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Blog Archive
-
▼
2014
(156)
-
▼
February
(19)
- "Heart of Veridon" by Tim Akers (Reviewed by Liviu...
- The Enchanted by Rene Denfeld (Reviewed by Will By...
- "Traitor's Blade" by Sebastien de Castell (Reviewe...
- Honor's Knight by Rachel Bach (Reviewed by Mihir W...
- GUESTPOST: Pride and Prejudice, War, and Dragons b...
- Inferno by Dan Brown (Reviewed by Will Byrnes)
- “Cruel Beauty” by Rosamund Hodge (Reviewed by Case...
- "The Fell Sword" by Miles (Christian) Cameron (Rev...
- “Touch” by Michelle Sagara (Reviewed by Casey Blair)
- The Ocean At The End Of The Lane by Neil Gaiman (R...
- GUESTPOST: What Rivers Flow Into A Darkling Sea? b...
- “The Emperor’s Blades” by Brian Staveley (Reviewed...
- "Moon's Artifice" by Tom Lloyd (Reviewed by Liviu ...
- GUESTPOST: Cost And Consequence In The Creation Of...
- Doctor Sleep by Stephen King (Reviewed by Will Byr...
- "Doll Bones" by Holly Black (Reviewed by Cindy Han...
- Shadow Ops: Breach Zone by Myke Cole (Reviewed by ...
- GIVEAWAY: The Shadow Ops series by Myke Cole
- Four Series Books from 2014: David Weber/Eric Flin...
-
▼
February
(19)
Read An Excerpt HERE
Brian Staveley debuted with The Emperor's Blades, beginning the powerful epic fantasy series Chronicle of the Unhewn Throne.
The Emperor's Blades is jammed full of sheer coolness:
we have inter-dimensional teleportation, victimized sorcerers, an adaptation of
Buddhism that is literally guarding the world, a seriously creepy interpretation
of elves, assassin squads on birds… the combination is explosive. And on top of
that, the author doesn't shy away from dealing with issues of race, gender,
sexuality, and especially class.
Also, let me just say that while I'm
often suspicious of prologues in epic fantasies, this is a book that executes
it perfectly: it is creepy and poignant in the best way. It doesn't become
evident until later just how perfectly the prologue sets the stage for the rest
of the novel.
There are three POV characters,
and my favorite part about each of them is their utter practicality. On one
hand, they're all royal children. On the other, they've each spent their lives
taking orders and dealing with constraints that have nothing and everything to
do with their birth. They're born as princes and princesses and raised to
understand that with those positions comes a lot of hassle, expectations, and
complications. None of them whine or waste time brooding: they work, and they
work hard. This book wasn't so much Adare's
story, so I hope we get more of her in the next installment.
I have to say I would have
preferred a little more competency from Valyn.
For someone who's supposed to have been training for years as a team leader, he
has problems with both executive decisions and understanding teamwork. Adare, too, is supposed to be highly
schooled in the intricacies of politics, but in every scene we see she's never
learned to control her impulses when speaking in public. The
safety of the Empire rests with Kaden,
yet the monks tasked with his education have taken years to notice how little
he's truly understood.
That last, though, got really interesting
very quickly. Kaden fails a lot in
his training, but it's because he's thinking too much and actively trying. I
can get behind a character who is active and thinking, even if that means he's
not accomplishing what he's meant to.
There were, however, some holes
in logic. No one in the book seems to be familiar with the concept of “circumstantial
evidence.” Seriously, no one, in any of the POVs. And more than once, a
character claimed not to have had a single opportunity to have a conversation
about a crucial plot point, which I had difficulty buying.
Stylistically, I know this is a
matter of preference as there are a lot of readers that live for the sort of
detail Brian Staveley provides, but for
me there was a little too much in the way of exposition. He did thoroughly
address unfamiliar concepts, though: for instance, distinguishing vaniante from the familiar concept of
enlightenment was hugely helpful.
And Staveley does do some really fascinating world-building (I will give
a pass on the quantity of stew). Not just in terms of cultures and landscapes,
either (but it must be said I am SO PLEASED with settings in this book that go
beyond the vaguely medieval European derivatives): he's going deeper into the
natural world and how it works. I loved the kettral (giant birds that a force
of assassins then flies into battle on) and assorted terrifying creatures that
I won't spoil for you. He clearly knows a lot of the background of this world,
which helps it feel fleshed-out, like it has a history before this story begins.
So, I had some nit-picks about quantity of
exposition and suspension of disbelief holes, but the story itself? I couldn't
put it down, and I'm confident that The
Providence of Fire will be even more epic.
NOTE: The Emperor’s Blade was
published in North America on January
14, 2014 via Tor Books
with cover art provided by Richard
Anderson. The UK version (see above) was published on January 16, 2014 via Tor UK.
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1 comments:
I couldn't agree more with this review. I found the exact same flames to be frustrating but still ended up rating the book a 4 on GR simply because the author was able to overcome the shortcomings of the novel with the positives you pointed out. Awesome review.