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Blog Archive
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▼
2022
(244)
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▼
May
(24)
- Cover Reveal Q&A: Jackal Of The Mind by Madolyn Ro...
- TLSOMGC Blog Tour: The Last Stand Of Mary Good Cro...
- All the Horses of Iceland by Sarah Tolmie (Reviewe...
- Siren Queen by Nghi Vo (reviewed by V)
- Interview with James Rollins (interviewed by Mihir...
- The Hunger of the Gods by John Gwynne - Review
- Book review: Any Minor World (The Midnight Jury #1...
- Kaikeyi by Vaishnavi Patel (reviewed by Shazzie & ...
- Book review: Mind of My Mind (Patternmaster #2) by...
- SPFBO 8 Introduction Post - meet the Fantasy Book ...
- Book review: Glitterati by Oliver K. Langmead
- The Umbral Storm (The Sharded Few #1) by Alec Huts...
- Ruin by John Gwynne (reviewed by Matthew Higgins)
- Book review: An End to Sorrow by Michael R. Fletch...
- Anna by Sammy H.K. Smith (Reviewed by Daniel P. Ha...
- Introducing Fantasy Book Critic’s Newest Reviewers...
- Book review: Equinox by David Towsey
- The Stardust Thief by Chelsea Abdullah - Review
- Book review: Kagen The Damned by Jonathan Maberry
- Sins Of The Mother Release Interview with Rob J. H...
- Book review: Sea of Tranquility by Emily St. John ...
- Mini-Reviews: No Gods, Only Monsters by Steve McHu...
- Blog Tour: NO GODS ONLY MONSTERS Q&A with Steve Mc...
- EXCLUSIVE COVER REVEAL + Q&A: The Umbral Storm by ...
-
▼
May
(24)
Q]
Welcome to Fantasy Book Critic Madolyn. Can you tell our readers how you came
to be a published writer?
MR: I’ve loved writing
stories since I was a little girl, and have been working on my current series in
my spare time for years. My writers’ group encouraged me to publish, but I did
not want to try traditional publishing for a variety of reasons. Finally, I was
inspired by friends who have self-published to try that route. I’m so glad I
did—I love being part of the self-published fantasy community, and have found
it to be a really warm, welcoming, and supportive environment.
Q] Let’s talk about how Jackal Of The Mind came
to fruition? What was your inspiration for this fantasy story?
MR: My first book, The Copper Assassin, followed a young noble named Gorgo as
he tried to stop an indestructible golem from assassinating the leader of his
city, Wyverna. At the end of the book, he found himself in an uncomfortable
position, conscripted into the city government, where he serves as a menial
clerk. For the sequel, I wanted to explore how he would deal with his new
situation and what he would do next. In particular, I was interested in the consequences
of one of the dramatic moments from the first book, in which Gorgo had
to wage mental combat with the witch Wakár, who can possess others’
minds. I thought that experience would leave him mentally scarred.
So as the second book opens, Gorgo is haunted
by dreams of that combat, and his overriding motivation is to hunt down Wakár
and free himself from her. I have always been fascinated/horrified by mind
control, and the book plays with some of those ideas. Along the way, Gorgo
has to grow, form new alliances, and learn to trust people.
Q]
The artwork for Jackal Of The Mind is very striking. Who is the artist
and how did you develop the cover with them (did you leave them to their own
choices or did you have a specific image in mind)?
MR: I worked with the same
artists who did my first cover, Polar
Engine Studio in Indonesia. They do amazing work. I gave the artist the
basic concept for the cover—I knew I wanted it to feature the book’s villain, Wakár,
and I wanted her to have a monstrous jackal at her side and be in a desert
setting, with a wyvern in the sky. From there, the artist created all the
stunning detail of the scene. I am thrilled with the way he realized the
concept.
Q] This
is listed as book II and so is this a direct sequel to The Copper Assassin? Or
can readers jump in to this book without reading its predecessor?
MR: Jackal Of The Mind follows the same main character as The Copper Assassin, picking up his
story about two months after the last book ends. But it’s a separate adventure
from the first story, and I tried to write it in such a way that it could be
read as a stand-alone. That said, I think people will enjoy it more if they
have also read the first one, as many characters recur in this one and several
incidents from the first book are mentioned.
Q]
Can you share something about the book that is not mentioned in the blurb and
why fans should be excited for this new story?
MR: One of the things I
really wanted to do in this story was develop Gorgo’s character more.
The first book has a breakneck pace, taking place over five days, so in this
one, I gave Gorgo more time and space to grow. His relationships take
center stage and have a lot of nuance. They span the gamut from his friendship
with a very determined six-year-old; his sword training with a man who was once
possessed by Wakár and may not be trustworthy; an uneasy “frenemy”
alliance with a ruthless smuggler; and a romance with an enigmatic sorceress.
I’m really pleased by the depth of emotion and character development in this
one. There’s also a lot of action and sword-fighting, so I hope it strikes a
good balance!
Q]
Can you tell us more about the world that The Tales of Wyverna series is set
in? What are the curiosities (geographical, mystical, etc.) of this world?
MR: The series started
with the concept of a society of outcasts. In a medieval fantasy world, all the
people rejected from their own countries—rebels, criminals, sorcerers—flee and
establish their own culture, which eventually becomes the city-state of
Wyverna. Wyverna is a coastal city, and its people survive by piracy. As a
result, they become feared and powerful. I love writing about this vibrant
culture that is a melting pot of different groups that often clash, with many different
types of magic co-existing. Oh, and there are dragons—Wyverna gets its name
from the wyverns who live in the mountains behind the city.
Q] For someone who has not read any of your
novels, how would you describe the type of stories that you write?
MR: In one way I think I write somewhat old-fashioned fantasy novels,
classic sword-and-sorcery. My style was influenced by series like Fritz
Leiber’s Fafhrd and Gray Mouser, and Zelazny’s Nine Princes in Amber. I love a world
filled with magic and fantastical happenings. But my books also have modern
elements—for example, men and women have equal status in Wyverna, so there are
lots of powerful female warriors and leaders, including the leader of the city,
the Warlord. Wyverna society is also very open and accepting of different
sexualities, races, etc. Above all, I like to tell character-driven stories
that delve into the emotional journeys of the characters. I want them to feel like
real people, even when wild things are happening to them.
Q] In
closing, do you have any parting thoughts or comments you would like to share
with our readers?
MR: I would like to
mention another project I’m involved in, the upcoming anthology The Alchemy
Of Sorrow, put together by Virginia McClain. This is a collection of
fantasy and sci-fi stories exploring the landscape of grief and hope. I
contributed one of the 13 stories. The stories tackle themes like loss,
recovery, redemption, and sacrifice, and were written by an incredibly talented
group that includes many SPFBO finalists and best-sellers. Having read them
all, I can say these stories are really something special, taking a variety of
creative approaches and packing an emotional punch. I’m so excited to be part
of this amazing project, and I encourage people to check it out when the
anthology comes out this fall.
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