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Wednesday, May 15, 2024

Mushroom Blues by Adrian M. Gibson (reviewed by Matthew Higgins)

 

Official Author Website
Order Mushroom Blues over HERE
 
OFFICIAL AUTHOR INFO: Adrian M. Gibson is a Canadian author, podcaster and illustrator (as well as occasional tattoo artist). He was born in Ontario, Canada, but grew up in British Columbia. He studied English Literature and has worked in music journalism, restaurants, tattoo studios, clothing stores and a bevy of odd jobs. In 2021, he created the SFF Addicts podcast, which he co-hosts with fellow author M. J. Kuhn. The two host in-depth interviews with an array of science fiction and fantasy authors, as well as writing masterclasses.
 
Adrian has a not-so-casual obsession with mushrooms, relishes in the vastness of nature and is a self-proclaimed “child of the mountains.” He enjoys cooking, music, video games, politics and science, as well as reading fiction and comic books. He lives in Quito, Ecuador with his wife and sons.
 

OFFICIAL BOOK REVIEW: TWO YEARS AFTER a devastating defeat in the decade-long Spore War, the island nation of Hōppon and its capital city of Neo Kinoko are occupied by invading Coprinian forces. Its Fungal citizens are in dire straits, wracked by food shortages, poverty and an influx of war refugees. Even worse, the corrupt occupiers exploit their power, hounding the native population.
 
As a winter storm looms over the metropolis, NKPD Detective Henrietta Hofmann begrudgingly partners up with mushroom-headed patrol officer Koji Nameko to investigate the mysterious murders of Fungal and half-breed children. Their investigation drags them deep into the seedy underbelly of a war-torn city, one brimming with colonizers, criminal gangs, racial division and moral decay.
 
In order to solve the case and unravel the truth, Hofmann must challenge her past and embrace Fungal ways. What she and Nameko uncover in the midst of this frigid wasteland will chill them to the core, but will they make it through the storm alive?
 
 
OVERVIEW/ANALYSIS: Mushroom Blues is a tightly written trip through the criminal underbelly of a pulpy cyberpunk inspired city. Themes of colonialism, trauma and addiction deepen the central narrative as the plot races feverishly to its powerfully psychedelic climax.
 
Whilst our 2 main protagonists receive absorbing character development, the antagonists did suffer a little in comparison, despite attempts to tie them into the emotional backbone of the city known as ‘Neo Kinoko’. A little more time in the latter half of the novel devoted to exploring our villains more intimately would’ve elevated Mushroom Blues even further into one of my favourite reads of the year.
 
As it stands, devotees of both crime and post apocalyptic SFF should find plenty to dig their teeth into with this socially conscious sci fi captivating me from start to finish. Gibson is using the forces of nature (mushrooms) to *become* a force of nature in the SFF world. Bring on spore city!!
 
Mushroom Blues is sci-fi for those who don’t typically engage with the genre…
 
I can have confidence in such a bold statement because this statement IS me. I know that’s a horrible thing to admit as a SFF fan, but sci fi has just never quite attracted me to the extent epic fantasy does.
 
But you see, Adrian is clearly a master villain at play, designing Mushroom Blues as part of his nefarious plot to entice new readers into the Sci-fi arena through the lens of crime, and leave us all stuffing our faces with that common childhood food nightmare… mushrooms shudders . Meanwhile reading late into the night, addicting us to turning pages like this s***t is crack. I mean what was he on when he wrote this… mushrooms?! I’m onto you Mr Gibson!!
 
Jokes aside, it’s clear from the start that Gibson has poured his entire soul into this novel, from the characters through to the cleverly realised world and cultures Gibson weaves in. Readers certainly aren’t in Kansas anymore, and Gibson makes this clear from the off when we commence upon the gruesome discovery of a child's body washed up on the shores beside Neo Kinoko. This is a gritty character driven crime noir and boy does Gibson know how to write the hell out of that.
 

Our primary protagonist is the detective Henrietta Hoffman. Recovering alcoholic? Grumpy and disillusioned? Troubled past? Disregard for authority and playing by the rules? Secret heart of gold? Yes, Gibson hits all the grizzled detective tropes here, but the importance here is that it never felt like a simple rehash. Gibson knows how to embed his character with a personality that makes this work; Hoffman isn’t the crotchety old detective for the sake of it, but because her character demands it, and her evolution throughout this novel was one of my favourite aspects.
 
Joining Henrietta is the sole fungal cop within Neo Kinoko and wider Coprinia, Koji. Unfortunately for him, he’s been partnered with Henrietta, a vehement mycophobe. As a fungal, Koji is not that different to the humans, well besides the mushroom cap for a head and his ability to connect with and sense other fungals.
 
But Koji is also a character forced between two worlds. Shunned by his family for working for a government that violently oppresses him and his people, and having to contend with the everyday racism thrown at him by his colleagues within the police force, Koji’s heart for justice and affable nature made him one of my favourite characters in recent times. Our boy Koji must be protected at all costs, you hear me Gibson!
 
With Henrietta as our main entry to this fantastical world, we see the true depravity of an empire run on prejudice, the same prejudice Henrietta carries herself. Gibson does a fantastic job of truly immersing readers into the torturous mindset of a mycophobe living in a world of fungi. When Henrietta squirms at the fungi that build the foundations of so much of this city, one really feels her disgust and I definitely found myself shuddering at various points throughout the narrative as Gibson vividly paints these uncomfortable sequences.
 
Needless to say, Henrietta is not best pleased at having to partner with *shock horror* a fungal. To make matters worse, this is a politically fraught case, with tensions rising between the subjugated Fungal population of Neo Kinoko; the city seemingly ready to burst into a blaze of revolutionary violence.
 
Only a few pages in with a riot about to break out it is clear this novel is going to progress at a breakneck pace. However in contrast to my preconceived notions, Gibson (for the most part) does not progress the plot at the expense of character and worldbuilding. It felt incredibly natural, to the point that I didn’t really notice the worldbuilding, as it's so embedded into the progressing narrative. When one considers that said narrative involves high speed vehicle chases, explosions, gangster warfare and so much more, often within a few pages of one another, it truly is remarkable how well the storyline does progress.
 
But these bombastic explosions of action, which fit so neatly into this gritty underworld, are not the heart of this novel. At its core I think the novel is about change. This is most obvious through Henrietta’s gradual acceptance of the Hopponese (Fungals), and through that. acceptance of herself and the things SHE *cannot* change.
 
Fuelled by bitterness and regret, an exile for sins of the past, Henrietta is certainly not an instantly likeable character. For one she’s an unapologetic racist, and being inside her head one simply cannot escape that uncomfortably heavy mindset.
 
It’s a fascinating way to explore this post war Japanese infused cyberpunk environment, both socially and structurally, through the eyes of a protagonist who despises almost every part of it. To Henrietta it symbolises everything that led her here and thus she takes it out daily on the world she inhabits.
 
But as we are drawn deeper into the darker parts of this world, Henrietta begins to see the Hopponese not as abominations to be used and discarded, but as people.
 
We are shown many different aspects of the Hopponese community, their families, the way they connect with the world around them, and all the ways the Neo Kinokan government has failed and abused them.
 
Through this lens, Mushroom Blues is devastatingly bold in forcing one to confront the ways our own societies have entrenched structural poverty and inequality in communities which those of us in the west have historically taken advantage of.
 
But Gibson uses this as a starting point through which to champion humanity’s great capacity for change.
 
So much of hatred is born of ignorance but through Henrietta, Gibson gives us that most important emotion of all, hope. Hope that when confronted with the ugly truths our society perpetuates, people *can* grow and change.
 
 Similar to PL Stuart’s eminent protagonist Prince Othrun of the Drowned Kingdom saga, readers are confronted with a character who is entirely too human in all their many flaws. It is a bare faced mirror to our own ugly shortcomings, entrenched in our enclaves of political subjectivity where we convince ourselves the ‘othering’ and rejection of those who differ from us is somehow an acceptable form of intolerance, never allowing for the power of change to work in people’s lives.
 
 But if you stick through the uncomfortableness of a protagonist so unapologetically prejudiced you will find a character on a journey, a character most would have given up on a long time ago, reflecting the way Henrietta has given up on herself. Putting herself at the mercy of her latent alcoholism rather than confronting her own self hatred and rejection of self forgiveness, by the time we meet her, Henrietta has given up.
 
But when forced to confront the ignorance of her own fears it leads her to recognise the spark of humanity that connects us all. This is a wonderful message woven into the narrative with defiant grit and gravitas without taking away from the novel’s entertainment value.
 
As author Pl Stuart (talking about his own series) wonderfully puts it “... even ordinary flawed people can change. We’re all redeemable. Ordinary people can change, evolve, and make a difference, not just fictional Princes.…”
 
By the time the critical junctures of Mushroom Blues have come around, Henrietta has undergone a transition which felt both natural and earnestly earnt. To take so unlikeable a character and transform them within such a short page count without undermining their arc is a feat a debut author such as Adrian should be incredibly proud of.
 
The other forefront of change comes through the Hopponese people and their fight for justice and acceptance in a society structured to subjugate and abuse those deemed lesser.
 

Taking inspiration from indigenous cultures from across our diverse world, the Hopponese have a deeply realised culture, wholly rooted in connection which was an aspect that really inspired me to consider my actions in our own world. This sense of interconnection flowed through the heart of this novel and left me exploring the real life inspirations behind Adrian’s imaginings, something I strongly encourage everyone to do as it's truly fascinating.
 
Showcasing the beauty of such a culture enables the reader to truly empathise with the Hopponese and their campaign for just change. As the novel progresses there is a palpable sense of the political tension rumbling beneath the surface, an eruption accelerated by the criminal proceedings taking place within our main plot.
 
Thus Gibson weaves his words with the power of not just personal change but societal change, and the power of our own voices when we stand together. It is a clarion call to those of us who feel disenfranchised and voiceless to stand together and fight for our inherent capacity to change the direction of our societal destiny.
 
If I’m making this book sound rather heavy in its themes and political undertones, that's because all of this is central to the story Gibson is telling here.
 
If you are vehemently anti woke’ then perhaps this is not a book that will appeal to you (although one could consider it full of uncomfortable truths which may be important to expose yourself to) but Gibson never loses sight of the entertainment value in the midst of some heavy themes.
 
 It’s cinematic in visuals and scale, it's easy and breezy a lot of the time,its full of humour, heart and horror, whilst still encapsulating some profound messaging sans virtue signalling. Where it slightly falters is in the time devoted to its antagonists, the motives of whom demanded an exploration that never quite got enough development. There are certainly many interesting developments along the way, and the mystery was mostly satisfying as a personal fan of a good crime novel.
 
However when events start to unravel and our antagonists step out of the shadows I was admittedly left with a slight element of confusion (although perhaps a re-read will help with this as inevitably I missed clues along the way).
 
The conclusion does comes neck-breakingly fast so that it didn’t allow us the time to dig deeper into the motivations and our villains became more typical caricatures in contrast to the more thoughtful exploration of the novel’s themes up to that stage.
 
One of my favourite chapters in fact was one where time was taken to sit with one of our protagonists as they go through transformative events in the midst of chaos. There wasn't much plot progression, but it didn't matter because it deepened our relationship with the character and i love that Gibson took the time to slow down and share that with us. With the same care devoted to our antagonists this novel would've been truly brilliant.
 
Alas what we are left with is an incredibly capable and enthralling debut which has left Gibson on the instant purchase list for life. An complex and layered novel mixing heart pounding action noir with heart rending social discourse.
 
Spore City can't come soon enough

 

SPFBO X Introduction Post - meet the Fantasy Book Critic Team




We're excited to announce we'll be participating in SPFBO for the tenth time. This year, we will have five judges on board and we're happy to welcome one new: Shazzie. Here is a brief introduction to all of us involved in the contest:
Tuesday, May 14, 2024

Review: Two Twisted Crowns by Rachel Gillig

 

Official Author Website
Buy Two Twisted Crowns
Read a review of ONE DARK WINDOW

OFFICIAL AUTHOR BIO: Rachel Gillig is the New York Times and USA Today bestselling author of The Shepherd King series. If she is not ensconced in blankets dreaming up her next novel, Rachel is out walking in beautiful central California with her husband, son, and their dignified poodle, Wally.

FORMAT/INFO: Two Twisted Crowns was published by Orbit Books on October 17th, 2023. It is 437 pages long and is told in third and first person from multiple POVs, including Ravyn, Elspeth, and Elm. It is available in ebook, paperback, and audiobook formats.

OVERVIEW/ANALYSIS: For centuries, people have searched for a way to lift the magical cursed mist that haunts the kingdom of Blunder. Now, after years of work, Elspeth, Ravyn, and their companions are on the brink of finally uniting the twelve Providence Cards in a ritual that will break the curse. But to find the last card, they'll have to venture into the heart of a cursed forest and strike a deal with the Spirit of the Wood, one that could cost them everything.

Two Twisted Crowns is the kind of sequel that takes the solid foundation of book one and then smashes the finale out of the park. To set a comparison point, I found One Dark Window a bit mid. On the one hand, I loved the atmosphere and many of the central concepts, including the cursed mist and a main character who has lived with a spirit in her head for most of her life, a spirit that can be exceedingly dangerous if it takes control of her body. But I also found the main character of Elspeth a bit grating as she would continuously waffle back and forth, begging the spirit Nightmare to save her life then berating it for acting too violently.

Which leads me to the first way that Two Twisted Crowns is better than One Dark Window: instead of Elspeth being the only POV, the book widens to four POVs. This reduced Elspeth's time while giving me the chance to fall in love with other characters, some of whom had only lurked in the background of One Dark Window. In fact one of them, Prince Elm, I barely remembered from the earlier book, but here he was my favorite character of the story. He's the kind of character who is a bit broken and cynical from the terrible things he has endured over the years, yet ultimately keeps fighting to do good. He also gets a fantastic love story that builds up over the course of the book and was one that I appreciated more than Elspeth and Ravyn's pairing.

One of the only (minor) complaints I have about Two Twisted Crowns is that for most of the story, there are two storylines happening in parallel that felt like they were from very different books. There's Ravyn, Elspeth, and others traveling into the cursed wood to find the Twin Alders card, and Prince Elm trying to keep an eye on his dangerous royal family members. One storyline was full of riddles, mysterious creatures, and mystical tests, while the other was royal balls and sinister plots. It could be a bit of whiplash to go from the very magic infused quest to the more grounded court life intrigue.

And yet despite the whiplash, I was equally invested in both storylines. I always felt a mix of joy and frustration at chapter endings, as they inevitably ended on a cliffhanger before switching POVs, leaving me desperate to know what happened in the first story while being happy to find out what happened after the cliffhanger in the OTHER plot. Best of all, both stories crash together in a fantastic finale sequence, full of peril, high stakes, and emotional moments.

CONCLUSION: Going into Two Twisted Crowns, I had a feeling I would at least like this second book; I was not prepared for how I would absolutely love it. I'm not ashamed to say I cried at one point at how beautifully one element came together. It is a sequel that is better than its predecessor in every way and a worthy conclusion to this atmospheric duology.

Monday, May 13, 2024

Interview with Craig Schaefer : Celebrating A Decade Of Dark Fantastical Tales (interviewed by Mihir Wanchoo)

 


Official Author Website
Order Dig Two Graves over HERE
Read Fantasy Book Critic's review of The Long Way Down 
Read Fantasy Book Critic's review of The White Gold Score 
Read Fantasy Book Critic's review of Redemption Song 
Read Fantasy Book Critic's review of The Living End 
Read Fantasy Book Critic's review of A Plain-Dealing Villain
Read Fantasy Book Critic's review of The Killing Floor Blues
Read Fantasy Book Critic's review of The Castle Doctrine
Read Fantasy Book Critic's review of Double Or Nothing
Read Fantasy Book Critic's review of The Neon Boneyard
Read Fantasy Book Critic's review of The Locust Job
Read Fantasy Book Critic’s review of Down Among the Dead Men
Read Fantasy Book Critic’s review of Dig Two Graves
Read Fantasy Book Critic's review of Sworn To The Night
Read Fantasy Book Critic's review of Detonation Boulevard
Read Fantasy Book Critic's review of Winter's Reach 
Read Fantasy Book Critic's review of The Instruments Of Control 
Read Fantasy Book Critic's review of Harmony Black
Read Fantasy Book Critic's review of Red Knight Falling
Read Fantasy Book Critic's review of Glass Predator
Read Fantasy Book Critic's review of Cold Spectrum
Read Fantasy Book Critic's review of Right To The Kill
Read Fantasy Book Critic's review of Black Tie Required
Read Fantasy Book Critic’s review of Never Send Roses
Read Fantasy Book Critic's review of Ghosts Of Gotham
Read Fantasy Book Critic' review of A Time For Witches
Read Fantasy Book Critic's review of The Loot
Read Fantasy Book Critic's review of The Insider
Read Fantasy Book Critic’s review of Any Minor World
Read Fantasy Book Critic's Interview with Craig Schaefer
Read Fantasy Book Critic's Harmony Black Series Interview with Craig Schaefer
Read Double Or Nothing Cover Reveal Mini-Interview with Craig Schaefer
Read Part I of Fantasy Book Critic's In-depth Interview with Craig Schaefer
Read Part II of Fantasy Book Critic's In-depth Interview with Craig Schaefer
Read the Wisdom's Grave Trilogy Completion Interview with Craig Schaefer
Read the 2019 And Beyond Interview with Craig Schaefer
Read the Right To The Kill Cover Reveal Q&A with Craig Schaefer
Read the Black Tie Required Cover Reveal Q&A with Craig Schaefer
Read the Charlie McCabe series interview with Craig Schaefer
Read My Sworn To The Night Cover Reveal Q&A with Craig Schaefer
Read 2020 State Of Schaefer Interview with Craig Schaefer
 
Q] Welcome Heather, thank you for joining us today. Readers have been blessed with your incredible books (32 of them so far) in the last decade. What do you make/feel about your journey through the last decade?

Heather: Gratitude. That’s it in a nutshell. I’ve never wanted to be anything but a writer (although as a small child I flirted with the idea of becoming a special-effects artist or a private detective), and here I am, fifty years old and doing it. A life in the creative arts can be an intensely stressful and chaotic thing, laden with uncertainty and fear around every corner (will I be able to survive another year? Another month? Another week?), but it’s all worth it. I’m so thankful to be able to do what I love most.
 
Q] You started off as an indie writer just when self-publishing was really starting to take off. Looking back, what do you think of the whole indie scene back then?

Heather: I came in during a big boom in self-publishing, and the landscape was a mix of people who wanted to create genuine art and people who thought writing was their get-rich-quick ticket to easy money and a lavish lifestyle. And as a veteran of the industry I have a hard time even saying that with a straight face. (I’ve been doing this for a decade and I still earn less than I made in my last office job, doing three times the work.) Thankfully I was able to gravitate to the people in the former category and learned a lot from their wisdom, both in craft and in business.

Back in the day, the get-rich-quick crew believed in grabbing a popular book, copying it right up to the line of plagiarism, and pumping it out quick and unedited to ride whatever the latest trend was. I have less than zero respect for this. The first ingredient to cooking up a good book is passion. If you don’t care about the story, why on earth would a reader care? A book written with passion can be flawed, even grievously so, but by the gods there’s something there. A spark.

These days most of those folks are long gone, but of course now we have their replacements who are telling ChatGPT to spit out unreadable dog-turd “stories” and deluging magazines with them. Which of course does nothing but fail, utterly, and swamp slush piles in garbage to make it harder for real writers to get noticed.

The good folks, though? Solid gold. I never would have made it this far without the advice of my peers, and I hope I’ve helped a few of them along the way as well. I always try to stress that writers are not in competition with each other, simply because books are not a zero-sum product. Car manufacturers compete because you only need to buy one car; if I get a Hyundai, Ford doesn’t get my cash. Readers, on the other hand, buy a lot of books (I say this as I glance at my towering to-be-read pile), so if someone picks up another writer’s book instead of mine, there’s still a chance I’ll get ‘em down the line. Everybody wins, especially the readers.
 
Q] You also adopted a very reader-friendly approach and released books in two different series in quick succession in the first two years. What was your reasoning for such a hectic schedule?

Heather: At the time, it was considered the best way to get vital early traction with readers. You can put out one well-received book and that’s great, but if you wait a year to do anything else people will largely forget about you by the time the sequel drops. So I waited until I had several books written, professionally edited, and ready to launch before dropping the first.

As for why I continue that pace, it’s simply survival, and I mean that on two levels. First, practically speaking, writing is a brutal business that gets harder every year. I simply wouldn’t be able to earn a living without putting in six days a week (sometimes seven), every week. Secondly, I’ve been candid about my struggles with mental health; there’s a darkness in my brain that would very much like to kill me. Writing is a light that keeps it at bay. So I write.
 
Q] After the pandemic, you shifted to a better (and hopefully less stress-inducing) release schedule for your books. You also went through a massive personal life change. How much did your writing & friends/family help influence this huge step? Or was it something which you felt was necessary for your own mental health?

Heather:  I feel silly saying it was a rough and dark time because, I mean, who WASN’T it a rough and dark time for? I was luckier than a lot of people, but the pandemic created a perfect storm for the burnout that was overdue and I just crashed, utterly.

Realigning my life, doing what I needed to do to take care of myself and my physical and mental health, was something I had put off for far too long. I made it through with the help of my friends and an amazing therapist, and I’m thrilled to say I’m firing on all cylinders again – albeit with much healthier personal and work habits to make sure I stay on course.
 

Q] The Long Way Down (Daniel Faust #1) was your debut and for your decade anniversary, you gave us his 11th adventure. What is about Daniel that drew you into writing his adventures?

Heather: The funny thing is, I’m not a fan of urban fantasy as a genre, at all. I’m all about crime, thrillers and mysteries, and I thought for a while that’d be my career arc (hopefully emulating Elmore Leonard and Donald E. Westlake, two of my all-time favorite authors.) But then I was reading my way through the Parker novels, which Westlake wrote under the pen name of Richard Stark. For the uninitiated, Parker’s adventures started with the 1962 novel The Hunter and the series ran until 2008. Parker is a relentless anti-hero, a heisting machine who puts together crews, takes down big scores, and shoots anyone who gets in his way.

Sound a little familiar?

So one day I was rewatching the 90s movie From Dusk Till Dawn. If you are one of the very, very few people on the planet who doesn’t know that movie’s totally bonkers mid-film twist, I will not spoil it, save to say it starts as a crime movie and then instantly shifts gears in a delightfully wild fashion. And it got me thinking, since I was reading this Westlake book at the time…What would it be like if Parker lived in a world with monsters and magic?
Thus, Daniel Faust was born. He’s not quite like his predecessors (he does have a conscience, albeit a tiny one, unlike Parker, and there’s some DNA from Seth GeckoGeorge Clooney’s character in From Dusk Till Dawn – in there as well) and quickly evolved into his own thing, but that was the genesis of the idea. And once I started, it was too much fun not to keep going.

Q] Was The Long Way Down the first book that you wrote or are there any trunk novels, which you never released?

Heather:  It was my fifth or sixth book. There are trunk novels but they have been consigned to the outer void where they belong and will never be seen (my very first was written in high school at age 17, and you can probably imagine how horrible it was.)

Two of those were actually proto-forms of what would become the Faust series. They were set in Chicago, where I lived at the time, because I could do extensive local research (I’m big on research) just by hopping in my car and going to see places in person. Then, everybody and their brother told me that I’d be instantly accused of ripping off the Dresden Files because that series “owns” Chicago. This pissed me off on several levels but it turned out to be serendipitous, because once I hit on Vegas for the setting (since I was traveling there regularly) I realized how perfectly it fit Faust and his crew of rogues.

Instead of trying to retool the existing manuscripts, I went back to square one and came up with new stories, from scratch, to better fit the new setting. There are elements of the first two that I like, and a couple of side characters have filtered their way in over the years, but the choice to throw out the first manuscripts and start from the foundations up was ultimately (if painful) a good lesson for me as a writer and the best choice for the books themselves. No regrets.
 
Q] Previously the Daniel Faust series had distinctly 3 book arcs but that hasn’t been the case with the last couple of books. Does this mean that the 3 book story arc structure won’t be followed for the middle (and possibly latter ) part of this series?

Heather: The three-book arcs were ideal early on, but Faust’s world has become a much more chaotic place with his two worst enemies on the rampage, and I wanted to reflect that ramping of the stakes by making the beats less predictable. I may go back to it at some point, but not until the Enemy conflict is resolved for good.
 
Q] You also released a dark fantasy series which has been severely underappreciated but has its fans. I loved how twisted it was and how it set up Wisdom’s Grave trilogy. Will you be taking any new epic (dark) fantasy route in the future?

Heather:  I would love to! I have a few irons glowing in that particular fire, but it’s too early to talk about it.
 


Q] Speaking about The Wisdom’s Grave trilogy, it is one of my alltime favourite series. It was such an amazing story that capped off one of the few happy endings within your worlds. Will there be another epochal trilogy like that in the future of the First Story saga?

Heather:  The Wisdom’s Grave trilogy is something I’m proud of, and it’s remarkable how it’s easily the most polarizing thing I’ve done. People either really love it or really hate it, and thankfully the ratio is largely on the love side. I figure a reaction that strong means I did something right.

That said, there was a lot of reader friction with people feeling they “had” to read it in order to keep up with the Faust and Harmony books, and that was a mistake on my part and something I’m going to be careful about in future. Would I like to do another side trilogy, though? Yes. Absolutely.
 
Q] You have genre hopped within all of your books from grimdark to noir to horror to urban fantasy. Also with jaunts to thriller, pulp fantasy and even mythological fantasy genres. Would you happen to explain this nomadic writing style?

Heather:  I try to be fairly consistent with my branding, in the sense that if you pick up a Craig Schaefer book, you know what you’re going to get: a twisty plot, violent action, a found-family dynamic and a big dollop or two of body horror. (And probably, as someone said over at TV Tropes, BDSM and gourmet food.)

Within that scope I like to play and explore. I feel that trying out different genres, different styles and approaches, keeps me from getting stale and helps my overall improvement as a writer. Understanding the rules of different genres,  and knowing when you can break them and when you can’t, are all powerful additions to any author’s bag of tricks.

I’ve never been interested in coloring inside the lines. Genres, in general, are just small bundles of expectations (for example, readers picking up a horror book expect something scary, readers picking up a romance novel expect an HEA, fantasy comes with the expectation of the fantastical, and so on.) As long as you meet those crucial core expectations, you can go wild in the margins.

Alternately, I work for the Lady in Red and I write what she tells me to write. Go with whichever answer you like best.
 
Q] In a recent blog post, you have mentioned that the Enemy-Paladin conflict is finally happening. Will the next two Faust and Harmony books be the preamble to this showdown or will they be focusing on the showdown? Alternatively might there be a separate book/series focusing on this grand conflict?

Heather:  The showdown will be resolved in the mainline books, not a spin-off, and the next couple will be laying the groundwork for it. Can’t say much more than that without getting into big spoiler territory.


Q] What’s next for you after the release of Dig Two Graves? What are you writing currently?

Heather:  Right now I’m working on the next Harmony Black novel, which doesn’t have a title yet. (Or more to the point, it has four or five and I don’t quite like any of them so I’m keeping quiet until I figure it out.) Barring some catastrophe, it’ll be out by the end of the year, and it follows up on a dangling plot thread from the original four books published by 47North: what the heck happened to Bobby Diehl, Harmony and Jessie’s original big nemesis? We last saw him as a desperate coked-up fugitive with his company gone and his assets frozen, bent on revenge.

Well, he’s back (with a few of his friends), kicking the action off with an inciting incident that I think nobody is going to predict. (Oh, and in case it sounds like I gave too much away, Bobby’s not the main antagonist of the story. That honor goes to someone else.)
 
Q] Will we be seeing any more of the characters (and world) from Any Minor World in the near future?

Heather:  Yes. I can’t talk about my plans for a direct sequel because some things might be happening behind the scenes (business stuff), but I can say that based on the ending of Dig Two Graves…yeah. Soon.
 
Q] You previously have mentioned that you have a specific ending in mind for the Faust books. Is that the case as well for Harmony as well? How many books are you planning for her series?

Heather:  For those who don’t know the story, when I started working on the Faust series one of the first things I did was block out the whole thing in broad strokes. Not full outlines so much as “Okay, so first we have this arc, then this one” all the way to the end, giving me lots of wiggle room to add or remove individual stories while keeping a tight vision. I also wrote the final scene of the final book.

It won’t ever appear as-is, since I’d certainly hope I’ve improved as a writer in the last decade, but it was a great tool to lock in a vision. The last line of the series probably won’t change: it’s straight from Dan’s mouth and I think it’ll be a perfect capstone, but I guess that’ll be up to readers to decide when we get there!

The Harmony series is likewise mapped (for example, the spoilery thing that happened with Nadine in the last installment, Never Send Roses, was planned out way back when she made her first appearance), but softer around the edges with a lot more room to move pieces around if and when new ideas pop into my head. I have three possible endings, all of which I like more or less equally, but that day is still a long way off.
 
Q] Here’s looking forward to the next decade Heather, as a fan I’m so grateful for your stories. I hope you get to write all the biggest, strangest & strongest ideas which you have. Thank you again for all that you do. Any parting thoughts for your fans?

Heather:  Thank you! Writers can’t do what we do without readers. (I mean, we can, but it’d be pretty darn lonely.)

The best piece of writing advice I ever got came from one of my first editors. It was early days, I was still struggling to find an audience, and I was afraid that I was hurting my chances by not being commercial-minded enough. Should I try to be more…mass-market friendly?

Don’t you dare,” she told me. “Anyone can serve the flavor of the week. What you bring to your books is yours: it’s authentic, and readers can smell authenticity from a mile away. Yes, of course there are people who will turn away from your work because it’s too violent/gory/weird/whatever, but for every one of those you lose, you’ll gain another who will show up saying ‘This is exactly what I’ve been looking for.’ Every writer has a tribe out there, and you’ll only find them – and they’ll only find you – if you write as your most honest self and tell the story the way you think it should be told.”

I followed that advice, and I’m still in the game today. But the thing is…it’s not just writing advice, really, is it? It’s life advice, pure and simple, and if you ask me it checks out.

Know yourself and be yourself. You’re an original, and that’s what the world needs.

Wednesday, May 8, 2024

Cover Reveal: The Wingspan Of Treason by L. N. Bayen

 


Official Author Twitter

 Q] Welcome to Fantasy Book Critic Lamia. To start with, could you tell us what inspired you to be a writer in the first place?

LNB: Thank you for the warm welcome!

Writing was inevitable. My early childhood in Aleppo, Syria, were coloured by a rich oral storytelling tradition. There were many power outages and almost no television, and the grown ups entertained us with folk tales and poems. Those stories at my grandmother's knee were where the trouble began - and even now shape the way I write; I do love a bit of telling in a story, and not just perpetual showing.

When I moved to England, Narnia and the Shire and the like became the gateway to learning English. After that, there was no going back. Later, writing became a means of mourning what I had left behind.

Q] Why did you choose to go the self-published route?

LNB: I briefly queried this book and was met with one insurmountable obstacle: a mammoth word count (for a debut). I wasn't prepared to compromise the story, and there was no natural splitting point. I also quickly realised my day job won’t currently allow me to meet last minute traditional publishing deadlines. And once I got a a taste of controlling my own work and the creative process, there was no letting go of the reins...!

 

Q] The artwork for The Wingspan Of Treason is beyond dazzling (to say the least). What were your main pointers for your cover artist as you both went through the process of finalizing it? What were the main things that you wished to focus on in it?

LNB: Thank you kindly! It was actually difficult to distil a long epic down to one unified image. I didn't want to focus on weapons or warriors for this book - which I feared would minimise its metaphysical themes, though they're more conventional for the genre and do inspire beautiful, dramatic art. The story follows the metamorphosis of a repressed mapmaker and features a lot of avian mythology, and I'm slightly obsessed with astronomical instruments ... so in the end, the cover put itself together!

I illustrate by hand and agonised for weeks over which medium to use, in order to achieve a result that might aspire to the ranks of the stunning digitally produced covers that have been wowing us in recent years. I'll just say it was the most wearying coloured pencil drawing I've done to date and I never want to draw a circle ever again...

 

Q] Let’s talk about how The Wingspan Of Treason came to fruition? What was your inspiration for this fantasy story?

LNB: The story began fairly organically in 2016. I had very little reading time and craved something I wasn't finding (beyond the books I’d already read and loved to death), so I wrote the book I wanted to read. They say write what you know, so I did - cultures of many colours, tribalism and sectarianism, drought, war, migration, displacement, social injustice, spirituality. Then COVID19 hit during the early edits and writing became a much-needed escape from work.

Q] Can you tell us more about the world that The Wingspan Of Treason is set in? What are the curiosities (geographical, mystical, etc.) of this world?

LNB: This book is set in a world of Seven Parts, namely the Silfren Part, which is half lush, half desert (both icy and arid). The story's foundation was conceived around a strategic river dam and its many enduring, destructive impacts on land, resources, society and commerce... on everything. In Syria I learned to respect the availability of clean water and to fear regular shortages of it; this appreciation was a core building block of the story. 


The book also features clever minibeasts that humans use both as companions and for their special (non-magical) senses, who I'm probably too fond of and who have taken over my illustrations...! Sentience animates various physical substances of this world in the form of “slight matter” that people have almost forgotten how to sense, understand and harness – a forgotten science waiting to awaken.

 

Q] Is The Wingspan Of Treason going to the first book of a series? What can you reveal about your plans for the series (number of books)? Is there a series title?

LNB: This is the first book of a planned five. Guilty confession: I'm still grappling with a series title. Watch this space.

 

Q] Can you share something about the book that is not mentioned in the blurb and why should fans should be excited for this new story?

LNB: The blurb follows the central plot, but the story is a multi-POV third person web of several narratives. The book is also full of my illustrations, which I hope will bring some of its scenes and themes to life. A book about a mapmaker is incomplete without maps, and maps are not merely accessories to this story - they will grow to become as important as the characters who rely upon them. There will many maps and much artwork to come!

 

Q] For someone who has not read any of your novels, how would you describe the type of stories that you write?

LNB: I've tried to write character-driven narratives in fully-fledged worlds that are still relatable despite the fantastical elements, and which really employ only a modicum of magic - because reality is more fantastic than we often appreciate.

Arabic is my first language and I wrote poetry before prose, and I’ve been told these facts show in both my fantasy and literary stories.

 

Q] In closing, do you have any parting thoughts or comments you’d like to share with our readers?

LNB: Thank you for reading this far! THE WINGSPAN OF TREASON will hopefully be listed for pre-orders by the end of the summer, and I would be honoured to share it with you.

*---------------------*---------------------*-------------------*

 


Release date: Tuesday 3rd September 2024!

OFFICIAL BOOK BLURB: Invelmar. A great kingdom boasting unrivalled peace and a brutal grip over the known world. A kingdom built with blood.

Former Invelmari prince Klaus surrendered everything to it. Now he’s fleeing a shattering betrayal and wondering why his parents want to kill him.

Neighbouring Derinda – a once-magnificent realm devastated by Invelmar’s damming of its mighty river – may offer Klaus a new life mapping distant roads. But feuding Derinda makes poor refuge for a fugitive mapmaker, and there’s no peace from his questions here. Questions about who his real family are. Questions about the sentient particles awakening in Derinda’s desert, intent on unearthing the devastating secret buried in its sands…

Because this desert wind is thick with poets and pirates, shamans and spaewives, and the answers are far worse than Klaus could have imagined. His loyalties to his beloved home are fast unravelling, and the desert clamours for a trial of Invelmar’s crimes. But can he separate vengeance from justice?

Does he even want to?

TRUTH IS A KNIFE. LOYALTY’S A CAGE. NO ONE IS INNOCENT.


Review: How to Become the Dark Lord and Die Trying by Django Wexler


Official Author Website
Buy How to Become the Dark Lord and Die Trying

OFFICIAL AUTHOR BIO: Django Wexler graduated from Carnegie Mellon University in Pittsburgh with degrees in creative writing and computer science, and worked for the university in artificial intelligence research. Eventually he migrated to Microsoft in Seattle, where he now lives with two cats and a teetering mountain of books. When not writing, he wrangles computers, paints tiny soldiers, and plays games of all sorts.

FORMAT/INFO: How to Become the Dark Lord and Die Trying will be published by Orbit on May 21st, 2024. It is 387 pages long and told in first person from Davi's point of view. It is available in paperback, audiobook, and ebook formats.

OVERVIEW/ANALYSIS: For a thousand years, Davi has been stuck in a time loop. After waking up in a fantasy world with no recollection of how she got there, she was told she was the one prophesied to defeat the Dark Lord and save the world. And Davi's tried! Over 200 times she's tried to find a way to beat him, only to inevitably end up killed and sent back to the pond where she first woke up. Tired of defeat, Davi decides to try something new: What if, instead of defeating the Dark Lord, she just becomes the Dark Lord? She knows from experience there's a gathering in two months to choose the next Dark Lord. All she needs is to show up a hoard and claim the title. How hard could that be?

Whether or not you'll like How to Become the Dark Lord and Die Trying can be summed up with a single question: How much do you like the movie Deadpool? There's a lot of similarities in tone between the two, including my reaction to it. Davi is vulgar, crass, and horny, reeling off quips and pop culture references at a mile a minute. It's especially egregious in the opening of the book, and was overwhelming enough I almost DNF'd the book in the prologue. After a few pages I was convinced this book wasn't going to be for me, but given how much I'd like Wexler's previous (more straightforward) works, I decided to hang on for one chapter.

And then one chapter became two and and two became four and then next thing I knew I'd finished the book in 48 hours. Because despite being riddled with humor that isn't my thing, this book was compulsively readable. To start with, it's a great premise that starts at the right moment to maximize the absurdity of the situation. When we meet Davi, she's gone through the time loop over two hundred times. She knows her way around the Kingdom and the time loop, and has long since given up on trying to break free and return to the "real world". We don't live through the early days of her realizing she's in a loop or figuring out the rules. The Davi we meet has accepted her lot in life and moves through the Kingdom completely blasé about the whole thing, deciding what she wants to do on this particular outing in the loop, and generally messing with people as her mood strikes her.

I was impressed with the ways the time loop convention was used for both comedy and tension. Early on in the story, Davi doesn't care if she dies or who she kills in the process. After all, she's just going to wake up again, everything will have reset, and she can try a new tactic. But the further Davi gets in her journey, the less comfortable she is with resetting the time loop. Will she be able to recreate the circumstances that got her this far?

And underneath all the coarse humor, there is a heart at the center of Davi. Sure, she may ruthlessly kill a bunch of people on the way to her goal but despite talking a big game about how her hoard is just her minions, she can't seem to bring herself to actually TREAT them like minions. Between that and the pacing, I ended up finding more than I expected to like in this adventure.

CONCLUSION: How to Become the Dark Lord is definitely not going to be for everyone. Between the pop culture references (everything from World of Warcraft to Is it Cake?) and the off-color humor, there are many who are going to find this grating. But there are just as many who are absolutely going to love it. I'm glad I trusted Wexler enough to ride out my rough entry into the story, because now I absolutely need to know what happens next. 

Tuesday, May 7, 2024

Book review: The Atrocity Engine by Tim Waggoner

The Atrocity Engine by Tim Waggoner book review





Book links: Amazon, Goodreads

ABOUT THE AUTHOR: Tim Waggoner’s first novel came out in 2001, and he’s published close to fifty novels and seven collections of short stories since. He writes original fantasy and horror, as well as media tie-ins. His novels include Like Death, considered a modern classic in the genre, and the popular Nekropolis series of urban fantasy novels. He’s written tie-in fiction for Supernatural, Alien, Grimm, the X-Files, Doctor Who, A Nightmare on Elm Street, and Transformers, among others. His articles on writing have appeared in Writer’s Digest, Writer’s Journal, and Writer’s Workshop of Horror. He’s won the Bram Stoker Award and been a finalist for the Shirley Jackson Award, the Scribe Award, and the Splatterpunk Award. In addition to writing, Tim is also a full-time tenured professor who teaches creative writing and composition at Sinclair College.

Publisher: Aethon Books (April 30, 2024) Length: 316 Formats: audiobook, ebook, hardback
Friday, May 3, 2024

Review: A Fate Inked in Blood by Danielle Jensen

 



OFFICIAL AUTHOR BIO: Danielle L. Jensen is the USA Today bestselling author of the Bridge Kingdom, Dark Shores, and Malediction series, as well as the Saga of the Unfated. Her novels are published internationally in fifteen languages. She lives in Calgary, Alberta with her family and guinea pigs.

FORMAT/INFO: A Fate Inked In Blood was published on February 27th, 2024 by Del Rey. It is 432 pages long and told in first person from Freya's point of view. It is available in hardcover, ebook, and audiobook formats.

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