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Blog Archive
-
▼
2013
(259)
-
▼
February
(20)
- “A Memory of Light” by Robert Jordan & Brandon San...
- “Seraphina” by Rachel Hartman (Reviewed by Casey B...
- GUEST POST: Ten Reasons Why We Love The Fantasy Ge...
- “Cinder” by Marissa Meyer (Reviewed by Lydia Roberts)
- How To Lead A Life Of Crime by Kirsten Miller (Rev...
- “A Natural History of Dragons: A Memoir by Lady Tr...
- GUEST POST: The Reality Of Historical Fantasy by A...
- “Days of Blood and Starlight” by Laini Taylor (Rev...
- Ghostman by Roger Hobbs (Reviewed by Mihir Wanchoo)
- NEW SERIES ANNOUNCEMENTS: David Dalglish, Jon Spru...
- GIVEAWAY: Win an ADVANCE READING COPY of Guy Gavri...
- Introducing Fantasy Book Critic’s Newest Reviewers...
- The Burn Zone by James K. Decker (Reviewed by Mihi...
- GUEST POST: The Genesis of Edar Moncrief by Christ...
- The Daylight War by Peter V. Brett (Reviewed by Mi...
- Three Mini Reviews: The Woodcutter, Capitol Murder...
- GUEST POST: Friend And Foe by James K. Decker
- Crown Of Ash by Steven Montano (Reviewed by Mihir ...
- "Sapphique" by Catherine Fisher (Reviewed by Cindy...
- GUEST POST: The Route To Golgotha by R. S. Belcher
-
▼
February
(20)
Order
“Seraphina” HERE
Watch
the Book Trailer HERE
After
reading Marie Brennan’s A Natural History of Dragons (Reviewed HERE), I wanted to revisit Rachel Hartman's debut Seraphina, a YA fantasy that broke some
new ground with dragons when it was released in July 2012. You can read more
about Rachel Hartman on her website
here: http://rachelhartmanbooks.com/. Those of us who
love fantasy have all read various depictions of dragons, but, like with other
fantastical races (when was the last time you read a really innovative elf or
werewolf?) I was starting to feel like no one was really innovating with
dragons. Then I read Seraphina and
got excited about dragons all over again.
Hartman’s world-building
doesn’t go into excessive detail, but you still get a sense of a well fleshed-out
world, like the foreign dance accorded politeness due to its long history but is
still considered scandalous, the individual patron saints, and the excerpts of
song lyrics—enough to imply centuries of history, struggles, and unique culture
without bogging down the story. Hartman
also pays attention to the physiological elements of language and doesn't
neglect technological innovations in her fantasy setting.
Dragons
and shape-shifting have been done before, but the inner landscape of Seraphina’s mind was fascinating and
innovative (I mean “landscape” somewhat literally, but I don’t want to spoil
it). Characters’ unique magical talents surprised me every time. I did see the romance coming, but I loved
reading its development. I could quibble about how easily Seraphina, the court musician’s new apprentice, becomes a trusted
confidante of two royals, but I think the story made it work.
Seraphina is half-dragon,
inheriting a combination of utter rationality from her dragon side and inspired
recklessness from her human side. I felt Seraphina’s
passion for music, and I understood her skill without the character making an
issue of it. I loved the discussion of the difference between technically
perfect music and music that moves
people.
I've
read some commentary and critique on Hartman's
treatment of being biracial, most recently by Aliette de Boadard HERE and Laura Vivanco's response to her HERE. I would say if you're
reading the story only for that reason, you might be disappointed. Hartman's handle of race issues can be
argued effectively both ways; all I can say definitively is that during my
reading I didn't have any problems with it.
All
the characters in Seraphina, not just
the half-dragon ones, struggle to
balance emotion and rationality. They deal with unintended extreme consequences
of good intentions, how people react to deep-seated fear, and the slippery
slope of truth and lies, all with surprising bursts of humor. Seraphina doesn’t take herself too
seriously—but when she does, the story cuts through her self-pity with sharp
insight.
I
was riveted from the first page. I'm not sure when the sequel, tentatively
titled Dracomachia, is due out, but
as far as I'm concerned it can't be soon enough. If you want to try a sample of
the world and characters, check out Rachel
Hartman’s free prequel short story, “The Audition,” on scribd HERE.
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1 comments:
Seraphina's world was quite unique & fascinating for me as a reader. For me, the depiction of the dragons was the most unusual in literature since entering the world of Jo Walton's Tooth & Claw (a dragon laden social satire of Victorian society) (not that there's anything wrong w/books w/fire breathing reptilian flying cats).
Besides the social-political commentary on inequality & class system, not unlike Bachmann's The Peculiar & Walton's T&C, one of the most successful aspects of the novel are the perspectives of the various types of dragons & dragon shape-shifters.
I don't know if you are familiar with Autism Spectrum Disorders & Asperger's Syndrome, but if you are, you probably noticed a strong correlation between the
dragons' perspectives & those of Aspies' experiences. . Hartman did an excellent job on describing the dragons' struggle of being physically & socially different (but at the same time have a sense of superiority over neuro typical, err, non dragons).
If you aren't familiar w/Asperger's Syndrome, go online & search for the description of it & Sensory Processing Disorder as well. Then, go back & read Seraphina & find the correlation of those conditions & the dragons' experiences. I would love to read your perspective on this topic.
Thank you for your thoughtful review.