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OVERVIEW/ANALYSIS: Where The Waters Turn Black by Benedict Patrick has many things going for it. It’s the winner of the best cover in the 2017 SPFBO competition as well as it’s a very unusual cross between Moana & the Brothers Grimm fairy tales. This book while being a standalone is set in the Yarnsworld setting.

I loved Benedict Patrick’s debut They Mostly Come At Night and so I was even more excited when WTWTB was in my lot. The story focusses on Pukotala and the neighboring Atoll islands as it is a veritable paradise with sandy beaches, coconut trees, tropical atmosphere and a laid back people who support themselves by fishing and other coastal activities. In this setting we meet our main character Kaimana who is incredibly talented in music or as the islanders say she has a “Knack” for music. She has spent the last three years traveling with a musical troupe across the islands and has returned to her home in Pukotala to convince her parents that this is the life she wants. Unlike leading a much simpler existence being wed to someone and living as a fisherwoman or the spouse to one.

The first line of this book is “There’s a monster in the village” and it’s from that exciting beginning we find out more about taniwhas or the term that describes the monsters (of various sizes, shapes & temperaments) across the crescent atoll islands. Kaimana tells the toddler who tells her such that there’s no taniwha haunting their village but goes to investigate nonetheless. It’s from this moment onwards that the plot really tightens up and we get to see if there really is a taniwha and the author very smartly alternates every chapter with a retelling of a legend/myth which is local to these islands. Thus the story goes forward and thematically backward as well.

Benedict Patrick is a good writer but the Yarnsworld is truly something exciting as each book has focused on a different part of the world and this story is no different. He builds up an incredible world with the flora and fauna, the sights and sounds, and the legends and the gods as we are completely submersed into a tropical setting. This experience was something that he has done admirable across all three of his Yarnsworld books (having read all three I can attest to this). This story mixes humans, gods, monsters and a whole bunch of legends, I loved this aspect of the story and there’s a couple of gods featured as side characters who might become fan favorites based on their interactions with the main characters.

Overall I would say this book can be read as a standalone but of course if you read it after They Mostly Come Out At Night, you might even see someone from that book make a cameo. Where The Waters Turn Black is a special book in a special series and you definitely need to read this magical story to inject some magic into the mundane everyday life.

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OVERVIEW/ANALYSIS: Night Of The Chalk is another intriguing title that comes with an eye-catching cover. Samuel Gately’s debut introduces us to a world wherein spycraft, dragons, and magic come together in a dangerous pattern. Set in the city of Delhonne and over the period of five nights, the author presents a story that is very much a thriller with strong shades of spy stories mixed in with some good ol’ fantasy leanings.

The story begins with one of our protagonists Cal finds himself on the run from a card game as he finds himself betrayed by his debtors. Things however don’t quite work out the way as planned for his pursuers and Cal is left bloodied but intact. He soon runs into his old friend Aaron Lone who informs him of the upcoming war that will be breaking out soon. Reunited with his friend Aaron after quite a many years, Cal finds himself thrown into a struggle that will need his contacts and Aaron’s skills to master and survive.

This story is a nice action packed story that is set within the city of Delhonne and spaced over the entirety of five nights. What I enjoyed most was that the author really strived to inject some street level smarts and back alley spy battles into the story. While this story also has dragons, they aren’t necessarily the fire breathing monstrosities made famous in Game Of Thrones. Sure they are on the larger side and can potentially exhale fire but they are demonstrated more from a military and policing perspective. The main story is how Aaron & Cal combine their smarts, knowledge and skills to face down an enemy who clearly is stronger and more devious than anyone thinks.

The action sometimes takes a backseat to shadowing and schemes that are crucial to the plot. The author also cleverly uses the city and this environmental factor adds to the claustrophobic conditions of the plot and things are brought to the fore by the various factions fighting on the sly. The blurb mentions an aspect of James Bond’s spy stories and while this isn’t entirely untrue, there’s enough nods and throwbacks to that genre. The plot pace also slowly builds up and then ends on a strong note as the climax unspooled.

Overall this was a story that I enjoyed very much and even brought the sequels when they were released. I want to read more of the intriguing world that Samuel Gately has created and he has marked himself out as a writer to watch out for. Night Of The Chalk is definitely a debut that I would recommend for those looking for something different than the usual cup of action fantasy tales.

Official Author Website
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OVERVIEW/ANALYSIS: Adrian G. Hilder’s debut The General’s Legacy: Inheritance was a fantasy story that stays true to several beloved fantasy tropes and this was a story that does several things in a solid manner.

The story opens up in midst of an epic battle with soldiers, magic and monsters, we get several viewpoints in to this fight and get to meet several prominent characters such as General Garon, Zeivite the mage and the indomitable warrior Quain. Soon after the events of the battle in the prologue, the real story opens up nearly fifteen years later. We get to meet the grandchildren of general Garon and see how crucial the events of the battle were. The plot soon picks up as we are given may POV characters to follow but the main protagonist prince Cory is the one to watch out for.

Like I had mentioned in my short blurb that The General’s Legacy: Inheritance doesn’t do anything extraordinary. What it does quite well is that it focuses on the known tropes in epic fantasy:

1) Fantastical world settings

2) Heroic characters

3) Lots of action, snappy dialogue and rapid pace

This serves the story quite well as the reader will be taken on for quite a thrilling story as they witness Prince Cory doing his best to live up to his grandfather’s legacy and save the kingdom of Valendo from certain ruin. The action is often intense but never gritty, we know that the characters will be making out horrid scenarios with most of their wits and limbs intact. This aspect of the book might not appeal to jaded readers of the fantasy genre but to a younger audience or to readers who keep an open mind will definitely find something to enjoy with this book. The story also ends on a cliffhanger of sorts as I believe the author had to chop of the book into two parts because of its burgeoning length. This aspect is good to keep in mind as the climax isn’t artificially planned but done to better separate the two parts.

Overall this story was very much in line with the earlier books of Terry Brooks, Raymond Feist and to a certain extent by John Gwynne. Focusing on epic action, heroic characters, and an “easy to follow” magic system, Adrian G. Hilder crafts a terrific fantasy story that will have its fans and some detractors as well. I liked what I read and thought his efforts deserved a semifinal spot for its earnestness. The General’s Legacy: Inheritance is a story that will not surprise in terms of its scope but think of it as an excellent brew that you know hits the right spot always.

For the last batch of books, I decided to combine all the remaining ten books into one group and see which books would join the 5 previous semifinalists. So here are my thoughts on all of them:

Miss Landon and Aubranael by Charlotte E. English: ML&A is a delightful story mixing romance and fairytales and the author wonderfully writes these characters who are endearing to say the least. A simple story told with gusto and a truly vibrant cover made this book a worthy read. Plus as a reader who generally doesn’t get hooked by Regency romance plots, this book had me chuckling along and enjoying myself with its flair and pace.

The Heartstone Thief by Pippa DaCosta: The Heartstone Thief was another intriguing title which had a spectacular cover. The story was a dark one and I enjoyed that aspect. The characterization wasn’t spectacular but it kept me intrigued and in the end while I enjoyed the story settings. I didn’t find the plot to be gripping enough and so while I completed the story, it didn’t leave an impact..

The Ballad of Allyn-a-Dale by Danielle E Shipley: This was a unique book with regards to its plot and settings as it mixed the Robin Hood mythos within an urban fantasy setting. The story however was a bit drier than I would have liked and the pace was also on the slower side. Hence this book didn’t work for me.

Shadows for a Princess by Dominique Kristine: This was an epic fantasy book with some really terrific female characters however the plot is more than a bit standard and hence this book didn’t make the cut for me.

The General's Legacy by Adrian G Hilder: Adrian Hilder’s fantasy debut checks all of the boxes that fantasy fans love. Epic action and battle sequences, check. Relatable, heroic characters check. A world filled with magic & intrigue double check. All in all this was a book that while ending on a cliffhanger-ish situation (due to the book being split into two volumes, of which this is the first). I appreciated that the author had given me the heads up about it. This book while not doing anything out of the box, certainly provides a very enjoyable fantasy story. That’s something that every debut author should strive for.

Thunder Hunter by Rachel Medhurst: Thunder Hunter had me excited as it was an urban fantasy which had its roots in norse mythology. The writing style and the main character voice reminded me a lot of Tim Marquitz in terms of action mixed in with the machismo of the main character. However unlike Tim Marquitz’s Demon Squad series, this book didn’t have that flair to carry it across and I lost interest in the middle.

Gods of Color by C.H. Baum: C. H. Baum’s debut effort was a nice mix of dark and epic fantasy and to top it off there was an interesting magic system which reminded me a lot of the one in Brandon Sanderson’s Warbreaker. The book’s pace also helped in this read and it was a dark and strong effort.

Andy McBean and the War of the Worlds by Dale Kutzera: This was such a fun book, I loved the author’s twist on the War Of The Worlds storyline and how he managed to infuse this children’s book with so many antics. Overall this is a book and series which pokes fun at the classic SFF stories and it will definitely have its audiences among the adult and kid audiences.

Haven of Shadows by Ken Lozito: After reading Haven Of Shadows, one thing is imminently clear Ken Lozito certainly knows how to write and write well he does. This book had shades of epic fantasy mixed in with S&S and to top it off the characterization was very engaging. Overall this book had me reading it all the way till the end and I had very few complaints from it.

Night of the Chalk by Samuel Gately : This book was the one whose cover had me intrigued and once I started reading I found there were even more things to make it stand out. Firstly kudos to the author for the world building and for creating a plot that engages the reader to look further for clues. I certainly enjoyed the “less is more” aspect of the author’s writing style as he carefully constructed each chapter to build upon the last and increasing the claustrophic confines of the story. Mixing spy craft, dragons & good writing, Samuel Gately certainly won me over.

Overall within this round, I had quite a few good titles and authors mixed in and it was certainly hard to narrow down my choice to just two titles but I felt that would a fair decision. So the two titles which made the semifinal cut are The General’s Legacy(Part I) and Night Of The Chalk. A tip of my hat to Charlotte English, Dale Kutzera, & Ken Lozito who narrowly missed out.

I’ll be reviewing all the three remaining semifinalists within this week and will be announcing the FBC’s finalist by the middle of next week. Many congratulations to our seven semifinalists as I believe this lot of 30 books had a lot of good titles and I can safely say that this was the group of death in SPFBO 2017

Today’s post is written by Calvo, emperor of Faustia. Here is his meeting with Dayraven the main character, who has just returned to Faustia after fifteen years as a hostage in the rival Magian empire:

Dayraven walked to the edge of the pool and stared across the steaming water at the man aged about sixty on his own, leaning back against the far side of the pool. Emperor Calvo the Great. His beard was silver now.

The emperor seemed to wake out of a daze and peered through the rising steam. ‘Urland? Urland? Can it really be you?’

‘I’m Dayraven, my lord - Urland’s son.’

‘Oh. You’re so like him, even with that touch of southern sun on your face and that beard. I thought for a moment -.’ 

The emperor lent back and gazed upwards through the mist of vapour. ‘We were all young and strong back then. Great days, with Urland at my side - and now his son is here. Welcome back to us, Dayraven.’

You will already be aware that I have issued an edict banning this book, ordering the destruction of every copy in existence and imposing harsh penalties on anyone possessing, producing or distributing a copy. As an “enlightened” ruler, I will explain my reasons.

If widely read, this book would have a damaging effect on the empire. I found this work so offensive that I was unable to even finish the first half of it. However, it is clear from those pages that the author is a paid agent of my enemies and rivals, the Clovian dynasty.

I am shown as an old fool, spending all my time bathing, feeding my pet elephant, gorging on red meat and living in the past, rather than running the empire. I am the emperor, and what kind of empire would it be if I were not free to do as I wish?

The author’s obvious bias towards my Clovian enemies is equally deplorable. In contrast with my unflattering portrait, they are shown as clever manipulators and black magicians, dressed in striking cloaks decorated with golden bees.

You have been warned of my disapproval. This notice to be posted in all public places by my order.

Calvo, regnal year 36. 575 FE.

[NOTE: Despite the above, Emperor Calvo couldn’t resist later reading the entire novel. Fortunately, he then decided that his ban was too severe and revoked it.]

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Official Author Website

Read Fantasy Book Critic's review of The Long Way Down 

Read Fantasy Book Critic's review of The White Gold Score 

Read Fantasy Book Critic's review of Redemption Song 

Read Fantasy Book Critic's review of The Living End 

Read Fantasy Book Critic's review of A Plain-Dealing Villain

Read Fantasy Book Critic's review of The Killing Floor Blues
Read Fantasy Book Critic's review of The Castle Doctrine

Read Fantasy Book Critic's review of Winter's Reach 

Read Fantasy Book Critic's review of The Instruments Of Control 

Read Fantasy Book Critic's review of Harmony Black

Read Fantasy Book Critic's review of Red Knight Falling

Read Fantasy Book Critic's review of Glass Predator
Read Fantasy Book Critic's review of Double Or Nothing
Read Fantasy Book Critic's review of Cold Spectrum

Read Fantasy Book Critic's Interview with Craig Schaefer

Read Fantasy Book Critic's Harmony Black Series Interview with Craig Schaefer

Read Double Or Nothing Cover Reveal Mini-Interview with Craig Schaefer
Read Part I of Fantasy Book Critic's In-depth Interview with Craig Schaefer

Continuing on from yesterday, here's part II of our grand interview with Craig. Herein he talks about the various intricacies of his series, author branding, Tarantino comparisons and more...

Q] All your series have complex female characters. Be they be a protagonist (Harmony, Jennifer) antagonist (Navarasi, Nessa) or even a conflicted character (Caitlin, Hedy, Livia), they are fascinating nonetheless? What’s your thought process in writing such wonderfully complex, yet lethal women?

CS: I would say that it’s the same process I undergo for creating male characters – give them motivation, desires, fears, an inner life – but there’s a little more to it than that.

Female representation is really important to me. I exert that worldview into my books by making sure female characters are the driving force they deserve to be, just like in the real world. They can be heroes, villains...sometimes just figuring out their place in life, like people do. They’ve gotta be real people. My bottom line is, until fleshed-out and complex female characters are considered the absolute baseline expectation for any writer – just like male characters are now – there’s still a lot of work to be done. It should be so common that nobody even notices.

Q] Even though your series embraces a number of urban fantasy tropes, you also have made a rather strong effort to twist reader expectations and keep them entertained. What are your thoughts on these tropes in general and how did you decide what tropes you wanted to utilize and which you didn’t?

CS: Here’s where I make people mad at me, if I haven’t already: I don’t actually like urban fantasy all that much, as a genre. There are some urban fantasy authors doing fantastic work out there and I’m proud to call several of them friends of mine, but the vast majority of the field leaves me cold. I haven’t even read most of the Dresden Files (though I have huge respect for Jim Butcher as an author, which is why I gave him that tiny shout-out in the fourth Faust novel. Couldn’t take my lead character to Chicago and not tip my hat…) What excites me as a writer is the potential that comes from mingling genres – and, well, when I mingle fantasy and anything in the modern world, that makes me an urban fantasy writer.

The early entries in the Faust series are the most traditionally-UF-ish of my books, because I was finding my voice and confidence (I still am, but I’m a little closer now) and I felt like I “had” to adhere to certain tropes for the books to sell; for instance, making Faust a detective-ish character – something I enjoyed poking fun at in The White Gold Score – rather than the occult gangster he was intended to be and has finally blossomed into. At the same time, because I didn’t want to get lost in the shuffle, I set a ground rule that still exists today: no vampires, no werewolves, no fairies.

I largely wanted to avoid the classic “kitchen sink” urban-fantasy issue, where every monster and mythological beastie ever dreamed actually exists, and the gods of every pantheon are dropping by for tea. I feel that this is a case where more is a lot less; supernatural creatures should be rare, cool, special things that have a reason to exist and a defined place in the world. When it comes to deities, make that double. Triple, even.

Q] How much do you let readers’ feedback inform your writing? For instance, one conflicting point about the Harmony Black series was the relationship between Cody & Harmony. Is this something which you factor into your future writings?

CS: I do listen to my readers’ feedback, to an extent. I’m generally of the stance that if one person loves or hates a particular story element, that’s just their particular take. If a thousand readers love or hate a thing, that thing needs to be looked at and evaluated going forward.

Cody came about an inch away from literally getting stuffed in a refrigerator. (And believe me, I would have been smiling when I wrote it.)

That said, at the end of the day, I have to be true to the story I want to tell and there’s some feedback that I just have to decline. The biggest ongoing complaint I get about the Faust series is that people want:
 1) lots more spellcasting, like in every chapter,
2) Faust’s magic to be bumped up to superhero levels, and
3) elaborate exposition on the rules of how magic works.

None of that is ever going to happen. That’s not my setting, that’s not my story. And other writers do a great job with those concepts! There’s definitely a place in fantasy for, for instance, lovingly-defined magic systems with elaborately-structured rules straight out of a tabletop RPG, and some authors can have a ton of fun doing it. I’m just not one of ‘em.

Q] One of my favorite writers James Rollins had mentioned his “rule of five” about when to become a full time writer? You were working your day job when you first few books were released. When did you make the jump to full time writer and with regards to Jim, did you find something similar when you took that leap?

CS: Just about! I hadn’t heard of the “rule of five” at the time, but I did have about five books in the Faust series out when I made the leap to full-time writing. It’s good advice; I wouldn’t suggest anyone do the same (or go into any self-employed endeavor) without that plus a solid nest egg in case of emergencies.

That said, quitting the corporate job was a spur of the moment thing. I was in a job that was killing me (I literally had health complications from stress), and one Saturday I had a long talk with a friend of mine. She asked how much I was making from my books each month, and then she asked what the bare minimum of cash I needed to survive and pay my monthly bills was. Number A was bigger than Number B.

Then she said, “Craig, you’re quitting your job first thing on Monday morning. I’ll be calling at nine to make sure you did it.”

Sometimes we all need a little push from a good friend, to do what needs doing.

Q] Another aspect that’s unique about your book is how diverse it is genre-wise. I mean there are elements of noir, mystery, fantasy, horror, sci-fi, et cetera. Personally, I loved that variety, but for some readers it might be a turnoff. What are your feelings on books that fit firmly into a single classification as opposed to those that are hard to categorize?

CS: Oh, it’s definitely a turnoff for some readers, and it makes marketing a pain in the butt, but like I said earlier – as a writer, that’s where so much potential for excitement lies. Why color inside the lines when you can use the whole page? Cookie-cutter is easy, and easy is the enemy of art. Worse, it’s boring. My number-one job is to entertain my readers, and mixing things up is one of the best weapons in my arsenal.

For instance, the second Faust series arc runs from a jewelry heist, to a prison-break story, to a Vegas mob war. The Harmony series swings from hunting monsters in small-town America to uncovering government conspiracies. I never, ever want a reader to say, “Eh, this book was okay, but it was just like the two I just read.”

To me, characters are key. My objective is to get you into my characters. If I can convince you to love or hate them, all the better, so long as you want to know what happens next and spend some time hanging out with them. Once that’s established, we can have all kinds of fun by mixing up the adventures they inevitably find themselves in, willingly or otherwise. If I can’t hook you with my characters, it doesn’t matter what the plot is or what genre elements I employ, because I’ll lose you as a reader.

Q] For some authors it’s easier writing their second series, while for others it’s more difficult. How was it for you, and did you learn anything when writing the Faust books that helped you prepare for The Revanche Cycle & the Harmony Black books

CS: I made so many mistakes in my early books. So many. Most writers can say the same, I think; no matter how many practice runs you make before your debut novel drops, there’s no escaping the learning experiences in store for you. I’d love to get a giant “do-over” and start from scratch with all I’ve learned since I began, but since life doesn’t work that way, I have to hope readers bear with me.

A lot of that is just style and structure. Figuring out what works, what doesn’t, finding your narrative voice. You can only learn writing by writing (and reading), and you only get better with practice and hard work. I’m still improving, and I hope to keep improving until the day I die.

Beyond the all-important task of finding my voice, the Faust books gave me a precious insight that was vital for the Revanche series, and it’s something I hope every writer discovers: the awareness that I didn’t have to censor myself. Dark as the books are, I had so many “Oooh, I can’t write that” moments where I had to fight to get words down on the page, because I was afraid people would trash the books (or gosh, think bad things about me!)

Yeah, turns out that doesn’t matter. When I got a one-star review calling The Long Way Down “degenerate and vile filth,” sales jumped for two days straight. I gradually realized that an author’s job is honesty; even though the story is fiction, it still has to ring with truth, and that means telling it the way it needs to be told. And for every person who hates it, somebody’s going to love it for the exact same reason. You just have to find your crowd, the folks who dig what you’re laying down, and treasure them like gold.

As far as what people think of me, that also doesn’t matter. The thing is, a writer’s books are a reflection of their inner landscape, and people generally don’t separate art from artist. People are going make whatever assumptions they want about me based on my writing, and I’m cool with that. To quote Pirates of the Caribbean, “…but you have heard of me.”

Q] One of the quirky things I noticed is that you have things in your book which aren’t quite explained. For example I have always wondered what “NP” suffix means when it was mentioned on Faust’s bounty declaration?

CS: I actually cut a joke about that from the original draft.
“It means ‘no problem.’”
“Really?”
“No, but in your case, it probably should.”

Q] You have co-written this short story titled “Sweet, Blissful, Certainty” in  the Urban Allies anthology. Please tell how this collaboration with Steven Saville came to be? How did you guys write this story and will there be touchbacks to this story in the future books?

CS: I was invited to participate in the project by the anthology’s organizer, Joe Nassise. Each story in the anthology was a team-up; I’m not sure how he picked me to work with Steven Saville, but I’m glad he did – Steven is a really cool guy, and never having written a collaboration before, it was a great learning experience. The story was a crossover between the Faust series and his new book Glass Town, hindered slightly by the fact that he hadn’t read my books and Glass Town had been delayed by the publisher, so I hadn’t read his either. So we started with a long, long chat where we briefed each other, gave run-downs of our respective worlds, and brainstormed over a way to bring them together.

After that, we broke the story down into chunks, retreated to write our respective bits, then passed the manuscript back and forth as we worked to try and blend them into a cohesive short. I liked the final result, though I was a little irked that the publisher, wanting a more vague resolution, cut my original ending. As it stands, it’s a weird little piece I consider mostly out of official continuity – there’s a couple of references to heaven, for instance, which doesn’t exist in my setting – but I learned a lot from it and made some new friends.

Q] In some of your previous interviews you have talked about author branding and the experience each of your books provide for the readers and your fans. On your site you have the title “Dark fantasy author” besides your name. Can you talk more about this brand which you are building and why readers should pay attention to it?

CS: People respond to taglines. Mystery author, science-fiction author, etc.; it’s shorthand that lets you know what to expect right off the bat. I write fantasy with dark, non-family-friendly overtones, whether it’s set in modern times or another world altogether, so that seemed like the best way to sum myself up.

Building a brand is all about reader expectations. Stephen King is a great example: whether he’s writing straight-up horror, psychological thrillers or dipping into crime novels, you always know when you’re reading his work. Brand is a mix of recurring themes, a certain style and narrative voice, the elements of a book that transcend the plot. My job, essentially, is to make sure repeat readers know what they’re getting when they pick up a Craig Schaefer novel, and deliver a great, consistent experience every time.

Q] I must confess reading about Justine and Juliette for the first time, they felt a bit Tarantino-esque. Upon learning of their origin of their names, it seemed so spot on. Can you tell us how these two came to be within your imagination?

CS: I’m a huge Tarantino fan, so I consider that great praise indeed. And there’s definitely a link there: while I was working on The Long Way Down, I felt the series was going to need a little comic relief to offset the bleakness. And of course, the humor had to be pitch-black. Specifically, I was thinking of (can I spoil a 20-year-old movie?) the bit in Pulp Fiction when Marvin gets shot in the face. It’s out-of-nowhere, so brutal and so funny, and then you feel bad for laughing, then you keep laughing, and it’s so pitch-perfect with the rest of the movie.

That’s more or less what I aim for with Justine and Juliette. They’re ditzy, they’re snarky, they’re funny, and then you get something like the basement scene in The Living End and you have this realization of holy crap, they’re torturing this guy to death, and this is their idea of a good time. They’re a pair of twin pistols that could go off at any minute, and you can only hope they’re not casually pointed in your face when it happens.

Q] One of the crucial connecting pointers within all your worlds is the presence of the cutting knives in them? Due to one of the revelations in Double Or Nothing with the Woman In Red mentioning her nine daughters. So does this mean there are only nine knives in existence?

CS: There are nine true knives. Various worlds have developed lesser copies and imitations; for instance, most of the Owl’s coven used cutting knives for getting to and from the Dire Mother’s glade, but those weren’t originals (except possibly for the Owl’s, which was handed down from her mother). The true ones are capable of things we haven’t begun to see yet, though people who have read Double or Nothing have a pretty good inkling.

Q] Another of those funny things I’ve noticed two different series is that the Mourner of the red rocks & sisters of the noose both share a resemblance in their dressing and creepy factor? Are they related in any way or was that just a coincidence?

CS: Yep! Not a coincidence: the Mourner is a former Sister of the Noose. She’ll be appearing in the upcoming Wisdom’s Grave trilogy, which will dig a little more into that backstory by the final book (and the Sisters may be making a return, too…)

Q: You have currently two active series, one finished and a new trilogy that you’re working on and will be releasing soon. With so many different projects that you’re juggling, do you ever feel overwhelmed? What keeps you motivated?

CS: The only bit that overwhelms me is keeping all the balls juggling in the right order; I’m a hybrid author, some of my books being self-published while others come out through a publisher, and since they all share a common universe it can make timing seriously tricky. For instance, a Harmony book might get shuffled around on the publisher’s release schedule, and now there’s going to be references to something that didn’t happen yet in the Faust books or vice-versa unless I quickly turn in rewrites.

Motivation, though? That’s easy. This is who I am. Writing is hard work, if you’re doing it right, but it’s also my art. Is there anything better to live for? The process of creation is joy. Putting smiles on my readers’ faces – that’s joy, too. That’s where the real magic is.

Q: Do you have any parting thoughts or comments that you’d like to share with our readers?

CS: Two years ago I became a full-time writer, achieving my lifelong dream. If a jerk like me can do it, then whatever your dream is, you can do it too. Don’t give up.

(Unless your dream is, like, killing a lot of people. Don’t do that. Definitely don’t tell people I said you could do it.)

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