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Blog Archive
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2012
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May
(18)
- "Metropolitan" and "City on Fire" by Walter Jon Wi...
- Blood Of The Underworld by David Dalglish (Reviewe...
- "More Detail on Three Upcoming Novels of the Highe...
- "No Going Back" by Mark Van Name (Reviewed by Livi...
- WORLDWIDE GIVEAWAY: Win an Omnibus Edition of Davi...
- The King's Blood by Daniel Abraham (Reviewed by Li...
- Dragon Poems for Smiletrain: An Anthology For Char...
- GUEST POST: Sequels And Satisfying Endings by Davi...
- "Child of all Nations" by Irmgard Keun (Reviewed b...
- Masterpiece of SF: "Brain Child" by George Turner ...
- "Lehrter Station (John Russell #5)" by David Downi...
- GIVEAWAY: Bitterblue by Kristin Cashore
- "Last Will" by Bryn Greenwood (Reviewed by Liviu S...
- The Written by Ben Galley (Reviewed by Mihir Wanch...
- "The Black Opera" by Mary Gentle (Reviewed by Livi...
- Shadow On The Wall by Pavarti K. Tyler (Reviewed b...
- Demon Squad: Echoes Of The Past by Tim Marquitz (R...
- The Junkie Quatrain by Peter Clines (Reviewed by M...
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April
(10)
- A Chat/Interview between Bradley P. Beaulieu & Rob...
- Walter Jon Williams Releasing his Backlist as eBoo...
- The Other Gemmell (by Mihir Wanchoo)
- Tricked by Kevin Hearne (Reviewed by Mihir Wanchoo...
- Three Shorter Reviews, Dan Vyleta, Lavie Tidhar an...
- "Women in Science Fiction & Fantasy Month" at Fant...
- "Kino" by Jurgen Fauth (Reviewed by Liviu Suciu)
- Irenicon by Aidan Harte (Reviewed by Mihir Wanchoo...
- Upcoming Book Cover Art (By Mihir Wanchoo)
- GUEST POST: On Monsters and Miracles by Aidan Hart...
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March
(20)
- Corrupts Absolutely? Dark Metahuman Fiction edited...
- The 2012 Arthur Clarke Shortlist and the Critical ...
- Blood Skies by Steven Montano (Reviewed by Mihir W...
- "Twilight Forever Rising" by Lena Meydan (Reviewed...
- A Few Announcements and Lists (by Liviu Suciu)
- The Pillars of Hercules by David Constantine with ...
- Winners of the Legend Of Eli Monpress Giveaway and...
- Steampunk Novella Thoughts: Omar The Immortal and ...
- More Details about "No Going Back" by Mark Van Nam...
- "Across the Universe" by Beth Revis (Reviewed by C...
- GUEST POST: Corrupted Absolutely: Thoughts by Linc...
- More Details about "Worldsoul" by Liz Williams an...
- "The Ruined City" by Paula Brandon (reviewed by Li...
- Fated by Benedict Jacka (Reviewed by Mihir Wanchoo...
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- GUEST POST: Ernst Dabel on his Upcoming Novel ALBI...
- The Limits of Fantasy Inspired by History: "The Ki...
- Three Fall Titles of Huge Interest, I.M. Banks, J....
- Scarecrow Returns by Matthew Reilly (Reviewed by M...
- Spotlight on March Books
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▼
January
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- Throne of The Crescent Moon by Saladin Ahmed (Revi...
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- "Blue Remembered Earth" by Alastair Reynolds (Revi...
- Dominion by C.S. Friedman (Reviewed by Mihir Wanch...
- "Stories from The Quiet War" by Paul McAuley (Revi...
- James Rollins News and Author Interview (By Mihir ...
- Shadow Ops: Control Point by Myke Cole (Reviewed b...
- 2011 BSFA Shortlist with Comments (by Liviu Suciu)...
- "In the Mouth of the Whale" by Paul McAuley (Revie...
- Strata by Bradley P. Beaulieu and Stephen Gaskell ...
- Two More 2012 Upcoming Titles, Karen Thompson Walk...
- Blue Fall by B.B. Griffith (Reviewed by Mihir Wanc...
- Dead Eye: Pennies for the Ferryman & Dead Eye: The...
- "In the Lion's Mouth" by Michael Flynn (Reviewed b...
- On Some Recent Reviews (by Liviu Suciu)
- Thoughts on Two Series Ending Novels: "The Daemon ...
- "The Fiend and the Forge: Book Three of The Tapest...
- Prequel and Sequel Novella News (By Mihir Wanchoo)...
- Mihir's Top Reads of 2011
- Imperium by Nicholas Olivo w/ Bonus review of Kram...
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- News about the Demon Cycle saga by Peter V. Brett ...
- A Quick Take on 3 Recent Orbit Books, Lilith Saint...
- Spotlight on January Books
- Happy New Year 2012!
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May
(18)

Official Michael Flynn Blog
Order "In the Lion's Mouth" HERE
Read FBC Review of "The January Dancer"
Read FBC Review of "Up Jim River"
INTRODUCTION: "In the Lion's Mouth" is the third *but not* final book in the series that started with "The January Dancer" and was followed by "Up Jim River". In my reviews linked above, I described these books as "Celtic space opera".
"The January Dancer" was both intriguing and well executed but "Up Jim River" had some structural issues that detracted from my full enjoyment, so "In The Lion's Mouth" was a book I planned to read but did not expect to engross me so much that I literally could not put it down one recent evening I started seriously reading it, until very late when I finished it. Besides how much I enjoyed it, the major surprise was that the series was not a trilogy as this novel ended on a (semi) cliffhanger and the direction of the fourth installment has now clearly been set.
OVERVIEW/ANALYSIS: I will present a rough outline of the set-up - there is more in the above reviews - and of course the following has inevitable spoilers for the previous two books, though as I would say that a major part of the series' attraction is its execution - style, characters, world building - these spoilers are not that important in detracting from a new reader's enjoyment.
In the far future, humanity is split into two parts by the structure of space time, as ftl is possible only through special "hyperspace tubes" where somewhat different physical laws hold - eg the speed of light is still the supreme such but it is much higher than our c - while being still close enough to allow human ships to go. The originally settled core including the now downtrodden Earth is called The Commonwealth of Central Worlds and is dominated by a dictatorship of "Those of the Names", humans (?) with special powers and of sinister reputation, while their secret police, the "Shadows" enforce their rule.
However most of the action so far took place in the former "wild", across a huge gulf of space with few and narrow such hyper-tubes connecting it with the "core", where undesirables thrown in exile a long time ago fashioned various civilizations, most notable being the United League of the Periphery with its Celtic overtones I have been mentioning and with the "Hounds" being the analogue and of course sworn enemies of the Shadows.
The long cold war between the two civilizations has been disrupted once by an alien artifact called "The January Dancer", while some two decades later, Donovan, a strange older man with multiple personalities and a shadowy history, agent of both the Commonwealth and the League in turns and main participant in the "Dancer" resolution, discovered that the past contained even more surprises than he expected and was compelled by one such "surprise", the young "Harper" Lucia Thompson aka Mearana to go finding her missing mother, famous hound, Francine Thompson aka Bridget ban...
In the current novel, it is Donovan, expected for a family rendezvous with Mearana and Bridget, who is missing and the book starts dramatically with Shadow Ravn Olafsdottr once tasked with Donovan's elimination at the first sign of disloyalty towards "Those of the Names" who turns fearlessly in her enemy's lair to discuss Donovan's fate with his daughter and former lover...
So two threads, one taking place in a short period of time and going forward where Ravn is cautiously listened to by Mearana, Bridget and her ready to shoot on sight minions, and the other that has already taken place and involves Donovan and his unintended return to Commonwealth space where civil war is brewing and some of the rebel Shadows seem to need him for their reasons.
A structure not unlike the one in The January Dancer with the tale sung by Mearana to Donovan decades later in a bar on an obscure planet, with the girl trying to coax the unknown details from her newly found father and like there it works beautifully as the tension heightens page by page, though this time we end on a semi-cliffhanger in both threads that of course prepare to converge...
As in "Up Jim River", Donovan and his multiple split personalities is the star of the novel, while this time Ravn is his "sidekick" - ok part captor, part friend - rather than Mearana, while here the girl and her mother are more of bystanders, though they both exude strong emotions as Ravn keeps narrating and Donovan's fate seems to be sealed.. Or is it?
Prepare to be surprised as twists and turns abound when the action moves into the "Those of the Names" space and a lot of past mysteries and revelations appear taking this series to the next level. The same archaic prose style works wonderfully here - no more silly accents and no more exoticisms that conflict with it either - and "In the Lion's Mouth" (top 25 novel of mine) shows Mr. Flynn on top of his form, while the next installment moved back to my "highly expected, get and read asap" list.
Order "In the Lion's Mouth" HERE
Read FBC Review of "The January Dancer"
Read FBC Review of "Up Jim River"
INTRODUCTION: "In the Lion's Mouth" is the third *but not* final book in the series that started with "The January Dancer" and was followed by "Up Jim River". In my reviews linked above, I described these books as "Celtic space opera".
"The January Dancer" was both intriguing and well executed but "Up Jim River" had some structural issues that detracted from my full enjoyment, so "In The Lion's Mouth" was a book I planned to read but did not expect to engross me so much that I literally could not put it down one recent evening I started seriously reading it, until very late when I finished it. Besides how much I enjoyed it, the major surprise was that the series was not a trilogy as this novel ended on a (semi) cliffhanger and the direction of the fourth installment has now clearly been set.
OVERVIEW/ANALYSIS: I will present a rough outline of the set-up - there is more in the above reviews - and of course the following has inevitable spoilers for the previous two books, though as I would say that a major part of the series' attraction is its execution - style, characters, world building - these spoilers are not that important in detracting from a new reader's enjoyment.
In the far future, humanity is split into two parts by the structure of space time, as ftl is possible only through special "hyperspace tubes" where somewhat different physical laws hold - eg the speed of light is still the supreme such but it is much higher than our c - while being still close enough to allow human ships to go. The originally settled core including the now downtrodden Earth is called The Commonwealth of Central Worlds and is dominated by a dictatorship of "Those of the Names", humans (?) with special powers and of sinister reputation, while their secret police, the "Shadows" enforce their rule.
However most of the action so far took place in the former "wild", across a huge gulf of space with few and narrow such hyper-tubes connecting it with the "core", where undesirables thrown in exile a long time ago fashioned various civilizations, most notable being the United League of the Periphery with its Celtic overtones I have been mentioning and with the "Hounds" being the analogue and of course sworn enemies of the Shadows.
The long cold war between the two civilizations has been disrupted once by an alien artifact called "The January Dancer", while some two decades later, Donovan, a strange older man with multiple personalities and a shadowy history, agent of both the Commonwealth and the League in turns and main participant in the "Dancer" resolution, discovered that the past contained even more surprises than he expected and was compelled by one such "surprise", the young "Harper" Lucia Thompson aka Mearana to go finding her missing mother, famous hound, Francine Thompson aka Bridget ban...
In the current novel, it is Donovan, expected for a family rendezvous with Mearana and Bridget, who is missing and the book starts dramatically with Shadow Ravn Olafsdottr once tasked with Donovan's elimination at the first sign of disloyalty towards "Those of the Names" who turns fearlessly in her enemy's lair to discuss Donovan's fate with his daughter and former lover...
So two threads, one taking place in a short period of time and going forward where Ravn is cautiously listened to by Mearana, Bridget and her ready to shoot on sight minions, and the other that has already taken place and involves Donovan and his unintended return to Commonwealth space where civil war is brewing and some of the rebel Shadows seem to need him for their reasons.
A structure not unlike the one in The January Dancer with the tale sung by Mearana to Donovan decades later in a bar on an obscure planet, with the girl trying to coax the unknown details from her newly found father and like there it works beautifully as the tension heightens page by page, though this time we end on a semi-cliffhanger in both threads that of course prepare to converge...
As in "Up Jim River", Donovan and his multiple split personalities is the star of the novel, while this time Ravn is his "sidekick" - ok part captor, part friend - rather than Mearana, while here the girl and her mother are more of bystanders, though they both exude strong emotions as Ravn keeps narrating and Donovan's fate seems to be sealed.. Or is it?
Prepare to be surprised as twists and turns abound when the action moves into the "Those of the Names" space and a lot of past mysteries and revelations appear taking this series to the next level. The same archaic prose style works wonderfully here - no more silly accents and no more exoticisms that conflict with it either - and "In the Lion's Mouth" (top 25 novel of mine) shows Mr. Flynn on top of his form, while the next installment moved back to my "highly expected, get and read asap" list.
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