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Blog Archive
-
▼
2022
(244)
-
▼
May
(24)
- Cover Reveal Q&A: Jackal Of The Mind by Madolyn Ro...
- TLSOMGC Blog Tour: The Last Stand Of Mary Good Cro...
- All the Horses of Iceland by Sarah Tolmie (Reviewe...
- Siren Queen by Nghi Vo (reviewed by V)
- Interview with James Rollins (interviewed by Mihir...
- The Hunger of the Gods by John Gwynne - Review
- Book review: Any Minor World (The Midnight Jury #1...
- Kaikeyi by Vaishnavi Patel (reviewed by Shazzie & ...
- Book review: Mind of My Mind (Patternmaster #2) by...
- SPFBO 8 Introduction Post - meet the Fantasy Book ...
- Book review: Glitterati by Oliver K. Langmead
- The Umbral Storm (The Sharded Few #1) by Alec Huts...
- Ruin by John Gwynne (reviewed by Matthew Higgins)
- Book review: An End to Sorrow by Michael R. Fletch...
- Anna by Sammy H.K. Smith (Reviewed by Daniel P. Ha...
- Introducing Fantasy Book Critic’s Newest Reviewers...
- Book review: Equinox by David Towsey
- The Stardust Thief by Chelsea Abdullah - Review
- Book review: Kagen The Damned by Jonathan Maberry
- Sins Of The Mother Release Interview with Rob J. H...
- Book review: Sea of Tranquility by Emily St. John ...
- Mini-Reviews: No Gods, Only Monsters by Steve McHu...
- Blog Tour: NO GODS ONLY MONSTERS Q&A with Steve Mc...
- EXCLUSIVE COVER REVEAL + Q&A: The Umbral Storm by ...
-
▼
May
(24)
Official
Author Website
Order Siren Queen over HERE
Order Siren Queen over HERE
OFFICIAL AUTHOR INFO: Nghi Vo is the author of the novels Siren Queen and The Chosen and the Beautiful, as well as the acclaimed novellas When the Tiger Came Down the Mountain and The Empress of Salt and Fortune, a
Locus and Ignyte Award finalist and the winner of the Crawford Award and the
Hugo Award. Born in Illinois, she now lives on the shores of Lake Michigan. She
believes in the ritual of lipstick, the power of stories, and the right to
change your mind.
OFFICIAL BLURB: It was magic. In every world, it was a kind
of magic.
“No maids, no funny talking, no fainting
flowers.” Luli Wei is beautiful, talented, and desperate to be a star.
Coming of age in pre-Code Hollywood, she knows how dangerous the movie business
is and how limited the roles are for a Chinese American girl from Hungarian
Hill—but she doesn't care. She’d rather play a monster than a maid.
But in Luli's world, the worst monsters in Hollywood are not the ones on
screen. The studios want to own everything from her face to her name to the
women she loves, and they run on a system of bargains made in blood and ancient
magic, powered by the endless sacrifice of unlucky starlets like her. For those
who do survive to earn their fame, success comes with a steep price. Luli is
willing to do whatever it takes—even if that means becoming the monster
herself.
Siren Queen offers up an enthralling exploration of an outsider achieving
stardom on her own terms, in a fantastical Hollywood where the monsters are
real and the magic of the silver screen illuminates every page.
FORMAT/INFO: Siren
Queen is a 288
pages long standalone novel. Narration is in first person from the protagonist Luli Wei’s perspective. It was released
May 10th, 2022 and is available in hardback, ebook, and audiobook via Tor Dot
Com. The audiobook is narrated by Natalie Naudus.
OVERVIEW/ANALYSIS: Siren
Queen is one of
those books that drew me in because of the cover, and after I read the description,
I knew I just had to read it. It is a historical fantasy novel set in 1930’s
Hollywood but It is also so much more than that. This is a story about monsters
and magic and the power that some people have and other people don’t. It is also
a story about a young woman from a Chinese-American family pursuing her dreams
in a world that doesn’t respect her as a person. Moreover, at its core, it is a
story about what someone is willing to give up to get what they want, and how
the price is always higher than it should be.
Luli Wei is a girl who works in her family’s
laundry in the Hungarian Hill neighborhood in Los Angeles. She happens upon
work, doing bit parts in movies and falls in love with being on film. As she
approaches her eighteenth birthday, she begins to realize that the man who got
her those bit parts doesn’t quite have her best interest at heart. She goes to
bargain with a veteran of the Hollywood scene, who tells her how to get her
career going in exchange for the last 20 years of her life. Luli Wei begins her career stipulating
that she will not play a maid, do funny voices, or play a fainting flower, but
that she’d be fine playing a monster instead. She lands the role of the Siren,
a villain in a highly successful series of movies, and discovers that dealing
with the real monsters at the studio is more than she bargained for.
This is a
book that readers are either going to love or hate. Siren Queen knows what it is and does it well, but it is very crucial
to go into this book with the right expectations. Siren Queen is more of a love letter to atmosphere and thematic
elements than a plot driven work, even though there is a plot guiding the story
along. The beginning of the story is more methodical. Luli figures out that she enjoys acting, falls in love with it, and
makes sacrifices to become a star. But once she steps onto the studio lot, her
story becomes more about her and the reader reacting to the work culture and
challenges set in front of her.
At the
same time, we get to experience a glamorous world with a wild, fae-like
undercurrent of magic that both nurtures and consumes everyone on set. The
predatory studio heads are literal monsters. The flames that everyone gathers
around on Friday nights are both literal campfires and forges for relationships
and alliances to be cultivated in order to survive. The magic in this story is
more about bringing the metaphors to life than being a tool for our hero to
wield as she approaches her goal, which is either something that readers will
love or want to DNF 40 pages in. For the ones who love it, this book nails the
approach and is such a satisfying read.
Without
going into spoilers, this book looks deeply at what it means to be a monster
and how we often use the label of ‘monster’ as a way to put down people who are
different from us. Luli Wei is
Chinese-American, is not straight, and she has the audacity to refuse roles
that are disrespectful to her culture. Even though these roles were often the
only ones available to people of color and had the potential to be quite
lucrative. For this reason, she is seen as arrogant and demanding. The only
major roles left to her are monsters and villains. She will never be allowed to
play the lead, but she can be their adversary. At the same time, the studio
heads are taking advantage of aspiring talent and sacrificing some of them to
keep the magic that powers the studio going.
Luli is able to take the mantle of ‘monster’
and build a successful career out of it, but her using the power her fame gives
her makes the studio heads feel threatened and lash out. Sometimes she comes
out ahead and sometimes she doesn’t, and in either situation standing up to the
establishment comes at a great cost. The story feels a bit convoluted and
non-linear because Luli is figuring
things out as she goes, but that is also what makes this story feel so raw and
powerful. There might have been a magic cheat code to getting into the studio,
but building her career and playing a role she can be proud of both on and off
the screen is a much more complicated endeavor.
CONCLUSION: I came for the premise, stayed for the
gorgeous writing, and now I can’t get this book out of my head because I feel
like I still have a lot to learn from it. This book has a flair for the
thematic, and readers who love their magic and metaphors to be intertwined, are
going to be absolutely broken by this beautiful novel. I rarely reread books,
there just isn’t enough time, but I think I’m going to reread this one.
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