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Showing posts with label vampires. Show all posts
Showing posts with label vampires. Show all posts
Friday, February 24, 2023

Book review: Vampire Weekend by Mike Chen

Vampire Weekend by Mike Chen review


Book links: Amazon, Goodreads
Wednesday, December 9, 2020

The Lesser Dead by Christopher Buehlman Review



Order The Lesser Dead over here
Read FBC's review of Buehlman's The Necromancer House

OFFICIAL AUTHOR INFORMATION: Christopher Buehlman is a native Floridian and author of the literary horror novels 'Those Across the River' and 'Between Two Fires.' He is the winner of the 2007 Bridport Prize in poetry, and the author of several provocative plays, including Hot Nights for the War Wives of Ithaka. Many know him as comedian Christophe the Insultor, something of a cult figure on the renaissance festival circuit. He lives in St. Petersburg, Florida. His first novel, 'Those Across the River,' was nominated for a World Fantasy Award for best novel in 2012.

FORMAT: Published by Berkley (October 7, 2014). Available in all formats. Cover design by Judith Lagerman. 

OVERVIEW: I love vampires! Just not Twilight-sexy ones. Vampires are about death. They’re not nice. They’re no longer human. In The Lesser Dead, Buehlman introduces a tribe of vampires living in the urine-smelling subways of New York in the late 1970s. They’re nasty. And filthy. They sleep in defunct refrigerators or boxes and when they forget to seal their sleeping place, bugs crawl in their orifices. Above all, though, they don’t wear leather.

Joey Peacock, a brash and horny vampire eternally trapped in a 14-year-old body, guides readers through his history, vampires’ underground lives, and pastimes. His narration jumps in time - it blends the 45 years since Margaret, his family’s maid, turned him into a vampire and current events. Vamps have to deal with an unexpected threat - a creepy pack of undead children wreaking havoc and living a trail of dead bodies in their wake. Kids just wanna have fun, only they like it gory. And underground vampires won’t have any of it - they don’t want police sniffing deep down in the city’s underbelly.

Despite dark themes and brutal moments, The Lesser Dead entertains. Joey’s witty tone (ranging from streetwise to lyrical) and his unreliable narration keep the story darkly humorous and immersive. His relationships with other vampires, especially his “mother” (never call her this way!), are complex and believable. To make things even more impressive, Buehlman made me root for monsters. Or feel about Margaret the way Joey did:

Margaret rules her tribe as a tyrant and demands that everyone follows her directives at all times. After getting to know her tribe, you can’t blame her, though. Her strict approach keeps them safe and fed. I found her fascinating. Basically, the relationships and dynamics between her tribe members made it such a fascinating read. While no longer human, they cling to human ways, trying to keep their lost humanity. And personality. Joey behaves as an arrogant and selfish teenager with a lustful heart. He prefers not to kill humans, but he approaches them as snacks. One of the most powerful vampires hides a knitting kit in their place, and the other one plays music on the streets. Joey’s vampire pal, intellectual Cvetko sends people “may-I-bite-you” letters hoping their recipients will “understand on a subconscious level that this is a supernatural opportunity.” A colorful pack of characters.

Time spares no one. Vampires live longer than humans, but not millennia-long. And after years of living in isolation in decaying corridors, most of them go mad. I think we get more than a glimpse of the process it The Lesser Dead.

Conclusion: Buehlman twists the vampire mythos and makes it feel fresh. His vamps, a tribe of unscrupulous blood-drinking monsters preying on humans, ARE about death. They're cold, ugly, and willing to hurt you. Joey’s voice entertains and is a source of many laughs but don’t trust him. He’s a deceiver waiting to break you. 

The ending is vicious. That’s all I have to say. 

A terrific read.


Monday, May 2, 2011

“Queen of Kings” by Maria Dahvana Headley (Reviewed by Robert Thompson)


Order “Queen of KingsHERE (US) + HERE (UK)
Read An Excerpt HERE
Watch the Book Trailer HERE

AUTHOR INFORMATION: Maria Dahvana Headley is a MacDowell Colony Fellow whose writing has appeared in The New York Times, Elle, The Washington Post, and other publications. She is also the author of the memoir The Year of Yes, which has been translated into nine languages and optioned for film adaptation by Paramount Pictures. Queen of Kings is the author’s debut.

PLOT SUMMARY: The year is 30 BC. A messenger delivers word to Queen Cleopatra that her beloved husband, Marc Antony, has died at his own hand. Desperate to save her kingdom and resurrect her husband, Cleopatra summons the fearsome warrior goddess, Sekhmet, and strikes a mortal bargain.

In exchange for her soul, Cleopatra is transformed into a vampiric creature of mythical proportions, an immortal shapeshifter with superhuman strength and an insatiable hunger for human blood—a being at once ferocious and seductive. And she is bent on vengeance against those who have wronged her family and her kingdom.

Clashing against witches and monsters, gods and warriors, Cleopatra journeys from the tombs of Egypt to the great amphitheaters of Rome to the ancient underworld—where she will meet her love once again, and where the battle between man and beast will determine the fate of the world...

FORMAT/INFO: Queen of Kings is 416 pages long divided over a Prologue, Epilogue and three Books with each Book divided into numbered chapters. Narration is in the third person via several different POVs including Cleopatra, Marc Antony, Octavian/Augustus, Nicolaus the Damascene, Chrysate, Usem, Auðr, Marcus Agrippa, the Senate, Cleopatra’s children, and various minor viewpoints. Queen of Kings is self-contained, but is the first volume in a trilogy.

May 12, 2011 marks the North American Hardcover publication of Queen of Kings via Dutton. The UK edition (see below) will be published on July 21, 2011 via Bantam Press.


ANALYSIS:
What if Cleopatra, one of the most famous women in history, was a vampire? That’s the basic concept behind Maria Dahvana Headley’s entertaining debut novel, Queen of Kings, which combines the historical events surrounding Cleopatra’s death in 30 BC, with Greek and Egyptian mythology, resulting in a historical/fantasy/horror hybrid that brought to mind The Vampire Chronicles by Anne Rice, Douglas Clegg’s The Vampyricon, and Homer’s the Iliad and the Odyssey.

Starting out, Queen of Kings is decidedly more historical than fantastical, with Octavian’s invasion of Alexandria, Marc Antony’s suicide, Cleopatra’s imprisonment and eventual suicide, the execution of Cleopatra’s son Caesarion, and other historical events taking precedence over Cleopatra’s summoning of Sekhmet, the “goddess of the end of the world”, and the new powers that Cleopatra gains. This disparity remains so for the first one hundred pages of the novel, which also happens to be the weakest part of the book. The problem with this section of the book is twofold. One, the novel’s historical elements lack detail and authenticity, making it seem more like I was reading something off of Wikipedia instead of being transported back to Ancient Egypt. Secondly, the decision to narrate Queen of Kings through multiple point-of-views coupled with shallow characterization prevented me from connecting with or caring about any of the characters in the book.

Fortunately, once the novel starts focusing more on the fantastical than the historical—Cleopatra’s new abilities (shapeshifting, commanding animals); Sekhmet’s children (Plague, Famine, Earthquake, Flood, Drought, Madness and Violence); a journey through the Underworld in order to bargain with Hades & Persephone; the search for a weapon that can kill an immortal; the three sorcerers Marcus Agrippa finds for Augustus: Chrysate, a priestess of Hecate who can summon shades; Usem, the Chieftain of the Psylli tribe, who can control snakes and is married to the daughter of the Western Wind; Auðr, a seiðkona (fate spinner); et cetera—Queen of Kings is not only much more interesting and fun to read, but it also becomes easier to ignore the book’s deficiencies, which includes the aforementioned shallow characterization and an unconvincing love story between Cleopatra and Marc Antony. Negatively, the novel’s supernatural/mythological elements are occasionally too fantastical, which made it difficult at times to suspend my disbelief.

My biggest complaint with Queen of Kings though is with Cleopatra herself, who is not even the star of her own book. Instead, Cleopatra is overshadowed by Octavian/Augustus and numerous supporting characters like Marc Antony, Chrysate, and Marcus Agrippa. This is particularly disappointing because the author could have significantly fleshed out the love story between Cleopatra and Marc Antony and the motivations behind Cleopatra’s vengeance—important factors in the book—if she had focused more on Cleopatra instead of the supporting cast. On the plus side, Maria Dahvana Headley’s writing is smooth and accessible throughout, heavily contributing to the novel’s overall charm and readability.

CONCLUSION: Shallow characterization, unconvincing historical detail, and spending too much time with the supporting cast instead of Cleopatra may prevent Maria Dahvana Headley’s Queen of Kings from living up to its full potential, but the author’s debut novel is still primed for success thanks to an accessible writing style, a thrilling story full of heart-pounding drama and adventure, and appealing to a wide audience—fans of historical fiction, supernatural fantasy, romance, Greek & Egyptian mythology, and horror should all take note. Plus, all of the problems that can be found in Queen of Kings are issues that can be easily corrected, meaning the sequels could be even better. For myself, Queen of Kings started out slowly after an interesting Prologue, but from the Book of Divinations through the end of the novel, Maria Dahvana Headley’s debut was as exhilarating a thrill ride as any big budget blockbuster movie, leaving me with high expectations for the sequels...

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NOTEWORTHY RELEASES

 Click Here To Order “Barnaby The Wanderer” by Raymond St. Elmo
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 Click Here To Order “Barnaby The Wanderer” by Raymond St. Elmo
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