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Wednesday, August 17, 2016
"Railhead: Railhead Book 1" by Philip Reeve (Reviewed by Cindy Hannikman)
Visit Philip Reeve's Website Here
OVERVIEW: The Great Network is an ancient web of
routes and gates, where sentient trains can take you anywhere in the galaxy in
the blink of an eye.
But the Network is also a hazardous mess of twists and turns, and nothing is as it seems. So when petty thief and railhead Zen Starling is hired by the mysterious Raven, the job appears simple enough. Steal one small box from the Emperor’s train, live the rest of his days in luxury. Secrets and danger lie in wait on the rails, and that little box might just bring everything in this galaxy—and the next—to the end of the line.
But the Network is also a hazardous mess of twists and turns, and nothing is as it seems. So when petty thief and railhead Zen Starling is hired by the mysterious Raven, the job appears simple enough. Steal one small box from the Emperor’s train, live the rest of his days in luxury. Secrets and danger lie in wait on the rails, and that little box might just bring everything in this galaxy—and the next—to the end of the line.
FORMAT: Railhead
is the first book in a new YA series. It is a futuristic sci-fi cyberpunk
adventure novel that is filled with action, mystery, and adventure. It all
takes place in a detailed new inter-galactic world that has bug creatures,
droids, royal families, and 'Guardians' which are god-like creatures. Railhead
stands at 356 pages.
Railhead was released in the US on April 1, 2016. It was published by Switch Press. It was released in the UK on October 1, 2015 by Oxford
University Press.
ANALYSIS: It is difficult to find a unique book, especially
when you read a lot. Over time, you become used to the norm and start noticing
that a lot of the books just feel the same. Sure, they have different
characters and a "unique" world, but there isn't really anything
overly unique or creative about any of the elements. That is why a book like Railhead
by Philip Reeve is so refreshing.
Philip Reeve has a true talent when it comes to writing. He
has this amazing ability to take familiar elements that are at the heart of
every novel (things such as romance, quests, discovering yourself, growing up,
coming of age story, etc.) and giving them unique, creative twist. Railhead
is just one of many examples of Philip Reeve's work and it doesn't disappoint.
The first thing that stands out about Railhead is the unique
and very detailed world the novel takes place in. It is a futuristic world
where traveling between planets and galaxies has become a reality
thanks to a
complex travel system known as The Great Network. The Great Network has
different gates and routes that take travelers between worlds on a system of
trains. Think of it as an inter-galactic railway system, because that is
exactly what it is.
Over the course of the book, The Great Network along with
all the worlds within the galaxy starts to develop and take shape. Readers
learn more about the setup of the network, how the network came about, and how
the world and galaxy start to rely upon it for travel. By the end of the book,
you have a true appreciation for just how unique and detailed the world
building is within Railhead.
The pacing of Railhead is amazing. Considering the
amount of detail that goes into the world building, you would think that the
book would be bogged down with lengthy descriptions, but it isn't. The book
moves at a fast pace and the details of the world, who created it, how things
are made are slowly revealed over time.
While I love fast paced books, there is a slight drawback.
It does take some time to get used to the world because it is a
learn-as-you-read type setup. Readers who enjoy just sitting down and knowing
everything about the world and the characters will find it difficult to get
into the book, as it literally is like learning everything all over again and
that takes time.
Character development is something that I love in books. I
love feeling close to the characters and like they are truly alive. I have to say
if anything is rated the weakest it would be character development. It isn't
because the characters don't develop throughout the story or they seem flat, it
is because it did take some time to get to know the characters.
I believe because so much of the book is focused on creating
this amazing, cyber-punk sci-fi world, the characters take a back seat until
about the halfway point of the book. By the end of the book, I became more
invested in the characters and I honestly cannot wait for book 2. Unfortunately,
the inability to really relate to characters until the halfway point or ending
might be a turn-off for readers who want instant connections.
In addition to the amazing world that is created, Philip
Reeve accomplishes the task of creating a diverse book that hits on a lot of
hot topic issues. Topics such as what makes someone human, machines vs. humans
in the workforce, mental health issues, same sex marriages/relationships, gender
identity, wealth distribution, economic growth, what makes someone 'bad', and
other issues are brought up in the book without forcing it down your throat. It
is done in a subtle way that is appropriate. Not everything has to be in your
face and preachy.
I have to say I absolutely love Railhead. It instantly
pulled me into the story and the world, and I didn't really want to leave it.
It was refreshing to see an author take a chance on something that could have
turned out disastrous if not done properly. Luckily, it wasn't and it turned
out to be an amazing, magical story.
Everyone always says the book is the better than the movie (or TV show). 99% of the time, they're right.
This post is dedicated to that 1%.
Because, let's face it. Writer/producers/directors/everyone else involved has a rough job when they decide to put a book on the screen. For movies, you have to cram an average of 200 pages into an hour and a half. Shows have a little more leeway in that they can stretch out the story over the course of several weeks, but they only get an hour-long slot, max, if there aren’t enough boobs, nobody pays attention.
And then of course there's simple logistics. Special effects for magic/sci-fi tech costs a ton of money. Hiring thousands (or in some cases millions) of actors to fill a mythical city or battlefield just isn't going to happen for most productions. And trying to put in every amazing piece of dialogue, fight scene, and character in that itty-bitty bit of screen time? Forget it.
So it's no wonder that movies and shows fall so far from the books. That's why I want to post a tribute to the select few who've managed to pull it off. To my knowledge, anyway. Unfortunately, I have not read every book or seen every movie. So if you know of another movie/show that’s managed the impossible, please tell me!
I only know of three cases:
Game of Thrones
This post is dedicated to that 1%.
Because, let's face it. Writer/producers/directors/everyone else involved has a rough job when they decide to put a book on the screen. For movies, you have to cram an average of 200 pages into an hour and a half. Shows have a little more leeway in that they can stretch out the story over the course of several weeks, but they only get an hour-long slot, max, if there aren’t enough boobs, nobody pays attention.
And then of course there's simple logistics. Special effects for magic/sci-fi tech costs a ton of money. Hiring thousands (or in some cases millions) of actors to fill a mythical city or battlefield just isn't going to happen for most productions. And trying to put in every amazing piece of dialogue, fight scene, and character in that itty-bitty bit of screen time? Forget it.
So it's no wonder that movies and shows fall so far from the books. That's why I want to post a tribute to the select few who've managed to pull it off. To my knowledge, anyway. Unfortunately, I have not read every book or seen every movie. So if you know of another movie/show that’s managed the impossible, please tell me!
I only know of three cases:
Game of Thrones
This and other amazing book vs. show artwork can be found on explosion.com
I actually hesitate to put this one up there. In some instances, yes, the show is better than the books. I like what they've done with Brienne and Sansa, the battles are thrilling and gritty and realistic, and there are some scenes that are absolutely masterful and simply do not have the same effect when it's on the pages (I can't see how George R. R. Martin will ever be able to surpass Cersei's defeat of the High Sparrow in his next book, no matter how good he is). Also, the battle (er, slaughter) at Hardhome is only mentioned in a letter to Jon in the books. I almost had a geek-stroke when I found out we'd actually get to see the battle.
However, there is cause for concern. There are at least two instances where the show has turned a consensual sex scene into an unnecessary rape (Dany's wedding and Jaime with Cersei right after Joffrey died; and that whole thing with the Night's Watch deserters staying at Craster's Keep to rape the wives isn't even in there). Now, to be fair, I have praised GOT before for not pulling any punches when it comes to how women are treated in real life. But the show can go a bit overboard. Also, we really don't need to see that many boobs.
And what the show has done with Dorne is a monstrosity. The Martells are dangerous and awesome in the books, and most importantly, they're sane. The Sand Snakes want revenge, yes, but not on Myrcella (because their father always said that Dorne doesn't torture and kill little girls). They're also the most progressive group in Westeros: women rule. Doran has a daughter named Arianne who's directly ahead of her younger brother for the throne (something that is unthinkable in the rest of Westeros), but she's not in the show. And Ellia Sand is an awesome, strong, compassionate pacifist. The woman who witnessed her lover being slaughtered in front of her does not want revenge. She tells the Sand Snakes and Prince Doran and anyone else who will listen that revenge does not solve anything. But the show's made her this two-dimensional caricature.
So I'm going to say the books and the show are neck-and-neck. Both have pros and cons that cancel each other out, and both are absolutely amazing.
This blog sums it all up very nicely via comics.
The Help
I actually hesitate to put this one up there. In some instances, yes, the show is better than the books. I like what they've done with Brienne and Sansa, the battles are thrilling and gritty and realistic, and there are some scenes that are absolutely masterful and simply do not have the same effect when it's on the pages (I can't see how George R. R. Martin will ever be able to surpass Cersei's defeat of the High Sparrow in his next book, no matter how good he is). Also, the battle (er, slaughter) at Hardhome is only mentioned in a letter to Jon in the books. I almost had a geek-stroke when I found out we'd actually get to see the battle.
However, there is cause for concern. There are at least two instances where the show has turned a consensual sex scene into an unnecessary rape (Dany's wedding and Jaime with Cersei right after Joffrey died; and that whole thing with the Night's Watch deserters staying at Craster's Keep to rape the wives isn't even in there). Now, to be fair, I have praised GOT before for not pulling any punches when it comes to how women are treated in real life. But the show can go a bit overboard. Also, we really don't need to see that many boobs.
And what the show has done with Dorne is a monstrosity. The Martells are dangerous and awesome in the books, and most importantly, they're sane. The Sand Snakes want revenge, yes, but not on Myrcella (because their father always said that Dorne doesn't torture and kill little girls). They're also the most progressive group in Westeros: women rule. Doran has a daughter named Arianne who's directly ahead of her younger brother for the throne (something that is unthinkable in the rest of Westeros), but she's not in the show. And Ellia Sand is an awesome, strong, compassionate pacifist. The woman who witnessed her lover being slaughtered in front of her does not want revenge. She tells the Sand Snakes and Prince Doran and anyone else who will listen that revenge does not solve anything. But the show's made her this two-dimensional caricature.
So I'm going to say the books and the show are neck-and-neck. Both have pros and cons that cancel each other out, and both are absolutely amazing.
This blog sums it all up very nicely via comics.
The Help
I know, I know, it's not sci-fi, fantasy, or horror. The movie is still better than the book.
In the book, Hilly doesn't show up until a third of the way through. We hear a lot about her, but we don't really see much of her or really what she does that makes her the bad guy. Hilly eating Minny's *ahem* pie, and then reading about it is the best. (We don't see her screaming at the pages and waking up her extremely confused husband in the book, which is a crying shame, because it was hilarious in the movie.)
Skeeter's mom telling Hilly to go to hell: it's really weak in the book. She just shows up, looking all frail and sick, and Hilly backs down. The movie has her be strong, empowered, and taking out the trash.
Skeeter and Stewart's breakup is more vibrant in the movie. It still hurts in the book, but it's gentler and filled with more sorrow than that sorrow/anger/frustration mix. I like seeing the argument, seeing Emma Stone's face when her character realizes the personal sacrifice of her contribution of civil rights, and her acceptance of it even as she’s crying.
And finally, Minny's situation is much better in the movie. In the book, Johnny Foote approaches her soon after he figures it out and asks her to keep secret the fact that he knows about her being the maid so his wife can keep pretending, which is stupid. The movie is much better and, frankly, realistic: Johnny keeping it to himself until Celia tells him about her miscarriages. And the scene where Minny throws groceries at him and arms herself with a tree branch until he tells her that he wants her to stay is funny, sad (because anyone else would've absolutely hurt or killed her), and touching.
How to Train Your Dragon
In the book, Hilly doesn't show up until a third of the way through. We hear a lot about her, but we don't really see much of her or really what she does that makes her the bad guy. Hilly eating Minny's *ahem* pie, and then reading about it is the best. (We don't see her screaming at the pages and waking up her extremely confused husband in the book, which is a crying shame, because it was hilarious in the movie.)
Skeeter's mom telling Hilly to go to hell: it's really weak in the book. She just shows up, looking all frail and sick, and Hilly backs down. The movie has her be strong, empowered, and taking out the trash.
Skeeter and Stewart's breakup is more vibrant in the movie. It still hurts in the book, but it's gentler and filled with more sorrow than that sorrow/anger/frustration mix. I like seeing the argument, seeing Emma Stone's face when her character realizes the personal sacrifice of her contribution of civil rights, and her acceptance of it even as she’s crying.
And finally, Minny's situation is much better in the movie. In the book, Johnny Foote approaches her soon after he figures it out and asks her to keep secret the fact that he knows about her being the maid so his wife can keep pretending, which is stupid. The movie is much better and, frankly, realistic: Johnny keeping it to himself until Celia tells him about her miscarriages. And the scene where Minny throws groceries at him and arms herself with a tree branch until he tells her that he wants her to stay is funny, sad (because anyone else would've absolutely hurt or killed her), and touching.
How to Train Your Dragon
Unlike Game of Thrones, which sticks to the books pretty well (at least in terms of over-arching plot and world creation), How to Train Your Dragon the book and the movie are vastly different.
In the book, the dragons are Vikings’ pets. They're tiny, roughly the size of cats and dogs, and are treated as such, even though they're much more intelligent and capable of speech in their own tongue. It's forbidden in Viking society to speak the dragon language, a rule which Hiccup ignores. The focus on the relationship between him and his dad is still there and central to the story, as is the giant dragon, but there's a whole thing with a bully and dragon comas and it focuses more on being a ridiculous little book for kids.
The movie is much better. The dragons are larger, more badass, and more complex, because while they're intelligent (at least, Toothless is around human intelligence), they have to communicate like animals, and that gives them a whole new layer.
There's also the whole thing with the war between Vikings and dragons that Hiccup has to resolve to protect his friend. It promotes the idea that there aren't necessarily strict "good guys" and "bad guys" in a fight. The dragons raid the Vikings...or else they'll be eaten by big mama. The Vikings hunt dragons...to protect the crops, livestock, and houses they rely on to survive. Hiccup and his dad are caught in the middle and pulled on opposite sides, and Hiccup is the one who bridges the gap.
Also, Hiccup is a lot funnier in the movie.
--
Thanks for reading! :)
In the book, the dragons are Vikings’ pets. They're tiny, roughly the size of cats and dogs, and are treated as such, even though they're much more intelligent and capable of speech in their own tongue. It's forbidden in Viking society to speak the dragon language, a rule which Hiccup ignores. The focus on the relationship between him and his dad is still there and central to the story, as is the giant dragon, but there's a whole thing with a bully and dragon comas and it focuses more on being a ridiculous little book for kids.
The movie is much better. The dragons are larger, more badass, and more complex, because while they're intelligent (at least, Toothless is around human intelligence), they have to communicate like animals, and that gives them a whole new layer.
There's also the whole thing with the war between Vikings and dragons that Hiccup has to resolve to protect his friend. It promotes the idea that there aren't necessarily strict "good guys" and "bad guys" in a fight. The dragons raid the Vikings...or else they'll be eaten by big mama. The Vikings hunt dragons...to protect the crops, livestock, and houses they rely on to survive. Hiccup and his dad are caught in the middle and pulled on opposite sides, and Hiccup is the one who bridges the gap.
Also, Hiccup is a lot funnier in the movie.
--
Thanks for reading! :)
--
GUEST AUTHOR INFORMATION: This post is brought to you by the insane mind of Christina “DZA” Marie, a writer and blogger of fantasy, scifi and horror. She runs the blog Dragons, Zombies and Aliens and currently has an epic fantasy series on Channillo.com called The Flying Cobras (yes, it’s about as ridiculous as it sounds), inspired by her family’s Dungeons and Dragons adventures. She's currently double majoring in college and lives in the twin cities metropolitan area.
Thursday, August 11, 2016
GIVEAWAY: Win a Copy of The Reader: Book One of Sea of Ink and Gold by Traci Chee
Visit PenguinTeen.com
Read an excerpt of the first two chapters here!
Follow @TraciChee on Twitter
#TheReader
One of the books that I am most looking forward to reading
this year is The Reader by Traci Chee. It promises to offer adventure,
excitement, pirates, and a story about my all-time favorite thing – books. Imagine
my excitement when Fantasy Book Critic was given the opportunity to partner with Penguin Random House and offer a giveaawy that will allow you win a copy of The Reader!
Learn more about The Reader:
A stunning debut set in a world where reading is unheard-of, perfect for fans of Inkheart and Shadow and Bone.
Sefia
knows what it means to survive. After her father is brutally murdered,
she flees into the wilderness with her aunt Nin, who teaches her to
hunt, track, and steal. But when Nin is kidnapped, leaving Sefia
completely alone, none of her survival skills can help her discover
where Nin’s been taken, or if she’s even alive. The only clue to both
her aunt’s disappearance and her father’s murder is the odd rectangular
object her father left behind, an object she comes to realize is a
book—a marvelous item unheard of in her otherwise illiterate society.
With the help of this book, and the aid of a mysterious stranger with
dark secrets of his own, Sefia sets out to rescue her aunt and find out
what really happened the day her father was killed—and punish the people
responsible.
In honor of the upcoming release of The Reader, which will
be out September 13, 2016, I was given a writing prompt and asked to share my
opinion on an important topic – a world with no books.
The writing prompt given was –
The Reader
explores a world without reading. What would it mean to you to live in a world
without books?
My response:
I truly cannot imagine a world without books. Ever since I
was little, books have always been such an important part of my life that it is
difficult to imagine books not being there. Every major milestone I have gone
through in life, I remember a specific book – Harry Potter, Shannara, Lord of
the Rings, and even Eragon – being there right alongside me.
If books didn't exist, I imagine a world without creativity.
While there are plenty of other ways to express creativity, I think books help
inspire people and help them think creatively.
It seems every time a new book comes out that sparks a new
generation's love of reading and that in turn sparks their love of writing,
which turns into more books – some of which may become timeless classic. It
almost makes me sad to imagine the stories people would like to share and pass
on to people that wouldn't get to be shared/passed on because of the simple
fact books are missing.
A lack of creativity isn't the only thing I envision
happening without books. I foresee considerable problems. Books and the stories
they tell help people think critically about situations that they may never
have encountered before. Books aren't the answer to all the world's problems –
I wish they could be! – but they do help teach communication skills, critical
thinking, and problem solving; all of which prove invaluable.
I am glad I don't live in a world without books. Books have
proved to be helpful in relieving stress, helping with anxiety, and taking me
to magical places that I could have never imagined.
*************************************************************
Now it is your turn! There is an opportunity to win a copy
of The Reader and an awesome tote bag that allows you to show the world you are
a reader.
To take part – I would love for you to answer one of the
following questions –
1) Sefia lives in a world without books. What are the books
that you absolutely could not live without?
2) The Reader explores a world without reading.
What would it mean to you to live in a world without books?
3) Sefia’s clue to finding her lost family lies in a book.
How have you found a family through books and/or through being a part of
the online book community?
Answer one or all three in the comments below! Please note
you do not have to answer to take part in the giveaway, but it would be nice!
********************************************
GIVEAWAY RULES
1. Giveaway is open to US addresses only.
2. One winner will be chosen at random to win a copy of The Reader and a tote bag!
3. Only one entry per person. Duplicate entries will be provided.
4. Contest begins August 11, 2016 at 12:00 a.m. EST and will run until August 20, 2016 at 12:00 a.m. EST.
5. To Enter answer one of the writing prompts in the comments and then send an email to fbcgiveaway@gmail.com with the subject THE READER. Please include your name, email address, and physical address. (commenting on the post is not required for entry, but would be appriciated).
6. All entries will be deleted at the end of the contest when the winenr has been picked.
Good Luck!
Wednesday, August 10, 2016
GUEST POST: Mystery & Mythos: The Perfect Ingredients For Urban Fantasy by Levi Black
It all began because I had a problem.
I wanted to write an urban fantasy set in the Lovecraftian Mythos but the whole point of the Mythos is that these beings and creatures are so alien that humanity means nothing to them while the point of urban fantasy is humanity's struggle against monstrosity.
The things that populate Lovecraft's Mythos are vast, impersonal creatures. Humans react to them, usually by going insane, but the Mythos does not know nor would it care if it did.
This makes it difficult to say the least. It's also why the Mythos is almost always squarely in the genre of horror.
So along comes Charlie.
Charlotte Tristan Moore. She's a young woman who has survived a terrible thing that happened in her formative years. It nearly destroyed her, but Charlie isn't one to be destroyed. She fought to get herself back through ten years of therapy and martial arts training until she can now make it through her day passing as normal. With her I had to draw from the stories of too many women in my life. Women that through the years have trusted me with their stories and their pain and their strength.
Charlie became the nexus of all those wonderful women, their avatar. (And I pray I did them and her justice.) I had my heroine. Now I needed a villain that could bring the elder gods of the Mythos into line with the story I wanted to tell.
And I discovered Nyarlathotep, the Man In Black, the Crawling Chaos. Son of Azathoth, the Mad God, who may or may not have created the universe, he does walk the earth in the form of a man causing chaos and destroying lives.
He is as close to as trickster god as the Mythos gets. And a trickster god I can work with.
I pulled a lot of things into the development of the Man In Black. I gave him a coat that is alive and hates him, a cursed black-bladed katana, and a red right hand.
I wanted to write an urban fantasy set in the Lovecraftian Mythos but the whole point of the Mythos is that these beings and creatures are so alien that humanity means nothing to them while the point of urban fantasy is humanity's struggle against monstrosity.
The things that populate Lovecraft's Mythos are vast, impersonal creatures. Humans react to them, usually by going insane, but the Mythos does not know nor would it care if it did.
This makes it difficult to say the least. It's also why the Mythos is almost always squarely in the genre of horror.
So along comes Charlie.
Charlotte Tristan Moore. She's a young woman who has survived a terrible thing that happened in her formative years. It nearly destroyed her, but Charlie isn't one to be destroyed. She fought to get herself back through ten years of therapy and martial arts training until she can now make it through her day passing as normal. With her I had to draw from the stories of too many women in my life. Women that through the years have trusted me with their stories and their pain and their strength.
Charlie became the nexus of all those wonderful women, their avatar. (And I pray I did them and her justice.) I had my heroine. Now I needed a villain that could bring the elder gods of the Mythos into line with the story I wanted to tell.
And I discovered Nyarlathotep, the Man In Black, the Crawling Chaos. Son of Azathoth, the Mad God, who may or may not have created the universe, he does walk the earth in the form of a man causing chaos and destroying lives.
He is as close to as trickster god as the Mythos gets. And a trickster god I can work with.
I pulled a lot of things into the development of the Man In Black. I gave him a coat that is alive and hates him, a cursed black-bladed katana, and a red right hand.
The red right hand is courtesy of the song of that name by Nick Cave. You've heard it, it's been used in several movies and TV shows from Scream to Peaky Blinders. It's a great song, hell Nick Cave is a great singer, and it very much informed the air of dark mystery I gave the Man In Black.
I mixed these characters with a world rich from the Mythos, using established things and concepts and adding my own, like a cancer god who is manifesting by bringing bits of itself into our world through tumors, and a fallen love goddess turned crack whore. I didn't hold back and the novel shows it. It's dark and bloody and violent and also full of love and humanity's ability to simply survive in spite of overwhelming odds.
I'm damn proud of it.
And that's how I came to write RED RIGHT HAND, a Lovecraftian horror novel masquerading as an urban fantasy.
I mixed these characters with a world rich from the Mythos, using established things and concepts and adding my own, like a cancer god who is manifesting by bringing bits of itself into our world through tumors, and a fallen love goddess turned crack whore. I didn't hold back and the novel shows it. It's dark and bloody and violent and also full of love and humanity's ability to simply survive in spite of overwhelming odds.
I'm damn proud of it.
And that's how I came to write RED RIGHT HAND, a Lovecraftian horror novel masquerading as an urban fantasy.
*---------------*---------------*---------------*
Official Author Website
Order Red Right Hand HERE
Read an excerpt HERE
GUEST AUTHOR INFORMATION: Levi Black is the author of Red Right Hand as well as a pseudonym. He was born and brought up in Georgia. He was inspired to start writing because of the Robert E. Howard books and Golden age comics he read as a child. He currently lives in Metro Atlanta with his wife and an array of toys, books, records, and comics. He also has interests in tattooing as well as photography. He's been weird his whole life and is almost as scary as he looks.
Order Red Right Hand HERE
Read an excerpt HERE
GUEST AUTHOR INFORMATION: Levi Black is the author of Red Right Hand as well as a pseudonym. He was born and brought up in Georgia. He was inspired to start writing because of the Robert E. Howard books and Golden age comics he read as a child. He currently lives in Metro Atlanta with his wife and an array of toys, books, records, and comics. He also has interests in tattooing as well as photography. He's been weird his whole life and is almost as scary as he looks.
Monday, August 8, 2016
"And I Darken: The Conquerors Saga #1" by Kiersten White (Reviewed by Cindy Hannikman)
Visit Kiersten White's Website Here
OVERVIEW: No one expects a princess to be brutal. And
Lada Dragwlya likes it that way. Ever since she and her gentle younger brother,
Radu, were wrenched from their homeland of Wallachia and abandoned by their
father to be raised in the Ottoman courts, Lada has known that being ruthless
is the key to survival. She and Radu are doomed to act as pawns in a vicious
game, an unseen sword hovering over their every move. For the lineage that
makes them special also makes them targets.
Lada despises the Ottomans and bides her time, planning her vengeance for the day when she can return to Wallachia and claim her birthright. Radu longs only for a place where he feels safe. And when they meet Mehmed, the defiant and lonely son of the sultan, Radu feels that he’s made a true friend—and Lada wonders if she’s finally found someone worthy of her passion.
But Mehmed is heir to the very empire that Lada has sworn to fight against—and that Radu now considers home. Together, Lada, Radu, and Mehmed form a toxic triangle that strains the bonds of love and loyalty to the breaking point.
Lada despises the Ottomans and bides her time, planning her vengeance for the day when she can return to Wallachia and claim her birthright. Radu longs only for a place where he feels safe. And when they meet Mehmed, the defiant and lonely son of the sultan, Radu feels that he’s made a true friend—and Lada wonders if she’s finally found someone worthy of her passion.
But Mehmed is heir to the very empire that Lada has sworn to fight against—and that Radu now considers home. Together, Lada, Radu, and Mehmed form a toxic triangle that strains the bonds of love and loyalty to the breaking point.
FORMAT: And I Darken is the first book in a
new YA alternative historical fiction. The novel takes place between 1435 and
1146 (give or take a few years) and Ottoman Empire. Instead of a male Vlad the
Impaler, we have Lada the Impaler.
And I Darken stands at 475 pages and is told from the points of
view of Lada and Radu. It was published on June 28, 2016 by Delacorte Press.
ANALYSIS: Originally,
I was attracted to And I Darken because it was being promoted as a new dark YA
fantasy series that takes place during a time period that is often overlooked
when it comes to YA literature. Alas, things aren't always what they seem.
And I Darken isn't fantasy in the typical magic, epic fantasy
genre and this is where I feel there is the potential for disappointment. And I
Darken is historical fiction, but an alternate version of it. Instead
of having Vlad the Impaler be male, we are given an alternate universe where it
is Lada the Impaler – a female.
The fact And I Darken is historical fiction
isn't bad, but it was a bit deceptive to refer to it as a strict fantasy
series. At one point there was a comparison to Game of Thrones, which this is
far from GoT. It has royal politics and conspiracy theories, but there is very
little to compare it to as it is strictly alternate historical fiction.
Once my disappointment that this wasn't a fantasy book was overcome,
I was able to fully immerse myself in the book and enjoy the story.
There are a lot of things to enjoy about And I
Darken. It is gritty (one of the grittier YA novels out there at the
moment), the setting is unique, a strong intriguing female lead, and strong
writing. Unfortunately, for every strength with the novel there is a weakness
that draws it back.
The writing in And I Darken is strong. It is
detailed and you can tell just how much research, time and effort went into it
on the part of Kiersten White. But strong writing doesn't make up for the
extremely sluggish pace of the novel.
I easily read 40-50% of the book and was surprised by how
little actually happened. A lot of time is spent on developing the land,
explaining political standpoints, talking about conspiracies, and debating what
should and shouldn't happen. This just weighed the book down because it was all
take and very little action.
The pacing of the novel was a huge issue and then came the
dreaded love triangle. Our main character Lada is falling for Mehmed, the
future sultan. At the same time Lada's brother is developing strong feeling for
Mehmed too.
Once the love triangle aspect was introduced, the characters
in the novel became obsessed with Mehmed. Every chapter – though it felt like
every page - was filled with longing and one of the characters (either Lada or
Radu) obsessing over Mehmed.
Before the huge fight between the siblings over Mehmed, the
two would literally gather together to obsess over what Mehmed was doing, where
he was, what he was thinking. Once the siblings had a falling out and they were
much older, it was just separate chapters of Mehmed obsession.
I understand the point of developing a love interest, but it
felt excessive. There was so much more going on in the book that could have
been developed, but we were stuck with Mehmed, Mehmed, Mehmed.
Another issue I struggled with while reading And I
Darken was character attachment. When I first started reading, I
thought I might be able to really enjoy reading about Lada. While she wasn't
overly likeable, she was someone I thought I'd really become attached to and
want to follow her story. That was until the story kept continuing.
Lada, while described as this horrible, brutal person,
wasn't really all that brutal or all that ruthless. Her kill count was
extremely low – maybe 4 and each one was done to save someone else. For most of
the book, Lada whined about her position, claimed she had no power to do
anything, and walked around looking for others to pity her while saying she
didn't want pity. She never really took charge and did anything, just sort of
went with the flow. It was extremely disappointing.
The other characters just fell flat. The only one who came
close to being interesting, for me, was Mehmed and that was only because
everyone seemed so obsessed with him and I kept trying to figure out why. He
also had a mysterious vibe to him, which made him interesting.
There is one part of the novel that needs to be brought up,
as it could be a huge issue for some readers. Due to the time period this novel
took place and the geographical setting, there is considerable time spent in
the novel talking about Islam as one of the main characters – Radu – goes through
a religious journey that involves converting to Islam.
The entire book isn't a religious textbook, but there are a
lot more details than most novels provide. It didn't bother me too much, but
the considerable amount of time devoted to religion and debating about religion
(even Christianity) could definitely prove problematic to some readers.
While it might seem like I didn't enjoy And I Darken that wasn't
really the case. I was a bit indifferent to it. It was a strong book and I
really enjoyed the political aspect of it, but the brooding, love triangles,
and constant self-pity attitude of Lada got to be too much.
Overall, And I Darken is a great book if you
are looking for a grittier YA historical fiction novel about a time/period that
isn't always covered. If you like political intrigue and the whole behind the
scenes whispering and plotting that occurs with politics, and of course if you
are okay with a love triangle and teenage puppy love/obsession then this is the
book for you. If you want action/adventure and a fast paced book, this might
not be the book for you.
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