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2021
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July
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- SPFBO: The Fourth Depletion & Semifinalist Update ...
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- THE JASMINE THRONE by Tasha Suri - Review
- Project Hail Mary by Andrew Weir
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- The Dying Squad by Adam Simcox review
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- A Psalm for the Wild-Built by Becky Chambers - Review
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- Blogtour: Interview with Anela Deen, the author of...
- Guest Post: How embracing all my favorite tropes s...
- SPFBO: The Second Reaping & Semifinalist Update (b...
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- Six Crimson Cranes by Elizabeth Lim - Review
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July
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Hey everyone! It’s that time!
Before I get into my reviews and pick for semi-finalist, I want to congratulate and thank all the authors who submitted. I know it’s tough to put yourself out there for public judgment, so well done on being brave enough to try it. Nothing ventured, nothing gained, right?
I also want to say that everything here is my opinion, so please take my comments as such. While some of my batch were not for me, I tried to note who they might be for with the following shorthand:
MATRWL – May appeal to readers who like
TW – Trigger warnings
Page lengths are the print version, according to their Amazon pages, unless otherwise noted.
Finally, I want to thank the FBC crew for taking me on board this year, putting with my banter and with me waffling back and forth on my choices. Y’all are great.
Okay enough stalling, onto the reviews!
My assignment was a batch of eight books to read, and to pick a semi-finalist from this group. I present them here in this nifty graphic of the covers in the order I read them. I enjoyed all the books to a varying degree, though some much more than others.
Of the eight books, there
were really four I considered as my semifinalist. I’ll cover the four that I cut first,
in no particular order.
First Round Fallen
Summer of the Gods, by
Sascha Kersken
Modern/Urban Fantasy
256 pages (Kindle)
MATRWL: socio-economic commentary, multi-POV, Greek gods walking the Earth
TW: discussions of race, Nazism
WHAT IT IS: On the eve of a negotiated economic
settlement between Greece and the EU, the gods of old descend to Earth, where
some seek to guide humans to a better future, and others to destroy it.
WHAT I LIKED: It’s an ambitious story being told
from a lot of perspectives. Tales of the (familiar) gods of our mythologies
moving among us are always going to have some appeal to me. A handful of
characters—the goddess Athena and a plucky human reporter—were very likable and
easy to relate to.
WHAT I DIDN’T: With that handful of exceptions,
the characters didn’t feel like they had a lot of depth. The book needs another
editing pass because there is some phrasing that is just plain clunky. Other
than one character having a major—and sudden—change of heart (and one kind of
strange battle scene), by the 60% point in the book, very little had happened
other than lots of monologues and description of the reality on the ground of
living in Greece during this time period and what the gods thought about it.
And while I don’t mind a political theme in a novel, I prefer it to be more
subtle and nuanced, and the one in Summer felt like it was being driven
home with a sledgehammer.
FINAL VERDICT: I’m afraid this one just wasn’t for
me, so I’ll be passing on it.
Season of the Plough, by
Luke Maynard (Book One of the Travalaith Saga)
Epic Fantasy
MATRWL: female protagonist, slow-burn epics,
multi-POV, deep worldbuilding
TW: violence
334 pages
WHAT IT IS: A half-fae young woman named Aewyn
comes to live in an isolated mountain town and with the help of her friends and
mysterious druids, struggles to discover her destiny.
WHAT I LIKED: Season lays out a very
in-depth world, with a substantial, detailed history. At points, it was almost
overwhelming how much backstory lurks behind the story’s events. The magic and
monsters inhabiting this world were, for the most part, just hinted at, in
tantalizing glimpses, until thrust in the reader’s face in a bold way. Very
well-constructed. Aewyn, the ostensible main character, was flawed and
relatable, and grew on me over the course of the tale. Some of the secondary
characters—particularly Robyn, the militia captain—were also likable.
WHAT I DIDN’T: There were a few odd moments of
head-hopping mid-stream in the narrative. And while I appreciated the depth of
the setting, I think it came at the expense of the pace. The first half of the
book is extremely slow, without enough character or plot development for me.
More interesting events occur in the book’s second half but had I not been
reading this for SPFBO, I would have put it down around the 33% mark.
FINAL VERDICT: I liked Aewyn and the world is intriguing but I just didn’t find enough in the looming story line to hold my interest, so I have to let this one go.
Stone and Shield, by
Thomas J. Devens (Book One of the Fall of Emros series)
Epic Fantasy
MATRWL: wide epics, multi-POV
TW: violence
438 pages
WHAT IT IS: The story follows numerous characters
as an Emperor dies and his vainglorious son assumes the throne, plunging the
realm into conflict, with more sinister villains waiting in the wings.
WHAT I LIKED: This one is ambitious, spanning
numerous POVs and the lives of many characters, from emperors and their
advisors, to mercenary warriors, to common innkeepers. There’s political
intrigue, banditry, mercenaries being sold out by their former employers … all
kinds of good plot devices to propel the action forward. There is an early
battle scene that is particularly well-written, well-paced, and suitably
bloody. The story features an interesting take on dragons, with one character
having a dragon companion (always a plus for me).
WHAT I DIDN’T: Unfortunately, as a unified effort,
the book never quite gelled for me. As I said, there were a lot of POVs—maybe
too many. It diluted the narrative and very much prevented most of the
characters from getting significant development. By the middle of the book,
many of them started to blend together. A number of characters were killed but
I didn’t feel moved, because I had not connected with them. The entire thing
could have also used another editing look, as there were sections with
repetitive phrasing and some run-on sentences that kept knocking me out of the
tale.
FINAL VERDICT: Though I appreciated the
wide-spanning scale of the story, I wasn’t invested enough in the characters’
fates to hold on to this one.
White as Frost, by
Althea Sharp (Book One of the Darkwood Trilogy)
Young Adult
390 pages
MATRWL: fairy tale retellings, female protagonist,
YA, fae characters
TW: parental neglect
WHAT IT IS: A spin on the Snow White/Rose Red
fairy tale, the story is launched when Rose’s mother marries the king of Raine
and they move to live in Lord Raine’s castle by the edge of the Darkwood, along
with his haughty daughter Neeve.
WHAT I LIKED: The prose of White as Frost is
clear, concise, and easy to read, with one of the best balances of narrative
and dialogue I’ve read lately. Rose, the POV character, is mostly sympathetic.
I found the world-building and magic-systems interesting, with lots of room to
explore as the series progresses, and the book’s finale ends not quite on a
cliffhanger, but still leaves lots of questions to be answered. Note: this is a
very clean book, suitable for younger readers.
WHAT I DIDN’T: Unfortunately, none of the
characters save Rose are particularly likable. Rose herself takes agency over
her own actions but is, by and large, a bumbler for the near-entirety of the
story, which made it hard for me to relate to her. The pace also felt a little
slow and repetitive in the middle third of the book.
FINAL VERDICT: Though I think this is a
well-written book that will appeal to younger readers, I had a hard time
connecting with characters, which means I have to reluctantly let it pass.
Okay, so that left me four books. Of these four, I considered all of them for my semi-finalist slot. I enjoyed all of these books enough that I will be reading more in the series. I’ll outline the reviews (again, in no particular order) and then reveal who made it.
The Second Four
From the Darkness Comes, by Joy Demers (Book One of Darkness in the Midst series)
Epic/Grimdark Fantasy
317 pages
MATRWL: first-person POV, female protagonist,
revenge stories
TW: violence, slavery, attempted sexual assault
WHAT IT IS: Against the backdrop of feuding
goddesses and scheming nobles, Cadda is returned from the dead to seek
vengeance against the man who killed and enslaved her family, and burned her
village.
WHAT I LIKED: I’ll just say that I love broken
protagonists. I enjoy reading sympathetic characters with deficiencies who have
to work to overcome them—and Cadda is a hot mess, with tons of issues to work
around. Other characters are diverse and believable; I specifically liked
Cadda’s friend and sidekick Matty. World-building is understated but feels
reasonable and I came away with a good sense of difference between the
protagonist’s culture and the one in which the story occurs. The book moves at
a rapid pace, especially in the final third, and the first-person prose is easy
to read and follow. And the book ends not on a cliffhanger, but with a
“what-the-hell-does-she-do-now” vibe that make me keen to continue reading.
WHAT I DIDN’T: The plot was serviceable but other
than one whopper of a surprise, the major events were fairly predictable, and
the main character does make a handful of dumb decisions. While I loved Cadda,
part of the lure for me of damaged protagonists is seeing them overcome their
issues and she hasn’t changed much yet. I know there are two more books in the
series but I would like to have seen a hint at her progression as a character.
FINAL VERDICT: Because I liked the main character
and the flow of the prose, I ended up enjoying this book a lot, I highly
recommend it, and I will be continuing the series.
The Wolf and the She-Bear, by Morgan Stang (Prequel (I think) to the Bartram’s Maw
series)
Sword and Sorcery
190 pages
MATRWL: multi-POV, female protagonist, novella
reads
TW: graphic violence
WHAT I DIDN’T: There is some odd and redundant
phrasing that probably would have been snipped with a good round of edits and
even though the book is quite short, there are a handful of scenes in the
middle that slow down the pace.
FINAL VERDICT: I enjoyed the story, liked Samantha
quite a bit, and it’s a world I’d like to keep exploring. I plan to continue
the series.
Sands of Darkness, by
Brian Anderson and Steven Savile (Book two of the Akiri series)
(note: the series is episodic, meaning book two
could be read without prior knowledge)
Sword and Sorcery
306 pages
MATRWL: powerful protagonists, fight scenes,
human-dragon bonding
TW: graphic violence
WHAT IT IS: Wandering and selling his sword to the
highest bidder, Akiri and his dragon companion Kyra become enmeshed in politics
and in-fighting in a desert city far from home.
WHAT I LIKED: This has a good old-school
sword-n-sorcery feel, reminiscent of Howard’s Conan without being imitative.
The world is neat and well-built, with magical artifacts, demons, and scheming
gods. The combat scenes are crisp and read well, and the prose in general is
smooth and easy to follow. This was the second book in my batch featuring a
human-dragon team (something I love) which was, in this case, central to the
plot.
WHAT I DIDN’T: The main character, Akiri; he’s
stronger, tougher, and a better warrior, lover, and leader of men than anyone.
Many sword-n-sorcery characters are exercises in wish-fulfillment but Akiri
literally has no flaws. He felt humanized only by his attachment to his dragon
Kyra (which felt natural) and his semi-willing service to a noble boy he
befriended (which felt a little forced). The story was relatively boilerplate.
FINAL VERDICT: I did like this one—enough to
earmark the other Akiri books for future reads. It’s solid and will definitely
sate anyone who’s looking for a good old-fashioned s&s romp.
Gunmetal Gods, by
Zamil Ahktar (Book One of the series of the same name)
Grimdark
496 pages
MATRWL: grimdark, historical analogs,
multi-first-person POV, fast-moving plot
TW: All of them
WHAT IT IS: Set in a world mirroring disconnect/conflict between Christian Europe and Muslim Ottoman Empire, the book follows Micah the Metal and Kevah, respective champions of their cause, each seeking vengeance and harboring crippling self-doubt, while sinister immortals weave their own plots.
NOTE: This is one of the bleakest books I have ever read. The line about trigger warnings is no joke; Gunmetal Gods features limb amputations, violence to animals, mass infanticide, slavery, incest and attempted rape, and genocide. Some of these things occur on page, in vivid detail. Readers take note.
WHAT I LIKED: This is a fast-paced book that never
lets up. Given the somewhat-rapid start, I was expecting a slow-down in the
middle but if anything the pace accelerated and the last third went at
breakneck speed. The prose flows well enough and the while the world-building
is not the deepest I’ve seen, it’s more than sufficient for the tale. The plot
is clever and features a number of twists, some of which I never saw coming.
There are definitely (favorable) comparisons to draw to the Cthulu mythos and I
thought the “gods” were suitably weird and menacing.
WHAT I DIDN’T: The twin protagonists, Micah and
Kevah. I had a hell of a time connecting with either one of them. I think it
was obvious which one the reader is supposed to cheer for but frankly, both are
right bastards, the former for his blind bloodlust in the name of revenge, the
latter for … pretty much the same reason. They do have some depth but it wasn’t
enough for me to firmly get behind either one. The best characters were in the
supporting cast. Not digging either main character did lessen my enjoyment of
the book somewhat.
FINAL VERDICT: Gunmetal Gods is a fast, fun read with an excellent plot and set in a compelling world. Any fan of grimdark should check this one out.
Okay, that’s all eight book reviews. Of the four remaining …
I ultimately had to let go The She-Bear and the Wolf. It’s a good tale that I enjoyed and will keep reading the series but the short length meant it did not develop enough for me. I still plan to see what else happens to Samantha Redmayne.
Alternately, I released Sands of Darkness not for any real reason other than I thought the two remaining books were simply a little stronger. I’ll personally still read the other Akiri books and I recommend it to anyone who’s looking for a good hack-n-slash tale.
So that leaves me two:
I waffled on this for a very long time. On the one hand, Gods is probably the more complete effort, with an excellent pace and enjoyable plot. On the other hand, I loved the protagonist and characterization in Darkness much more. I went back and forth for over a week with first one, then the other (I am sure my ramblings on this subject drove the rest of the FBC team crazy). I highly recommend both books, especially to anyone who likes darker tales and first-person POV (I’m seeing a pattern here).
But as Highlander tells us, in the end, there can only be one. So …
.
.
.
.
.
.
.
… wait for it …
.
.
.
.
.
.
I chose Gunmetal Gods as my semi-finalist.
Okay, that’s it. I’m exhausted now.
Thanks again to everyone for submitting and best
of luck to Zamil going forward. Cheers!
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