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Blog Archive
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2026
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March
(13)
- Review: Platform Decay by Martha Wells
- Book review: Red Empire by Jonathan Maberry
- SPFBO 11 - The Fifth Update
- The Caretaker by Marcus Kliewer (Reviewed by Shazzie)
- Book review: Carrion Saints by Hiyodori
- Review: The Fox and the Devil by Kiersten White
- COVER REVEAL: A Murder Most Fungal: A Fungalverse ...
- Book review: Pendergast: The Beginning
- Review: The Book of Fallen Leaves by A.S. Tamaki
- SPFBO XI - The Third Update (Mihir's Batch)
- Book review: Discovery by J.A.J. Minton
- Review: This Kingdom Will Not Kill Me by Ilona And...
- Book review: Daughter of Crows by Mark lawrence
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February
(8)
- Review: Daughter of No Worlds by Carissa Broadbent
- Book review: Twelve Months by Jim Butcher (Dresden...
- SPFBO XI - Second Update (Jack's Batch)
- Book review: The Poet Empress by Shen Tao
- Review: Green & Deadly Things by Jenn Lyons
- Review: Enchanting the Fae Queen by Stephanie Burgis
- COVER REVEAL: Rising Gale (Song of the Damned #2) ...
- SPFBO XI - The First Update
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January
(9)
- Book review: Goth the Wanderer by Raymond St. Elmo
- Book review: The Autumn Springs Retirement Home Ma...
- Review: The Trident and the Pearl by Sarah K.L. Wi...
- Book review: Immaculate Conception by Ling Ling Huang
- Review: The Red Winter by Cameron Sullivan
- This Kingdom Will Not Kill Me (Maggie The Undying ...
- Book review: Sister Svangerd and the Not Quite Dea...
- SPFBO XI Introduction Post - meet the Fantasy Book...
- Fantasy Book Critic's Most Anticipated SFF Books o...
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March
(13)
OVERVIEW/ANALYSIS: The mission: secretly extract friendly humans from enemy territory. The location: a planet-sized space port controlled by multiple corporate sectors, with a mix of tourists, workers, and security making life difficult. The target: multiple humans, including...children. Ugh. Murderbot may be up to the task, but that doesn't mean it has to like it. Looks like watching Sanctuary Moon will have to wait...
Platform Decay is that wonderful blend of action and character that reminds me why I love Murderbot. The plot itself is pitch perfect. It's a classic extraction mission: Murderbot must sneak into a planet-sized space port, find its protectees, and escort them to safety. That means we get some stealth and espionage, as well as full-tilt firefights as Murderbot goes about its job. The story might be considered bland were it not for both the constant shifting of environments as Murderbot goes from zone to zone across the station and the trademark deadpan exasperation it has for almost anything humans do.
I would have thoroughly enjoyed my time with this novella if that was all there was, but there are some great character beats scattered throughout that are the cherry on top. Murderbot, you see, is trying some new approaches to processing its feelings after the events of book seven, System Collapse. The result is some small quiet scenes that nevertheless show some growth for Murderbot as it continues its journey to get a handle on this while emotions thing.
At the end of the day, all you really need to know is that Murderbot is back and is operating at peak form. If you're a fan of the series, you'll be well rewarded and if you haven't started yet...why are you reading this review, go start the series!
Book links: Goodreads
Nothing less than the survival of humanity is at stake.
From Marcus Kliewer, a new “titan of the macabre and unsettling” (Erin A. Craig, #1 New York Times bestselling author), comes a supernatural horror about a young woman who accepts a caretaking job from Craigslist, only to discover the position has consequences far greater—and more dangerous—than she ever could have imagined.
EXCITING OPPORTUNITY:
Caretaker urgently needed. Three days of work. Competitive pay. Serious applicants ONLY.
Macy Mullins can’t say why the job posting grabbed her attention—it had the pull of a fisherman’s lure, barbed hook and all—vaguely ominous. But after an endless string of failed job interviews, she's not exactly in the position to be picky. She has rent to pay, groceries to buy, and a younger sister to provide for.
Besides, it’s only three days’ work…
Three days, cooped up in a stranger’s house, surrounded by Oregon Coast wilderness.
What starts as a peculiar side gig soon becomes a waking nightmare. An incomprehensible evil may dwell on this property—and Macy Mullins might just be the only thing standing between it, and the rest of humanity.
Follow the Rites...
Follow the Rites...
Follow the Rites...
Follow him on Instagram @marcus_kliewer for exclusive book updates / writing things / stop motion animation & a lot of pet videos.
It's one of those that does the jump scares well, and provides a compulsive story that gets more and more intense and heads to a bang of a finale. Before anything else though, be warned, it contains a protagonist who suffers from depression and has tendencies of suicidal ideation.
Macy has had a bad life so far, and there seems to be nothing bright lined up. She is unemployed, responsible for her younger sister after the unexpected death of their father, and everything she does only takes a turn for the worse. Until she finds a three day gig to take care of a huge mansion and follow strange rites to the T. The pay and bonus are unbelievable, so despite her sister's insistence to stay away, she accepts it.
The more I think about it, the more I think I like it. I want to say so much about this, but that will spoil it. It delivers well on the combination of horror with mental health. The main character can be annoying and seems to get more and more incompetent as the book progresses, which kind of is the point. It's a horrifyingly good metaphor for how downward spirals can be, when every action seems pointless and the only consistent feeling is that of being a failure.
After all, what is the more terrifying than your own mind working against you?
OVERVIEW/ANALYSIS: Five years ago, Anneke's father Dr. Van Helsing was murdered by a mysterious woman. Anneke has been on the hunt ever since, using her skills as a detective to consult on unusual cases across Europe. And after five years, Anneke finally has a lead on her father's killer. Along with a crew of other unusual detectives, Anneke will need to figure out the method to the killer's madness so they can stop her once and for all. But when the killer makes the unusual move of leaving behind a letter for Anneke, the two find themselves drawn into a relationship that is far more than cat and mouse.
The Fox and the Devil is an engrossing supernatural murder mystery across Europe. I really liked watching the early 20th century methods of detective work, and watching our crew start to put together a profile of the killer. I like watching smart people do their thing, and in this, The Fox and the Devil succeeds. The growing shift towards treating the case as supernatural also happens well. Our characters are coming from a point of view of vampires and other such creatures are purely myth; but after a few incidents, they take the evidence that they have and realize that their killer may be something other than human.
Unfortunately, The Fox and the Devil also tries to be a dark love story and in that aspect, it fails. We are told from nearly page one that Anneke has an intense obsession with the killer that goes beyond a desire for revenge. It's very hard for me to get into relationships where I'm just told "these two people have a history and chemistry, go with it." As a result, the dark romance between Anneke and the killer Diavola just didn't land for me. I like watching the build up of a relationship, and short of that, I want to actually see some tension and chemistry. I didn't get that in this story.
On the whole, The Fox and the Devil works well as a supernatural tale, as a group of detectives slowly piece together that their killer is something inhuman. I enjoyed the globetrotting adventure and the mystery tale itself, even if I didn't love the central relationship.
COVER REVEAL: A Murder Most Fungal: A Fungalverse Novel by Adrian M. Gibson
Buy Mushroom Blues over HERE
Book links: Amazon, Goodreads
ABOUT THE AUTHORS: Douglas Preston is the author of forty books, both fiction and nonfiction, thirty-two of which have been New York Times bestsellers, with several reaching the number 1 position. He is the recipient of numerous writing awards in the US and Europe, including a shared Edgar Award and an honorary Doctor of Letters degree from Pomona College. From 2019 to 2023 he served as president of the Authors Guild, the nation's oldest and largest association of authors and journalists.
Lincoln Child is the co-author, with Douglas Preston, of such highly-acclaimed thrillers as CROOKED RIVER, OLD BONES, VERSES FOR THE DEAD, CABINET OF CURIOSITIES, and RELIC, the latter two of which were chosen by an NPR poll as among the 100 greatest thrillers ever written. He has also published seven thrillers of his own, most recently the Jeremy Logan books FULL WOLF MOON and THE FORGOTTEN ROOM. 26 of his joint and solo books have become bestsellers, 3 of which debuted at #1 on the New York Times list. He lives in Sarasota, Florida.
Publisher: Grand Central Publishing (January 27, 2026) Length: 384 p Formats: audiobook, ebook, paperback
OVERVIEW/ANALYSIS: Nearly two decades ago, the Gensei clan was nearly wiped out after their failed attempt at rebellion. Prince Sen, one of the only survivors, managed to barely escape due to the help of Rui and her peasant family. Now new tensions are stirring in the imperial court as two factions try to usurp power from the weak hold of the current emperor. Sen is soon forced to choose between remaining neutral with his adopted clan or joining an army intent on war and avenging the Gensei household. But the most pivotal person in the coming conflict may be the peasant Rui, who is slowly realizing that the gods are using her to enact schemes of their own.
The Book of Fallen Leaves makes a valiant attempt to be the next great dark political fantasy, but is just too slow and muddled to succeed. I usually avoid comparisons to Game of Thrones at all costs, as it is a highly overused comp, but you can definitely see the touchstones here. There's a huge cast of characters, multiple clans and vassal clans forming alliances and plotting betrayals, and a splash of mystical elements in the background. And when the story finally gets going in the back half of the book, a lot of those elements really clicked and came together.
Unfortunately, it takes a very long time to get there. The first half of the story spends a significant amount of time with Sen and Rui, two characters who I ultimately did not really care about. We spend a lot of time getting to know them as they go through a year of events, watching lots of angst as they grapple with their futures. We don't spend nearly enough time in the first half of the book with characters who are actually influencing the diplomacy and politics of the empire.
The writing style itself was very flowery. On the one hand, there were definitely some beautifully written sequences that painted the scene of the dawn on the day of a big battle or as a character is making a pivotal choice. On the other hand the prose tended to refer to characters indirectly, using titles or descriptions, or by having a character obliquely talk about them in reference to some past event. This all made it hard initially to understand the faction alliances, even with a hand character list at the front of the book.
I'm all for authors making me piece together a fantasy world through context, but understanding alliances and factions in a political fantasy is key to enjoying the story. If I can't track who is working with who (or supposed to be working with who) then the impact of the political maneuvering fails to land. Once I had untangled those threads, the story worked a lot better for me, but it took far too long to get there.
Lastly, the magical fantasy elements of the story were a bit haphazardly used. No one uses magic in this world; instead, there are gods and supernatural creatures that roam and have their own agendas. But after an initial intriguing opening chapter with such a creature, the supernatural elements vanish from most of the story. When they finally re-enter the scene, they talk in riddles and never give a direct answer, to the point that for some of these beings, I never figured out what their agenda was. At least one god had a use for Rui, but I honestly can't tell you if Rui fulfilled her destiny in this book, or if it's a reveal in the sequel.
At the end of the day, The Book of Fallen Leaves had a lot of potential, but just couldn't suck me in. I will say that the back half of the book was significantly more engaging than the beginning. By that point, however, my overall frustration couldn't be surmounted. I wish this was a story I wanted to recommend to people, but ultimately I can not.
Buy This Kingdom Will Not Kill Me
Read Mihir's Review!
OVERVIEW/ANALYSIS: While waiting long years for the third and final book to come out in her favorite dark fantasy series, Maggie has had plenty of time to obsessively read the first two books in the trilogy. Which is why when she wakes up in an unfamiliar city, it doesn't take her long to realize she's in the world of Kair Toren - and the events of book one are just beginning to happen. With no clues as to how to return to her own world, Maggie decides she might as well try to help Kair Toren out and prevent a deadly civil war that will destroy the city and many of her favorite characters. Of course, Maggie's knowledge only helps her figure out things written in the books...and as she quickly remembers, this is a series with an unwritten ending....
This Kingdom Will Not Kill Me is a smart and engaging portal fantasy that grounds the story by taking the stakes of its fantasy world seriously. When we meet Maggie, she's been in Kair Toren for a few days, and has already come to terms with the fact that somehow, some way, she's in a fantasy setting, one that is every bit as brutal as it is portrayed in the book. Maggie doesn't try to carelessly pull shenanigans or run off to romance a tall dark handsome hero. Instead, she decides that if she accepts that this world and these people are real, then she has to do everything in her power to stop the deadly future that will destroy countless lives.
One thing I really liked about the approach to this story is that Maggie doesn't set herself up in the castle in the middle of the limelight. She decides to work from the shadows, hoping to nudge events while staying unnoticed. She rallies a crew, establishes some connections, and tries to become a credible source of information without drawing too much interest. In this game of intrigue, Maggie knows all the story threads; it's just a matter of figuring out which ones to pull.
There were a few times I felt like Maggie's "trick" of knowing things about people or events was a little overdone, occasionally making her feel like a one-trick pony as she rattles off another monologue detailing intimate knowledge of a character's backstory. But there's enough other things going on that those were minor bumps in the road. There's still so much skullduggery, blackmail, and tense negotiations that I frequently found myself forgetting that Maggie was from our world, until an occasional throwaway line would reference Netflix. It does genuinely feel like another gripping dark fantasy novel, which is key to making this story work.
The other slight hiccup was the romance subplot. While there were many parts of the romance in this book that I liked, it also started to veer into a trope that isn't my favorite. Time will tell how things play out in the long run, but I definitely preferred some sections over others.
(For those curious, this is a no spice story, and the romance subplot IS a subplot. This is not a fantasy romance.)
For a story featuring a protagonist who should know how everything is supposed to go, This Kingdom Will Not Kill Me had plenty of twists and turns. The more Maggie meddles, the more unexpected things become as events unfold differently. I have a feeling we'll be fairly off the rails when the second book comes around, and I am absolutely dying to see where things go.
ABOUT THE AUTHOR: Mark Lawrence was born in Champaign-Urbana, Illinois, to British parents but moved to the UK at the age of one. After earning a PhD in mathematics at Imperial College London, he went back to the US to work on a variety of research projects, including the “Star Wars” missile-defense program. Since returning to the UK, he has worked mainly on image processing and decision/reasoning theory. He never had any ambition to be a writer, so he was very surprised when a half-hearted attempt to find an agent turned into a global publishing deal overnight. His first trilogy, The Broken Empire, has been universally acclaimed as a groundbreaking work of fantasy, and both Emperor of Thorns and The Liar’s Key have won the David Gemmell Legend Award for best fantasy novel. Mark is married, with four children, and lives in Bristol.
ABOUT THE AUTHOR: Jim Butcher is the author of the Dresden Files, the Codex Alera, and a new steampunk series, the Cinder Spires. His resume includes a laundry list of skills which were useful a couple of centuries ago, and he plays guitar quite badly. An avid gamer, he plays tabletop games in varying systems, a variety of video games on PC and console, and LARPs whenever he can make time for it. Jim currently resides mostly inside his own head, but his head can generally be found in his home town of Independence, Missouri.
Jim goes by the moniker Longshot in a number of online locales. He came by this name in the early 1990′s when he decided he would become a published author. Usually only 3 in 1000 who make such an attempt actually manage to become published; of those, only 1 in 10 make enough money to call it a living. The sale of a second series was the breakthrough that let him beat the long odds against attaining a career as a novelist.
All the same, he refuses to change his nickname.
Publisher: Ace (January 20, 2026) Page count: 463 p Formats: audiobook, ebook, hardcover
The competition continues! This is my first year as a judge and I’m thrilled to be a part of it.
A few notes on my review process: for a semifinalist, I wanted to find a book that I'd personally rate 3.5/5 or better. To me, that rating signifies a book which has some notable flaws, but whose flaws (for whatever reason) didn't stop me from enjoying the novel. In general, a novel isn't a 3.5/5 for me unless I'm actively interested in reading a sequel. If and when I bounced off a book in the opening pages, I typically put it down for a few days before giving it another try. I didn’t set any hard rules for myself about when or if I could drop a book, except that I wanted to give every book a fair shot on its merits.
ABOUT THE AUTHOR: Raymond St. Elmo is a programmer of artificial intelligences and virtual realities, who has no time for literary fabrications of fictitious characters and world-building. And yes, that was meant to be ironic.
A degree in Spanish Literature gave him a love of Magic Realism. Programming gave him a job. The job introduced him to artifical intelligence and virtual realities; as close to magic as reality is likely to get outside the covers of a book. And yes, that was meant to be cynical.
The author of several first-person comic-accounts of strange quests for mysterious manuscripts, mysterious girls in cloaks whose face appears SUDDENLY IN THE FLASH OF LIGHTNING. And yes, that was meant to be dramatic.
Publisher: Raymond St. Elmo (January 18, 2026) Page count: 181 pages Formats: ebook, paperback
Book review: The Autumn Springs Retirement Home Massacre by Philip Fracassi
ABOUT THE AUTHOR: Philip Fracassi is the Bram Stoker and British Fantasy Award-nominated author of the novels Don’t Let Them Get You Down, A Child Alone with Strangers, Gothic, and Boys in the Valley. His upcoming books include the novels The Third Rule of Time Travel, The Autumn Springs Retirement Home Massacre, and Sarafina.
Publisher: Tor Nightfire (September 30, 2025) Page count: 416 Formats: audiobook, ebook, paperback
OVERVIEW/ANALYSIS: With a storm threatening to wipe out her people, Queen Coralys strikes a desperate bargain: she will marry the first person to step foot on her island's pier, in return for an end to the disaster. Unfortunately, the first person to arrive is not the hoped for prince from a neighboring kingdom, but a lowly, smelly fisherman. But Queen Coralys honors her word, marries the fisherman, and sails off to her new home. What she doesn't know is that her new husband is actually the god of the sea - and he believes Queen Coralys is the key to stopping a dark threat facing mortals everywhere. Unfortunately for the sea god, Queen Coralys may have obeyed her bargain, but she secretly harbors revenge in her heart against the gods themselves.
Despite a strong start and lovely prose, The Trident and the Pearl completely flounders in creating romantic tension. That's quite a big thing to stumble over, given that this book is being marketed as a romantasy. While I could believe the sea god Okeanos had fallen for Coralys, I didn't for a second believe the reverse was true at any point in the story. Any tender moments towards the end of the story struck me as false.
I will give the book credit for having some high points that made me wish I liked it more. I was really pulled into the beginning of the story, with the initial introduction of Coralys's island nation, their culture, and the bargain she strikes with the gods. I enjoyed the turn the plot took at the midpoint, and thought it was taking the story into a genuinely interesting direction. The overall atmosphere is well done, and I loved the style of writing that felt appropriate for a story about a woman caught in the machinations of gods.
But overall, the plot just felt a bit of a mess. Characters refuse to divulge information to a frustrating degree, stalling out story momentum. Other characters seem deliberately obtuse. Even allowing for the emotions at play, the sheer refusal to consider evidence that they are being lied to or manipulated made me want to scream. The last third of the book felt scattered and meandering, and I ultimately lost interest in the plot.
I really wanted to like The Trident and the Pearl, and for the first several chapters it seemed like it would hit all the right boxes. Unfortunately, the plot completely stalled and characters behaved in a way that was frustrating to watch. I sadly cannot give this book a recommend.
Book links: Amazon, Goodreads
The Red Winter is a fantastic reimagining of the story of the Beast of Gevaudan, one sure to appeal to fans of European-style monster-slaying adventures. It is fantastically atmospheric and does a great job of envisioning a supernatural layer to the world, creating a version of Europe closer to The Witcher in feel than standard history. There are ghosts and small monsters alongside powerful forest spirits who can grant boons - or curses. There are immortal beings who play power games from the shadows, using humans as pawns. And at the center of it all is Sebastian Grave, a man caught up in these power games by a quirk of fate.
And it is Sebastian Grave that I wrestle with the most as I wrap my head around how I feel about this book as a whole. On the one hand, Sebastian is your classic grizzled monster hunter character, one who is exceedingly good at his job and does it all with the wry weariness of someone who has seen humans be idiots far too many times in his life. But he is also morally gray, someone who proves that just because you hunt monsters, you aren't automatically a good person.
Sebastian is driven by a quest for power and by complicated feelings for a man he, despite everything, still loves. But as the book came to a close, I struggled with whether this was enough to make me interested in the character's fate. Sebastian wants power...and then what? Does anything else drive this man? There are moments in the book that raise this very question and suggest the purposelessness is part of the struggle of the character...but towards the end I found myself not quite caring.
I will also admit that I occasionally found it easy to get muddled over what events happened in which timeline. Large parts of the book take place in the same area with some of the same characters, just twenty years apart. Unlike a visual medium like film, I didn't have a constant reminder that a character has visibly aged and therefore we're in 1785, not 1765, or vice versa. It's a small note, one that is admittedly more of a personal problem, but it happened often enough I wanted to mention it.
The Red Winter is a well-crafted dark fantasy tale. Although I'm not sure how I feel about lead character Sebastian Grave, the fact that I'm still thinking about him weeks after finishing the book is a testament to how much this story got inside my head.
This Kingdom Will Not Kill Me (Maggie The Undying #1) by Ilona Andrews (reviewed by Mihir Wanchoo)
Book review: Sister Svangerd and the Not Quite Dead (The Loyal Opposition #1) by K.J. Parker
In the battle, Harry lost people he cared about. And that's the kind of loss that takes a toll. Harry being Harry, he’s doing his level best to help the city and his friends recover and rebuild. But it’s a heavy load, and he needs time.
But time is one thing Harry doesn’t have. Ghouls are prowling Chicago and taking out innocent civilians. Harry’s brother is dying, and Harry doesn’t know how to help him. And last but certainly not least, the Winter Queen of the Fae has allied with the White Court of vampires—and Harry’s been betrothed to the seductive, deadly vampire Lara Raith to seal the deal.
It's been a tough year. More than ever, the city needs Harry Dresden the wizard—but after loss and grief, is there enough left of Harry Dresden the man to rise to the challenge?
Official Blurb: In the waning years of the Azalea Dynasty, the emperor is dying, the land consumed by famine, and poetry magic lost to all except the powerful.
Wei Yin is desperate. After the fifth death of a sibling, with her family and village on the brink of starvation, she will do anything to save those she loves.
Even offer herself as concubine to the cruel heir of the beautiful and brutal Azalea House. But in a twist of fate, the palace stands on the knife-edge of civil war with Wei trapped in its center…at the side of a violent prince.
To survive, Wei must harden her heart, rely on her wit, and become dangerous herself. Even if it means becoming a poet in a world where women are forbidden to read—and composing the most powerful spell of all. A ballad of death...and love.















































































