Book links: Amazon, Goodreads

ABOUT THE AUTHOR: Philip Fracassi is the Bram Stoker and British Fantasy Award-nominated author of the novels Don’t Let Them Get You Down, A Child Alone with Strangers, Gothic, and Boys in the Valley. His upcoming books include the novels The Third Rule of Time Travel, The Autumn Springs Retirement Home Massacre, and Sarafina.

Publisher: Tor Nightfire (September 30, 2025) Page count: 416 Formats: audiobook, ebook, paperback 

I loved this book. 

The Autumn Springs Retirement Home Massacre is, basically, a slasher horror set in a retirement home. 

Rose DuBois is a fantastic protagonist. She’s in her late seventies, but still sharp, and tired of nonsense. She's also a little lonely, and carrying a lifetime of quiet damage she doesn’t talk about much. When residents at Autumn Springs start dying, she first mourns her friends. That's the thing with a retirement home - people die there all the time. But with deaths piling up, Rose decides to investigate.

The book is quick to read thanks to shot chapters and brisk pacing. I also enjoyed the setting. Life in Autumn Springs revolves around schedules, medications, compromises, and small social ecosystems. People know each other’s habits. They notice when someone doesn’t show up. They also know how easy it is for a death to slide by unquestioned. That tension between community closeness and institutional indifference plays an important role.

Since it's a slasher, you know there'll be violence. It's not extreme or gratuitous, but characters you'll root for will die. The violence isn’t goofy or exaggerated. It’s ugly, abrupt, and often sad. The story switches between cozy-ish mystery and slasher brutality. The investigation side, mostly driven by Rose and her friend Miller, is fun and their relationship adds warmth without tipping into sentimentality. Then the killings arrive and snap that comfort in half. The violence isn’t goofy or exaggerated. It’s ugly, abrupt, and often sad. I'll emphasize that Fracassi respects his characters too much to treat them as fodder. Most deaths sting, true, but they're well written.

The mystery holds together. You’re given enough to speculate without being led by the nose, and suspicion moves as new information comes out. The eventual reveal makes sense. There’s a light supernatural touch to it that some readers may wish were either pushed further or cut entirely. 

You’ll like this if you prefer horror character-driven and if you enjoy mysteries where character matters more than clever twists, and if the idea of a slower, observant final girl appeals to you.