurring within
the same world, is a standalone novel.
The Shadow Queen stands at 387 pages and is told from multiple
POV, including Princess Loralai, The Evil Queen, and Prince Kol. It was
published February 16, 2016 by Balzer + Bray.
ANALYSIS: There
is something about the Snow White fairytale that makes people want to retell it
using their own twists and turns. Even with the growing popularity of fairytale
retellings, the Snow White fairytale seems to be one of the top 'go to' stories
to retell. The Shadow Queen by C.J. Redwine jumps on the bandwagon with a
new version of Snow White.
In many ways, The Shadow Queen is your typical
Snow White story. There is the young, extremely pretty princess who is on the
run from her evil stepmother – who just so happened to overthrow the princess
and claim the throne and is now ruling with an iron fist. While on the run,
this young princess is trying effortlessly to gather followers who will be
willing to fight for her and help her claim the throne. Of course, there is
some magic thrown in here and there.
While, for the most part, The Shadow Queen is the
same-old-same old Snow White retelling, it does have a few twists and turns
that make it unique. In this case, readers are introduced to Prince Kol from
the neighboring kingdom which happens to be at war with a band of ogres. Kol,
and his entire kingdom, are some type of hybrid creature that can shape-shift
into dragon form at will. Even though they are powerful dragons, their country
is losing the war, which forces Kol to go on the offensive and travel to the
evil queen's kingdom to seek help. Unfortunately, things don't go as expected.
The Shadow Queen has some twists and turns, but is it enough to
make it stand out from the crowd. Sadly, I'm not entirely sure it does. The
entire story followed a little too closely to Snow White and even ABC's Once
Upon a Time for my liking. This left me with a feeling of been there, done
that, even with the strange – almost randomly forced into the novel -
dragon/human twist.
Add in the rather slow pacing that occurred within The
Shadow Queen, and there were times where I was just plain bored. There
were brief moments of excitement and action, but those were few and far
between. For the most part readers were given lengthy descriptions and chapters
upon chapters of the princess wandering around, looking for help, and grumbling
that she has powers but doesn't know how to use them and she's afraid she won't
be able to defeat the evil queen.
The random ogre/dragon war didn't help the pacing of the
novel. It seemed to be more distracting and it didn't really serve much of a
purpose to the storyline other than to bring the prince into the novel and get
him into the kingdom. There was a lot of time spent on this part of the novel
and I just feel that time could have either been cut out or used to create more
action/adventure within the novel.
There were some parts of The Shadow Queen that I
enjoyed. I found it portrayed the evil queen's dark magic in a way that can
only be described as pure evil. I really enjoyed the scenes where we saw the
extent of the dark magic and what the evil queen could do.
Another element I really enjoyed was the way apples were
incorporated into the story at least when it came to how the evil queen used
them as punishment. It was creepy and evil, and probably the best part of the
book.
The Shadow Queen does have some romance involved, but it wasn't
insta-love. This made it easier to accept, but the sluggish pacing just really
made me want to skip over the romance and try to find something of action or
substance.
Overall, The Shadow Queen really doesn't
stand out in regards to fairytale retellings. It wasn't horrible, it just
didn't have that 'it' factor people look for when it comes to fairytale
retellings or even YA fantasy novels for that matter.
Today, Fantasy Book Critic welcomes Jadah McCoy as our guest
blogger for the day. Jadah McCoy is
the author of the new sci-fi novel, Artificial. Artificial is scheduled
for release April 4, 2016 and is published by Curiosity Quills Press.
Summary of Artificial:
She struggles to feel
human.
In 2256, the only remnants of civilization on Earth’s first colonized planet, Kepler, are the plant-covered buildings and the nocturnal, genetically spliced bug-people nesting within them: the Cull. During the day, Syl leaves her home in the sewers beneath Elite City to scavenge for food, but at night the Cull come looking for a meal of their own. Syl thought gene splicing died with the Android War a century ago. She thought the bugs could be exterminated, Elite city rebuilt, and the population replenished. She’s wrong.
Whoever engineered the Cull isn’t done playing God. Syl is abducted and tortured in horrific experiments which result in her own DNA being spliced, slowly turning her into one of the bugs. Now she must find a cure and stop the person responsible before every remaining man, woman, and child on Kepler is transformed into the abomination they fear.
He struggles not to.
For Bastion, being an android in the sex industry isn’t so bad. Clubbing beneath the streets of New Elite by day and seducing the rich by night isn’t an altogether undesirable occupation. But every day a new android cadaver appears in the slum gutters, and each caved in metal skull and heap of mangled wires whittles away at him.
Glitches—androids with empathy—are being murdered, their models discontinued and strung up as a warning. Show emotion, you die. Good thing Bastion can keep a secret, or he would be the next body lining the street.
He can almost live with hiding his emotions. That is, until a girl shows up in the slums—a human girl, who claims she was an experiment. And in New Elite, being a human is even worse than being a Glitch. Now Bastion must help the girl escape before he becomes victim to his too-human emotions, one way or another.
In 2256, the only remnants of civilization on Earth’s first colonized planet, Kepler, are the plant-covered buildings and the nocturnal, genetically spliced bug-people nesting within them: the Cull. During the day, Syl leaves her home in the sewers beneath Elite City to scavenge for food, but at night the Cull come looking for a meal of their own. Syl thought gene splicing died with the Android War a century ago. She thought the bugs could be exterminated, Elite city rebuilt, and the population replenished. She’s wrong.
Whoever engineered the Cull isn’t done playing God. Syl is abducted and tortured in horrific experiments which result in her own DNA being spliced, slowly turning her into one of the bugs. Now she must find a cure and stop the person responsible before every remaining man, woman, and child on Kepler is transformed into the abomination they fear.
He struggles not to.
For Bastion, being an android in the sex industry isn’t so bad. Clubbing beneath the streets of New Elite by day and seducing the rich by night isn’t an altogether undesirable occupation. But every day a new android cadaver appears in the slum gutters, and each caved in metal skull and heap of mangled wires whittles away at him.
Glitches—androids with empathy—are being murdered, their models discontinued and strung up as a warning. Show emotion, you die. Good thing Bastion can keep a secret, or he would be the next body lining the street.
He can almost live with hiding his emotions. That is, until a girl shows up in the slums—a human girl, who claims she was an experiment. And in New Elite, being a human is even worse than being a Glitch. Now Bastion must help the girl escape before he becomes victim to his too-human emotions, one way or another.
Join us as Jadah talks about one of the most important
aspects of any novel – characters.
************************************************************************
WHY CHARACTER AGENCY IS SO IMPORTANT
This may come as a surprise, but writing characters who think and act like real people is pretty hard to accomplish.
What exactly makes a character believable? Can you remember the last character that really stuck with you and what it was that made them so memorable?
Humans are complicated creatures. Sometimes our hearts don’t reconcile with our brains. Sometimes we make dumb decisions we know are dumb. Sometimes we don’t make sense. And sometimes we don’t understand our own actions and reactions, let alone can we expect other people to understand them.
The beautiful part of being human is that we are able to make these decisions for ourselves. That we are inherently vulnerable creations, and our vulnerability is like a pearl hidden within a shell. Something you have to search for, to earn.
There’s a natural ebb and flow to life. To every action there is a reaction. But, unfortunately, life is not a book. Sometimes the loose threads don’t tie up so nicely. Sometimes the plot isn’t so easy to follow. And sometimes, despite the choices we make, we can’t control fate.
But, like a choose your own adventure, those choices do affect which page we end up on. Each person has agency in their own life—their decisions create the outcome of their story.
What the frick frack does character “agency” really even mean in relation to the wonderful world of book writin’? Character agency is such an integral part of writing believable characters, and it’s something that many people don’t really notice at all when reading.
Chuck Wendig puts it eloquently by saying, “Character agency is…a demonstration of the character’s ability to make decisions and affect the story. This character has motivations all her own. She is active more than she is reactive.”
In other words, the story responds to the character’s actions, not the other way around. Too many times I’ve sat in bed screaming at a character for their stupidity, for their inability to control anything around them, including themselves. Too many times these characters have done the Incredibly Stupid Thing because only the Incredibly Stupid Thing would move the plot forward, and it’s only at the expense of that character’s credibility. Just because isn’t good enough.
When decisions are taken away from the character, they become merely a pawn in a contrived chess game—one where all the moves are already planned out, and no matter where the pawn goes, the results will end up the same.
Characters are living things, like you and I. They think, they speak, they love and hate, they have desires and ideas, and they rebel (and often I can’t even control mine, they just commandeer whatever attempted plot I had penned out). They are three dimensional. They are people on paper, and people have reasons for what they choose to do. They have thought processes, which sometimes they care to share and sometimes they don’t (not even with their own author).
Humans are incredibly social creatures, and we connect with each other through empathy—through sharing each other’s emotional experiences. It’s the same with a written character. When we pick up a book, we want to be swallowed in the story—to suspend our disbelief for a few hours and feel the characters’ sorrow, their anger and disgust and joy, and experience them as a real person.
Without agency, the character can only be a cardboard cutout, a frustratingly dull puppet with no real sense of direction other than where the puppet master directs them to go. And the reader (unless they’re a marionette or made of cardboard) can’t identify with that.
It’s worth remembering that characters are, at their core, people. We are diverse, we run deep, and we are beautiful in our contradictions. We are tangled strings, and sometimes when a string is pulled, one knot comes undone while another knot grows tighter.
Characters who have agency pull their own strings with no care for the knots, and that makes them worth remembering.
Visit Dan Wells' Website Here
OVERVIEW: Los Angeles in 2050 is a city of open doors,
as long as you have the right connections. One of those connections is a
djinni—a smart device implanted right in a person’s head. In a world where
virtually everyone is online twenty-four hours a day, this connection is like
oxygen—and a world like that presents plenty of opportunities for someone who
knows how to manipulate it.
Marisa Carneseca is one of those people. She might spend her days in Mirador, the small, vibrant LA neighborhood where her family owns a restaurant, but she lives on the net—going to school, playing games, hanging out, or doing things of more questionable legality with her friends Sahara and Anja. And it’s Anja who first gets her hands on Bluescreen—a virtual drug that plugs right into a person’s djinni and delivers a massive, non-chemical, completely safe high. But in this city, when something sounds too good to be true, it usually is, and Mari and her friends soon find themselves in the middle of a conspiracy that is much bigger than they ever suspected.
Marisa Carneseca is one of those people. She might spend her days in Mirador, the small, vibrant LA neighborhood where her family owns a restaurant, but she lives on the net—going to school, playing games, hanging out, or doing things of more questionable legality with her friends Sahara and Anja. And it’s Anja who first gets her hands on Bluescreen—a virtual drug that plugs right into a person’s djinni and delivers a massive, non-chemical, completely safe high. But in this city, when something sounds too good to be true, it usually is, and Mari and her friends soon find themselves in the middle of a conspiracy that is much bigger than they ever suspected.
FORMAT: Bluescreen is the first novel in the
Mirador series. It is a YA dystopian, science fiction, cyberpunk novel that has
both action and a mystery. It is told from the third person point of view.
Bluescreen stands at 352 pages. It was released February 16,
2016 by Balzer & Bray.
ANALYSIS: We, as
a society, have this fascination with the thought that someday, we will be
glued to our computer/tablets/Internet 24 hours a day, 7 days a week. This
theory is so popular that it seems to be the newest trend in science fiction.
Not that it is new, but just like Hunger Games style
writing, the science fiction world is now obsessed with a dystopian world where
everyone lives and breathes in a virtual reality world, as opposed to getting
up and living in the real world. Bluescreen, the first novel in a new
series by Dan Wells, attempts to jump on this trend.
Before even exploring Bluescreen, it should be said that
it isn't a novel for everyone. While the novel has elements of mystery and
action involved, there is a lot of focus on the gaming world. Even the first
few chapters of the book start out with the reader thrust into a virtual gaming
world (a first person shooter game). Gamers and some action lovers will enjoy
these scenes with the virtual reality game, but there are many that may believe
it is pointless and boggles down the pacing of the novel.
I, personally, didn't feel either way for the gaming scenes.
They do play a slight role later in the book, but I could have done with or
without them. People who aren't as thrilled with the gaming world, or those who
have no real knowledge of it may find these gaming scenes and the constant use
of technical terms boring and even confusing. But, the book's target audience
is probably teenage gamers, so it works for its target audience.
It does help that, while the gaming elements are
incorporated into the novel, the world that is developed isn't solely dependent
upon the virtual reality world. People still go out to clubs, dance, enjoy a
meal at a restaurant. Some cyberpunk novels try to portray a world where no one
leaves their home, no one interacts outside of the 'net', and I struggle to see
how that would happen.
One of the things I enjoyed about Bluescreen was, for the
most part, it painted a fairly accurate picture of what a futuristic world
might look like if society continued the way it does. Sometimes dystopian
novels try too hard to create a dull, depressing world. In the effort to create
this type of world, elements are left out and it is difficult for readers to
envision that type of world really happening.
Bluescreen's future I could picture happening. It got so
realistic and thought-provoking that it almost made me uncomfortable because
there were elements that were just so true, you could see how in several years
(20, 30 or more), the Bluescreen reality would be the
world we lived in.
There is one thing I want to note. The novel takes place 34
years in the future. I think it is a bit of a stretch to think all of this will
happen in 34 years. The actual year isn't too important to the novel, but it was
a minor detail that caught my eye. I
just really don't see the world being so virtual reality focused, people
walking around with data ports in their heads, and machine-like body parts
being created within the next 34 years.
Another strong aspect of Bluescreen that I really
enjoyed was the mystery element. It isn't an overly complex mystery and there
were certain aspects that I could have guessed right away, but it was enough to
keep me reading. The rather fast-paced style of the book also made it bearable.
I could easy read several chapters without realizing it.
Even though Bluescreen is a strong YA cyberpunk
novel, it isn't without its faults. First, the characters and how they were
portrayed. The secondary characters – Sahara and Anja frustrated me. One – Anja
– is an uber rich teenager who came across as very stuck up, oblivious to the
world around her, and just annoying. Sahara wasn't much better. She has this mysterious
past that isn't really revealed, but she is like the Kardashian of the novel.
She has reality TV show bots flying around her broadcasting everything 24/7 and
she is always dressed to perfection.
It would have been okay with an either or situation. Either
having this uber rich character or a self-absorbed Kardashian teen, but to have
both in one novel made it a bit frustrating. I would have really liked to see
the main character have a more realistic support system friend wise.
The secondary characters weren't the only ones that could be
a bit frustrating. The main character, Marisa, was overly frustrating to me.
She seemed to believe she lived in a world that because she was a hacker and
good at gaming, she was above any type of consequences or rules. At times she
came across as super self-absorbed, which wasn't a good trait for someone who
lived in a large family, and a bit condescending. Considering Marisa's family
wasn't super rich or famous, she tended to act like she was above everyone else
in the world and better than them.
Marisa's character changed a little bit towards the end, but
it wasn't enough to win me over. If anything, I think the characters and their
personality traits are probably the weakest part of this novel.
Another weakness of Bluescreen was the pacing of the
action. While the book was a quick read, the pacing of the action was a bit
uneven. The first half of the novel was filled with world building, virtual
reality/technology building and descriptions, and setting up the entire
situation for the big mystery at the end. At times it did feel as if focus was
placed on something pointless – running around a virtual reality game or
something similar – when it could have been devoted to something more
important.
The pacing of the novel does pick up after the half way
point, but it almost felt like too much was crammed into the end. It would have
been nice to have information/plot pacing come across a bit more even.
Despite the few flaws in Bluescreen, I found it
extremely enjoyable. It is obvious that it isn't a book for everyone and there
are plenty of things for people to not like (frustrating characters, overuse of
virtual reality gaming, the use of random Spanish words), but for the right
person it will be a worthwhile read.
I would highly recommend Bluescreen to anyone
looking to try out cyberpunk, as it is a light version of it and it has plenty
of other elements – mystery and action – to keep people entertained. I will
certainly be following this series to see where it goes.
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