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Showing posts with label rage of dragons. Show all posts
Showing posts with label rage of dragons. Show all posts

Official Author Website
Order the Rage of Dragons here
Few books in the past year have built up a level of hype as that surrounding The Rage of Dragons. There was a solid two month period where I rarely saw a day go by without hearing about Evan Winter's debut fantasy novel. I'll admit I slept on it because I wanted the trade paperback version, and now that I've read it, with all the hype behind us, I'm happy to report that it lives up to it. This is one of the best debuts I've read, but I am a little worried for its strength because the inevitable sequel has much to live up to.
Strengths
There is much to love about The Rage of Dragons. Winter sets his story in an invaded world. The Omehi people are introduced as conquerors, forcing their way into a foreign land having fled their own for reasons that are not detailed in this novel but promise to feature in subsequent books. This is a twist - we generally don't root for the invaders. Winter make it work by telling the entire book from the viewpoint of an Omehi youth named Tau. Tau exists in this world many hundreds of years after the invasion. This land is the only one he knows, and he can not be blamed for despising the barbarians who make war on his people year after year - even if history shows him that it was the Omehi who brought it.
Tau's growth throughout the novel is possibly the strongest aspect of the entire book, even if it does create problems down the line. Tau starts out as a young man with some apparent combat ability, but he is unremarkable in almost every way. He is small, not particularly good-looking, and not born to an important caste in a society where status means everything - he is an everyman. Circumstances force him out of this inheritance early in the book, and it does not take long for him to embark on a journey of revenge. Like Arya Stark, Tau has a list, and the only way for him to legally check boxes off of that list is to train for a spot in the military.
Much of the book takes place in an academy, and another of the strengths of Rage is the camaraderie built up between Tau and his friends. Tau is an outsider, and remains so for nearly the entire novel, but he forms bonds that even his rage and pinpoint focus can not keep out. One thing that I think Winter does particularly well with this academy fantasy is to spread his eggs. Tau is good at one thing - fighting. He is no strategist, nor particularly good at rallying morale (he manages this through sheer force at some point, but it's clear that he finds it uncomfortable). Winter spreads the talents needed to form a competent team throughout the squad, and it makes it more believable. Other novels of this ilk can often run into the trap of creating one superhero with a team of underlings, and while Tau is certainly the superhero of the novel, he has obvious weaknesses.
Weaknesses
The Rage of Dragons is a book that promises to feature dragons in a central role. Picking up the book without knowing a thing about it, a reader might assume that the book is about dragons more than anything else. It is not about dragons. Much like in A Song of Ice and Fire, dragons are a weapon - a chess piece used both politically and militarily. They have no personality, are not in the book very much at all, and in the end prove as an important catalyst but one that the novel could have substituted any powerful item for. I don't often pick on title conventions, but I do feel that this one is a little misleading. At the same time, I love dragons and always want them in fantasy books, so this one is easy to forgive.
The only true problem I had with The Rage of Dragons is what Tau becomes. His transformation is a double-edged blade. When I said that his character growth was excellent, I meant that. It is well-paced, and we see him grow in a warrior sense throughout the story as though we were watching a character level up in a video game (an apt analogy for what he ends up getting himself into). But with that growth comes a level of ability so unmatched that it becomes ridiculous. Tau becomes invincible in a way that invalidates much of the world-building that Winter has laid out. This also makes for big problems with the inevitable sequel. By the end of The Rage of Dragons, Tau is so powerful, through his own sheer grit, that the only way to create conflict in the second book would be either to strip him somehow of his power, or to make him the villain. The former outcome is boring, and the latter robs readers of an established and interesting character. I hope Winter has a clever solution for this problem, and I suspect he does. I'm excited to see it.
If You Liked
Going in to The Rage of Dragons, I was told on numerous times to expect Gladiator, and there are certainly aspects of that with the arena combat and team-building. But what Rage most reminded me of was the Red Rising Saga, Pierce Brown's excellent space-fantasy trilogy. Darrow and Tau have very similar trajectory's, with revenge topping their list but societal transformation as the final goal. Their initiations into the real world both take place in a very dangerous academy style setting, and they even have similar growth trajectories. I think Tau is a better character, evidenced by the fact that I had to look up the protagonist of Red Rising because I couldn't remember much about him despite loving that trilogy. I think Winter does a good job of getting into Tau's head in a way that makes him unforgettable.
I also think that, through its setting, The Rage of Dragons shares much in common with books like Tomi Adeyemi's Children of Blood and Bone and even Nnedi Okorafor's Binti trilogy. There are certainly others that I haven't read yet that use African elements as their backdrop, and for fantasy readers this is a new and exciting direction to explore. I have also mentioned A Song of Ice and Fire twice in this review, but I think its similarities with Martin's work are fairly sparse.
Parting Thoughts
I have concerns about Winter's second book, as outlined above, but The Rage of Dragons is so good that I have confidence that he knows what he's about with a sequel. Winter has set himself up as a solid writer, a storyteller, and a world-builder on par with some of the heavy hitters in fantasy right now. He has an advantage in that his setting is not as saturated as, say, European-based fantasy, and this helps The Rage of Dragons stand out in the melee. He also writes a hell of an ending, and it was the last quarter of this book that really solidified it as one of my favorite reads yet this year. I am here for this series and hope the quality persists.

2019 Favorites

Evan Winter’s Rage of Dragons. This book was
previously self-published to great success, but Orbit picked it up and in 2019
launched it to even greater success. It’s billed as “Game of Thrones Meets
Gladiator”, which is all I needed to know. Aside from the intriguing premise, the
book delivered on all of the elements that a really great epic fantasy does,
including giving us a promise of much more to come.
Bryce O’Connor and Luke Chmilenko’s A Mark of Kings.
If you’ve read my Benjamin Ashwood series, you know I’m a sucker for a great
coming of age, young boy goes on an adventure to become a young man story.
Bryce and Luke nail everything I love about those tales, and they do it in a
way that feels really fresh and unusual. It gave me the same feeling that
fantasy did when I grew up reading it, but AMoK avoids simply re-walking
that same ground. Bonus points, audiobook narration by Nick Podehl.
Alec Hutson’s The Shadow King, Book 3 in the Raveling
series. I really enjoyed the first book in this trilogy when it came out in
2016 because it introduced us to an exciting new world with boundless
potential. I felt the epic span of Alec’s story was on par with the greats in
our genre. Shadow King brings the tale to a satisfying conclusion, giving the
payoffs we stayed three books for. This is the fantasy I want to write!
Carnival Row and The Witcher, the shows. All
freaking year everyone was talking about “the next Game of Thrones”, and while
it never came, I think we got something better. That kind of breakout hit only
happens every few years. We needed something to click so that companies would
keep bringing more fantasy to the screen. We needed to prove the genre could be
successful without it being a smash hit. Carnival Row, and the upcoming Witcher
series both already have second season orders. They’ve proven there is more
appetite for good fantasy. They might be base hits instead of home runs, but
sometimes that’s what you need to win championships!

Traditional publishing finally is getting its mojo back. I spent the last few years reading self-published books. I just wasn’t interested in much of what the Big 5 were putting out there. This year was different. Some of the old workhorses had releases; Joe Abercrombie, Brent Weeks, Leigh Bardugo, Mark Lawrence, Michael J Sullivan, and others. The publishers took risks, and for the first time in years, they seemed to pay off; Samantha Shannon’s The Priory of the Orange Tree, Alix Harrow’s Ten Thousand Doors of January, Tamsyn Muir’s Gideon the Ninth, Marlon James’ Black Leopard Red Wolf, and more. They also started dipping methodically into the self-pub pool to find some of their next authors. Everyone has known this would happen, a sort of farm league approach, but we didn’t know if they’d get it right. I mentioned Evan Winter already, but I was also excited for; Duncan M Hamilton’s Dragonslayer, Kel Kade’s Fate of the Fallen, and more. I’ll go as far to say 2019 was the best year for debut/new to the genre releases in at least five years.
Hans Rosling’s Factfulness and Steven Pinker’s Enlightenment
Now. So, yeah, not fantasy, and published in 2018 instead of 2019, but this
was the year I read them both! These books have to do with the way people
perceive and understand the world. Interesting material for an author, and
important concepts for anyone given the divisive political climates we live in.
Both of them permanently changed the way I view the world, and how often can
you say that about a book?
Looking Ahead to 2020
The sequels. I claimed 2019 was the best year in the last
five for new faces, which means we’ve got a lot of exciting follow-ups coming.
I’m really excited to see what these authors can do now that they’ve gotten
their feet wet.
Phil Tucker has an unnamed epic fantasy series that will
arrive in 2020. I really loved his Chronicles of the Black Gate, and
I’ve been keeping up with him as he bounces around a little. I expect when he
returns to the genre he does best, he’s going to come back with a bang.
The Kings. Sanderson has the pre-order up for Stormlight 4,
there are rumors that George R.R. Martin will get a book out, though I’m
suspicious since there is no official word. There are less credible rumors that
Patrick Rothfuss is getting close. In the self-pub space, Jonathan Renshaw is
working on his sequel again. I wouldn’t bet a lot of money they’re all getting
books out next year, but I think they might make significant progress. These
authors get a lot of flack from fans for long periods between releases, but I’m
still on board. I want to see what they’ve got in the works.
On the Horizon for AC Cobble
At the moment, I’m finishing up the first draft for Spirit:The Cartographer Book 3. This series is a Sherlock Holmes, Epic Fantasy
mash-up, and it’s been a ton of fun to write. I’ve really enjoyed adding in
layers of mystery, and I don’t drop the final curtain until this last book. I
can’t wait to see what people think! I’ve been sharing a June 1st
release, but I’m trying to speed that up. Bonus points, Simon Vance is
narrating the audiobook, and his work on this series has been amazing.
After I finish up the Cartographer, I’m going to move
into a new series. This one will have a classic fantasy feel, similar to my Benjamin
Ashwood series or Michael J Sullivan’s work. There will be a ranger
character who gets saddled with three mischievous teens. Responsible for
managing the wilderness at the edge of an empire, he’ll be pressured into
taking the three back to their homes. Their journey will lead the ranger into
the heart of a deep, dangerous conspiracy.
About the Author
AC Cobble is the author of the fantasy
adventure Benjamin Ashwood series and the gaslamp fantasy mystery, The
Cartographer series. AC resides in the Houston, Texas area with his
wife, their three children, and his wife’s dog. Outside of time for family and
writing, he’d rather be traveling. For updates on his writing, a peek at the
artwork for his series, and free short stories and novellas, you can go to: www.accobble.com.
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