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Monday, August 9, 2010

Exclusive Fantasy Book Critic Video Interview with Brent Weeks


Fantasy Book Critic had the opportunity to ask three questions to Brent Weeks author of the acclaimed NYT bestseller Night Angel trilogy and of the upcoming series debut The Black Prism. The author graciously and quite satisfyingly answered them in a video interview that continues a series started with the Grasping for the Wind video HERE.

Before I present the video here are the questions emailed by me and faithfully asked by the actual interviewer, so you can focus on Mr. Weeks' answers:

1.One of things that made Night Angel so memorable for me were the twists and turns of the story that somehow cohered into a superbly balanced whole at the end. Did you plan them from the beginning, or did some of them emerge as the story was written?

2.While The Black Prism shares quite a few traits with the Night Angel trilogy, their underlying universes seem to me quite different in the sense that the Night Angel one is a reasonably standard epic/adventure pre-modern secondary-world but the other is a considerably more original one with its combination of high fantasy color magic and modern elements like guns. Did it take longer to create the latter universe and was it planned a while ago but kept for your second series to get writing experience in a more traditional universe first?


3.A lot of the action in both the Night Angel trilogy and in The Black Prism is powered by family feuds, whether between parents and their children or between siblings. Can you comment on that?


Here are the answers. Enjoy!


Sunday, August 8, 2010

An Invitation to Steven Saylor's Roma sub Rosa (by Liviu Suciu)


INTRODUCTION: My favorite non-sff author of today, Steven Saylor will soon publish Empire his second volume of the multi-generational epic following a special Roman family in charge of the sacred mystery of the "fascinus" across many centuries; the first installment Roma published in 2007 followed the Pinarius family from about 1000 BC when Rome was still a dream of the future to 1 BC and Augustus.

I plan to review both novels - probably in a joint review - but his most famous and justly acclaimed work is the Roma sub Rosa series of historical fiction disguised as mysteries and following one of the most remarkable of all fictional characters in recent memory, Gordianus "the Finder". Actually I did two recent posts with the most interesting fictional characters I've encountered and for men, Gordianus was both the top choice in the "mainstream" category and overall.

The series currently standing at 10 novels and 2 collections and spanning some 35 years from 81BC to 46BC, follows Gordianus from a relatively disreputable 30 years old "finder" of moderate means with a house slave/bodyguard and the beautiful young Jewish/Egyptian concubine slave Bethseda to his relatively prosperous though not particularly tranquil life as a pater familias - still with Betsheda though married with her for some 25 years now - with four children, a bunch of grandchildren and two more young wards at age 64.

While structured as mysteries, only Arms of Nemesis is really a more traditional such, though even there there is the context of the Spartacus slave uprising, but the rest are pure historical fiction set within the context of some of the most important events in the late Republic. The stories collected in the two books are generally less important to the novels - there are some exceptions like the House of the Vestals from the book with the same title, though this one is recounted in Catilina's Riddle anyway.

I discovered Gordianus in the early 90's and like with the Honor series, they were among the first novels I bought in hardcover on publication, while the series is still my #1 ongoing non-sff one.

NOVELS/COLLECTIONS: Using the Wikipedia descriptions and adding a short take of my own, here are the books:

  • Roman Blood (1991), in which Gordianus is hired by the great orator and advocate Cicero in 80 BC. This novel is based on Cicero's speech In Defence of Sextus Roscius of Ameria (Pro Sexto Roscio Amerino), which is published in the Penguin Classics edition of Cicero's Murder Trials.
Great series debut that made me a big time fan of Gordianus. The "Sherlockian" display of deduction when Gordianus meets Tiro for the first time is wonderfully done, while the novel establishes the strong political undercurrents of Roma sub Rosa. As typical of most series books, the mystery itself is relatively straightforward, the attraction lying in the historical fiction aspect - the world building and superb characters - Lucius Cornelius Sulla is the main powerful figure here, dictator of Rome and author of the proscriptions - ended when the novel starts, but they reverberate throughout - and Cicero and Gordianus pit themselves against his minions. (A+)

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  • The House Of The Vestals (1997) (a collection of short stories which appeared later, but which take place between the first book and the second).
Good filler for the 80-72 BC period, though by and large the stories have a more day to day aspect rather than a big picture aspect; except for the highlight of the collection, the last and eponymous story that is just awesome and introduces Catilina who is one of the most fascinating character of Roma sub Rosa. (A)

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  • Arms Of Nemesis (1992), featuring Crassus during the slave revolt of Spartacus in 72 BC.
The most traditional mystery in the series, featuring a villa, a murder, the guests, you get it...Though of course there is a larger context and the story turns out to be much more than a "simple" murder.

Arms Of Nemesis has both a great beginning and a great ending and for a long time it was one my big time favorites from the series, but it wore a little less well as time passed since the interesting parts that kept me coming back and re-reading over and over the Roma sub Rosa novels are the historical ones. Still a very good series installment (A).

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  • A Gladiator Dies Only Once (2005) (another collection of short stories which appeared later, but which take place between the second book and the third)
This one is recounts stories of Gordianus' encounter and later friendship with the patrician Claudius that will be his benefactor. None of the stories really stuck in my memory though I enjoyed reading them at the time (A-).

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  • Catilina's Riddle (1993), featuring Cicero and the title character, Catilina, during his rebellion in 63 BC.
The best novel of the series and among the best all time historical fiction I've read. Gordianus is now 47 and has Meto's coming of age birthday soon, while Diana is a rambunctious 7 year old. He calls himself "the farmer" not "the finder" anymore since his recently deceased patrician friend Claudius left him a nice estate - which Cicero the Consul-elect at the time, insured Gordianus actually got by winning fast the lawsuit Claudius' relatives brought to invalidate that part of the will.

Surrounded by Claudian estates whose owners are less than well disposed toward the upstart plebeian of obscure origins that got the best piece of land around and not really a "country boy" , Gordianus is somewhat bored despite his pretensions of being happy to have escaped the city, where Eco now continues the family business.

Of course Gordianus may have wished to escape Rome, but Rome would not let him go since the rivalry between Cicero and Catilina is at a boiling point and by intermediaries, the Consul induces the unwilling Gordianus to host Catilina when the latter wants a countryside holiday, all under the pretense of their old acquaintance from the House of Vestals and Gordianus' sympathies for the "poor" as shown in his unusual household.

But Catilina is very charming and known as a seducer of men and women alike, so Gordianus may find himself in-between the hammer and the anvil so to speak... While I read each novel from the series 2-3 times at least, this one I've read 10+ times and it's still fresh and unforgettable. (A++)

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  • The Venus Throw (1995), featuring the poet Catullus, set during the trial of Marcus Caelius in 56 BC for the reputed murder of Dio of Alexandria.
Back in Rome in the grand mansion swapped for the estate years ago and worrying about Meto's fate as soldier and secretary to Caesar in Gaul, Gordianus is visited by his former Alexandrian mentor Dio who is the head of a delegation on a mission to Rome for the people of Egypt who threw out king Ptolemy Auletes and want recognition of his elder daughter as Queen. But powerful Romans want to loot Egypt and only the rivalry between them - who gets to do it gets too rich after all - kept Egypt from the reach of the legions so far and as a compromise most of the ruling class is happy to have Auletes reinstated for a (huge) price, so on the way to Rome the delegation is attacked, scattered and its members lynched with impunity by "spontaneous mobs".

But Dio is stubborn and has some Roman friends too, so he perseveres only to be repaid with snubs by the Senate and repeated assassination attempts. Desperate he turns to Gordianus and begs his help to stay alive, but Gordianus is ready to leave to see Meto in winter camp in Northern Italy, so he turns his mentor down. On return Gordianus finds out Dio has been murdered that same night and finally the Senate decided to do something and a political fight between the supporters of Auletes like Pompey and their opponents like the gangster politician Clodius is brewing and despite his best attempts not to get involved, Dio's shade and Clodia's seductive charms bring Gordianus in. This novel is almost as good as Catilina's Riddle and another major highlight of the series that I read many times and still find fresh... (A++)

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  • A Murder On The Appian Way (1996), set just before the civil war between Caesar and Pompey.
Another favorite from the series has Gordianus investigating Clodius death at the hands of Milo's men on the Appian Way. Was it murder or not and what "The Great One", Pompey who commissioned the investigation actually wants the findings to be are the questions. Of course there is much more than that and Cicero, Milo and Marcus Caelius who are allied by circumstance and fate try and shape Gordianus' ideas too.

This one is as pure historical fiction as Catilina's Riddle with the investigation a way to tell a great story of intrigue, high stakes politics and more... (A+)

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  • Rubicon (1999), after Caesar crosses the Rubicon and the members of the Senate flee Rome, dragging the Roman world into civil war.
My third favorite of the series, this novel has a minor discontinuity error - while in A Murder on the Appian Way, extremely handsome and loyal, though somewhat dim, Davus is Eco's bodyguard lent to Gordianus, here Davus *needs* to have been Pompey's slave lent and then given to Gordianus for the investigation of Clodius' death above, so Pompey can reclaim his services even when Davus was freed by Gordianus and became his son-in-law due to Diana' seduction of him and the baby that followed.

The civil war is starting and despite Meto's closeness to Caesar, Pompey does not want to let go of Gordianus either especially when a murder of one of his relatives happens in Gordianus' house just before the Senate evacuation of Rome. So Pompey presses Davus in service as mentioned above and Gordianus has no choice but to investigate the murder and then go on a cross country trip to report to Pompey and try and get Davus back before the Great One flees to Greece to amass his armies and retake Italy from Caesar.

Ending with a real stunning revelation and featuring a superb Tiro/Gordianus interaction throughout, this novel is more of a thriller than anything else and starts a sequence of such in the series. (A++)

Edit: Mr. Saylor kindly let me know that "BTW, the continuity glitch about Davus was fixed in later editions, so that his origins in Rubicon conform with his origin in the earlier Murder on the Appian Way."

I will look for a later edition of both novels since I am curious to see how they changed in view of the above.
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  • Last Seen In Massilia (2000), taking place in Massilia (now Marseille) during the siege of the city by Caesar's men.
This one's plot gives away too much about the previous novel, so I will just say that Gordianus and Davus find themselves at the siege of Massilia and then kind of improbably find a way inside where they are protected by Hieronymus "the scapegoat". They meet some notable Romans including former enemy Milo and Ahenobarbus, the leader of the local resistance against Caesar, who since he dined with Gordianus on Cicero's estate is compelled to offer him guest rights despite the big suspicion of Gordianus being Caesar' spy...

A murder or maybe an accident is seen and Gordianus kind of bored inside the besieged city investigates to really unexpected results. More of a thriller again, Last Seen In Massilia is pretty good but it has a number of improbabilities that reduced its impact for me. (A-)

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  • Mist Of Prophecies (2002), set during the Roman civil war in the city of Rome, divided between hopes and fears.
Gordianus the 62 year old seducer of a young prophetess? Or seduced maybe? Anyway with Bestheda ailing and Rome in crisis mode with everything expensive when available, Gordianus is running out of cash and becoming somewhat desperate, while everyone is waiting for the titanic clash between Caesar and Pompey to be decided in Greece. But the battle is running underground in the City too with spies and such and when some adventurers well known to Gordianus from previous novels try to use the situation for their advantage Gordianus is again caught in the middle. And of course Cassandra literally falls into his arms when she faints due to a spell of epilepsy...

Another favorite though Gordianus and Cassandra's romance is more of wish fulfillment than anything else, but still... Another great ending and a superb cameo by Clodia add a lot to this one. (A+)

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  • The Judgment Of Caesar (2004), taking place in Egypt, when Caesar met queen Cleopatra in 48 BC.
Now well off again from Cassandra's will and with another adopted son to boot and a new grandchild on the way, Gordianus is off to Egypt to find a cure for Betsheda - or as he secretly dreads, to bury her in her native land. Since Diana is expecting and Bestheda is going, Davus cannot go and I kind of missed his interactions with his father in law, but Rupa and the two mischief making slave boys Mopsus and Androcles work reasonably well as replacements.

This novel was more of a hit and miss for me with the first part and the unfortunate encounter with the fleeing Pompey that almost spelled doom for Gordianus just awesome, but the Egyptian part was somewhat less interesting with a plausible scheming Cleopatra much less glamorous than usual, though Caesar indeed was at his magnetic best.

While people were puzzled by the ending, so much so that the author felt compelled to issue a disclaimer that, no, Gordianus does not die at the end when he follows what he perceives to be the disappeared Betsheda in the Nile, I actually got it and I was pretty sure we will see the healthier Betsheda and Gordianus back in Rome soon. (A-)

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  • The Triumph of Caesar (2008), set in Rome during Caesar's triumphal celebrations in 46 BC.
Back in Rome and with Caesar the seemingly uncontested winner of the civil war - after all he is preparing a bunch of triumphs in a series of shows that will eclipse anything seen before - Gordianus is in the good graces of the dictator's wife Calpurnia, reconciled with Meto and respected by the great man himself, so he should be at peace and enjoying the cured Betsheda and his large family. But Calpurnia is terrified that someone plans to murder Caesar who just laughs at all warnings as nonsense and even has dismissed his German bodyguard troop, while Calpurnia's investigator in Gordianus absence got himself killed for his efforts...

So Gordianus is back in the action especially when he discovers who the investigator was. When danger may lurk from unexpected and even seemingly friendly places, he needs all his wits to stay ahead of the game. Another thriller and a very enjoyable one that offers more superb atmosphere and outstanding character cameos of notable men and women of the time. Excellent return for Gordianus and I hope we will see more of him soon (A).
Saturday, August 7, 2010

"Shades of Milk and Honey" by Mary Robinette Kowal (Reviewed by Liviu Suciu)


Official Mary Robinette Kowal Website
Order "Shades of Milk and Honey" HERE

INTRODUCTION: I have been very interested in "Shades of Milk and Honey" for several reasons. I love Pride and Prejudice and read it countless times across the years as well as watching pretty much all its screen adaptations, while Elizabeth Bennett led my list of non-sff interesting female fictional characters.

I also heard many good things about Ms. Kowal's short stories and as this was her debut novel, it was a must. I got the book on its publication day and read it in an afternoon and while I liked it and I think the praise Ms. Kowal is getting for her writing talent is well deserved, I also felt the novel could have been much more; this way it is just very light summer reading.

FORMAT/CLASSIFICATION: "Shades of Milk and Honey" stands at about 300 pages divided into 26 chapters that have an interesting naming convention that suggests their contents. The novel is situated in a faux-Regency England countryside of the early 1800's but the outside world does not impinge on it almost at all.

While there is fantasy in the novel, it is basically inessential to its structure except in allowing a girl like the heroine and main POV Jane to "shine" by more than beauty in a patriarchal society, so I would classify "Shades of Milk and Honey" as light (alt) historical romance.

ANALYSIS: When reading "Shades of Milk and Honey" we have to accept its conventions to judge it: for example there is no outside world impact except in vague mentions about money and dowry, everyone of note is well off and/or a gentleman/lady, girls have as their main goal in life want to marry - and after marriage I guess to gossip about society and raise a family - men go hunting and court girls and so on...

There is no world building as such, just the above mentioned conventions from countless period pieces and magic called "glamour" which in the book is used for art and seemingly nothing else, though there is an episode where a servant appears that makes ice using glamour.

There is no hint of how glamour affects the workings of society and essentially the novel is just concerned with the relationships between the main characters, the two Ellsworth sisters, Jane - the main heroine and POV - and Melody, Edmund and Beth - the rich brother and sister Dunkirk - and the Lady FitzCameron household, including her daughter, her nephew Captain Livingston and the glamour artist hired to redecorate their mansion, Mr. Vincent.

Jane is very talented at glamour but she is considered plain and despite the dowry her father is amassing on her behalf she reached 28 without being married and she is almost resigned to "spinsterhood". Melody, 10 years younger and extremely beautiful turns every man's head but she resents Jane for her talent.

"Shades of Milk and Honey" is very well written and the narrative flows well keeping one turning pages to see what happens.The dialogue is witty and Jane works very well as a heroine with her conflicting priorities of protecting Melody and later Beth who is even younger and more naive versus looking for her own personal interests like excelling at glamour, or even having a hint of romance of her own.

"Shades of Milk and Honey" (A-) has no real rough edges and no tension outside the romantic intrigues. The author has considerable writing talent and I really hope she will use it to write a more interesting and deeper novel than what is essentially a very light novel that epitomizes "beach reading" for me.
Friday, August 6, 2010

"Tongues of Serpents: A Novel of Temeraire" by Naomi Novik (reviewed by Cindy Hannikman)


Visit official website of Temeraire here
Order Tongues of Serpents from amazon here


Introduction: Naomi Novik is the author of the Tereraire series, which include novels His Majesty's Dragon, Throne of Jade, Black Powder War, Empire of Ivory and Victory of Eagles. Recently her novels were optioned to be made into a film by Peter Jackson, the Academy Award Winning director of Lord of the Rings. Tongues of Serpents is the 6th Tereaire novel.

Overview: Convicted of treason despite their heroic defense against Napoleon’s invasion of England, Temeraire and Laurence—stripped of rank and standing—have been transported to the prison colony at New South Wales in distant Australia, where, it is hoped, they cannot further corrupt the British Aerial Corps with their dangerous notions of liberty for dragons. Temeraire and Laurence carry with them three dragon eggs intended to help establish a covert in the colony and destined to be handed over to such second-rate, undesirable officers as have been willing to accept so remote an assignment—including one former acquaintance, Captain Rankin, whose cruelty once cost a dragon its life.

Nor is this the greatest difficulty that confronts the exiled dragon and rider: Instead of leaving behind all the political entanglements and corruptions of the war, Laurence and Temeraire have instead sailed into a hornet’s nest of fresh complications. For the colony at New South Wales has been thrown into turmoil after the overthrow of the military governor, one William Bligh—better known as Captain Bligh, late of HMS Bounty. Bligh wastes no time in attempting to enlist Temeraire and Laurence to restore him to office, while the upstart masters of the colony are equally determined that the new arrivals should not upset a balance of power precariously tipped in their favor.

Eager to escape this political quagmire, Laurence and Temeraire take on a mission to find a way through the forbidding Blue Mountains and into the interior of Australia. But when one of the dragon eggs is stolen from Temeraire, the surveying expedition becomes a desperate race to recover it in time—a race that leads to a shocking discovery and a dangerous new obstacle in the global war between Britain and Napoleon

Format: Tongues of Serpents is the 6th novel in the Temeraire series. The plot is heavily reliant upon the previous novels and while it could be read without having read the other novels it is not recommended and can be a bit confusing. It stands at 274 pages and was published July 13, 2010 by Del Rey.

Analysis: As a fantasy reader who has a slight obsession with dragons it could only be expected that I have tried Naomi Novik's novels involving dragons being used during the Napoleon era. I have only in the past read the first 2 or 3 novels. It wasn't for lack of trying, the other novels didn't fit into my reading schedule. When Tongues of Serpents arrived at my door the call of the dragon was just to strong and I thought I'd fit some time into my schedule to try it out.

Having read His Majesty's Dragon at least 3 years ago it was a bit challenging picking up where I had left off. Tongues of Serpents picks up right where the 5th book left off and there isn't much time spent on who characters are or background history on the characters. This could make it tough for those who need a bit of a refresher. There is no time wasted on filler information.

As with the first novel that I read of Novik's I did have a slight problem getting into her writing style. There were times that some of the descriptions or conversations didn't flow as well as I am used to. However, after a few chapters I became used to it and by the end of the novel I had no problems. It should be noted that I also had this similar problem with the first novel, her writing isn't what I'm used to and it took some time to get into a groove with the reading.

Although this novel is very well written there are elements that only allow Tongues of Serpent to be described as a filler book. It connects events from the 5th book to events that'll occur in the 7th book. There is a lot of time spent on political conversations and traveling in this novel. This is by no means the best novel of the series. While I haven't read all the novels, as a connector novel it just doesn't live up to the wow factor of the first novel. Too much time is spent describing the land and uncharted area and not enough focus on the dragons, political events and other action elements. In fact it's well over 3/4th of the way into the novel before anything happens that wasn't in the book description. This was a bit disappointing as I didn't remember the first two novels being of this fashion.

This novel is either going to be a love it or hate it novel for Temeraire fans. They will enjoy the fact that there are introduction to new dragons and a set up for another novel but overall the wow factor isn't there for this book. It's slow and really not much happens. While this novel renewed my love of dragons and made me inspired to go back and read the other novels I have missed in the series, it won't be my favorite novel. While it wasn't a bad read at all, I can only hope that the next novel produces a more substantial plot element and brings back these novels to what I remember enjoying the first time.

Thursday, August 5, 2010

"Elminster Must Die" by Ed Greenwood (Reviewed by David Craddock)


Forgotten Realms father Ed Greenwood's latest novel, Elminster Must Die, flirts with the possibility of the titular Sage of Shadowdale's demise. For readers familiar with The Elminster Series, such a tease might seem no more than that. Despite some grand swashbuckling sword-and-sorcery romps, Elminster has always seemed impossible to kill--usually thanks to the timely interference of Mystra, Mistress of Magic--that it often seems pointless to worry over his wellbeing.

That is not the case in
Elminster Must Die. For those who haven't frequented the Realms in a spell (pun intended; sorry), some big changes have gone down. Namely, Mystra was murdered, which caused a pandemic known as the Spellplague to sweep across the continent of Faerรปn. Many caught in the Spellplague's path were killed, but more importantly, the fundamental nature of magic itself was changed: no spell functions as it used to, and many are no longer able to wield magic without dire consequences. Elminster is one such.

The more potent the spell, the more insane Elminster becomes following its casting. For a character who always seems to have just the right spell available to save his skin, such a drawback forces Elminster to apply a bit more discretion and planning. The result makes Elminster seem human, something that hasn't always been true in terms of his propensity to cheat death. We observe him at his weakest, and I delighted in watching him apply unorthodox (for Elminster) tactics such as pure brute force to get out of his jams rather than haphazardly slinging lightning bolts. It proves a fresh take for the character, one that reinvigorates interest in his plights.

Initially, watching El struggle within the confines of his limitations proved interesting. However, midway through the book until the last 150 pages or so, most of El's sections see him huffing and puffing through yet another passage or alleyway, moaning and groaning about how he misses using magic to do everything. These segments advance the story at first, but after while, they seem thrown in for the sake of reminding us that Elminster is still limping his way along.

As is often the case in fantasy tales, Elminster's yarn is one of approximately half a dozen that inevitably converge and move toward a resolution. By and large, all characters receive Greenwood's usual treatment of witty dialogue, action, and palpable growth make them feel like old friends you're sad to leave behind by the end of the story. Two of these strings, Arclath and Amarune, are especially captivating. The former is a wise-cracking, smooth-talking noble who actually proves competent and useful beyond comedic relief (which he provides in spades), and the latter is a sexy, strong, street-smart lass. Separately they're both great fun to tag along with, but together, they produce some of the book's finest scenes.

The only character that doesn't quite mesh with the rest of the gang is the primary antagonist, the one who declares that Elminster must die. Most of its segments have this villain ranting about why he hates Elminster and how he's going to kill his rival. The scenes themselves are not poorly written, but are awkwardly reminiscent of a bad guy cackling while revealing his nefarious plot -- which is a shame, sense the character itself is fascinating enough. I wouldn't have been bothered by these reveals had they been presented purely as internal monologues. But because they're voiced aloud to no one in particular, the character stroking his mustache and laying out his master plan seemed exposition for exposition's sake.

Ultimately, the qualms I have with
Elminster Must Die did not keep me from enjoying it immensely. As is expected, Greenwood delivers a fun-filled story with memorable characters and his usual wit that makes Elminster Must Die as witty and clever as it is intense and insightful.
Wednesday, August 4, 2010

"Children No More" by Mark Van Name (Reviewed by Liviu Suciu)


Official Mark L. Van Name Website
Order "Children No More" HERE or HERE (ebook)
Read Nine Chapters from the Novel
Read FBC Review of Overthrowing Heaven

INTRODUCTION: Mark Van Name's debut "One Jump Ahead" introduced Jon Moore mercenary ex-soldier and a man of many secrets that are so dangerous that he must live alone and make no attachments, and partner Lobo, personal AI warship (PCAV) mooning as park statue/exhibition on an obscure world at the time, an AI ship of many secrets that would not do for anyone to know.

The novel was a no-holds barred page turner that made me a big fan of the series. While "One Jump Ahead" introduced us to the universe of the series which is today's writ large on a Galactic scale, "Slanted Jack" focused a lot on Jon's background and naturally "Overthrowing Heaven" dealt with Lobo's past.

In "Children No More" the author returns to Jon's past as a child soldier, intertwining that story with a tense present time thread of rescuing and rehabilitating child soldiers on a poverty stricken planet in which Jon gets involved against his better judgment at the pleas of a friend.

As the afterword of the novel mentions, the author has been interested in this subject for a long time and with this book he both decided to spotlight the traumas of children that are taught to kill as well as to materially contribute to the cause of rehabilitating them. Check HERE for more details:

"Baen Books writer Mark Van Name is donating 100% of his proceeds from the hardcover sales of his new novel, Children No More, to charity Falling Whistles to help rehabilitate and reintegrate child soldiers in the Congo. The book's official release date is August 3, and it should be available for pre-order at your favorite bookseller."

As a side note, there is another powerful sf novel that deals with the subject of child soldiers, Effendi by JC Grimwood, the second installment in the author's superb alt-history trilogy Arabesque (Pashazade, Effendi, Felaheen) and if you like "Children No More", I also strongly suggest to try that one too.

FORMAT/CLASSIFICATION: "Children No More" stands at about 400 pages divided into 70 numbered chapters and with an afterword. Jon narrates, while the action splits between the present and Jon's mission to help rescues child soldiers on a back-of-beyond obscure planet and the past and Jon's own experiences as a child more than a century ago.

Many interesting characters from the earlier novels like "Slanted" Jack, Alissa Lim and Maggie - the mystery woman that Jon took a shine to earlier but could not get too close since she is linked with his past - appear also in the book.

"Children No More" is a sf adventure that continues with brio the series using some of its past elements to add more mysteries to its universe as well as bring more depth to our hero, but at the same time it is a story with a message too.

ANALYSIS: The fourth Jon&Lobo adventure is the "least adventurous" and most introspective of all and it works extremely well. "Children No More" is mostly about Jon confronting his personal demons and trying to do good for once rather than just do the mission, get paid and leave. However as we learned in earlier installments the purposes and results of even a seemingly straightforward "good mission" constitute a tricky thing to judge in the amoral universe of power politics and money created by the author.

"Children No More" does not pull punches about the realities of children indoctrinated to kill:

"This devil helped the Tumani government kill your parents," the large man said.
Easily the same two meters tall that I am, but at least twenty kilos heavier than my own hundred, the copper-skinned man spoke in a booming voice that matched well with his size.
"Are you going to let him get away with that crime—with all those crimes?"
.............................
One boy stepped forward, then another, and another, and in seconds all of them were racing forward, yelling and waving their fists. They fell upon the prisoner like a tsunami breaking on a shore. The recorder rushed after them, lagging most of the boys but now with them, a fist waving in front of the image, one more fist to join the barrage pummeling the captive, who no longer moved."

As it does not about Jon's own past experiences either:

"Ben­ny was on­ly a kid, a kid no old­er than I was, a kid with flip­pers for low­er arms and feet, a kid younger than many of the oth­ers, and yet he re­al­ly was their lead­er. He showed up, and they thought ev­ery­thing was bet­ter, even though noth­ing had changed.
........

“Did you hear them?” I said, the anger surg­ing in­to me again. “They don't un­der­stand. I on­ly now re­al­ized that they've nev­er un­der­stood. This is all a big game to them—maybe not a fun game, def­inite­ly a scary one, but still a game. Even though you've told them that some of them may die, they've nev­er re­al­ly got­ten it.”

“And you have?” he said.

“Yes.”

“You've un­der­stood what it's like to beat some­one with your fists un­til they're un­con­scious,” he said, “or to stab him re­peat­ed­ly with your knife un­til he falls, or to slice his throat and watch him die. You un­der­stand all that.”"

But not all is grim since there is action galore, the interactions between Jon and Maggie have the same wistful "what if" undertone, while the famous trickster "Slanted" Jack steals the show whenever he appears. The back-story is super-poignant and Jon's childhood friends on the isolated island that served as a camp for the undesirable and unfit and it was fittingly called Dump - Benny, Alex, Han - are quite unforgettable as are some of the children in the present.

"Children No More" (A+) is a truly accomplished novel that goes beyond the "gung-ho" adventure style of the series so far and raises it one notch. I am truly curious where the series goes next and I hope we get to see more Jon and Lobo and start touching on some of the big-picture mysteries like the "Gates" that allow ftl or the fate of Jon's planet still quarantined after 100+ years, though I plan to follow it for the duration whatever the stories Mark Van Name wishes to tell..

Tuesday, August 3, 2010

"The Whisperers" by John Connolly (Reviewed by Mihir Wanchoo)


Official John Connolly Website
Order "The Whisperers" HERE
Read an Excerpt from the Novel
Read FBC Review of The Gates
Read FBC Review of The Lovers

AUTHOR INFORMATION: John Connolly is a writer who has studied English at Trinity College, Dublin and journalism at Dublin City University. He has had a bevy of jobs before working five years as a freelance journalist for The Irish Times, to which he currently contributes to. This is 14th book since his debut in 1999. Read a contributed article by Mihir Wanchoo on John Connolly's work HERE.

PLOT SUMMARY: The border between Maine and Canada is porous. Anything can be smuggled across it: drugs, cash, weapons, people! Now a group of disenchanted former soldiers has begun its own smuggling operation, and what is being moved is infinitely stranger and more terrifying than anyone can imagine. Anyone, that is, except private detective Charlie Parker, who has his own intimate knowledge of the darkness in man's heart.

But the soldiers' actions have attracted the attention of the reclusive Herod, a man with a taste for the strange. And where Herod goes, so too does the shadowy figure that he calls the Captain. To defeat them, Parker must form an uneasy alliance with a man he fears more than any other, the killer known as the Collector ...

CLASSIFICATION: John Connolly's books combine the noir quality of thrillers with the mystical aspect of horror books, to make a sub-genre of their own.

FORMAT/INFO: The ARC I received had a page count of 394 pages divided over thirty-nine chapters(spread out into four parts) along with a prologue and epilogue. Narration is in the first-person via Charlie Parker and in the third person for the remaining characters such as Herod, Joel Tobias, the Collector and Karen Emory with the narrative alternating each chapter between the Parker and the rest. The plot is self-contained and this book can be read as a standalone. However there are some references to the previous books as well.

ANALYSIS: John Connolly's "The Whisperers" is the 8th book in the Charlie Parker series. This book is set after the events of "The Lovers". Charlie Parker is content with his life and has regained his private eye license. He is a bit disillusioned by his encounters with his past and the Lovers who were hunting him in last year's book.

He takes a case which has been offered to him by Bennett Patchett who wants him to investigate a trucker, Joel Tobias who is also dating Karen Emory, an employee of Patchett. Joel seems to have lots of cash in spite of his modest working conditions. Charlie's investigations seem to reveal a man who has suspicious origins and even more suspicious job details. Also fueling his investigations is the fact that Bennett Patchett's son Damien committed suicide, and even more curious was his association with Joel Tobias as they shared the same unit in Iraq.

Similarly on this lead is another person who goes by the name of Herod and who is also searching for something which has been stolen from him. Their paths are meant to collide however before that is to happen. There's also the enigmatic re-appearance of the Collector whose intent is still unknown. However he continues on his own purposes to "collect" items from his selected targets. Charlie tries to follow Joel and is partially successful. Before he can make any new moves he is targeted by people who mistake his intent, leading to one of the most harrowing scenes written by Connolly. This begins a brutal chase of an item which also had caught Herod's eye and who seems to want it more than anyone else.His search is also aided by a particular figure known to him as the Captain, who also shares an active interest in Parker. Amidst all these tangled threads lies the plot of the Whisperers.

John Connolly has chosen to weave two elements: The trauma of war veterans with smuggling of various items. Connolly has done an excellent job with these elements in particular, the very vulnerable picture of these soldiers. The other element that of smuggling of items, is done through the introduction of a lost Sumerian artifact which the title of this story focuses upon. This new introduction of artifacts was done in an effort to give a more mystical/horror edge to the stories. While both elements worked from a writing standpoint and both worked as separate elements their fusion do not come across as smoothly as Connolly would have envisaged.

As a fan of Connolly's books I was enthralled by the book up until the very end. However, enthralling this book was it did not reach the high standards that I have come to expect after reading some of his more spectacular stories such as "The Reapers", "The Black Angel" and "The Lovers".

While I can recommend The Whispers to any newcomer to Connolly's works, as well as to fellow Connolly fans. I would have to say that hard core fans should be prepared that it
might not be as pulchritudinous as we have come to expect.
Monday, August 2, 2010

Guest Author Post: Magic and Make-Believe – Isn’t It Time We Grew Up? by Greg Hamerton


Fantasy Book Critic is pleased to present Greg Hamerton. He is the author of the Tales of the Lifesong Series, of which The Riddler's Gift was published in 2008 and its immediate sequel Second Sight has just been released on August 1st, 2010.

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[Greg Hamerton developing second sight, with one eye on reality and one eye on ... somewhere else]

You’re going to read another fantasy novel? But it’s not true. What’s the point? By this dictum, fantasy novels fail spectacularly. Not only are the people invented; the whole world is. There will often be magic. Magic? Didn’t we emerge from that darkness when Davy turned on the light bulb?


But what if it was true?


Readers who can ask that question have the key to a world of imagination. Not all stories have happy endings, but when you finish a good story, you feel more. You have gained something intangible from going on the journey with the author. Becoming absorbed in a story can release you from your troubles. It engages a better state of mind.


All stories have this effect, this escapist aspect of a disconnection from reality. Science fiction and fantasy offers a complete disconnection, because you are not reminded of the world-as-it-is. You are offered only the world that might be. Some part of us suspects that what we read is make-believe, but the better the story, the more we can be induced to bypass our skepticism and find the wonders beyond.


Sometimes, a good story offers more than just an escape. Usually, the imagined world reflects the one we live in, but occasionally, it offers another reality to connect to. That’s what I look for when I read fantasy – that sense of discovery, when you feel the author has found the gateway to a hidden world or time that exists independently from the author’s mind. The author is a witness. It is not as if the world is so well imagined that it seems real, it as if the author has encountered the knowledge of it through deep study and insight. This desire for knowledge of the hidden worlds has guided how I write.


For example, I began The Riddler’s Gift without any kind of plot structure. I cannot know what I do not yet know, so how can I place the knowledge I will uncover in a structure before I begin? I hit the same problem when structuring each chapter. With this kind of writing style, I can’t force events to lead to a devised conclusion. The knowledge and visions come to me, not from me, so I can’t see an outline until I’ve walked in the world I am writing about, to the end of the tale. I cried when I walked with Tabitha through the sudden ruins of her life. I felt the panic of being pursued. I knew the uneasy relief of meeting the Riddler.


I am trying to survive just as much as the others who live there. For instance, in Second Sight, I was sitting in cave with Ashley Logรกn, holed up and desperately cold, but at least he had his horse, when all of a sudden I turn around and go “Oh my god, the dragon has just bitten off the horse’s head! [typing frantically] What! She can’t do that. [keyboard smoking] She just did it. Oh hell. What is Ashley going to do now? He’s going to die in here!” Because I’ve seen it, it’s true, I can’t write the story any other way. I’ll spend weeks trying to work out how the narrative can possible lead from the new vision to the other scenes I’ve already seen (which is another way of saying ‘hitting the writer’s block with my forehead until I see the linking scene in the stars’).


This style of writing is terribly slow, very frustrating, but ultimately joyous when I find the thread of truth leading from one scene to the other. I might change my method in future, for another kind of story, because this style of ‘drawing down from visions’ is unlikely to produce books that fit neatly into a commercial form, but right now that’s not what I’m focused on. I’m focused on finding and understanding this peculiar and precious thing I discovered, the Lifesong, and sharing that with my readers. I’m serving my own apprenticeship, and grateful to have the gift.


Where it really hampers me is trying to pitch ideas to agents or publishers. I will write a third tale of the Lifesong, if I can discover it. What is it about? I have no idea. If I had an idea, it would dictate what the story would be about, and it would be limited by who I am today. I can only tell you what the story is about when it is done, and even then, I cannot truly sum it up. In his review of Second Sight, Liviu mentioned that the experience of reading the book was much more satisfying than what the blurb was offering. It may be that the blurb does a poor job of communicating the real story. It may be that the kind of writing I have produced is impossible to blurb.


The way I see it, the story is a web of thought that spans more than 600 pages. The experience of being inside the web is unique and personal. For those who are soulful, there are mystic heights and hidden depths. Maybe my readers will be able to express the meaning of the Tale of the Lifesong better than I. I’m not counting on the blurb to sell it, I’m relying on word of mouth. I have no idea how to sum up the experience in two paragraphs, but I know that ‘You’ve got to read this!’ from a friend will do the trick.


Back to the topic of make-believe being a waste of time … this might be true. There are some staggering examples of bad prose within fantasy, which have been thrown across my reading room. But the good ones? They are works of art. The Thought Police say we should only read ‘real’ accounts and books of facts? Might as well suggest washing down all the paintings in the world and covering them with functional battleship gray. Art is an expression of the spirit, and it enriches those who can see the beauty in it.


Without artists, we wouldn’t have much color in our world. Why bother with dyes and designs, when you can be adequately dressed in brown? Without creative writers, we wouldn’t have such rich lives – no legends, no films, no stories at all to inspire us, guide us, transform us. And without fantasy stories, we probably wouldn’t know anything about magic.

Sunday, August 1, 2010

Spotlight on August Books

This month Robert Thompson provided most of the book titles with additions by Cindy Hannikman, Liviu Suciu and Mihir Wanchoo. We are featuring 54 books. This month there were considerably more new sff releases but we tried to limit ourselves to a reasonable number and we chose the books most in tune with what's reviewed here.

The release dates are US unless marked otherwise and the books are first edition unless noted differently. The dates are on a best known basis so they are not guaranteed; same about the edition information. Since information sometimes is out of date even in the Amazon/Book Depository links we use for listings, books get delayed or sometimes even released earlier, we would truly appreciate if you would send us an email about any listing with incorrect information.

Sometimes a cover image is not available at the time of the post and also sometimes covers change unexpectedly so while we generally use the Amazon one when available and cross check with Google Images, the ultimate bookstore cover may be different.

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"Second Sight" by Greg Hamerton Release Date: August 1, 2010.
“Sympathy for the Devil” edited by Tim Pratt. Release Date: August 1, 2010.
“Guardian of the Gate” by Michelle Zink. Release Date: August 1, 2010.
"The Grim Reaper's Dance" by Judy Clemens. Release Date: August 1, 2010.
“The Thin Executioner” by Darren Shan. Release Date: Auguest 1, 2010 (US Debut).
“Elves: Once Walked with Gods” by James Barclay. UK Release Date: August 1, 2010.

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“The Osiris Ritual” by George Mann. Release Date: August 3, 2010 (US Debut).
“Children No More” by Mark L. Van Name. Release Date: August 3, 2010.
“Omnitopia Dawn” by Diane Duane. Release Date: August 3, 2010.
“Shades of Gray” by Lisanne Norman. Release Date: August 3, 2010.
“Shades of Milk & Honey” by Mary Robinette Kowal. Release Date: August 3, 2010.
“The Questing Road” by Lyn McConchie. Release Date: August 3, 2010.

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“The Stainless Steel Rat Returns” by Harry Harrison. Release Date: August 3, 2010.
“Betrayal” by Gillian Shields. Release Date: August 3, 2010.
“I Am Number Four” by Pittacus Lore. Release Date: August 3, 2010.
“Thresholds” by Nina Kiriki Hoffman. Release Date: August 5, 2010.
“The Scarab Path” by Adrian Tchaikovsky. UK Release Date: August 6, 2010.
“Shift” by Tim Kring & Dale Peck. Release Date: August 10, 2010.

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“The Three Furies” by Kaza Kingsley. Release Date: August 10, 2010.
“The Madman of Venice” by Sophie Masson. Release Date: August 10, 2010 (US Debut).
“Prospero in Hell” by L. Jagi Lamplighter. Release Date: August 17, 2010.
“The Last Page” by Anthony Huso. Release Date: August 17, 2010.
“After America” by John Birmingham. Release Date: August 17, 2010.
“Template” by Matthew Hughes. Release Date: August 17, 2010 (US Debut).

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“15 Miles” by Rob Scott. UK Release Date: August 19, 2010.
"The Disciple" by Steven Dunne. UK Release Date: August 19, 2010.
“The Technician” by Neal Asher. UK Release Date: August 20, 2010.
“The Evolutionary Void” by Peter F. Hamilton. Release Date: August 24, 2010.
“Bearers of the Black Staff” by Terry Brooks. Release Date: August 24, 2010.
“The Ragged Man” by Tom Lloyd. Release Date: August 24, 2010.

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“Mockingjay” by Suzanne Collins. Release Date: August 24, 2010.
"Valley of the Scarecrow by Gord Rollo. Release Date: August 24, 2010.
“Sabotaged” by Margaret Peterson Haddix. Release Date: August 24, 2010.
“A Crack in the Sky” by Mark Peter Hughes. Release Date: August 24, 2010.
“The Black Prism” by Brent Weeks. Release Date: August 25, 2010.
“The Thief-Taker's Apprentice” by Stephen Deas. UK Release Date: August 26, 2010.

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“The Way of Kings” by Brandon Sanderson. Release Date: August 31, 2010.
“Century of the Soldier” by Paul Kearney. Release Date: August 31, 2010.
“The Waters Rising” by Sheri S. Tepper. Release Date: August 31, 2010.
“The Usurper” by Rowena Corey Daniels. Release Date: August 31, 2010.
“A Star Shall Fall” by Marie Brennan. Release Date: August 31, 2010.
“The Sky That Wraps” by Jay Lake. Release Date: August 31, 2010.

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“The Native Star” by M.K. Hobson. Release Date: August 31, 2010.
“Noise” by Darin Bradley. Release Date: August 31, 2010.
“Kell’s Legend” by Andy Remic. Release Date: August 31, 2010 (US Debut).
“Sixty-One Nails” by Mike Shevdon. Release Date: August 31, 2010 (US Debut).
“The Skin Map” by Stephen R. Lawhead. Release Date: August 31, 2010.
“The Lucifer Code” by Charles Brokaw. Release Date: August 31, 2010.

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“Blameless” by Gail Carriger. Release Date: August 31, 2010.
“Game of Cages” by Harry Connolly. Release Date: August 31, 2010.
“Sacrifice” by Dakota Banks. Release Date: August 31, 2010.
“The Clockwork Angel” by Cassandra Clare. Release Date: August 31, 2010.
“Halo” by Alexandra Adornetto. Release Date: August 31, 2010.
“Mysterium” by Robert Charles Wilson. Release Date: August 31, 2010 (Reprint).

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