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Blog Archive
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2023
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September
(15)
- Review: The Hexologists by Josiah Bancroft
- Interview: Kritika H. Rao, author of The Surviving...
- SPFBO 9 Semi-Finalist Interview: J.D.L. Rossell
- Map Reveal: The Lands Of Namarr by Daniel Hasenbos
- Book Review: Starter Villain by John Scalzi
- Review: The Salvation Gambit by Emily Skrutskie
- Book review: The Ghost with a Knife at Her Throat ...
- The Scandalous Confessions of Lydia Bennet, Witch ...
- Review: Bookshops & Bonedust by Travis Baldree
- Book review: The Book of Cold Cases by Simone St. ...
- Review: LABYRINTH'S HEART by M.A. Carrick
- Thornhedge by T. Kingfisher (Reviewed by Shazzie)
- Graphic novel review: Courtney Crumrin series by T...
- Cover reveal: Glenda the Veg Witch by Keith Dickinson
- SPFBO9: The Last Attenuation & Semifinalist Update...
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September
(15)
The Ghost with a Knife at Her Throat combines urban fantasy, murder mystery, family drama, and wild twists, and it somehow works. Surreal, tense, and occasionally laced with unexpected (and rather dark) humor, this novel has a fever-dream atmosphere. The last third of the story contains enough mayhem to hook readers looking for high-octane action.
Asher Gale was once a prodigy, perhaps the most ingenious painter of his generation. Nowadays, though, he indulges in self-destructive habits. He usually drinks himself into trouble or feeds his color addiction. Asher, you see, sees the ultraviolet spectrum of light, including seven higher colors. Actually, more than seven, but that’s a minor spoiler.
The way he experiences colors verges on obsessive; not surprising given their effect on him. He’s prone to experiencing chroma storms or going gray. And no one is prepared for Asher going gray. When it happens, and colors fade around him, Asher turns into a feral, joy-seeking psychopath, akin to a bizarre mix of Deadpool, Patrick Bateman, Berserker, and the Flash.
Because the story is narrated from Asher’s unique perspective, it won’t resonate with everyone. His voice is distinct, and oscillates between obsessive, at times vulgar, and occasionally sensible. Asher perceives the world unlike most of us. I admit I enjoyed this journey into the mind of a slightly sociopathic, but mostly self-destructive, anti-hero who tries to unravel a murder mystery. Not intentionally, mind; he would prefer to wander aimlessly and abuse various substances. Unfortunately, once he encounters the first ghost, others won’t stop coming.
The murder mystery connects with Asher’s past and his family’s secrets. New twists keep on coming, and the ending is surreal and wildly imaginative. It bullied me into reading the sequel as soon as I finished book one.
The lore of the art colony of Skysill Beach is fascinating, but I think it’s better to discover it by reading the book rather than relying on my review. I never expected that the world of senses could be so captivating and lethal.
Some might argue that sometimes the plot takes a backseat to Asher’s abrasive behavior and banter, which, while distinctive, can make the storyline more convoluted than necessary. On the other hand, it’s Asher’s narration that makes the novel so unique. Maybe we should accept the chaotic workings of his mind?
I recommend The Ghost with a Knife at Her Throat to readers looking for a fresh take on urban fantasy and its tropes. Fans of witty banter and unconventional narrators should also give it a shot. For those who enjoy having their imagination challenged, there is much to appreciate here. Worth a shot.
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