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Wednesday, April 10, 2019

Finder by Susanne Palmer (reviewed by Lukasz Przywoski)



Order Finder over HERE

AUTHOR INFORMATION:  Suzanne lives in western Massachusetts with a number of two- and four-legged critters, including one Very Large Fluffy Dog, and is a Linux and Database System Administrator for the Sciences at Smith College.

OFFICIAL BOOK BLURB: Fergus Ferguson has been called a lot of names: thief, con artist, repo man. He prefers the term finder.

His latest job should be simple. Find the spacecraft Venetia's Sword and steal it back from Arum Gilger, ex-nobleman turned power-hungry trade boss. He'll slip in, decode the ship's compromised AI security, and get out of town, Sword in hand.

CLASSIFICATION: Science-fiction / Space-Opera.

FORMAT: Finder was published by DAW in April 2019 as a first book in the series. It's available in an e-book, audiobook, paperback and hardcover format.  The book consists of 397 pages. 


I am Fergus Ferguson, and I find lost things. I’m going to bring Venetia’s Sword home because I said I would, and if I have to go through Gilger and the Asiigto do it, so be it.


OVERVIEW/ANALYSIS: While not exactly a law-abiding do-gooder, Fergus has enough charm to make readers like him. He specializes in chasing things, getting into trouble and running away. When he tries to recover a sentient spacecraft stolen from Shipmakers of Pluto by a ruthless crime boss Airun Gilger, someone makes an attempt at his life. He barely survives, and what was supposed to be a routine job devolves into a disaster. Fergus’ actions may start a civil war, and to make matters worse, dangerous aliens seem interested in him as well.  

The action-packed plot sucked me in fast and never let go. Ferguson escapes one dire situation just to find himself in even more trouble. When you start to think he can’t handle more, Palmer proves you wrong. Watching Ferguson getting out of a mess thanks to his quick wit and ingenuity entertained me, and his resourcefulness impressed me. We all recognize lasers and light-swords as standard tools used to fight in space, but how many of you thought about using vibrating alien sex toys as space weapons (of sorts)? Just a few, I guess. And Fergus is one of you. 

Luckily, quick thinking and insolence are just the outer layers of his nuanced and well-developed character. His many flaws and upbeat attitude coupled with intriguing backstory delivered through occasional flashbacks make him relatable. Unfortunately, I can’t say the same about secondary characters who lack depth. They’re well rounded and fun, I’ll give it to Palmer, but they’re here mainly to make Ferguson shine. That said a good dialogue, evocative descriptions and interesting tech make up for this. And let’s not forget about aliens. They’re cool and they make Fergus’ life more interesting, heck, they make him more interesting :)

CONCLUSION: Breakneck-paced, action-packed, and character-driven, this story is powered by thrilling plot twists that kept me on the edge of my seat until the very end. Well worth a shot.
Tuesday, April 9, 2019

Ghosts Of Gotham by Craig Schaefer (Reviewed by Mihir Wanchoo)

Order Ghosts Of Gotham HERE
Read Fantasy Book Critic's review of The Long Way Down 
Read Fantasy Book Critic's review of The White Gold Score 
Read Fantasy Book Critic's review of Redemption Song 
Read Fantasy Book Critic's review of The Living End 
Read Fantasy Book Critic's review of A Plain-Dealing Villain
Read Fantasy Book Critic's review of The Killing Floor Blues
Read Fantasy Book Critic's review of The Castle Doctrine
Read Fantasy Book Critic's review of Double Or Nothing
Read Fantasy Book Critic's review of The Neon Boneyard
Read Fantasy Book Critic's review of Sworn To The Night
Read Fantasy Book Critic's review of Detonation Boulevard
Read Fantasy Book Critic's review of Winter's Reach 
Read Fantasy Book Critic's review of The Instruments Of Control 
Read Fantasy Book Critic's review of Harmony Black
Read Fantasy Book Critic's review of Red Knight Falling
Read Fantasy Book Critic's review of Glass Predator
Read Fantasy Book Critic's review of Cold Spectrum

AUTHOR INFORMATION: Craig Schaefer was born in Chicago and wanted to be a writer since a very young age. His writing was inspired by Elmore Leonard, Richard Stark, Clive Barker & H. P. Lovecraft. After reaching his 40th birthday he decided to give in to his passion and since then has released twelve novels in the last three years. He currently lives in North Carolina and loves visiting museums and libraries for inspiration. 



OFFICIAL BOOK BLURB: Irresistibly drawn to mysteries, if only to debunk them, reporter Lionel Page exposes supernatural frauds, swindlers, and charlatans. His latest case is an obsession—at least for an ancient and wealthy heiress: verify the authenticity of a lost Edgar Allan Poe manuscript circulating through New York City’s literary underworld. But the shrewd Regina Dunkle offers more than money. It’s a pact. Fulfill her request, and Lionel’s own notorious buried past, one he’s been running from since he was a child, will remain hidden.

As Lionel’s quest begins, so do the warnings. And where rare books go, murder follows. It’s only when Lionel meets enigmatic stranger Madison Hannah, his personal usher into the city’s secret history, that he realizes he’s being guided by a force more powerful than logic…and that he isn’t just following a story. He is the story.

Now that the true purpose of his mission is revealing itself in the most terrifying ways, it may finally be time for Lionel to believe in the unbelievable.

OVERVIEW/ANALYSIS: Ghosts Of Gotham is Craig Schaefer’s newest offering and one that promises a new direction in his illustrious career. This book is based on the next chapter in his career with 47North. The story is quite interesting and was definitely a new twist on gothic stories.

Lionel Page is a Chicago reporter who’s addicted to debunking mysteries and because of his past, he cannot resist them any more than he breathes. However he’s clueless as to how to solve his own personal mystery. His penchant for risks often lands him in the cross hairs of his editor Brianna who fears for his safety as well. A recent assignment goes sideways and lands him in a bit of a hotspot. Soon he gets introduced to Regina Dunkle who tasks him with a special offer to find a lost Edgar Allen Poe manuscript and also promises him a sizeable contribution for his efforts. Travelling to New York City, he soon immerses himself in this search and also meets an enigmatic fellow traveler who goes by Madison Hannah. Both of these characters have their own agendas but don’t know exactly who are ones pulling their chains. This lost manuscript is one that will cause a lot of trouble but also bring to the fore mysteries that have long since stayed hidden.

Any Craig Schaefer book is a cause for celebration and this one is something a lot different than what he has written before. This book was deemed as Craig’s love letter to the city of New York as well as all of its intricacies and secrets. The story begins on a very typical mystery note wherein the readers are introduced to the first mystery is Lionel himself and what drives him. Lionel is also our sole viewpoint of this story and it is truly through him that we get to experience everything. His characterization is key and creating enigmatic characters is Craig’s forte. This book is no different as while we are slowly uncovering the mystery of the main plot. We also get to see the many mysteries of the other cast of characters such has Madison who goes by Maddie and flits in an out of Lionel’s NYC investigations, his private benefactor Regina Dunkle who maintains her privacy above everyone and everything else.

All these characters are what make this story so interesting and there are mysteries galore within them as well as the burdens they carry. The story is of course a tribute to the somewhat quixotic nature of New York City and also a Gothic suspense story. The very nature of New York City is called into question as the reader along with Lionel get to witness it turn into something more. More than just the financial capital of the world, it becomes a city that houses almost every type of story and Lionel is just trying to find the one that perhaps is tied to his past (without knowing it to be such). The plot unfolds at a nice pace and the twists are such that they become harder and harder to predict.

The best part about the story is the slow reveal of what the story is truly about and I thoroughly enjoyed that aspect. I can’t talk much about it without spoiling the whole plot of the story but safe to say. This story is a little disingenuous about its overall plot and that’s done on purpose. The author takes great pains to frame the story in a certain and with smart plot twists, we see it unravel into a spectacular climax. It’s also focuses on a thread that originates with Edgar Allen Poe and then gives NYC a special spectral past. I loved how the author presented New York City as a character on its own. This was really fun to see and I’m sure resident NYCers will be able to discern some small details that might not be easily apparent to someone like me.

Lastly there’s also the presence of a Greek mythological character who also is mentioned in some of his other books but according to the author isn’t related to his previous works. I enjoyed this character’s actions and they are very much central to the main plot. The book is sold as a standalone and it works a little bit in that direction but honestly this story and world introduced is so rich that it deserves a sequel.

With such a story, the drawbacks are going to be very subjective. For me the only drawback perhaps is the eventual reveal which becomes a tad predictable. Not the climax but the main secret about its main characters. Not that it detracted from my enjoyment but still after reading all of Craig’s works, I’ve come to expect the sky of his written efforts. For some, it might be the pace which starts slow and then really unfolds or it might be the primary antagonist who perhaps doesn’t quite come with the same menace as some of Craig other memorable creations.

CONCLUSION: Ghosts Of Gotham is a lovely little mystery that’s also a love letter to New York City, Greek mythology and the many faces that we humans choose to take on. The story is about literal, metaphorical and allegorical ghosts. Salman Rushdie talks about "ghosts being nothing but unfinished business", I believe this perfectly encapsulates Ghosts Of Gotham as well what lies ahead in the sequels.
Friday, April 5, 2019

Soulkeeper by David Dalglish (reviewed by Mihir Wanchoo)


Official Author Website 
Order the book HERE 
Read Fantasy Book Critic's review of A Dance Of Cloaks 
Read Fantasy Book Critic’s review of A Dance Of Blades
Read Fantasy Book Critic's review of A Dance Of Mirrors 
Read Fantasy Book Critic's review of A Dance Of Shadows
Read Fantasy Book Critic's review of Cloak & Spider
Read Fantasy Book Critic interview with David Dalglish 
Read Fantasy Book Critic cover art interview with David Dalglish
Read "Sequels And Satisfying Endings" by David Dalglish (guest post)

AUTHOR INFORMATION: David Dalglish is the author of the popular Half Orc fantasy series and the Paladin series. He was born in Fort Lauderdale, Florida. He graduated from Missouri Southern State University in 2006 with a degree in Mathematics and used to work with Special Education students. He lives with his family in Missouri; A Dance Of Cloaks was his traditional publication debut.

OFFICIAL BOOK BLURB: When ancient magic suddenly returns to his land, a warrior priest must answer the call and protect his world from monsters that were once only legend in the first book of USA Todaybestseller David Dalglish's epic fantasy trilogy.

Devin Eveson is a Soulkeeper, traveling through remote villages as a preacher and healer. But when a mysterious black water washes over the world, the veil is torn, flooding the land with ancient magic and forgotten races: fire that dances as if alive, corpses that walk, and creatures that can manipulate time itself. And not all the creatures that have re-awakened remember humanity fondly.

As the land grows more dangerous and more chaotic, Soulkeepers are turning up dead, their bodies transformed into macabre works of art. Devin must set aside his words of peace and accept his new role: slayer of monsters and protector of the human race.

OVERVIEW/ANALYSIS: I’m a fan of David Dalglish, I’ve been an unabashed one since I first read A Dance Of Cloaks more than 9 years ago. Soulkeeper however is the start of a new series set in a new world. I was super excited to read this one when David told me about it. The book was definitely a distinct departure from what he has written about before.

The story opens up Devin Eveson, our protagonist and a soulkeeper, who is a part of the church that worship the Three Sisters (Goddesses who nourished and nurtured humanity). Devin is our window into the world and the world is a very different one than what we have seen previously in all of David’s titles. Devin is by nature a peaceful person but accepts the realities of being a soulkeeper. One such task that he’s asked to look into, is a village in crisis wherein people & livestock seem to be running away from something. Upon arrival at Dunwerth village, he finds that all of the strange occurrences can be tied to the black water which has encroached upon the village and its surroundings. Pretty soon Devin finds that the water is tied to more strange occurrences and is forced to retreat to the main city of Londheim. It’s there wherein majority of the plot & action will unfold and we meet several other important characters both protagonists and antagonists. There’s also the presence of a giant mountain that while seemingly important doesn’t quite translate its oozing menace.

This story is a distinct departure from his previous books wherein they were more about the darker characters. Devin Eveson is a more clean-cut figure who is kind, considerate and good-natured to a fault. This was a distinct surprise in this book as David Dalglish’s protagonists are usually from the shadowy walks of life. But besides Devin we have a huge character cast and within that we have quite a few who hearken back to his Half-Orc, Paladin and Shadowdance series. Chief among them is Janus who seems to fit in solidly with some of the Dalglish’s famous deadly creations in the past.

The world history and magic system isn’t quite as revealed as I would have preferred but there’s a lot that is laid bare. Such as the evolution of humanity which was entirely thanks to the sisters Alma, Lyra and Anwyn. The world however is much more than what humanity knows and soon fable and myth become reality and hazard becomes horror. All of this wonderfully unfolds as the characters soon realize what is happening but not how or the why of it. Action sequences have always been David’s forte and it’s no surprise that he excels with them over here too. Big action sequences, terrifying magic usage and dark villains, Soulkeeper definitely has it all but what it also does different from his preceding titles is a world that’s on the cusp of an apocalypse.

Chracterization is an art that David Dalglish has always had an excellent grasp on and it’s no wonder that within this book, readers will have their favorites. Mine were Jacaranda, Tesmarie and Puffy. Especially Puffy who is a veritable delight on every page that they appear and I hope the author gives us more and more of Puffy in the future volume. Jacaranda is a person who perhaps has the most twisted path but showcases that she’s not one to be easily categorized. It will be intriguing to see where the author takes her next. Lastly Devin as the main protagonist is a solid choice but is a bit of a goody two-shoes. This isn’t a criticism but I feel that he will have a lot to do in the future books and he might not get a lot of choices.

Lastly as with any Dalglish title, you can expect amazing action sequences, cool magic systems, terrifying monsters (of both the human and non-human kind) & the sort of fun that was found in 90s action thrillers. Soulkeeper is no different as the author unleashes a world that features some truly horrific monsters and that leads to some cool action sequences to satisfy the action aficionados. The magic system isn’t entirely revealed but I’m excited to see what happens in the sequel and know more about the three sisters as well as those who hate them and their progeny.

Lastly I had a couple of criticisms about the book, firstly the pace of the book isn’t typical of a David Dalglish book. Namely in the first third of the story, it’s much on the slower side as events unfold and many set pieces are slowly moved into place. But from the middle, things take off and we never have to look back. I felt that with this book being perhaps the longest one in the author’s career. The pace was perhaps lost for better exposition. Secondly I know many have loved the cover, however I think Orbit books completely missed the mark with this one. I say this because I have seen the fantabulous efforts they have done for the Shadowdance series and the Seraphim trilogy. Compared to those two series, this cover seems like a sub-par effort. I hope that Orbit can up their game as I know how wonderful their covers are (for eg. checkout any of their other books) as I was definitely flabbergasted to see this cover.

CONCLUSION: Soulkeeper is the start of a new trilogy that promises quite a bit of fun twists mixed in with trademark Dalglish action, cool magic & characters who will stay with you for a long time. This seems to be a new direction in the author’s career and I can’t wait to see what exciting experiences he brings to the table.

Thursday, April 4, 2019

SPFBO FINALIST: Out of Nowhere by Patrick LeClerc (reviewed by Lukasz Przywoski & David Stewart)




Official Author Website
Order Out of Nowhere over HERE


AUTHOR INFORMATION: Patrick LeClerc makes good use of his history degree by working as a paramedic for an ever-changing parade of ambulance companies in the Northern suburbs of Boston. When not writing he enjoys cooking, fencing and making witty, insightful remarks with career-limiting candor.

In the lulls between runs on the ambulance --and sometimes the lulls between employment at various ambulance companies-- he writes fiction.

OFFICIAL BOOK BLURB: Healer Sean Danet is immortal—a fact he has cloaked for centuries, behind army lines and now a paramedic’s uniform. Having forgotten most of his distant past, he has finally found peace—and love. But there are some things you cannot escape, however much distance you put behind you. When Sean heals the wrong man, he uncovers a lethal enemy who holds all the cards. And this time he can’t run. It’s time to stand and fight, for himself, for his friends, for the woman he loves. It’s time, finally, for Sean to face his past—and choose a future. A story of love, of battle—and of facing your true self when there’s nowhere left to hide.

CLASSIFICATION: A humorous urban fantasy.

FORMAT: Out of Nowhere was self-published by the author in 2012 and as a first book in The Immortal Vagabond Healer series. It's available in an e-book and paperback format. 

The book counts 260 pages and is divided into 38 numbered chapters. The cover art was done by Rebecca Kemp. 

OVERVIEW/ANALYSIS (Lukasz): If you’ve ever watched and loved Forever, chances are you’ll enjoy Out of Nowhere. While not entirely similar, both stories focus on an immortal character working in a medical field. Despite long lives, both characters haven’t turned cynical. They share a dryish sense of humour and the need to help others.

Sean Danet works as a paramedic. He’s immortal, and he has a gift - a healing power. As amazing as his powers might be, they don’t make him any money. He has to work, and he’s chosen a profession where his healing power is useful. He uses it discretely and in small doses. Unfortunately, during one intervention he heals the wrong man. Soon, someone starts to ask questions about Sean and attacks his beloved ones. That won’t do.

I liked Sean as a character and POV. Despite ages of experience as a soldier, a healer or a witch, he still believes in humans and tries to help them whenever he can. He appreciates good food and good company. While he probably wouldn’t win MasterChef, Sean has strong opinions on cooking:

“I have definite views on garlic. The garlic press is a tool of the devil, garlic powder is for the lazy, and the jarred stuff is an abomination. If you can’t be bothered to chop it, you don’t deserve garlic.”

He doesn’t take direction well, and that’s why he appreciated his job - he can do pretty much whatever he needs to get the patient to a better place, so long as he can justify his actions after the fact. Faced with adversity, he uses his brain rather than muscles. He’s smarter and sneakier than his opponents. 

Side-characters and Sean’s love interest feel well rounded, although not really three-dimensional. A sexy friend, an asshole work buddy who throws gay jokes fit well in the story and are fun to follow, but they don’t feel real. That said, I enjoyed paramedics’ banter and stories from the interventions. Not much happened during the first half of the book, but it read well. 

The second half is much tighter and brutal in places. A well-crafted combination of humour and drama keeps the reader’s attention, lending moments of honest excitement to the story. 

The plot is not without its flaws. When you look at things critically the beginning is slow and focuses on things that don’t move the plot forward (but that doesn’t mean I didn’t like it). I don’t buy the antagonist’s motivations and the way the author resolved the conflict felt a bit anticlimactic. And too tidy.

The overall light tone makes it a quick and entertaining read. It’s not perfect (especially plot and conflict-wise), but I found the experience pleasurable. I’ll definitely read the sequel.

OVERVIEW/ANALYSIS (David): I used to watch a show called Lost Girl about a succubus embroiled in a complicated Fae world. She had a human sidekick and lots of sex. It was an all right show, watched because, at the time, there simply were not that many fantasy shows on television. Game of Thrones hadn't blown the doors off of the possibility yet. Patrick LeClerc's Out of Nowhere reminds me of Lost Girl, not so much in its themes, though it too is urban, paranormal romance, but because it is neither good nor particularly bad. It's a solid piece of writing that feels like the urban fantasy equivalent of a James Patterson novel - it's easy to read but I've already forgotten about most of its characters and plot (in fact I just had to look up what the main character's name despite finishing the book yesterday). 

Out of Nowhere is about Sean Danet, a man who can heal at a touch, and who is subsequently immortal. He can't heal himself, so how he can retain immortality is but one of many plot holes never explained. He can heal others so that their cells regenerate, and so has a cat of indeterminate age, but is unable to heal even a hangnail in regards to his own. Sean works as a paramedic, where he can use his powers without drawing too much attention to his supernatural self. As he has learned in the past, people fear what they can not explain, and so he keeps his secrets close. During a routine broken ankle call, Sean unknowingly heals the descendant of a man whose family swore a blood oath to kill Sean some time back in the misty past. This sets in motion the plot of the novel, which is basically Sean killing anyone who comes near him. He meets an ancient languages professor named Sarah, whom he falls in love with, and that is basically the book. 

What I liked about Out of Nowhere is the obvious medical knowledge imparted on the text. LeClerc knows his EMT terminology, which he should because his bio says he worked or works as one still. This comes off in the text, and I wonder whether he might have been better off simply writing a book about an EMT. The supernatural stuff works in context, but I'm not sure it adds anything outside of the history portions sprinkled throughout the text. Sean is constantly reminiscing about some war or some woman from the past, despite his memories suffering from longevity problems. The history portions are interesting, and there is an authenticity feel to his combat descriptions, but I also had issues with this. Sean is constantly remembering historical figures as though he knew them well. He speaks of famous authors and generals as though he had tea with them weekly, and this might be believable once or twice in his long history, but not constantly. How many of us regular folk walking around are in touch with famous world-shaping types in our daily lives? I'd wager almost none, but Sean seems to have constantly been intimate with many. His healing powers might make this relevant if he weren't so touchy about keeping them secret. 

There are also some sexist and racist bits in Out of Nowhere that had me cringing as I read them. At one point in the novel, Sean asks himself if he's sexist, then goes on to explain that he is but that it's ok because he's the protagonist. The way he looks at women throughout the entire book is uncomfortable, to say the least, and while he isn't outright comparing them to fine cuts of meat, he might as well be. Similarly, there is casual racism sprinkled throughout that probably makes sense in a real-world context, I would assume LeClerc has encountered this almost non-stop in his time as a medic, but that doesn't mean it needs to make its way into a book. Authors have the power to create better worlds, particularly in fantasy, and so unless the book is specifically about racism or has themes of it, which this does not, I see no reason to pepper the text with even occasional racist slang. I might only have noticed this because I'm particularly sensitive to it, but it bothered me, as did the overt homophobic nature that rode right along with it. 

CONCLUSION (David): What I see in Out of Nowhere is an effort by an author either new to novels or new to writing in general, and as such it's not a bad effort. I read through it, which I can not say for every entry into the SPFBO 2019 contest, even the finals, but had it been any longer than its 260 pages, I might not have. LeClerc is smart to keep this one short.

SPFBO Final Score - 6/10
Wednesday, April 3, 2019

The Bayern Agenda by Dan Moren (reviewed by Lukasz Przywoski)


Official Author Website
Order Bayern, Agenda over HERE


AUTHOR INFORMATION: Dan Moren's latest novel, The Bayern Agenda, was published by Angry Robot in March 2019. He's also the author of The Caledonian Gambit, which was released by Talos Press in May 2017 and was a semi-finalist for Best Debut Goodreads Author. His work has appeared in, among other places, The Boston Globe, PopSci.com, Yahoo Tech, and Macworld, where he formerly served as a senior editor. 

He's also a regular panelist on the Parsec-award-winning geek culture podcast The Incomparable, co-host of tech podcasts Clockwise and The Rebound, and writer and host of the nerdy game show Inconceivable! Somehow, he still manages to play a decent amount of Dungeons & Dragons, video games, board games, and ultimate frisbee.

OFFICIAL BOOK BLURB: A new Cold War threatens the galaxy, in this fast-paced and wisecracking thriller of spies and subterfuge.

Simon Kovalic, top intelligence operative for the Commonwealth of Independent Systems, is on the frontline of the burgeoning Cold War with the aggressive Illyrican Empire. He barely escapes his latest mission with a broken arm, and vital intel which points to the Empire cozying up to the Bayern Corporation: a planet-sized bank. There’s no time to waste, but with Kovalic out of action, his undercover team is handed over to his ex-wife, Lt Commander Natalie Taylor. When Kovalic’s boss is tipped off that the Imperium are ready and waiting, it’s up to the wounded spy to rescue his team and complete the mission before they’re all caught and executed.

CLASSIFICATION: A Sci-fi espionage thriller with Space-Opera elements. 

FORMAT: Bayern Agenda was published by the author in April 2019 by Angry Robot. It's the first book in the Galactic Cold War series. It's available in an e-book, paperback and hardcover format. 

The book counts 386 pages. It's divided into 24 numbered chapters and the story comes through two main point of view characters: Simon Kovalic and Eli Brody. The cover was designed by Amazing15.

OVERVIEW/ANALYSIS: I greatly enjoy a mix of dramatic elements and high-tech, but I prefer books that focus more on characters than on scientific ideas. That makes Space Opera / Technothrillers perfect subgenres for me as they usually deliver a full package. And more, depending on the grandness of the vision and the focus of the story. 

The Bayern Agenda fits in the genre, but I wouldn’t call it a pure Space Opera (if such a thing exist). Consider it a sci-fi spy thriller, set against the backdrop of a galactic cold war between two rival superpowers: the Illyrican Empire and the Commonwealth of Independent Systems. The former conquered Earth and its colonies, but sacrificed too much to achieve this and had to pull back and defend its borders. The Commonwealth is less organised but powerful.  A stalemate can turn into war at any moment, affecting every planet in the galaxy, including the ones that have remained out of the fight.

The story follows Simon Kovalic, a covert operative for the Commonwealth, as he tries to understand the nature of the ties between Illyricans and the Bayern Corporation: a planet-sized bank. Because of unexpected events, his ex-wife, Lt Commander Natalie Taylor, has to take over his undercover team. 

While Bayern Agenda doesn’t answer all the questions a reader might ask, it delivers a strong, layered intrigue and good pacing. Subsequent reveals surprised me and I consider them clever. While Moren doesn’t focus on a world-building, he gives plenty of details concerning the galaxy, high-tech and travels through wormholes. He uses interludes and some info-dumps to clarify things and build backstories. As interesting as they were, they also slowed down the story in places.

And now, characters. We’ve got two main POVs: Kovalic, the veteran covert operative, and Eli Brody, a pilot who never wanted to become a spy. Where Kovalic is self-assured and confident, Eli is out of his element in the world of spies and political intrigue. He covers his insecurity with bravado and sarcasm. I liked him. His chapters are faster, more tension-charged and funnier.  

I think most secondary characters shine as well, especially Sarah M’Basa, a Commonwealth spy who resents other spies stomping all over her turf. Clearly, we have both protagonists and antagonists, but the story avoids simplistic divisions into good guys and bad guys. Each side of the conflict has good reasons to act the way they do and I appreciate it.

Bayern Agenda doesn’t contain much violence; it mentions disastrous battles and war casualties but never in a graphic way.  Instead, it focuses on building tension through clever twists and reveals.

That said, I felt detached from characters and their actions. I liked Eli, but I didn’t care about Kovalic or his mentor. As a result, I’ve finished the book mostly because I was interested in the plot, not because I deeply cared about the characters.

CONCLUSION: Bayern Agenda is well worth a shot, as it mixes genres, creates an interesting galactic history and focuses on a high-charged stalemate between two superpowers. I’m sure most readers will find characters more compelling than I did.
Tuesday, April 2, 2019

Uncanny Collateral by Brian McClellan (reviewed by Lukasz Przywoski)


Official Author Website
Order Uncanny Collateral over HERE (directly from the author)

AUTHOR INFORMATION: Brian McClellan is an epic fantasy author. He studied writing under Brandon Sanderson and Orson Scott Card and was an honorable mention in the Writers of the Future Contest. Brian is an avid player of video games and reader of epic novels and history. His hobbies include making homemade jam from local berries and tending to his hive of honeybees. He lives in Cleveland, Ohio with his wife, two dogs, and cat.

OFFICIAL BOOK BLURB: Alek Fitz is a reaper, a collection agent who works for the supernatural elements of the world, tracking down debtors and solving problems for clients as diverse as the Lords of Hell, vampires, Haitian loa, and goblins. He’s even worked for the Tooth Fairy on occasion. Based out of Cleveland, Ohio, Alek is the best in the game. As a literal slave to his job, he doesn’t have a choice.

When Death comes looking for someone to track down a thief, Alek is flung into a mess of vengeful undead, supernatural bureaucracy, and a fledgling imp war. As the consequences of failure become dire, he has few leads, and the clock is ticking. Only with the help of his friend Maggie—an ancient djinn with a complex past—can he hope to recover the stolen property, save the world, and just maybe wring a favor out of the Great Constant himself.

It’s a hell of a job, but somebody’s got to do it . . .  

CLASSIFICATION: Urban fantasy.

FORMAT: Uncanny Collateral was self-published by the author in April 2019 and is the first volume in  Valkyrie Collection series. It'a available in an e-book, paperback and hardcover format. 

The book is 151 pages long. 

OVERVIEW: Alek Fitz works as a Reaper - he tracks down debtors and solves various supernatural problems.  He’s well equipped for the task - as a tall, strong guy covered in magical tattoos giving him cool (and lethal) powers he commands respect. When a fight starts, Alek turns into an animal. Well, mostly. His ancestors mixed with Trolls, and such genetic heritage gives Alek cool upgrades like strong retractable tusks and preternatural strength. He also wears a ring in which lives a powerful djinni - Maggie.  All things considered, Alek has a lot of raw power and magical tricks up his sleeves.

It makes him fit for the most challenging jobs and when Death himself approaches his boss - Ada, she flings him into a case unlike any other. He has to recover stolen souls, survive a fledgling imp war and save the world. Easy.

In just 150 pages, Uncanny Collateral throws the reader into a relentless, straightforward action. Thanks to an excellent pacing and fun twists it’ll keep you glued to the pages. It doesn’t treat itself too seriously, and that makes it even more fun. I mean, imagine a half-blood Troll covered in magical tattoos (including Mjolnir that, when activated, allows him to punch through stuff, bodies included) riding a truck and smoking cigars. His best friend is a female Djinni trapped in a ring on his finger. They exchange quality telepathic banter all the time and their relationship is the highlight of the book. 

I liked Alek as a protagonist - he’s dangerous but he’s not an assassin or a thug. Troll blood flows in his veins and makes him prone to the outbursts of a berserk rage in times of danger, but it doesn't define him. He remains likeable and caring. Both he and Maggie have secrets, hinted here and there. I can’t wait to explore them in the sequels. We learn enough to understand what’s going on, but not enough to feel overhelmed with the details. Secondary characters and the world entertain as well. McClellan has a knack for characterisation - he introduces a retired and greedy angel, Death who looks almost like Keith Richardss, and pissed undead.

I loved it. I feel tired of oversized epics with billions of POV characters and convoluted plots. I crave good entertainment and McClellan delivers precisely this. Uncanny Collateral is short, entertaining and fast-paced. It ends with no cliffhanger, but with enough hooks to make me impatiently await the sequel.
Friday, March 29, 2019

SPFBO FINALIST: Symphony of the Wind by Steven McKinnon (reviewed by Łukasz Przywóski & David Stewart)



Official Author Website
Order Symphony of the Wind over HERE



AUTHOR INFORMATION: Steven McKinnon is an independent writer living, eating and just about breathing in Glasgow.

When not writing deeply personal stories about his private life and showing them to the world, Steven will either be eating cake, listening to Iron Maiden or filling his brain with pointless Buffy and Battlestar Galactica trivia.

Steven completed two courses of Creative Writing at the University of Glasgow in 2010, and completed an HNC in Professional Writing Skills at Reid Kerr College in 2006. He is 31 and was born in the bathroom of a high-rise flat in Glasgow on the 18th of March 1986.

He has since moved out.

OFFICIAL BOOK BLURB: A bounty hunter with a death wish. A girl with fearsome powers. A kingdom on the brink of destruction.

Serena dreams of leaving her unforgiving desert home far behind in her very own airship. But when an assassin's knife meant for Serena kills her friend instead, the rebellious orphan ventures into the corrupt heart of the kingdom to discover who put a price on her head. With each new turn, she edges closer to uncovering the awful truth… And the mystical powers brewing deep within her.

After his fiancée’s death, soldier-turned-bounty hunter Tyson Gallows is eager to sacrifice his life in the line of duty. When a foreign enemy assassinates a high-ranking official, he vows to bring them to justice. On the hunt for a killer, Gallows exposes a sinister plot that proves his fiancée’s death was no accident.

Driven by revenge, Serena and Gallows must join forces to take down the conspiracy before the kingdom falls to ruin.

Symphony of the Wind is the first book in a gritty epic fantasy trilogy. If you like hardened heroes, bloody action, and dark magic and monsters, then you’ll love Steven McKinnon’s visceral adventure.

CLASSIFICATION: A dark fantasy in a steampunk setting.

FORMAT: Symphony of the Wind was self-published by the author in 2018 and as a first book in The Raincatcher Ballad series. It's available in an e-book and paperback format. 

The book counts 660 pages and is divided into 42 numbered chapters. The cover art was done by James T. Egan of Bookfly Design

OVERVIEW/ANALYSIS (Lukasz): I’m still not sure how I feel about Steven McKinnon’s Symphony of the Wind. An ambitious and gritty epic fantasy series starts here, in the technologically advanced world. People conquered skies and filled them with airships. Different fractions and ethnicities fight for power while citizens suffer. Tormented heroes must stop a conspiracy before the kingdom falls to ruin.

Sounds simple? Well, it isn't. Unless you're a battle-hardened Malazan veteran, that is*. Slowly revealed and nuanced plot with multiple arcs and even more characters requires undivided attention and a trained memory. It's easy to lose track of the secondary characters' motivations and backstories.

The world-building is simply amazing. I have no other words to describe the world, the science, dark magic, monsters and airships. Mind-blowing stuff guys.

McKinnon’s prose is visceral, precise and descriptive. His pacing varies from breakneck to measured at the beginning of the book. The closer to the end we get the faster it becomes. Near the end, the events told from different POVs flash before our eyes. 

Story's characters – flawed, complicated, human – are compel­ling, and their self-discoveries and betrayals are fascinating to follow. Some of them turn their beliefs into weapons and inflict their will upon others. Others try to remain human despite their urges or conditioning. I can't choose a favourite character, but if you insisted I would probably indicate Damien - poised and cultural psycho-killer and a living weapon. His fight scenes became my instant-favourites. 

Both secondary characters and villains feel nicely fleshed out as well. 

At this stage, some of you may start to wonder why on earth I gave SotW three stars if everything's so exciting? 

Let's get to it.

I like multiple third person POV, but switching characters too frequently irks me, and McKinnon does it all the time. Too quickly. Sure, there’s no real rule about how long a particular scene should be for any character, but switching back and forth between characters makes the prose confusing.

I loved the world and enjoyed the story. I was interested in the individual characters but the sheer amount of them and constant jumps between different POV's wore me down. 

To be fair, the scenes for each POV are clearly separated. Despite this, I struggled with the story 's structure and abrupt perspective changes. It felt fragmented and unclear. As a result, I started feeling distant and disengaged from its action and characters.

Let's clarify things - McKinnon is an imaginative writer and, paradoxically, this is hurting his ability to tell a convincing story. The writing, as impressive as it is, with its constant perspective changes, just keep getting in the way. 


CONCLUSION (Lukasz): This book has so much awesome stuff that I would love to praise it. But I can't because of the aspects of the book that I can’t handle and that pull the rating down.


In this case, approach it like a childish puzzle with a twist. Or two.

OVERVIEW/ANALYSIS (David): I began Symphony of the Wind with the great hope that this would be a book I would love. It has airships and bounty hunters and the world seemed well-thought out and original. The Princess Bride is one of my favorite stories of all time, and anything approaching it will undoubtedly find a soft space in my heart. I even liked the beginning of the novel. I found several of the protagonists likeable, flat-out loved a scene involving a giant snake monster, and was all set to bury myself in this SPFBO entry. 

And then, as I went along, I began to find more and more issues with Steven McKinnon’s vision. At 25% in, I was feeling fatigued, and after truly stretching myself to the 50% mark, I simply had to give it up. Not only did I not want to finish Symphony of the Wind, but I was beginning to actively dislike it. I do not like to say such things about any novel, let alone one involved in a contest that is so vital to the fantasy community, but I refuse to go with the flow and simply give a book a pass because everyone else seems to love it.

There were things that I liked about Symphony of the Wind, all front-loaded towards the beginning of the novel. There are some good jokes in the book, William Fitzwilliam being one of the best. As I said before, I love high adventure where airships and bounty hunters abound. There is quite a lot of the book that reminds of me a Final Fantasy game, from the combination of guns and swords to the genetic experiments - similarities that will always draw me in for nostalgic reasons. I love multi-viewpoint narratives in the vein of Robert Jordan, particularly when they can showcase an author’s ability to speak from different viewpoints. As a recipe, I look at this book and assume I will love it, but then it gets whipped together and it’s a conflicted mess with no actual flavor. 

As for what I did not like about the Symphony, I am going to make a short list. This is not exhaustive but gets to the point of why I didn’t like this novel. 

  • Dialogue is all over the place, like each character is from a different era of time. Conversations often feel like they are part of a comedy skit, overwrought and forced.
  • Viewpoint switches seem random, haphazard almost, without contributing to a cohesive narrative.
  • Format feels serial, as though this was written for a SyFy series, and it almost seems like McKinnon wants to be writing science fiction instead of this mixture of fantasy and sci-fi. He also seems more concerned with blockbuster action than with telling a story.
  • Coincidences are all too convenient, contrived in a way that unmasks the author and pulls a reader out of the text, which is the last thing any reader wants.
  • Characters keep hinting at their past in inner monologues, but it feels forced and shadowy when we are in this character’s head and would know what they are referring to without the secret keeping. This can be done, but I don’t think McKinnon pulls it off.
  • Gallows character is inconsistent, his inner monologue is grim and dark, never happy, but he is constantly cracking jokes and appearing light. Again, this can work if there is a better transition between the inner and outer monologues. In Symphony, it feels like we are dealing with two different characters. 
  • Even at 50%, I had no idea what the actual plot of the book is. It spends so much time trying to push its characters towards one another that it never actually starts telling a story. Again, this can work so well if the threads are tighter and woven more adeptly. 


CONCLUSION (David): The argument could certainly be made that I am judging this book too harshly, that maybe a self-publishing contest does not warrant such scrutiny. I might agree with that assessment if there weren’t so many excellent entries into the SPFBO - books that are beautifully written and edited down to the most minute word. And frankly, this is a contest that introduced the world to Senlin Ascends, one of the best books and series that I’ve ever read. I expect the winners to approach its caliber, and Symphony of the Wind regrettably does not.


SPFBO Final Score - 5.5/10
Thursday, March 28, 2019

Interview with Devin Madson (Interviewed by Lukasz Przywoski)





Official Author Website
Order We Lie with Death over HERE
Read Fantasy Book Critic's review of We Ride The Storm
Read Fantasy Book Critic's review of We Lie with Death


Q: Thank you for agreeing to this interview. Before we start, tell us a little bit about yourself. Who is Devin Madson? And why should everyone be reading your books? 

DM: What a question to open with! Is there still time to bail? I mean, in my best professional author voice, I am Devin Madson and I am an Australian fantasy author. I live in the middle of nowhere with no neighbours but kangaroos and wallabies. I write (a lot), try to garden (everything dies), and watch Lord of the Rings way too often (like that’s possible). My books aren’t at all like Lord of the Rings, but you should still read them because I write fast-paced, character-focused, dark and snarky books all set in the same world, so there’s always something new to discover.

Q: When and why have you decided to become an author?

DM: I think I share a common origin story with a lot of authors. I wrote my first story at 6 years old (not a happy story) and then announced to my parents at 7 years old that I wanted to be an author and illustrator. Turned out I was terrible at drawing, so I later amended that to just author. I’ve been writing ever since and never seriously considered another job. Honestly, I think I’d be pretty terrible at anything else.

Q:Why did you decide to write under the pen name? And why did you choose this one? 

DM: Well that’s a whole can of worms. The easy answer is that my real name is hard to spell and pronounce and would look terrible on a book cover. The other answer is that there’s an unconscious bias among many readers assuming female name equals romance or not as good, so I decided a gender-neutral name was the best way to go. The why Devin Madson is a bit more personal and something of a cringey story so I might leave that one untold.


Q:What draws you to writing dark fantasy?

DM: I am not actually sure. Even my early stories as a child weren’t happy, fluffy tales. I wrote about trees that got cut down and taken from their families, about puppies that fell asleep under snow-laden branches only to die when the snow fell on them - you know, usual kid stuff. I think I just really like exploring and eliciting complex emotions and prefer not to gloss over the sometimes harsh realities of life.


Q:Tell us a little bit about your writing process. What do you start from? Do you start with a character, an image, or an idea? Talk a little bit about how a novel “grows” for you. 

DM: They’re all a bit different, but I’m a pantser through and through. Every attempt to plan ends up totally wasted and pointless, though I usually have some sense of character arcs and I always start with characters. I don’t plan them, they spring up like weeds and don’t shut up until I finish writing their stories. Storm was a little different in that the Levanti didn’t exist at all until I wrote the first line and brought Rah into being. It always feels a bit like the story is already there in my mind, like I already wrote it then forgot it and now I’m discovering it again as I write. Sometimes I don’t know why a particular detail comes up but it does so I write it in and nine times out of ten it turns out to have been foreshadowing for something important. It’s probably exactly the wrong way to write books, but I’ve tried the smart way and ended up with something entirely different from the original plan. Oops.

Q:What’s the hardest thing for you during the whole “writing experience”? 

DM: Second draft rewrites. The first draft is an exciting process of discovery. The perfecting copy edit stage is wonderful and I take great joy in cutting words. But knowing exactly how a chapter or arc has to be changed and having to just sit down and slog through it - urgh.

Q: What made you decide to self-publish as opposed to traditional publishing? 

DM: I’ve always been a self-sufficient, stubborn, do-it-yourself kind of person, so it probably surprised no one. I was also really keen to learn as much as I could about every aspect of producing a professional book. There’s an awful lot more involved than I ever imagined as a reader, but there is also something really exciting about choosing your own team, your own artists and editors and deciding when you’ll do things. It’s a lot of extra work though, which does get frustrating when it’s a drain on your writing time. I knew that when I started, but not being reliant on anyone but me was the big selling point. I knew no one in the industry at the time, had always been a solo reader and writer, so I wouldn’t have even known where to start on the traditional front.

Q: One of the big challenges with self-publishing is finding readers. Was that your experience? 

DM: Yes, definitely, but I don’t think it’s just a matter of finding them but also being taken seriously by them and having the confidence to put yourself out there when, especially back when I first published in 2013, the stigma of self-publishing is still going strong. It is much better now than it was then, but it still leaves me dithering out explanations sometimes when people ask who my publisher is. I think finding readers as a self-publisher is a mix of luck and perseverance before ever your book comes into the equation.

Q: What advice would you give someone who wants to self-publish? 




DM: Make sure your book is ready, really ready because in most cases you’re only going to get one chance to make a good impression. That includes a cover professional enough to sell that book when placed amongst traditionally published books of the same genre.

Q: As you know, we’ve enjoyed We Ride the Storm strongly enough to nominate it as our SPFBO finalist. Immersive and rich setting combined with complex characters won us over. What was your initial inspiration for The Reborn Empire series? 

DM: Because it is, in a lot of ways, the continuation of the story I started in my first trilogy, it didn’t need the same spark of inspiration as most stories. Although I had many threads to pull already in place, it really wasn’t until I wrote that first line that the Levanti were born and much of the feel of the story unrolled onto the page. Now it’s just about uncovering the rest of the story like an explorer.

Q: You’ve created a rich world with a unique magic system, races, religions and geography. What challenges did you face not just in making it accessible, but in incorporating all the information that needed to be conveyed to make the story work? 

DM: I think the biggest challenge in this series was, because it’s all written in the first person, in taking care not to have any character explain something they would find commonplace, or to overly describe something they are taking no heed of. I’m a fairly sparse author in general, but sometimes specific descriptions and information is required and cannot always be imparted by a more appropriate character - those are the most challenging moments.

Q: Moving on to the characters, all of them are fascinating, but I find Cassandra’s ark most exciting and her voice most engaging. Do you have a favourite to write yourself?

DM: That’s tough because I enjoy different aspects of each of them, but overall writing Cassandra is probably my favourite because she is always so prickly and snarky and I have a lot of fun with her sarcasm. She is also relatively simple in her desires despite the complexities of her situation, which makes up for the amount of action scenes I end up having to agonise over.

Q: What made you add new POV character in We Lie With Death? Dishiva’s point of view allows to add another dimension to the story and shed some light on Leo’s dark secrets. Aside from this, what’s so appealing in her story?

DM: Those were very important reasons for including her, but I also felt the importance of getting the point of view of a Levanti warrior who was not Rah. It’s pretty clear through it all that Rah’s unbending attitude is not common and they are, as a people, rather more flexible and pragmatic than that, as they must be as nomads upon harsh terrain. Dishiva allows us the POV of a more balanced Levanti, as well as a deeper exploration of the cultural divide between the peoples Gideon is attempting to unite.



Q: Looking more broadly, of all of your published works, who is your favourite character, and why? And least favourite? 

DM: I think my favourite has always been Torvash, known to the readers of Storm as the Witchdoctor. He is so calmly factual and unemotional that he’s always so good to bounce dry wit off, and he’s also our main source of information regarding the soul-based magic system he spends his life studying. He is a recurring character in many of my planned stories and I wrote an audio drama with him as the main character to better explore the science behind it all. Least favourite? That’s hard because I’ve had characters whose deaths I’ve cheered, but I have still liked them as characters. I think I disliked Emperor Lan from In Shadows We Fall the most though.



Q: What sort of research did you do for The Reborn Empire? 

DM: I am a more of an ‘as I must’ researcher. As soon as I wrote the first line I researched cutting heads off. Well, I lie, I actually do my research at the end of writing sessions having made notes to check facts because I write on a computer that has no access to the internet. In general, I’ve never made a point of doing any research prior to starting a book because I never really know how anything is going to go. Knowing me, I’d research something for days only to write a completely different story.

Q: What was the most difficult part of writing this series? What was the most enjoyable part? 

DM: I think the hardest parts to write are yet to come! In a general sense though the hardest part of writing a series, especially when you’re not a planner, is trusting the path you’re walking toward the vague idea you have of the destination. The most enjoyable is always when things happen I didn’t even know were going to happen for exactly the same reason - I don’t plan! They crop up when least expected. As an example, I had no idea what was up with Leo for a lot longer than you would think. He surprised the hell out of me too!

Q: If you would be given the chance to rewrite any of the scenes in We Ride the Storm before publication, would you do it? If yes, what and why?

DM: If I could go back in time? I could always do more passes on my books trying to perfect the words, but off the top of my head, I don’t think there is a particular scene that stands out to me. The good thing about always moving on to the next book is that you stop worrying so much about the last one. There’s always so much to worry about in the new one you’re writing now!

Q: Would you say that The Reborn Empire series follows tropes or kicks them?

DM: That’s quite the difficult question to answer because I didn’t set out to do either, what with never planning anything. It is probably somewhere between the two. There are plenty of places where I took sharp turns to deviate from the expected, and yet there are also plenty of familiar tropes and themes - revenge, messed up families, the honourable warrior. I’d hunt out loads but I’ve learned my lesson and no longer visit tvtropes.com unless I have a whole day to kill.

Q: Which question about the series do you wish someone would ask? Ask it and answer it! 

DM: Honestly, I can’t think of one that doesn’t stray into spoiler territory at this point, everyone asks such wonderful questions!

Q: What can we expect in the next book? Certainly the ending gives us an idea where the story may be moving, but give us a few hints! 

DM: I’m a total pantser so even my understanding of what’s coming is vague. Although I can feel it there and see bits of it, more like an archaeologist perhaps, uncovering the story bit by bit. In a general sense though, I expect book 3 will shift gear back into more of the sweeping battles and political manoeuvring of the first book now an initial shock at what happened at the end of the first has had time to wear off for all concerned and they’ve consolidated their positions. The stakes are only going to get bigger and the decisions more difficult to make. And one character in particular has a lot of pain coming their way. Sorry.

Q: You’ve just signed with Julie Crisp Literary Agency. Congratulations! What do you hope to get from this cooperation? What does it mean to your fans and your release calendar?  

DM: Julie is one of those amazingly knowledgeable people, and I’m so excited to have her in my court as I take the next steps in my career. As to what will happen with my release calendar, at this point I have no idea. I will certainly keep everyone as up to date as possible through my website and social media.

Q: In the interview with The Nerd Book podcast you’ve mentioned you had planned to publish a web serial. Any chances it’ll happen? 

DM: Yes! So long as it doesn’t get in the way of any future plans and contracts, I’m hoping it’ll go ahead this year but will be sure to keep everyone up to date about it.

Q: Can you name three books you adore as a reader, but that make you feel inadequate as a writer? 



DM: Hmmm there are probably a lot, but off the top of my head, Black Wolves by Kate Elliott, The Lies of Locke Lamora by Scott Lynch and anything Guy Gavriel Kay has ever written. Probably even his shopping lists.

Q: Thank you so much for agreeing to this conversation, Devin! We greatly appreciate your time and thoughts. 

DM: And thank you for putting up with my nonsense answers!








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