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Blog Archive
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▼
2013
(259)
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▼
May
(30)
- GIVEAWAY: Win a SET of Ian C. Esslemont’s Malazan ...
- BLOG TOUR: Guest Post by Ian C. Esslemont & Excerp...
- "Altai" by Wu Ming (Reviewed by Liviu Suciu)
- GUEST POST: Welcome To The Daughter Star by Susan ...
- “Siege and Storm” by Leigh Bardugo (Reviewed by Ca...
- “Shadow and Bone” by Leigh Bardugo (Reviewed by Ca...
- "Caesarion" by Tommy Wieringa (Reviewed by Liviu S...
- News: Sarah Ash's previous books get relaunched!!!
- "Antiagon Fire and Imager's Battalion" by L.E. Mod...
- The Heresy Within by Rob J. Hayes (reviewed by Mih...
- "Libromancer: Book 1 Magic Ex Libris" by Jim C. Hi...
- Guest Post: The Truth Behind a Legend by D.E.M. Emrys
- "Adam Robots" by Adam Roberts (with comments by Li...
- “The Cats of Tanglewood Forest” by Charles de Lint...
- “Unclean Spirits: Gods and Monsters” by Chuck Wend...
- “Rogue Descendant” by Jenna Black (Reviewed by Cas...
- "Incarnation" by Emma Cornwall (Reviewed by Cindy ...
- "The Tyrant's Law" by Daniel Abraham (Reviewed by ...
- GUEST POST: Stepping Off the Map of the World by C...
- "The Five Acts of Diego Leon" by Alex Espinoza (Re...
- Mini-Reviews: Demon Squad: Beyond The Veil by Tim...
- “The Rithmatist” by Brandon Sanderson (Reviewed by...
- "Fire with Fire" by Charles Gannon (Reviewed by Li...
- The Mahabharata: A Recollection and Q&A With Max G...
- “Silence” by Michelle Sagara (Reviewed by Casey Bl...
- Guest Post: A Notice To Damnation Books by Tim Mar...
- "House of Steel: The Honorverse Companion I" by Da...
- Mini Q&A with Sean Benham and worldwide giveaway o...
- "Dark Eden" by Chris Beckett wins the Clarke and "...
- Necessary Evil by Ian Tregillis (Reviewed by Mihir...
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▼
May
(30)
Thursday, May 2, 2013
"Dark Eden" by Chris Beckett wins the Clarke and "Aethernet 2" containing the serialialized version of its sequel "Gela's Ring" is out (with comments by Liviu Suciu)
Excellent news yesterday as my favorite from the 2013 Clarke Award shortlist won; this of course makes it two in a row as my favorite on the BSFA award, Jack Glass by Adam Roberts, won too. Now if Lois Bujold would win the Hugo for Captain's Vorpatril Alliance, that would make it 3 for the year...
Dark Eden improved quite a lot for me with time and re-reading as I started really appreciating the style of the author and outside of the review linked above you can find a few more comments about it and more of Chris Beckett's work HERE.
Here is the shortlist with a few comments:
- Nod, Adrian Barnes (Bluemoose)
- Angelmaker, Nick Harkaway (William Heinemann)
- The Dog Stars, Peter Heller (Headline)
- Intrusion, Ken MacLeod (Orbit)
- 2312, Kim Stanley Robinson (Orbit)
- Dark Eden, Chris Beckett (Corvus)
Heavy in post apocalyptic and near future which are sub-genres of sf I am staying mostly away from today as there is only so much one can read about postpocalyptic and not start being meh, not again, while near-future generally involves gross oversimplifications - mostly on ideological grounds - and that bores me to no end.
This being said I browsed The Dog Stars: good prose but nothing really of interest, Angelmaker: another London with supernatural and I am really getting tired of that, plus life is too short to read Nick Harkaway's logorrhea unless it is really original like in his wonderful debut and not a rehash like here, and Intrusion: loved almost all of Ken McLeod's novels including the fun The Restoration Game but this one is ideological self-serious stuff that I have no interest in as it is as relevant as any transient political commentary and again life is too short for such.
I also forced myself to finish - in the sense of turning each page and scanning the contents - 2312, which was ambitious true, but boring, without any sense of atmosphere and with scenes straight out the old masterpiece theater series where characters are supposed to be in interesting places/situations but all you see is an empty scene with them talking and noise in the background and to top it all said characters being quite unrealistic (100+ years old behaving like current teens...). Lastly, no chance to browse Nod yet, but again no real interest as mentioned.
So almost by default - though again today I have a high regard for it and regardless of my tastes I think it is the best novel of the six as it combines great style and pretty good sf - Dark Eden was the favorite for me and it won!
*****************************************************************
Here is the original post introducing Aethernet and having a short review of the contents of issue 1.
May 1st yesterday and punctually Aethernet 2 showed up in my
inbox and I read it the moment I had a little time; outstanding issue
getting going with 5 of the serialized novels discussed in the post above and starting a 6th; if
the first showed promise this started delivering big time and I really
want issue 3...
Gela's Ring is still the heavy piece - and now considering how Dark Eden won the Clarke and this is its sequel a few generations later and dealing with the fallout of the events in that book, I expect even a higher profile - but the new novel by T. Ballantyne, Cosmopolitan Predators - wacky space opera on a weird libertarian habitat so far with an excerpt HERE that should hook you on the spot - was just as good and intense in a very different way.
The Tchaikovsky installment started moving well and going beyond the light parody of classic sword and sorcery from issue 1, while the McKenna and the Palmer ones were very good, one suitably tense, the other suitably darkly funny; the UF London stuff from Ian Whates is still ok and acceptable in small chunks despite my general dislike of such and overall a superb issue that made Aethernet a true must read.
Gela's Ring is still the heavy piece - and now considering how Dark Eden won the Clarke and this is its sequel a few generations later and dealing with the fallout of the events in that book, I expect even a higher profile - but the new novel by T. Ballantyne, Cosmopolitan Predators - wacky space opera on a weird libertarian habitat so far with an excerpt HERE that should hook you on the spot - was just as good and intense in a very different way.
The Tchaikovsky installment started moving well and going beyond the light parody of classic sword and sorcery from issue 1, while the McKenna and the Palmer ones were very good, one suitably tense, the other suitably darkly funny; the UF London stuff from Ian Whates is still ok and acceptable in small chunks despite my general dislike of such and overall a superb issue that made Aethernet a true must read.
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