- A Dribble Of Ink
- A Fantasy Reader
- Adventures In Reading
- Bastard Books
- Beauty In Ruins
- Bibliophile Stalker
- Big Dumb Object
- Bitten By Books
- Boing Boing
- Book Country
- Bookworm Blues
- Caleigh's Blog
- Charlotte's Library
- Cheryl's Mewsings
- Civilian Reader
- Compulsion Reads
- Critical Mass
- Curated Fantasy Books
- Dark Wolf's Fantasy Reviews
- Dreams & Speculation
- Drying Ink
- Edi's Book Lighthouse
- Everything is Nice
- Falcata Times
- Fantasy & SciFi Lovin' News & Reviews
- Fantasy Book News
- Fantasy Cafe
- Fantasy Literature
- Far Beyond Reality
- Feminist SF
- Free SF Reader
- Gav Reads
- Genre Reader
- Graeme's SFF
- Grasping For The Wind
- Greg Hamerton
- Grimdark Reader
- Hero Complex
- Horror Reanimated
- Jeff VanderMeer
- King of the Nerds
- Layers of Thought
- Mithril Wisdom
- My Favourite Books
- Myrmidon Books
- Mysterious Outposts
- Neth Space
- Only The Best Science Fiction & Fantasy
- Pat's Fantasy Hotlist
- Reading The Leaves
- Realms of Speculative Fiction
- Rob's Blog O' Stuff
- Sci Fi Songs
- Smorgasbord Fantasia
- Speculative Book Review
- Speculative Fiction Junkie
- Staffer's Book Review
- Stainless Steel Droppings
- Stomping On Yeti
- Tez Says
- The Agony Column
- The Antick Musings of G.B.H. Hornswoggler, Gent.
- The Book Smugglers
- The Broken Bullhorn
- The Fantasy Bookshelf
- The Green Man Review
- The Mad Hatter's Bookshelf & Book Review
- The Night Bazaar
- The Nocturnal Library
- The OF Blog
- The Overlook Press
- The Ranting Dragon
- The Speculative Scotsman
- The Stamp (of Approval)
- The Vinciolo Journal
- The Wertzone
- The World in the Satin Blog
- Val's Random Comments
- Variety SF
- Vast and Cool and Unsympathetic
- Voyager Books
- Walker of Worlds
- When Gravity Fails
- Zeno Agency
- ► 2014 (127)
- Three Recent SFF Books of Interest, Steven Amsterd...
- "Quintessence" by David Walton (Reviewed by Liviu ...
- No Return by Zachary Jernigan (Reviewed by Mihir W...
- “River of Stars” by Guy Gavriel Kay (Reviewed by C...
- GUEST POST: Word of Mouth: Or Just Let Me Be Read ...
- “The Raven Boys” by Maggie Stiefvater (Reviewed by...
- “Etiquette & Espionage” by Gail Carriger (Reviewed...
- “Cloud Atlas” by David Mitchell (Book/Movie Review...
- Winner of the “River of Stars” Giveaway!!!
- "Shadow of Freedom" by David Weber (Reviewed by Li...
- GUEST POST: Writing Wuxia As Chinese Historical Fa...
- NEWS: Ilona Andrews' New Series, Michael J Sulliva...
- "Where Tigers Are at Home" by Jean-Marie Blas de R...
- “Impulse” by Steven Gould (Reviewed by Casey Blair...
- “Scarlet” by Marissa Meyer (Reviewed by Lydia Robe...
- “The Indigo Spell” by Richelle Mead (Reviewed by C...
- GUEST POST: The Legend of Vanx Malic & Other News ...
- The Grim Company by Luke Scull (Reviewed by Mihir ...
- WORLDWIDE GIVEAWAY: Win a SIGNED HARDCOVER COPY of...
- GUEST POST: The Debut Novel: A Series of Intention...
- "On the Edge" by Markus Werner (Reviewed by Liviu ...
- NEWS: Ides Of March Giveaway, Gord Rollo's The Jig...
- “Written In Red” by Anne Bishop (Reviewed by Casey...
- ▼ March (23)
- ► 2012 (287)
- ► 2011 (317)
- ► 2010 (346)
- ► 2009 (466)
- ► 2008 (376)
Tuesday, March 19, 2013
Read An Excerpt HERE
Read Liviu Suciu’s Review of “Cloud Atlas”
Watch the Movie Trailer HERE
AUTHOR/DIRECTOR INFORMATION: David Mitchell is an English novelist born in January 1969 and has lived in Japan—you can really feel the Asian influence in his writing. He has written five novels including Cloud Atlas, which was shortlisted for the 2004 Booker Prize, Nebula Award, Arthur C. Clarke Award, and other awards. His latest novel, The Thousand Autumns of Jacob de Zoet, was published in 2010.
Tom Tykwer is a director, writer, producer and composer born in Germany in 1965. His filmography includes Run Lola Run, Perfume: The Story of a Murderer, and The International.
Lana & Andy Wachowski were born in Chicago in the 1960s and are best known for writing/directing The Matrix Trilogy. Other works include V For Vendetta, Speed Racer and Ninja Assassin.
FORMAT/INFO: Cloud Atlas the novel was first published in 2004 by Hodder & Stoughton in the UK and by Random House in North America and is currently available in Paperback, Hardcover and eBook.
The film adaptation of Cloud Atlas was released in North America on October 26, 2012 and in the UK on February 26, 2013. The film is 172 minutes long and stars Tom Hanks, Halle Berry, Jim Broadbent, Hugo Weaving, Jim Sturgess, Susan Sarandon, Hugh Grant, et cetera.
OFFICIAL PLOT SYNOPSIS: A reluctant voyager crossing the Pacific in 1850; a disinherited composer blagging a precarious livelihood in between-the-wars Belgium; a high-minded journalist in Governor Reagan’s California; a vanity publisher fleeing his gangland creditors; a genetically modified dinery server on death-row; and Zachry, a young Pacific Islander witnessing the nightfall of science and civilization—the narrators of Cloud Atlas hear each others’ echoes down the corridor of history, and their destinies are changed in ways great and small…
INTRODUCTION: When I learned that David Mitchell’s Cloud Atlas was going to be adapted into a movie, I was intrigued. Could this subtle, complicated story really be translated into a film successfully? The book definitely had potential for a screen adaptation, but would the fragile link between the different parts survive? Would it be possible to condense so many time periods, characters and stories in just two to three hours? It was a major challenge, and just for making the attempt, I really admire Lana & Andy Wachowski and Tom Tykwer, but what did I think of the movie? Find out below as I review Cloud Atlas as both a novel and a movie.
ANALYSIS (Cloud Atlas—The Novel): Cloud Atlas is certainly one of a kind to say the least, and it is definitely “intense”, which is how my friend who recommended the book to me described it as. The six stories composing the novel are beautifully and intricately linked together, while Cloud Atlas asks two critical questions that is a wonderful reflection about humanity: Where might our hunt for more—more power, more materialistic comfort, etc.—might drive us to, and whether humans are reborn again and somehow linked to their past and future self? Yet Cloud Atlas is not a piece of Marxism or an esoteric essay, and only two of the six stories possessed SFF elements, and it is from these very characteristics that David Mitchell’s novel takes its strength from.
NOTE: Click HERE to read Liviu’s more comprehensive review of Cloud Atlas and its six individual stories.
ANALYSIS (Cloud Atlas—The Film Adaptation): In Cloud Atlas the movie, the directors decided not to keep the (relatively) linear construction of the book which separates each story into two parts but Zachry’s. Instead, the six stories are fragmented and run simultaneously to one another. This can be confusing for those who haven’t read the novel and do not understand who the characters are. Despite this, I think that overall the movie is really good: good acting and good pacing, especially once you get used to the alternating stories. In general, I find that the necessary (but painful for fans of the novel) cuts are for the most part justified or understandable, including the suppression of minor characters such as Arys’ daughter in Robert Frobisher’s story for instance.
Yet I felt the book’s message had been slightly distorted in the movie. This is partly due of course to the nature of movies itself—showing instead of telling—but this still disturbed me a bit. For example, I felt the romantic elements in each story were given too much importance compared to the part they played in the book. This is classic Hollywood, fair enough, but it seems to me that this focus on love only confuses the meaning of the original story: instead of six characters linked together somehow, the movie became the story of two lovers finding each other again and again (which was a possible interpretation of the book, but not the main one…again in my view!). All this while, the link between the individual stories—how each character heard about their most recent alias—practically disappears, which was such an important part of the novel’s construction.
Also, there is the fact that the same actors play more than one character in the film. There is no indication whatsoever of such resemblance in the book, except for the comet birthmark, and in my opinion this made the film more confusing than anything for someone who has yet to read the novel.
CONCLUSION: I completely agree with Liviu when he said that “Cloud Atlas is considerably more than the sum of its parts and a novel that deserves all the acclaim it got.” The film adaptation of Cloud Atlas has been well received as well—it has been nominated and won several awards so far—and certainly serves justice to the novel in many ways (the beautiful sceneries for instance, especially in Sonmi’s story) and is a worthy complement to the book, even if it allows less place for imagination, but the movie doesn’t possess the subtlety of the novel and guides (too much in my sense) the viewer on how to interpret the whole story. In short, Cloud Atlas is a good film adaptation, but between the novel and the movie, I prefer the book version of Cloud Atlas...
12:00 AM | Posted by Robert | | Edit Post