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Visit Carol Goodman's Website Here
OVERVIEW: The day Japan bombs Pearl Harbor, four
thirteen-year-olds converge at the Metropolitan Museum of Art where an
eccentric curator is seeking four uncommonly brave souls to track down the
hidden pages of the Kelmsbury Manuscript, an ancient book of Arthurian legends
that lies scattered within the museum's collection, and that holds the key to
preventing a second attack on American soil.
When Madge, Joe, Kiku, and Walt agree to help, they have no idea that the Kelmsbury is already working its magic on them. But they begin to develop extraordinary powers and experience the feelings of King Arthur, Queen Guinevere, Morgan le Fay, and Lancelot: courage, friendship, love...and betrayal. Are they playing out a legend that's already been lived, over and over, across the ages? Or can the Metropolitans forge their own story?"
When Madge, Joe, Kiku, and Walt agree to help, they have no idea that the Kelmsbury is already working its magic on them. But they begin to develop extraordinary powers and experience the feelings of King Arthur, Queen Guinevere, Morgan le Fay, and Lancelot: courage, friendship, love...and betrayal. Are they playing out a legend that's already been lived, over and over, across the ages? Or can the Metropolitans forge their own story?"
FORMAT: The Metropolitans is a standalone
children's novel. It is a blend of historical fiction, mystery and fantasy. It
stands at 368 pages and was
published March 14, 2017 by Viking
Books for Young Readers.
ANALYSIS: I have
always enjoyed middle school/children's mystery/puzzle/adventure novels. When I
saw The Metropolitans was being compared to The
Mixed Up Files of Basil E. Frankweiler with a National Treasure twist, I
was super excited. Unfortunately, the book had a few too many unbelievable
parts to it that I was unable to really enjoy the novel.
Essentially, The Metropolitans tells the story of
4 13-year old children during World War II who through some twist of fate end
up together and working towards a common goal. That goal is to help divert a
potential Nazi attack on New York City. The only way to prevent the attack is
to run around the Metropolitan Museum of Art finding pages from a mysterious
manuscript that will help them decode a message from a known enemy spy.
While working to prevent the attack, the children start
developing these weird powers that seem like they are straight out of Arthurian
legend. Throughout the story, the children learn more about their powers while
exploring some of the pressing issues of the time (such as Japanese internment
camps, mistreatment of Native Americans, homeless in the city, and the loss of
family due to death).
On the outside, it looks like this novel might turn out to
be something wonderful and even fun to read. There were just too many
distracting aspects of the novel that really prevented this novel from being
all that it could be.
The first distracting aspect of The Metropolitans was
the overuse of 1940s slang by one character. I fully understand that times
change and terms that are used in the 40s, such as malarkey, hunky dory, swell)
would seem awkward today, but this just seemed forced. Only one character in
the entire book used this slang language and each and every time she spoke she
used it. I found it difficult to believe that these terms would be so widely
used that they would be used by one character every time she opened her mouth,
yet not one of the other characters ever uttered these time-specific terms.
Another distracting aspect was the instant friendship
between the four main characters. In a children's novel I understand there
isn't a whole lot of time to devote to developing friendships, but this novel
took quick friendships to the extreme. Literally, within a matter of an hour or
two, all the characters went from complete strangers who had never seen each
other, never interacted and they became best friends forever.
The main characters practically could not live without the
thought that they wouldn't be friends. This was only after 4 hours of knowing
each other. They instantly took each other in to their houses, vowed to remain
friends forever, and do whatever they could to help each other. It was just
unbelievable.
Of course, it could be argued that their instant friendship
was because they were the legends of Arthur reincarnated into the 40s. But
their instant friendship happened before this occurred, wasn't really touched
upon as odd, and was just left out there for readers to accept.
Lastly, the other main issue I had was the grab bag of
diversity, as I would call it. The four main characters include a
Japanese-American girl who is facing discrimination because of the bombing of
Pearl Harbor and forced to deal with the hatred and issues that came up during
the 40s, a Native American boy who was taken from his family and not allowed to
really embrace his culture, a Jewish boy from Germany who ran from Hitler leaving
his family behind and saw people die in the streets, and an Irish-American girl
who lost her mother to illness and was forced to move in with her aunt while
her brothers were sent to an orphanage because her dad had some mental
breakdown and decided to be homeless.
I am all for diversity in novels especially children's
novel. This, however, seemed extreme and unbelievable. The fact that every
individual from every culture was magically represented seemed a bit too far-fetched
for me to believe. Throw in the fact that conveniently each character had some catastrophic
past that neatly addressed the issues of that time period and it took it to the
completely unbelievable zone.
The overreach with diversity and issues served as a major
drawback. There was so much going on and so many issues the author tried to
cover that I don't feel any issue, from the horrors people saw in Germany to
the hatred of anyone who looked Japanese just because of what happened with
Pearl Harbor, was properly covered. It
all seemed glossed over.
There were other issues with The Metropolitans that
really took away from the novel, but they weren't as big of an issue for me as
the three I explored above. Other issues included the rather clunky transition
and use of Arthurian legend (it seemed forced and a bit difficult to understand
exactly what happened as the novel was a mystery and then all of a sudden there
are super powers and its fantasy), the lack of care or concern most adults
showed in the novel, the fact 13 year olds just ran around the city hailing
cabs and running all over the place during a national crisis, the 'seeing the
light' moment that caused one character's father to stop drinking and living on
the streets and become responsible, and the overuse of the ring-a-levio phrase
that seemed to appear 3 to 5 times every chapter.
I will say that I did enjoy the setting. It was fun to
explore the Metropolitan Museum of Art and hear about some of its exhibits.
Overall, I believe that The Metropolitans easily blends in
with almost any other children's novel out there. It doesn't stand out in any
way, shape or form, and has far too many unbelievable moments and
underdeveloped plot points to make it an outstanding novel. That doesn't mean
it won't be for you, but if you are looking for a book that will 'wow' you or
really give the Arthurian legends a new spin, this probably won't help you.
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