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Blog Archive
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▼
2012
(284)
-
▼
May
(21)
- "Princeps" by L.E. Modesitt (Reviewed by Liviu Suciu)
- Interview with Joseph Robert Lewis (Interviewed by...
- Guest Post: Dragoneers Saga Answers from my Twitte...
- The Dark Knight Rises Fan Art (By Mihir Wanchoo)
- "Metropolitan" and "City on Fire" by Walter Jon Wi...
- Blood Of The Underworld by David Dalglish (Reviewe...
- "More Detail on Three Upcoming Novels of the Highe...
- "No Going Back" by Mark Van Name (Reviewed by Livi...
- WORLDWIDE GIVEAWAY: Win an Omnibus Edition of Davi...
- The King's Blood by Daniel Abraham (Reviewed by Li...
- Dragon Poems for Smiletrain: An Anthology For Char...
- GUEST POST: Sequels And Satisfying Endings by Davi...
- "Child of all Nations" by Irmgard Keun (Reviewed b...
- Masterpiece of SF: "Brain Child" by George Turner ...
- "Lehrter Station (John Russell #5)" by David Downi...
- "Last Will" by Bryn Greenwood (Reviewed by Liviu S...
- The Written by Ben Galley (Reviewed by Mihir Wanchoo)
- "The Black Opera" by Mary Gentle (Reviewed by Livi...
- Shadow On The Wall by Pavarti K. Tyler (Reviewed b...
- Demon Squad: Echoes Of The Past by Tim Marquitz (R...
- The Junkie Quatrain by Peter Clines (Reviewed by M...
-
▼
May
(21)
OVERVIEW/ANALYSIS Mark Van Name's debut "One Jump Ahead" introduced Jon Moore mercenary
ex-soldier and a man of many secrets that are so dangerous that he
must live alone and make no attachments, and partner Lobo,
personal AI warship (PCAV) mooning as park statue/exhibition on an
obscure world, an AI ship of many secrets of its own, secrets that would not do
for anyone to know either.
"No Going Back" is the 5th Jon and Lobo
adventure and it came two years after the previous installment rather than at the
one year schedule of the first 4. The novel returned to the more classic
adventure feel of the first three books and while the darker and weightier
Children No More was very good, I think the original tone works better
especially now that the author has it down pitch perfect.
What makes No Going Back stand out is precisely what the title literally means, namely that from now on it is no going back to the older days as the series finds here focus and a narrative pillar. The super-competent hero with extraordinary powers trope revived so well in this series gets one more dimension, a clear goal and I am really interested to see how the author handles it.
What makes No Going Back stand out is precisely what the title literally means, namely that from now on it is no going back to the older days as the series finds here focus and a narrative pillar. The super-competent hero with extraordinary powers trope revived so well in this series gets one more dimension, a clear goal and I am really interested to see how the author handles it.
Of course Jon and Lobo
are such great characters as the first person narration of which Lobo gets a
little share here in this book, has worked so well to have established and any new series installment is still a huge asap, get the e-arc on the spot
and read it immediately notwithstanding how many other books I have in
the queue.
As style goes, the novel is a gripping read from the first pages when Jon is in the process of trying to crash a party of rich old pedophiles - party where 10 children are auctioned off - on an obscure planet with great natural beauty but harsh physical characteristics. In the link above you can read the first 15 chapters on Baen's site and see how smooth everything goes.
As style goes, the novel is a gripping read from the first pages when Jon is in the process of trying to crash a party of rich old pedophiles - party where 10 children are auctioned off - on an obscure planet with great natural beauty but harsh physical characteristics. In the link above you can read the first 15 chapters on Baen's site and see how smooth everything goes.
The structure of No Going Back is a bit different from its predecessors, with chapters numbered
"x days from the end" mixed with the 100+ year old backstory that
continues Jon's memories from long ago, now from the time in his
youth immediately after escaping the hell of his native - now quarantined - planet when he was not understanding his powers and trying to get the time needed to do so, while Lobo's
interludes offer more insight into the AI's special human-like personality, the why's of which having been set-up in "Overthrowing Heaven".
No
Going Back functions well as a standalone as all earlier books' story lines
are recounted briefly here and there, while the salient facts about Jon
and Lobo are also gone through, so you can start delving in the saga
here, though from the way things end, I suspect the next volumes will
become much more tightly connected in both plot and secondary characters.
As my usual, positional rankings go, this series is in my top tier, get/read asap any installment, while No Going Back is probably the best executed to date, though Children No More was "more serious". The clear series focus established here should only add to the pluses in the future when new Jon and Lobo adventures will appear.
Overall No Going Back still remains a pretty classical space adventure sf novel with modern style and sensibilities and with the the generally expected stuff implied by such, very well done but nothing previously not seen and it is one of my highly recommended novels of 2012.
As my usual, positional rankings go, this series is in my top tier, get/read asap any installment, while No Going Back is probably the best executed to date, though Children No More was "more serious". The clear series focus established here should only add to the pluses in the future when new Jon and Lobo adventures will appear.
Overall No Going Back still remains a pretty classical space adventure sf novel with modern style and sensibilities and with the the generally expected stuff implied by such, very well done but nothing previously not seen and it is one of my highly recommended novels of 2012.
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