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Showing posts with label superhero. Show all posts
Showing posts with label superhero. Show all posts
Tuesday, June 20, 2023

Book review: Soon I Will Be Invincible by Austin Grossman

Soon I Will Be Invincible by Austin Grossman review


Book links: Amazon, Goodreads

ABOUT THE AUTHORAustin Grossman is the author of three novels: SOON I WILL BE INVINCIBLE, YOU, and CROOKED.

PublisherVintage; 1st edition (June 5, 2007) Print length: 338 Formats: ebook, audiobook, paperback, hardback

Tuesday, November 8, 2022

Book review: Blitz by Daniel O'Malley

Blitz by Daniel O'Malley review


Book links: Amazon, Goodreads

AUTHOR INFO: Daniel O'Malley is an Australian science fiction writer. A graduate of Michigan State University with a master's degree in medieval history from Ohio State University. He works for the Australian Transport Safety Bureau. His first novel, The Rook (novel), was released in 2012 and was a winner of the 2012 Aurealis Award for Best Science Fiction Novel.

PublisherLittle, Brown and Company (October 18, 2022) Page count: 689 p
Wednesday, August 17, 2022

Book review: Cobalt Blue by Matthew Reilly

 


Book links: Amazon, Goodreads

AUTHOR INFO: Matthew Reilly is the internationally bestselling author of the scarecrow series, the jack west series, and numerous standalone novels. his books are published in over 20 languages with worldwide sales of over 8 million copies. he directed the Netflix film interceptor, which he co-wrote with Stuart Beattie.

Publisher: Macmillan Australia (August 2, 2022) Pages:216 Formats: paperback, ebook, hardback, audiobook
Tuesday, July 13, 2021

The Astounding Antagonists by Rafael Chandler review

 

Order The Astounding Antagonists over HERE (US) and HERE (UK)
Tuesday, August 11, 2020

Bystander 27 by Rik Hoskin review



Official Author Website
Pre-order Bystander 27 over HERE(USA) or HERE (UK)

Friday, June 26, 2020

Hench by Natalie Zina Walschots (reviewed by Łukasz Przywóski)


Pre-order Hench over HERE(USA) or HERE (UK)

AUTHOR INFORMATION: Freelance writer, promiscuous wordsmith, relapsing academic, poet, journalist, editor, reviewer, music critic, geek, gamer, metal head, feminist, gastropornographer, sadomasochist, cheese pervert, rogue wizard, lady hobbit, shit disturber, groce count, fireplug. Supervillain. I have often been in the newspaper for swearing. 

FORMAT/INFO: Hench is out on September 22, 2020, in all formats. 


Hench expertly deconstructs superhero stories and offers a fresh perspective on the subgenre. Instead of following heroes, it focuses on Henches, expendable employees of supervillains. 



Anna Tromedlov works temp jobs for minor baddies. Her newest job ends in a disaster - Anna ends injured, out of work, and disillusioned with reckless superheroes who pay no attention to casualties of their superhuman feats. Her data-based research confirms superheroes, for all their good PR, are terrible for the world. They're a pest. Or worse.



When Leviathan, an A-List Supervillain, hires her as a Hench, she can use her anger, data analysis skills, and excel sheets to wreak havoc in heroes' lives. Trust me when I say data analysis proves more lethal than laser beams or psychic powers. 

Make them late; make things go wrong around them; ruin their dry cleaning and dinners and marriages. Fuck with their social media profiles and public perception. 



Anna's work has one goal - to publicly humiliate heroes and make their private and public lives as miserable as possible. Thanks to modern technology, rumors, social-engineering, social media, and viral videos, she controls how the public perceives them and how they interact with others.



While Hench doesn't have a lot to say about superheroes that hasn't been said before, it offers a unique perspective. I wouldn't call Anna relatable, but I appreciate her agency. Despite the success of Wonder Woman and Captain Marvel many superhero stories lack strong female leads. It's good to finally see a competent female character with an understandable backstory, her own agenda, and loads of screen-time. Her doubts make her more believable and human. The way she ruins her private life shows everything comes at a cost.


Interestingly, Anna bores most superheroes no ill will. She destroys them to get to a Supercollider, her, and her employer's Nemesis. Walschots' take on emotional detachment impressed me. Thanks to snarky (and slightly cynical) humor, the story never gets depressing or too dark. Even when things do get dark and depressive.

The plot follows her jobs, and it's not linear. Instead, we witness the turning points of her professional life leading to a brutal climax and excellent ending that I find fitting, even if it's more bitter than sweet.

In all, a worthwhile read for fans of the subgenre.


Thursday, December 12, 2019

Masked by Lou Anders (reviewed by Łukasz Przywóski)


Official Author Website
Order Masked over HERE(USA) or HERE(UK)

AUTHOR INFORMATION: Lou Anders is the author of the novels Frostborn, Nightborn, and Skyborn, the three books of the Thrones & Bones series of middle-grade fantasy adventure novels, as well as Star Wars: Pirate's Price. Anders is the recipient of a Hugo Award for editing and a Chesley Award for art direction. A prolific speaker, Anders regularly attends writing conventions around the country. He and his family reside in Birmingham, Alabama.

OFFICIAL BOOK BLURB: Superheroes have come a long way since the “Man of Steel” was introduced in 1938. This brilliant new collection features original stories and novellas from some of today’s most exciting voices in comics, science fiction, and fantasy. Each marvelously inventive tale shows us just how far our classic crusaders have evolved—and how the greatest of heroes are, much like ourselves, all too human.

FORMAT: Masked is 416 pages long and it contains fifteen short stories written by fifteen authors. Published on July 10th, 2010 by Gallery Books (a division of Simon & Schuster) it's available in an e-book and paperback format from most retailers.

OVERVIEW: I was raised on comic books. I used to read them and reread them dozens of times. I remember the look my parents gave me when I told them that I wanted to be an X-Man once I grow up. I guess they wanted a different career for me. And yet all I wanted to do was to go to X-Mansion and hang out with all the mutants and go on adventures. Sure, I had some backup plans but this was my dream.

Sadly, things didn’t go as planned. As I’m not gifted with omega level mutant power I finished as an HR Consultant and part-time yoga teacher. Not exactly Wolverine.

I accepted my fate. If I grow claws one day and teleport myself to Paris to grab a coffee and a croissant for breakfast, I’ll let you know. For now, though, I still enjoy superheroes, especially the ones with the mutant super powers. I still read comic series but I have impression Marvel lost a sense of direction a bit.

As books were always my true love, I’ve been trying to find good books about superheroes. I loved The Rook by Daniel O’Malley, but couldn’t get into most books in the genre. And I tried more than few in recent years.

Masked was recommended to me on r/fantasy board and as I like to struggle with anthologies, I grabbed a copy. Here are my thoughts and impressions on each story.

Cleansed and Set in Gold by Matthew Sturges - ★★★★

I'm on the ground trying to breathe through a chest full of broken ribs. The only reason I'm still alive is that I happen to be invisible at the moment.
It starts well. It made me want to understand what was happening. A strong first line is important. What about the rest of the story? It follows one of Wildcard heroes. He's nobody's favorite hero - he's not particularly handsome. He doesn't have a heart-breaking origin story. Journalists usually focus on other League of Heroes members. It's good. The less they know about him the better.

It's a dark story but not devoid of humor. It explores the theme of sacrifice and shows a reader what it truly takes to be heroic. Sometimes you have to sacrifice your own self-worth in order to do the right thing.

I really liked it despite some corny jokes and one-liners (very few of them, but still).

Where Their Worm Dieth Not by James Maxey - ★★

The Retaliator sees the world in white and black and he has a clear vision. He's ready to sacrifice a lot to make right choices.

The True evil of the world was insidious in its smallness, the petty, pointless meanness that would pistol-whip a grandmother or badger a crying child.
He's part of a group of superheroes with cool powers. For example, his close friend Atomahawk has blood more radioactive than uranium and he has to bury his feces in lead jars because they'd kill any ordinary man that got near them. Other heroes that are mentioned have some interesting skills as well.

Retaliator's nemesis Prime Mover makes a move (pun intended) and things are coming to a closure. Hard choices will be made.

While I enjoyed the ideas in the story, the story itself and it's resolution didn't impress me that much. It was ok and pleasant to read but nothing more.

Secret Identity by Paul Cornel - ★

The Guardian is a gay hero. Clothed in a rainbow suit, he fights magical threats and villains. The thing is when he changes, he becomes more muscled and more masculine. It seems he may have some straight tendencies as a Guardian. It leads to some troubles in his private gay life.

While the story touches some interesting issues, it does so in a juvenile way. The story was rather simplistic and the plot and its resolution were anticlimactic. An idea is here. The execution, though, is rough. Too rough. Probably the weakest story.

The Non-Event by Mike Carey - ★★★★★

Brilliant. I was laughing loud while reading it. More than once.

The story is told in first-person POV. The narrator is a villain, but he doesn't want to rule the world. He just wants to do some old-school burglary. It's not easy, though, in a world where there are many more heroes than villains. Good guys in tights are everywhere.

We start at the end. The narrator tells the story of how things went off the rails. His voice is snarky and I absolutely loved it. Here's a sample describing one of villains powers.

Vessell's deal is that he can instantaneously appear anywhere his name is written down. I know, I know, it's like a bad joke. You blink out of reality and reappear inside a fucking mailbox, right?

Avatar by Mike Baron - ★

It was a sort of realistic approach to the theme. I didn't like this story as the writing was rather lacking in quality. Not my cup of tea.

Message from the Bubblegum Factory by Daryl Gregory - ★★★★

Eddie King, a former sidekick of a famous superhero, believes the whole world has been invented for the amusement of Soliton, the world’s first superhero, and Eddie’s adoptive father. After Soliton arrived, supervillains and more superheroes started popping up, freak accidents began giving people powers instead of killing them, and the laws of physics got rubbery.

Eddie knows Soliton came here from a mundane parallel universe that sounds suspiciously like the readers. So that raises some questions for Eddie. Is everyone in his world living in some kind of virtual reality or personal artificial universe? And is every event — even Eddie’s plot to kill his father — part of Soliton’s script? Eddie King is trying to figure out if he’s fated to play out his role, or if he has free will… or if he’s just crazy.

I thought it would get five stars from me. And it would. However, the ending didn't give any sense of closure. Therefore I'll lower the rating a bit. It's excellent but I like short stories to be self-contained.

On the other hand, if there are more stories about Eddie and his new team, I'll read them.

Thug by Gail Simone - ★★★★★
Hello, my name is alvin becker but i guess you know that already becuz i am the only one that will read. my pee oh said i wasn't learning from my mistakes so I should keep a JOURNAL.
Alvin Becker is a particularly large young man. He's HUGE. Mountain from Games of Thrones would run away from him, terrified. He's also developmentally challenged. Speaking bluntly - he's dumb. The story is written in Alvin's words, and we read it in journal format. The writing is painstakingly detailed and is brilliant. Despite grammar errors (purposeful - remember we're reading a journal written by titular Thug, who doesn't have a lot to share in IQ department; he has the heart in the right place, though).

The story is short and it tells us a complex story of Alvin's life and him becoming the THUG. Normally, we would see him as a bruiser, a bad guy who uses his strength to bully others. That's not the case.

Alvin tells his true story. His language is simple, guileless and punchy. It does give a glimpse of how Alvin's mind works. And Alvin isn't really a bad guy.

I'm impressed by this story - it managed to create an engaging and sympathetic character, show the other side of the coin while devastating English grammar. It was awesome.

Vacuum Lad by Stephen Baxter - ★

Ok. It may be only me, but it was boring. There's some talk about science and little else. I have nothing against science but in this anthology I want superheroes bending the laws of physics.

A Knight of Ghosts and Shadows by Chris Roberson - ★★

A decent story about the hero with mystical powers and not-so-mystical .45 Colts. He's looking for a demon in a California town during WW2.

The story is decently written and I guess it's just a matter of taste that I didn't enjoy it more than that.

Head cases by Peter David and Kathleen David - ★

It seems the story is part of / inspired by the sitcom series about Thunderhead - a would-be hero whose inability to utilize his ability to produce loud thunder blasts without injury to himself leads him to become a source of comedic derision in the superhero community.

It was supposed to be funny. It wasn't.

To me, it was rather poor.

Downfall by Joseph Malozzi - ★★★

Marshall was born with hereditary superpowers. He never learned the identity of his father. He has a list of potential candidates. He plans to learn his father's identity one day but life happens and Marshall becomes a member of the supervillains gang.

Them after getting married he quits and then relapses shortly after. When we meet him, he's on parole. There's a guy who wants to reveal his identity. Intellectually, it was interesting. But it didn't really entertain me.

By My Works You Shall Know We by Mark Chadbourn - ★★

Nox can use all of his brains and make his body do all kinds of crazy things. Unfortunately, his body shuts down when the sun comes up. There's also a girl, a friend, a treason and a twist. None of them spoke to me.

Call Her Savage by Marjorie Lu - ★★

It was ok. Nothing more. The world inspired by China permeated with steampunk elements is interesting but all these details were introduced a bit too late. In the end, it feels a bit like a chapter taken from a much larger novel and all the interesting bits have already happened. Or, maybe, are just about to happen.

Tonight We Fly by Ian McDonald - ★★★

Even heroes and villains grow old and suffer from arthritis. The story is nice, with a good sense of humor and interesting take on superheroes mythos. It was sweet to see our hero and his archnemesis together.

A to Z in the Ultimate Big Company Superhero Universe by Bill Willingham - ★★★

It's pretty interesting considering the cast of characters involved and the experimental ABC plot structure of the piece - each chapter starts with the letter of the alphabet. A lot of characters are introduced and their plotlines connect. It was engaging and I liked it. I'm not crazy about this one but I appreciate experimenting with the short story format, especially that everything gels in the end.

Let’s look at stats.

The Anthology contains fifteen short stories. Each is written in a different style. Not all styles speak to me. The truth is in numbers and the numbers are as follows:

★★★★★: 2
★★★★: 2
★★★: 3
★★: 4
★: 4

On the whole, the writing level and my personal enjoyment (which is, to me, most important factor) varied mostly around a mediocre level. Some of it got a little worse; some a little better. There were obvious exceptions that you’ll easily spot by looking at my ratings.

My favorite one is Thug followed shortly by The Non-Event. Both are excellent.

I'm glad I was recommended this anthology. While it's not groundbreaking, it was mostly fun to read about guys and gals with superpowers. I need more of superhero books in my life :)

I encourage you to try the anthology. I'm sure everyone will find at least one brilliant short story worth rereading multiple times. You know how it is with books and stories, right? The same story appeals to some readers, bores others, depresses some, enrages others. All of these are perfectly valid, reasonable responses. Treat my rating this way - they're by no means objective.

Most of all, have fun with these stories :)
Friday, November 15, 2019

The Violent Century by Lavie Tidhar (reviewed by Łukasz Przywóski)

Order The Violent Century over HERE (USA) & HERE (UK)

OFFICIAL AUTHOR INFORMATION: Lavie Tidhar was raised on a kibbutz in Israel. He has traveled extensively since he was a teenager, living in South Africa, the UK, Laos, and the small island nation of Vanuatu.

Tidhar began publishing with a poetry collection in Hebrew in 1998, but soon moved to fiction, becoming a prolific author of short stories early in the 21st century.

He lives with his wife in London

FORMAT/INFO: The Violent Century is 332 pages long. The book was originally published in 2014. Tachyon reprinted it in 2019. Cover art by Sarah Anne Langton.

OVERVIEW: The Violent Century defies easy categorization. It’s as much a romance as a spy novel or a murder mystery. It’s also a memoir of a meaningful friendship. It revolves around deeply flawed Übermenschen (superheroes). So… let’s call it an alt-historical superhero thriller with romance and murder mystery?

Yeah, that fits. More or less.  


What makes a hero? A hero stands up to injustice. A hero triumphs over odds. A hero fights pirates, sails a raft down a volatile waterway, a hero is a boy and a boy is a hero, good triumphing over bad.

Every Superhuman has an origin story, telling how they gained their powers and decided to fight crime or become criminals. You’ll find nothing so obvious in The Violent Century. German scientist, Vomacht, created a machine that sent a probability wave of changes across the entire world. Random people gained unusual abilities and superpowers. 

British Henry Fogg, for example, can control fog. It doesn’t sound impressive, but you should never underestimate him. British intelligence services found his powers interesting enough to recruit and train him on a Farm. As a British agent, Fogg observes and experiences crucial parts of WWII. His loyalties are tested when he meets a beautiful and superpowered woman. 

A word of caution here. The story isn’t complicated, but the writing style is. The narrative moves forward and backward through time using rapid scene shifts. It opens with Oblivion delivering a message to Fogg - The Old Man wants to speak with him about what happened in 1946. Immediately after this, the story jumps to the mid-1930s and from there to the 1940s and further along the way.
Trinity College, Cambridge. The Rolls comes to a stop. A sea of grass. Students in groups, sitting in the sun. Samuel comes around and opens the passenger door, The Old Man climbs out. Stretches. Sun on his face.
Tidhar’s prose is minimalist, composed of short and sharp sentences with almost no exposition. His fractured writing style makes it rather difficult to read in the beginning and requires a bit of trust from the reader. Tidhar knows what he’s doing and once you get used to his writing, you’ll appreciate how powerful it can be. 

I think Tidhar played with the powers attributed to the Übermenschen. Not only are they exaggerated, but they also express, mockingly, their national identities (Fogg, a Londoner, controls Fog; Nazis are evil incarnated, Soviets tragic, Americans flashy and arrogant). Somehow, though, they give each historical era a distinctive feel and remain believably human.

The Violent Century is both demanding and rewarding. It won't appeal to everyone and I understand why some readers will put it aside because of time jumps and fractured writing style. I've almost done it myself; luckily I've persevered. If you give it a chance, you may discover it's one of the rare books that stay with the reader long after they finish the last page.


Monday, August 12, 2019

Kingdom of Heroes by Jay Philips

Official Author Website
Order Wayfarer over HERE (USA) & HERE (UK)

OFFICIAL AUTHOR INFORMATION: 
Jay Phillips lives on the Gulf Coast with his wife and two children. A lifelong lover of comic books, Star Wars, Doctor Who, and everything else from the nerd culture, he prides himself on writing fiction that crosses boundaries. 

OFFICIAL BLURB: Years ago, a gene virus ran rampant across the planet, leaving a small percentage of people gifted/ cursed with extraordinary abilities and humanity itself forever changed. Suddenly, there were people with super strength and speed, people who could read minds, people who could teleport themselves from place to place with but a single thought. 

FORMAT/INFO: Kingdom of Heroes is 411 pages long. It was self-published by the author in 2013. 


OVERVIEW: The world is full of books about superheroes, but only a handful revolve around a murder mystery and incorporate neo-noir aesthetic. Kingdom of Heroes contains most of the stock ingredients of the genre; the femme fatale, the morally ambiguous hero, complex plot, hard-boiled dialogue, and so on. It never wastes a second - thanks to short, action-packed scenes it’s ridiculously addictive.

Set in a world ruthlessly ruled by former superheroes known as the Seven, it pulls no punches in presenting a new form of dictatorship. We learn about world-altering events through a short introduction and skillful use of the newspaper clippings, transcripts of recordings and diaries between the scenes. Before the change of the power structure a gene virus affected a small percentage of the world population by mutations that manifested as enhanced mental and physical skills. Each mutated individual was affected with different abilities, some got immense powers while others useless ones.

Philips paints a gruesome picture of people discovering their powers:

“A woman in Peoria accidentally burned her husband alive when her ability to manifest flames turned on as she was climaxing during sex; a college student in Houston inadvertently lobotomized his History professor while searching the teacher’s mind for the answers to a test; a child in Denver was killed when he unknowingly teleported himself onto a major highway.”

Initially, superheroes wanted to protect the United States against crime and supervillains. But then the government made a fatal mistake and started to perceive them as a threat to the world’s safety and to persecute them. Agent America, and his team of powerful mutants, The Seven conquered states and created a dictatorship their leader perceives as a real-life Utopia. When a mysterious killer murders The Seven one by one (in gruesome ways), Agent America offers a deal to Canadian superhuman knows as the Detective who hates The Seven himself. Mayhem ensues in the best possible way. 

The novel draws from famous comic book arcs and presents characters similar to Marvel’s iconic characters. It starts almost like the Watchmen - with a brutal murder of the member of the Seven, a brilliant scientist Anthony Barren who flies around in technologically advanced suits. When the killer puts his hand on Anthony’s most advanced suit, he gains access to the hidden records concerning the strengths and weaknesses of members of the Seven, which include plans to neutralize them allies in a fight (an arc inspired by excellent JLA: Tower of Babel by Mark Waid). 

You won’t have to look very hard to spot characters inspired by Iceman, Captain America, Colossus, or Cloak&Dagger. And if like me you’re a geek raised on Marvel and DC, occasional nods to well-known characters will add another layer of fun to the edge-of-your-seat narrative. The action moves at a breakneck pace, from one location to another as The Detective tries to solve the murder mystery and stop the killer. The Detective himself is an intriguing character with a knack for the witty that’s top of the line (as long as you enjoy lines from 80’s B Movies). He speaks a lot and I could describe him as a mix of Peter Parker and Deadpool. See for yourself if you’ll enjoy his voice:

“Nothing like a bullet wound and sex with a beautiful woman to make a man feel the pangs of freedom.”

Or this exchange with a gal who’s just about to kill him:

“Oh well,” she said. “At least we had tonight. That means something, doesn’t it?” “Not to me,” he said, smirking for what he assumed would be the last time. “I doubt I’ll even remember you in the morning.”

Such cheesy lines brighten otherwise gruesome and violent reality of survival in the world rules by Agent America. You just can’t approach them seriously. The characterization has enough depth to make the reader care, but it doesn’t try to explore the deepest layers of a human psyche. Despite some shortcuts, I would never call the Detective one-dimensional. Unfortunately, I can’t say the same about female characters who are shown as hot and flirtatious types who can’t resist the Detective. Sure, it’s part of neo-noir canon, but it’s also sexist. As long as you accept it and turn a blind eye to the flawed characterization of females, you’ll enjoy the story. Dissect it, and I don’t think you’ll want to finish it.

Kingdom of Heroes is an excellent popcorn fun. It’s fast, furious and loud. If you like Hollywood pacing, superheroes, and crime you’re in for a rare treat.
Tuesday, August 6, 2019

Wayfarer by KM Weiland review (reviewed by Lukasz Przywoski)

Official Author Website
Order Wayfarer over HERE (USA) & HERE (UK)

OFFICIAL AUTHOR INFORMATION: 
K.M. Weiland lives in make-believe worlds, talks to imaginary friends, and survives primarily on chocolate truffles and espresso. 


She is the IPPY, NIEA, and Lyra Award-winning and internationally published author of the acclaimed writing guides Outlining Your Novel, Structuring Your Novel, and Creating Character Arcs, as well as Jane Eyre: The Writer’s Digest Annotated Classic. 

OFFICIAL BLURB: In this heroic gaslamp fantasy, superhuman abilities bring an adventurous new dimension to 1820 London, where an outlaw speedster and a master of illusion do battle to decide who will own the city.

FORMAT/INFO: Wayfarer is 502 pages divided over 46 numbered chapters. It's a standalone novel. KM Weiland self-published it in 2018. The cover design was done by Damonza.

OVERVIEW: I love superheroes. Watching them casually achieve impossible feats to save the world relaxes me, plus it offers a sentimental value. As a child, I’ve spent a fortune (thanks mom and dad) on comic books. Despite my fondness of the genre, I find most books about superheroes lacking compared to movies and graphic novels. Obviously, there are exceptions to every rule, and Weiland’s Wayfarer is one.

Set in the Regency England, the story takes place in 1820 London, where an outlaw speedster and a master of illusion confront each other to decide who will own the city. It seems the author has done a lot of research to make things feel and sound right. Weiland’s London is one of the most vivid and memorable settings I’ve had the pleasure to read about recently. You can almost smell it (not recommended, Regency England isn’t famous for hygiene or environmental care).

Sure, she used more than few solid paragraphs to paint the world, but I didn’t mind. The setting played an important role in the events.

The level of detail, cultural and language accuracy feels immersive without being overly expositional. It should impress history enthusiasts. Weiland incorporates a vernacular to her storytelling and as much as I appreciate her elegant language I admit the use of archaisms (naughts, aughts, and more) tired me and took out of the story few times. I needed a while to get used to it but with time I started to appreciate the richness of her writing. Coupled with the unique twists, it made Wayfarer difficult to put down, especially the final third, which seemed to fly by.

Main and secondary characters feel distinct, well-rounded and three-dimensional, but it’s the antagonist, Fitzroy, who truly shines and overshadows others with a distinct personality and single-minded focus on reforming London, no matter the cost. Despite the atrocities he commits, at times it was difficult not to respect him. As a vengeful politician with dark secrets and impressive powers, he stands out as a memorable villain.

Wayfarer himself is a simple lad trying to figure out what to do with his new powers and longing for a better life. He makes mistakes and pays for them. His choices are questionable, but he remains relatable and believable throughout. He falls for a beautiful (and smart!) girl from high-society. I’m not a fan of romance in books, but Weiland made it balanced, difficult and clever. No complaints here.

Any issues/drawbacks? Well, Weiland loves language. Sometimes too much and her writing becomes too wordy (subjective). Also, the climax. She didn’t pull the punches, but it was just too long (also subjective). Anything else? I don’t think so.

Readers appreciating elegant (if sometimes flowery) prose and immersive settings will appreciate the book. But it offers much more than just craftsmanship and dedication to well-rounded and beautiful sentences. Weiland’s way of blending action, suspense and drama keep the novel moving with a superb pace and she knows well when and how to tug at reader’s heartstrings. If you’re in the mood for a well-written gaslamp heroic fantasy, consider Wayfarer as your next read.

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